frieze london preview 2025 1234756143

The 23rd edition of Frieze London opens next Wednesday with its VIP preview in Regent's Park, featuring 168 galleries from 43 countries. The fair arrives amid a subdued art market, with dealers favoring conservative, recognizable works by established names rather than betting on younger artists. Notable presentations include Modern Art showing Sanya Kantarovsky's stoneware sculptures, Lehmann Maupin presenting Do Ho Suh's translucent installations, and Gagosian featuring Lauren Halsey's sculptural tribute to South Central Los Angeles. Hauser & Wirth highlights rising star George Rouy alongside other artists, while White Cube focuses on the natural world with works by Marguerite Humeau, Howardena Pindell, and Sara Flores.

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The Guggenheim Museum has announced its 2026 exhibition lineup, headlined by a Carol Bove survey filling the entire Frank Lloyd Wright–designed rotunda from March 5, 2026. The show, curated by Katherine Brinson, spans 25 years of Bove’s work, including early drawings and her signature twisted metal sculptures. Following Bove’s exhibition, Taryn Simon will take over the rotunda from September 18, 2026, to March 2027, with a photo-based installation that invites visitors to navigate a "whirlwind" of images. Additionally, a group show titled "Guggenheim Pop" will feature Pop art icons like Roy Lichtenstein, Andy Warhol, and Claes Oldenburg alongside contemporary artists such as Maurizio Cattelan, Lucia Hierro, and Josh Kline.

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Art Basel dealers recall the fair's early days, from its founding in 1970 by Swiss dealers Ernst Beyeler, Trudl Bruckner, and Balz Hilt to its evolution into a global powerhouse with editions in Hong Kong, Miami Beach, Paris, and soon Qatar. Veterans like David Fleiss of Galerie 1900-2000, Thaddaeus Ropac, Iwan Wirth of Hauser & Wirth, and Dominique Lévy of Lévy Gorvy Dayan share personal anecdotes, including chaotic customs incidents, childhood memories, and the fair's shift from a Eurocentric gathering to the world's premier art fair.

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Several international curators and museum directors, including Connie Butler of MoMA PS1, Carolyn Christov-Bakargiev, Julieta Gonzalez of the Wexner Center for the Arts, and Madeleine Grynsztejn of MCA Chicago, selected artworks that they believe define 2025. Highlights include Ayoung Kim's video installation 'Delivery Dancer’s Arc: 0º Receiver' (2024), Beeple's 'Regular Animals' premiered at Art Basel Miami Beach, and Kerry James Marshall's painting 'Haul' (2025) from his retrospective at the Royal Academy of Arts. Julieta Gonzalez also pointed to a broader constellation of practices emphasizing collectivity, ecological thinking, and Indigenous cosmologies rather than a single emblematic work.

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Adrien Brody, fresh off his second Best Actor Oscar for *The Brutalist*, opened his first art exhibition in nearly a decade at Eden Gallery in New York. Titled "Made in America," the show features large-scale mixed-media paintings, a sound installation, and an interactive gum wall. The event drew a Hollywood-style crowd, with Brody mingling with guests and discussing his lifelong art practice, which he says preceded his acting career.

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Art Basel Paris is undergoing a major transformation for its third edition, officially rebranding from 'Paris+ par Art Basel' and moving into the newly renovated Grand Palais. The historic venue, fresh from a $500 million restoration, allows the fair to expand its footprint by 26 percent, hosting 194 galleries compared to last year's 154. The move includes the opening of the ornate balconies for emerging galleries and a new sector called Premise, signaling the fair's transition from a successful 'preamble' to a permanent fixture in the French capital.

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Art Basel returns to its Swiss namesake city from June 19 to 22, with VIP previews on June 17 and 18. The article recommends stepping outside the fair to explore top-tier exhibitions across Basel, including Ernst Ludwig Kirchner's rediscovered painting 'Tanz im Varieté' (1911) at Kunstmuseum Basel, a major survey of Medardo Rosso at the same museum, and a solo show by Thomas Ott at Cartoonmuseum Basel. It also highlights Clearing gallery's off-site project 'Maison Clearing' in a private house with works by over 40 artists.

