Thousands of worshippers gathered at Lakemba Mosque in south-western Sydney to celebrate Eid al-Fitr, marking the end of Ramadan. The event, one of Australia's largest Eid gatherings, saw families and individuals congregating at dawn for prayers and community festivities.
The Houston Center for Contemporary Craft (HCCC) has opened the exhibition 'Clutch City Craft,' which explores the craft traditions and material cultures that define Houston. The show features a diverse range of making practices, from mosaic street signs and cowboy boot making to fiber artists involved in aerospace design, framing the city's creative density as an extension of its industrial identity.
The Phoenix Art Museum has announced a major upcoming exhibition titled "Nike: Form Follows Motion," scheduled to run from April 14 to September 26, 2027. Jeremy Mikolajczak, the museum’s director and CEO, unveiled the project during a presentation to the Phoenix Economic Development and Arts Subcommittee, describing it as one of the most significant milestones in the institution's upcoming schedule.
The Children’s Museum of Pittsburgh has launched a major interactive exhibition dedicated to the work of the late author and illustrator Eric Carle. The showcase features immersive environments based on five of Carle's most famous collage-based books, including "The Very Hungry Caterpillar," designed to engage young visitors through tactile and visual storytelling.
The American Academy of Arts and Letters has unveiled a unique exhibition curated by its own members, designed to function as a contemporary "Cabinet of Wonders." The show features a diverse array of works that interact with the institution’s idiosyncratic permanent collections, blending historical artifacts with modern artistic responses. By mining the Academy's own archives and storage, the participating artists have created a dialogue between the prestigious organization's past and its present creative output.
The American Museum of Natural History in New York has launched a new ongoing exhibition dedicated to the legacy of its most prolific fossil hunters. The display specifically highlights the contributions of Mark Norell and his colleagues, showcasing the significant paleontological discoveries that have shaped the museum's world-renowned collection.
The Indianapolis Contemporary (ICon) has officially opened its doors in a transformed 40,000-square-foot former dairy barn, signaling a bold new chapter for the city’s arts scene. This non-collecting institution aims to dismantle the traditional, often sterile museum experience by integrating live music, social spaces, and a rotating roster of site-specific installations that prioritize community engagement over historical preservation.
Emily Rauh Pulitzer, the founder of the Pulitzer Arts Foundation, has curated a significant exhibition featuring approximately 85 works drawn from her personal collection and the foundation's holdings. The show emphasizes her long-standing preference for sculpture and drawing, showcasing a refined selection that reflects her decades of experience as a veteran curator and dedicated patron of the arts.
Cultural institutions across the United States are launching a series of exhibitions and preservation projects to commemorate the centennial of Route 66. From the Smithsonian’s National Museum of American History to local galleries along the 2,448-mile corridor, these programs examine the highway's evolution from a vital migration artery to a kitschy symbol of Americana. The initiatives aim to provide a nuanced look at the road’s history, including the experiences of marginalized travelers who relied on the Green Book to navigate segregated landscapes.
The article explores the ancient origins of astrology, tracing its foundational concepts to Babylonian, Egyptian, and classical civilizations. It details how these early cultures developed complex systems of celestial observation and interpretation that predate modern horoscope apps and the contemporary astrology industry.
The New York Times explores the enduring influence of Shaker design on contemporary artists and designers, highlighting how its principles of simplicity, utility, and spiritual integrity resonate in today's world. The article features creators like furniture maker Thomas Moser and ceramicist Mary Law, who draw directly from Shaker aesthetics of plainness, proportion, and honest craftsmanship.
The article announces and describes artist Peter D. Gerakaris's exhibition "Oculus Serenade," which features a collection of vibrant tondo (round) paintings, works on paper, and mosaic artworks. Gerakaris's work merges microscopic and macroscopic perspectives, focusing on motifs from the natural world such as endangered botanicals, exotic birds, and aquatic life, inspired by his firsthand experiences in diverse ecosystems. The exhibition's centerpiece is a four-foot diameter "Orchid Oculus Tondo," surrounded by hand-embellished prints and a cut-glass mosaic, with the artist's process described as a form of "visual jazz." The article also notes Gerakaris's interdisciplinary practice, his previous projects including a permanent installation at the Berkshire Botanical Garden, and details for an upcoming artist's reception at the Cornwall Library.
The USC Fisher Museum of Art is hosting the "Freedom Plane National Tour: Documents That Forged a Nation," a traveling exhibition of rare founding-era documents from the U.S. National Archives. The show, which runs through May 3, includes items such as a rare engraved copy of the Declaration of Independence, the Treaty of Paris (1783), and a Senate markup of the Bill of Rights (1789). USC is the only university stop on the eight-city national tour, and the documents arrived in Los Angeles on a special Boeing 737. The exhibition has drawn history students, faculty, and the public, with USC Distinguished Professor Peter C. Mancall bringing his class to study the documents up close.
