The Berlin art legend who found his calling in sneaking into other artists’ shows

Patrick Jambon, a 58-year-old French performance artist living in Berlin, has spent the past 25 years attending gallery openings as a continuous performance piece he calls his 'gallery project.' Dressed in a bright red T-shirt, cartoonish metal-framed glasses, and carrying a yellow bike helmet, he visits dozens of galleries daily, compiling opening lists from websites and social media. His project has become so embedded in the city's art scene that his handwritten lists are now exhibited in spaces like Berlin-Weekly, and artists such as Ae Hee Lee note that 'you aren't a real Berlin artist if you don't know him.'

Vânia Quintão | Cold Afternoon (2023) | For Sale

Brazilian artist Vânia Quintão is offering her 2023 painting "Cold Afternoon" for sale through Inn Gallery. The acrylic-on-canvas work, sized 70 × 100 cm, depicts a suspended, cool-toned landscape under a diffuse blue sky. Quintão, a self-described cultural producer and fundraiser based in Belo Horizonte, has exhibited internationally including at the Louvre Museum in Paris and won prizes at The Holly Art Exhibition (London) and Art Connects Women (Dubai). The work is hand-signed, includes a certificate of authenticity, and is priced at US$1,500.

NYC’s American Folk Art Museum Is Closing for Renovations

The American Folk Art Museum (AFAM) on Manhattan's Upper West Side will temporarily close this summer for a major renovation project. The museum will shutter its current exhibition "Somewhere to Roost" on May 2 and close remaining galleries on May 26. The renovation, the largest in 30 years, will revitalize the museum shop, courtyard, office spaces, entry façade, and operations systems, with phased reopenings starting this fall and full completion expected next spring, timed around the 250th anniversary of U.S. independence.

Nobody Can Handle Me: Brazil Rewrites the Pavilion as Living Memory.

Brazil's 2026 Venice Biennale pavilion, curated by Diane Lima, presents a radical, sensorial exhibition titled 'Comigo ninguém pode' featuring artists Adriana Varejão and Rosana Paulino. The show transforms the modernist pavilion into an active participant, where historical and new works by the two artists create friction and resonance, exploring themes of colonial violence, the Black female body as archive, and spiritual resistance.

Annonce de chercheurs : Exposition Maurice Utrillo, de Montmartre à Angoulême

The Musée d'Angoulême will host the exhibition "De Montmartre à Angoulême, Maurice Utrillo intime…" from April to September 2027, focusing on the artist's lesser-known years in the Charente region. Curators Pamela de Montleau and Philippe Cassereau are seeking archives, correspondence, photographs, testimonies, and paintings to illuminate Utrillo's two-year stay in Angoulême (1935–1937), where he married painter and writer Lucie Valore. The show will also feature works by his painter friends, including Maurice de Vlaminck, Alphonse Quizet, and others.

Notre-Dame : les travaux commencent, le combat se poursuit

Work has begun on replacing the stained-glass windows at Notre-Dame Cathedral in Paris, with scaffolding installed immediately after the work permit was posted. The project involves removing six ornamental windows created in 1864 by Alfred Gérente under Eugène Viollet-le-Duc and installing six new windows by artist Claire Tabouret and the master glassmakers Simon-Marq. The authorization, signed by the prefect, has sparked legal challenges from the heritage association Sites & Monuments, who argue the replacement is neither conservation nor restoration. The article details how the state's own authorization document inadvertently strengthens opponents' arguments by affirming that the entire cathedral, including Viollet-le-Duc's windows, is protected as a historic monument.

Institute of Museum and Library Services Saved from Defunding After Legal Challenge

The American Library Association (ALA) and the American Federation of State, County and Municipal Employees (AFSCME) have reached a settlement with the U.S. Department of Justice to halt the Trump administration’s efforts to dismantle the Institute of Museum and Library Services (IMLS). The agreement ensures the federal agency will continue its operations, reinstates previously terminated grants, and reverses staff reductions. This legal victory follows a period of significant uncertainty where the agency's budget was slated for a 98% reduction, threatening its role as the primary federal supporter of museums and libraries.

Bronze Age State Metal-Working Center Unearthed Near China’s Yangtse River

Archaeologists at the Shenduntou site near the Yangtze River have unearthed a significant Bronze Age metal-working center dating back to the Zhou dynasty. The excavation, led by Nanjing Normal University, revealed approximately 1,000 artifacts including clay molds, arrowheads, and knives, alongside evidence of furnaces and protective earthen walls. These findings confirm the existence of a high-level workshop dedicated to large-scale bronze production within the ancient Wu kingdom.

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Luxembourg’s Culture Minister, Éric Thill, is defending the country’s €540,000 budget for the upcoming 61st Venice Biennale following criticism from the right-wing Alternative Democratic Reform Party (ADR). Lawmakers questioned the high cost and the provocative nature of artist Aline Bouvy’s project, "La Merde," a feminist commentary centered on a personification of excrement. Critics argued the expenditure is unjustifiable given current social challenges and compared it unfavorably to the smaller budget of the national cultural observatory.

Advocates for Incarcerated Protest Removal of Artworks from UK Courts

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A report from the independent monitoring body Lay Observers revealed that government contractor Serco ordered the removal of artworks from court custody suites in England and Wales. The artworks, created by inmates at Doncaster prison, were commissioned by the Prisoner Escort and Custody Services to brighten the often bleak, underground holding areas where detainees await court appearances.