Filthy fossil fuels, a dizzying debut and the ominous side of the moon – the week in art

The Guardian’s weekly art roundup highlights the opening of 'Extraction' at Jupiter Artland, an exhibition featuring artists like Marguerite Humeau and John Gerrard that explores the environmental impact of fossil fuels. Other notable UK openings include Michaela Yearwood-Dan’s museum debut at The Whitworth, a survey of Paula Rego’s drawings at Victoria Miro, and a showcase of Thérèse Oulton’s textured landscapes at Vardaxoglou.

high line art and chanel culture fund kick off partnership with rising star frank wang yefeng 1234749048

High Line Art and the Chanel Culture Fund have launched a partnership to co-commission rising artists working in digital and time-based media for High Line Originals, a film series hosted at the High Line Channel in Manhattan. The fourth cycle begins September 10 with the premiere of Frank Wang Yefeng's "Groundless Flower – ཨ" (2025), and the program shifts from a biannual to an annual commissioning cycle. Additional U.S. premieres by Cao Fei, Lu Yang, and Jakob Kudsk Steenson will screen on September 8 and 9, with a group show featuring Petra Cortright in November 2025.

art basel hong kong 2026 exhibitor list announced 1234761975

Art Basel Hong Kong has announced its exhibitor list for the 2026 edition, featuring 240 galleries from 42 countries and territories, roughly the same size as last year's 242 galleries. The fair runs March 27–29 at the Hong Kong Convention and Exhibition Centre, with preview days on March 25–26. New additions include 32 first-time exhibitors from Australia, Japan, Turkey, France, Germany, and the US, while 33 galleries from the previous edition are absent—some due to closures (Blum, Clearing, Kasmin) or acquisitions (Millan bought by Almeida & Dale). A new sector called Echoes will showcase works created in the last five years, and the Encounters sector will be curated by a team led by Mami Kataoka. Media artist Ellen Pau will oversee the film program for the first time, and Shahzia Sikander has been commissioned to create a public artwork for the M+ Museum facade.

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On September 22, the Centre Pompidou in Paris closed for a five-year renovation, marking the occasion with a daytime fireworks display titled “The Last Carnival” by Chinese artist Cai Guo-Qiang. Organized with White Cube gallery and set during Art Basel Paris, the three-act gunpowder spectacle—The Banquet, The Dawn of AI, and The Last Carnival—was conceived using Cai’s custom AI model, cAI™, and turned the museum’s façade into a monumental painting.

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Jordan Wolfson's new virtual reality artwork "Little Room" at the Fondation Beyeler in Basel, Switzerland, immerses participants in a multi-stage experience that begins with a full-body scan and proceeds to a VR encounter designed to be "morally and emotionally challenging." The piece combines elements from Wolfson's earlier puppet-based works with his notorious VR piece "Real Violence" (2017), which sparked controversy at the Whitney Biennial for depicting a brutal beating. Participants are paired, scanned, and guided through the experience by assistants, with early reactions suggesting the work provokes strong emotional responses.

frieze london frieze masters 2025 exhibitor lists 1234744374

Frieze has announced the exhibitor lists for its two concurrent October fairs in London: Frieze London and Frieze Masters, which will run from October 15 to 19 in Regent's Park. Frieze London will feature around 160 galleries, including blue-chip names like Gagosian, Pace, Hauser & Wirth, and David Zwirner, alongside 58 London-based galleries. Frieze Masters, with some 120 exhibitors, will be the first edition under the direction of Emanuela Tarizzo. Curated sections include Artist-to-Artist at Frieze London, where artists nominate peers, and Spotlight at Frieze Masters, organized by Valerie Cassel Oliver. Frieze Sculpture, curated by Fatoş Üstek, will run from September 17 to November 2 in the English Gardens.

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Pace Gallery and Judin Gallery have opened a shared exhibition space in a converted 1950s gas station in Berlin's Schöneberg neighborhood, just ahead of Gallery Weekend Berlin. The venue, known as Die Tankstelle, was previously a museum dedicated to German artist George Grosz. Pace rents half the space from Judin founder Juerg Judin, with both galleries sharing operational costs. For the inaugural shows, Judin is exhibiting works on paper by Tom of Finland downstairs, while Pace shows works by Jean Dubuffet, Jean-Michel Basquiat, and Robert Nava upstairs. The galleries will alternate exhibitions, each mounting about three per year.