The Anton Art Center in Mount Clemens, Michigan, is presenting two winter exhibitions: the Michigan Annual LIII, featuring over 50 works from 35 artists across the state, and “Heartwork,” a themed show with nearly 40 works from 30 local artists. The Michigan Annual, now in its 53rd edition, received a record 390 submissions, making it the most competitive yet. The exhibitions run from January 31 to February 28, with an opening reception and awards ceremony on January 31.
The Scene Art Gallery is hosting an open house spotlight show titled “Exploring the Canvas,” featuring works by over 50 local artists from Georgia. The family-friendly event offers complimentary admission, with food, wine, live music, and opportunities to meet the artists, and encourages art purchases as part of a holiday “Art of Giving” initiative.
Absa Group has announced that Eric Joe Gayi, an Absa L’Atelier 2023 Ambassador, will open his solo exhibition *Breaking the Norm* on November 1, 2025, at The Summit Residences in Naguru, Kampala, in collaboration with Amasaka Gallery. The show features intricate ballpoint pen drawings exploring Afro hair as a symbol of identity, resistance, and cultural pride, using blue figures to represent conformity and black figures with honeycomb textures to symbolize authenticity and resilience against Eurocentric beauty standards.
Colnaghi, the world's oldest surviving art dealership founded in 1760, will open a new outpost in Riyadh, Saudi Arabia, following a deal with Saudi private equity firm Sarat Investment Holding worth 10 million Saudi riyals (around £2 million). The London-based gallery, which specializes in Old Masters, antiquities, and pre-20th century art, already has locations in New York and Madrid. The opening date has not been announced, but the move marks the first time an Old Master gallery has entered the Saudi market, a surprising development given that most art sales in the kingdom focus on modern and contemporary works.
Colnaghi, the world's oldest surviving art dealership founded in 1760, will open a new outpost in Riyadh, Saudi Arabia, following a deal worth 10 million Saudi riyals (around £2 million) with the Saudi private equity firm Sarat Investment Holding. The gallery, which specializes in Old Masters, antiquities, and pre-20th century art, already has locations in London, New York, and Madrid. The opening date has not been announced, but the move marks the first time an Old Master gallery has entered the Saudi market, a surprising development given that most art sales in the kingdom focus on Modern and contemporary works.
Il mito di Sandokan in mostra a Monza tra storia e immaginario. Parola ai curatori
A new exhibition titled "Sandokan. La Tigre ruggisce ancora" has opened at the Reggia di Monza, exploring the enduring myth of the fictional pirate Sandokan, who first appeared in Italian serialized fiction in 1883. Curated by Francesco Aquilanti and Loretta Paderni, the show brings together ethnographic materials, costumes from the 1970s television series, weapons, books, illustrations, and archival items, including the original Dayak collection donated by Sir Charles Brooke to the King of Italy. The exhibition traces Sandokan's evolution across literature, comics, film, and television, presenting him as a layered, ambivalent hero—both ruthless pirate and justice fighter—whose story remains relevant today.
A Torino c’è un confronto tra maestri: la mostra di Beato Angelico e Bartholomeus Spranger
The Musei Reali in Turin has unveiled a specialized study exhibition titled "Beato Angelico negli occhi di Bartholomeus Spranger," which brings together two versions of the Last Judgment. The show features the return of Beato Angelico’s "Madonna of Humility" to Turin, accompanied by his "Last Judgment" on loan from the Museo di San Marco in Florence. This masterpiece is displayed alongside a later interpretation of the same subject by the Flemish Mannerist Bartholomeus Spranger, painted over a century later.
L’intelligenza artificiale come macchina perturbante è in mostra in un rifugio antiaereo di Firenze
Artist and philosopher Francesco D’Isa presents "Latent Rooms" at Rifugio Digitale, a gallery located within a former air-raid shelter in Florence. The exhibition features video works created using generative AI models like Midjourney and Seedance 2.0, which D’Isa manipulates to create dreamlike, glitch-heavy sequences. Rather than aiming for cinematic realism, the artist embraces the technical errors and "hallucinations" of the AI, resulting in an aesthetic that blends Renaissance beauty with haunting, domestic melancholy.