ADAA Art Show 2016 Review

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The Art Dealers Association of America (ADAA) kicked off Armory Week with its 2016 edition of The Art Show at the Park Avenue Armory. The fair is characterized by a high concentration of solo-artist presentations, featuring a diverse range of works including Milton Avery's paintings, Jasmin Sian's intricate paper deli bags, and Deborah Butterfield's bronze horse sculptures. Notable highlights include Maria Elena González’s player piano rolls based on birch bark patterns and a strong showing of female artists like Gillian Wearing and Mary Bauermeister.

here are 11 must see gallery shows this armory art week 2529767

Artnet News highlights 11 must-see gallery shows during Armory Art Week in New York City, running from September 5 to October 26, 2024. Featured exhibitions include Gina Beavers' 'Divine Consumer' at Marianne Boesky Gallery, where she presents semi-sculptural relief paintings inspired by internet blankets and towels; Jenny Holzer's 'Words' at Sprüth Magers, showcasing her text-based works from the 1980s to present, including a new AI-generated LED installation; 'Radical Artists of the 1960s/1970s: Between Geometry and Gesture' at David Nolan, featuring works by Barry Le Va, Bruce Nauman, and others; and Stephen Thorpe's 'Dream House' at Dimin, with oil paintings of interiors merging into dreamlike landscapes.

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Artist Christian Marclay is interviewed at Berlin's Neue Nationalgalerie ahead of his exhibition "The Clock," a 24-hour single-channel video installation that runs through January 25, 2026. The artwork is a meticulously edited collage of film clips, each showing a timepiece or time-related action, synchronized in real-time so that the film's time matches the viewer's actual time. Marclay discusses his long-standing interest in time, the project's origins in the early 2000s, and his process of deconstructing and linking found footage, emphasizing the crucial role of sound in smoothing transitions.

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Artnet News's Wet Paint column announces Brian Belott's upcoming exhibition "Upside Down Zebra" at the Watermill Center in Water Mill, Hamptons, opening next week. The show features over 400 artworks made by children under age 6, including offspring of Willem de Kooning and Henry Miller, alongside 40 response pieces by contemporary artists like Robert Nava, Chris Martin, Darren Bader, Katherine Bernhardt, Carroll Dunham, and Christopher Wool. Belott draws from the archive of educator and psychologist Rhoda Kellogg, who collected over two million children's drawings, organizing works by her 20 types of scribbles.

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Jordan Wolfson's latest virtual reality artwork, *Little Room* (2025), debuted at the Fondation Beyeler in Basel during Art Basel. The piece requires participants to undergo a full-body scan using 96 cameras, creating a detailed 3D model that is uploaded into a VR environment. Once inside, pairs of participants find they have swapped bodies, experiencing a disorienting and intimate encounter where they watch their own body being controlled by another person. The work involves a lengthy, ritualistic queue and a twelve-minute VR session that explores themes of identity, voyeurism, and technological mediation.

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A new exhibition at Hauser & Wirth's Basel location, timed to Art Basel, reexamines the legacy of Swiss artist Meret Oppenheim, 40 years after her death. The show aims to move beyond her famous 1936 work *Object (Breakfast in Fur)*, presenting the full breadth of her practice across sculpture, painting, readymades, and wearable art. Curated by Josef Helfenstein, the exhibition positions Oppenheim as a multifaceted artist who resisted the labels of Surrealist muse and pop star, highlighting her irreverent, medium-defying approach.

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Ghanaian artist Ibrahim Mahama has transformed the lakeside terrace of London's Barbican Centre with a monumental textile installation titled "Purple Hibiscus" (2023-24). The work, measuring 6,560 square feet, is made from handcrafted pink and purple fabric adorned with approximately 130 traditional ceremonial robes called batakaris, sourced from communities in Tamale, Ghana. Mahama collaborated with a network of local women weavers and employed around 1,000 workers to produce the piece over seven months, using Tamale's Alui Mahama sports stadium as a workspace. The installation is part of the Barbican's exhibition "Unravel: The Power and Politics of Textiles in Art."

james francos terrible nude paintings of seth rogen get gallery show updated 12640

James Franco has created a series of nude paintings of his friend and fellow actor Seth Rogen, based on a 2011 book of fan art by Christopher Schulz. The works, rendered in acrylic over graphite illustrations, include sexually provocative phrases and are slated for exhibition at OHWOW gallery in Los Angeles, despite earlier confusion about a show at Pace Gallery. The paintings have drawn criticism online for alleged homophobia and plagiarism, adding to Franco's recent legal troubles.

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Art Basel's Unlimited sector opened on Monday at the Messeplatz in Basel, featuring 70 large-scale projects selected from 93 galleries. Curated by Giovanni Carmine, the showcase includes works such as Agnes Denes' wheat field installation, Mario Ceroli's peace-themed flags, Christo's wrapped Volkswagen Beetle (priced at $4 million), and pieces by Lutz Bacher, Alex Da Corte, and Anna Uddenberg. VIP collectors and museum directors, including Paul Ettlinger and Chris Dercon, were among the first attendees, with galleries using early social media posts to signal status and generate buzz.