È morto il filantropo e mecenate Emmanuele Emanuele. Fautore a Roma degli spazi museali di Palazzo Sciarra e Palazzo Cipolla
Emmanuele Francesco Maria Emanuele, a prominent Italian philanthropist, jurist, and patron of the arts, has passed away in Rome at the age of 86. Born in Palermo, Emanuele dedicated the latter half of his life to cultural promotion, most notably serving as the President of Fondazione Roma and the Fondazione Terzo Pilastro – Internazionale. His leadership was instrumental in transforming Rome's Palazzo Sciarra and Palazzo Cipolla into significant museum spaces, hosting both permanent collections and major temporary exhibitions.
Dal fumetto alla tv: la mitica Mafalda di Quino diventa una serie animata
Netflix has announced a new animated series based on the iconic comic strip Mafalda, directed by Academy Award-winner Juan José Campanella. Produced by Mundoloco CGI, the project coincides with the 60th anniversary of the character's debut and marks a transition from the traditional black-and-white print medium to a dynamic, colorized digital format. The series aims to preserve the sharp social commentary and rebellious spirit of the original illustrations created by the late Argentine cartoonist Quino.
Una biblioteca di sensazioni a Roma nella mostra di Gabriele Simei. L’intervista
Artist Gabriele Simei has transformed the VOLUME! art space in Rome into an immersive installation titled "LABiblioteca Sottotevere." Curated by Silvano Manganaro, the exhibition features metal sculptures shaped like books, alongside found objects such as old lace, blankets, and tools. Simei uses acid to etch the textures of leaves gathered from the banks of the Tiber River and vintage textiles onto iron and brass plates, creating a "library of sensations" that bridges the gap between nature and domestic memory.
La vulnerabilità vista dallo sguardo di due artiste in mostra in Romagna
The Galleria d’Arte Contemporanea Vero Stoppioni in Santa Sofia is hosting "Corpi invisibili, fuori controllo" (Invisible Bodies, Out of Control), a dual exhibition featuring artists Claudia Amatruda and Carla Giaccio Darias. Part of the broader "Un Problema del Genere" festival, the show explores the concept of vulnerability through contrasting artistic methods. Amatruda utilizes photography, sculpture, and video to depict bodies in risky, natural environments that highlight relational dependency, while Giaccio Darias uses archival imagery and painting to present fragmented, anatomical forms that challenge the viewer's gaze.
Collezionista di design e moto ha aperto un museo dedicato alla Vespa Piaggio a Milano: esemplari unici di 80 anni fa
Former Ikea executive Stefano Biffi has transformed a 700-square-meter former tire workshop in Milan into "My Vintage," a private museum and event space housing one of the world's most significant collections of Piaggio Vespa scooters. The venue features rare specimens from the 1940s, 50s, and 60s, including original 1946 models displayed without kickstands to reflect the muddy road conditions of post-war Italy. The space is designed to be a sustainable cultural hub, offering guided tours alongside rentals for events, film shoots, and ceremonies.
The major retrospective ‘Out of Place’ at ART AFRICA showcases over 200 images by South African photographer Jo Ractliff, spanning four decades of her career. The exhibition traces Ractliff’s evolution from her early 1980s street photography to her mature, atmospheric landscapes that examine the scars of colonialism, apartheid, and regional conflicts in Southern Africa. By focusing on the 'afterlife' of violence rather than the events themselves, the collection highlights her unique ability to capture how history sediments within the physical terrain.
The Minnesota Museum of American Art in St. Paul has opened “Queering Indigeneity,” a new exhibition curated by Penny Kagigebi with supporting curator Ben Gessner. Featuring works by 16 queer and two-spirit Indigenous artists, the show includes a birch bark basket by Kagigebi, a glass mosaic by Sharon Day, beaded soundwave portraits by Ryan Young, and textile works by Delia Touché. The exhibition opens Thursday in the Nancy and John Lindahl Gallery and places LGBTQ+ and two-spirit Native artists at the center of the narrative.
The Minnesota Museum of American Art in St. Paul has opened “Queering Indigeneity,” a new exhibition curated by artist Penny Kagigebi and supporting curator Ben Gessner. Featuring works by 16 queer and two-spirit Indigenous artists, the show includes a birch bark basket by Kagigebi that retells an Ojibwe story about two-spirit ancestors, a glass mosaic by Sharon Day, beaded soundwave portraits by Ryan Young, and an abstract quilt by Delia Touché. The exhibition opens Thursday in the Nancy and John Lindahl Gallery.
The article reports that the Solomon R. Guggenheim Museum has appointed a new director, referred to as "The Guggenheim’s New Boss." The specific identity of the appointee is not disclosed in the provided text, which is blocked by a security verification page. The article originates from Puck News, a media outlet known for insider coverage of the art world and cultural institutions.