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Artist Oscar Yi Hou curated the group show "Deviations" at James Fuentes gallery in Tribeca, featuring 12 queer and trans artists including Juliana Huxtable, Martine Gutierrez, and Ser Serpas. The exhibition, on view through May 7, includes works by Yi Hou himself and explores themes of hybridity, queer intimacy, and the illusion of function through sculptures and paintings. Yi Hou, a 26-year-old breakout star on the gallery's roster, previously had a highly successful solo show "The Beat of Life" in November, with works acquired by institutions like the Brooklyn Museum.

‘Of course I accepted!’ Angel Otero on Bad Bunny – and bringing some Puerto Rican flair to Somerset

Angel Otero, a Puerto Rican artist based in Somerset, discusses his emotional collaboration with musician Bad Bunny on the stage set "La Casita" for his 31-show residency in Puerto Rico. Otero's new solo exhibition at Hauser & Wirth Somerset features large-scale, semi-abstract paintings that draw from his childhood memories in Santurce, San Juan, including motifs like a pink vanity cabinet, birdcages, and a turbulent sea. His signature technique involves applying paint skins—dried sheets of oil paint on Perspex—to canvas, creating layered, sculptural surfaces. The show includes a diptych based on a photograph of Otero and his grandmother, marking his most figurative work to date.

California’s High Desert Is Rich With Natural and Artistic Beauty—All Amplified by a Budding Art Fair

The fifth annual High Desert Art Fair (HDAF) took place at the Pioneertown Motel in California's High Desert, featuring 20 galleries, nonprofits, studios, and publishers. Founded by Nicholas Fahey of Fahey/Klein Gallery and artist manager Candice Lawler, the fair leverages the area's existing artistic community and natural beauty to attract visitors from Los Angeles and beyond.

Controversial Painter Georg Baselitz Knew His Venice Show Would Be His Last. He Went Out Quietly.

Six days after Georg Baselitz's death, his dealer Thaddaeus Ropac opened "Eroi d'Oro" ("Heroes of Gold") at the Fondazione Giorgio Cini in Venice. The exhibition features the final paintings Baselitz made before he died in April at age 88. In a prerecorded film, Baselitz calls these works his "last paintings," intended as a summation of his six-decade career. The large-scale, gold-ground paintings depict thin, ink-like figures of himself or his wife Elke lying horizontally, floating in undefined space. Baselitz connected the gold grounds to Fayum mummy portraits, Sienese altarpieces, and Byzantine icons, using them to absorb space and create a shadowless, eternal condition.

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Japanese artist Yuko Mohri has gained international acclaim for her kinetic, sound-based installations that utilize decaying organic matter and found objects to create unpredictable ecosystems. Her recent presentation at the 2024 Venice Biennale's Japanese Pavilion featured sculptures powered by the electrical currents of decomposing fruit and water systems that embraced the pavilion's porous architecture, even during torrential rain.

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At Art Basel Miami Beach 2025, Los Angeles–based gallery Commonwealth and Council is distributing a stack of posters featuring Andrea Fraser's latest project, *Lexicon* (2025). The work reproduces a list of approximately 200 words that have been banned or censored under the Trump administration, originally published in the *New York Times* in March 2025. The list includes terms related to diversity, equity, and inclusion (DEI), such as “racial diversity,” “activism,” “women,” and “they/them.” Fraser, known for her institutional critique works like *Museum Highlights: A Gallery Talk* (1989), created *Lexicon* as a direct response to executive orders terminating DEI programs and the subsequent preemptive censorship by federal agencies. She describes the project as an affirmation of art's role in fighting censorship, and it is linked to her ongoing research on museum boards and political donations.

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Naotaka Hiro's latest paintings, on view at Bortolami gallery in New York through November 1, were inspired by a harrowing experience seven years ago when he discovered a stranger living in the crawlspace beneath his Los Angeles home. Hiro now creates his works by lying supine with his canvas suspended just 13 inches above his body—the exact height of that crawlspace—often cutting holes through the canvas and wrapping it around himself with ropes to paint from all angles. The resulting abstractions, filled with forms resembling plants, fish gills, and veins, function as a 360-degree body scanner and a form of self-exploration.