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Artist Eimear Walshe, who represented Ireland at the 2024 Venice Biennale, will stand trial alongside activists Áine Treanor and Aindriú de Buitléir, collectively known as the Shannon Three. They are charged with trespassing and illegally accessing a runway at Shannon Airport in County Clare during a 2024 protest where they raised a Palestinian flag and held a sign reading "US military out of Ireland." The protest, which shut down the airport for over half an hour, was staged on Land Day to draw attention to the conflict in Gaza and the use of the airport by US military and civilian aircraft allegedly transporting munitions to Israel.

Israeli Authorities Plan to Seize Major Archaeological Site in West Bank, Sparking Outrage

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Israeli authorities have announced plans to seize a 182-hectare archaeological site in the West Bank town of Sebastia, the largest such land seizure for an archaeological project since 1967. The plan includes building a visitor center, parking lot, and a fence that would separate the site from the Palestinian town, cutting off local access to both the ruins and surrounding olive groves. The move has been denounced by Palestinian residents and officials as an aggression that threatens livelihoods and erases Palestinian identity.

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A French court ordered Galerie Kraemer in Paris to return €2.8 million ($3.25 million) to collector Sheikh Hamad bin Abdullah Al Thani over a Chinese vase, citing serious doubts about the 18th-century dating of its gilded bronze mounts. The vase, which sold for €815 in Brazil 20 years ago, passed through a Paris flea market and three antique dealers before Laurent Kraemer purchased it for €180,000. Sheikh Hamad bought the vase in 2012 but later had it examined after Galerie Kraemer faced multiple fake furniture cases. Expert Sébastien Evain deemed the dating highly improbable, while gallery-commissioned experts Gilles Perrault and Guy Kalfon, who only saw photographs, defended the 18th-century attribution. The court annulled the sale, and the gallery plans to appeal.

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At least four Iranian artists have been killed by police and militias during anti-government protests that began in December, according to Artists at Risk Connection (ARC). The victims include sculptor Mehdi Salahshour, filmmaker Javad Ganji, fashion designer Rubina Aminian, and hip-hop artist Soroush Soleimani. ARC condemned the extrajudicial killings, internet blackouts, and suppression of dissent, while the Iranian Independent Filmmakers Association (IIFMA) reported over 2,000 civilian deaths and called for international intervention.

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In May 2025, French President Emmanuel Macron visited Mexico City for his first official trip to Mexico, where President Claudia Sheinbaum announced a temporary exchange of two pre-Hispanic codices. The Codex Azcatitlán, held at the Bibliothèque Nationale de France in Paris, will travel to Mexico City, while the Codex Boturini, housed at Mexico's Biblioteca Nacional de Antropología e Historia, will go to Paris. Both illustrated manuscripts, rarely displayed due to conservation concerns, recount the Aztecs' migration to Tenochtitlan. The exchange comes amid ongoing Mexican efforts to repatriate Mesoamerican codices from European collections, including the Codex Borgia and Codex Vaticanus in the Vatican and the Codex Borbonicus in France.

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The curator of an exhibition at the Bangkok Arts and Cultural Centre (BACC) fled Thailand two days after its opening, fearing arrest and deportation. The show, titled “Constellation of Complicity: Visualising the Global Machine of Authoritarian Solidarity,” featured exiled artists from China, Russia, Iran, and Myanmar and was curated by an artist from Myanmar known as Sai. After receiving warnings from BACC directors that Thai police were seeking his contact information, Sai learned that the Chinese embassy, Thai Foreign Ministry, and Bangkok city officials had pressured the museum over potential diplomatic tensions. The exhibition was censored: black paint covered artists' names and descriptions of Tibet, Hong Kong, and Xinjiang; a multimedia piece by Tibetan artist Tenzin Mingyur Paldron was nearly entirely removed; and flags representing Tibet and the Uyghur people were taken down. Sai immediately flew to London and plans to restage the exhibition elsewhere without censorship.

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An anonymous buyer paid $962,500 at an RR Auction sale for the code to the final unsolved passage of Jim Sanborn's sculpture "Kryptos," located at the CIA headquarters in Langley, Virginia. The sculpture, dedicated in 1990, contains four encrypted passages; three have been cracked by cryptologists, but the 97-character fourth passage (K4) has remained unsolved for decades. Sanborn, now 80, decided to sell the solution after growing tired of fielding inquiries from enthusiasts, despite a recent discovery of the solution in the Smithsonian's Archives of American Art that raised questions about the auction.

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Artist Alex Vellis responded to criticism from conservative commentators, including Elon Musk and US Vice President JD Vance, over a graffiti-style art installation at Canterbury Cathedral. The installation, titled “HEAR US,” features questions posed to God, such as “What is the architecture of heaven?” and “Why are you indifferent to suffering?” Created through workshops with marginalized communities—including the Punjabi, black and brown diaspora, neurodivergent individuals, and the LGBTQIA+ population—the work uses spray-paint-like lettering but was not actually painted onto the historic building. Vance called the installation “ugly,” while Musk accused it of being “anti-Western propaganda.” Vellis responded on Instagram with a crude retort and the hashtag #freepalestine.

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A new study published in the journal Antiquity reveals that Egypt’s Karnak Temple was originally built on a small island, or “fluvial terrace,” surrounded by river channels. The research, led by Ben Pennington of the University of Southampton, is the first comprehensive geoarchaeological survey of the site, analyzing 61 sediment cores and thousands of ceramic fragments. It dates the earliest occupation of Karnak to around 2520 BCE, with ceramics from 2305–1980 BCE, and shows that ancient Egyptians geo-engineered the landscape by dumping desert sand into channels to create new building land.

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A fire broke out late Wednesday in a 19th-century warehouse at 481 Van Brunt Street in Red Hook, Brooklyn, destroying dozens of artist studios and damaging the building's roof and fourth floor. Over 250 FDNY members battled the blaze for more than seven hours, with two firefighters sustaining minor injuries. The warehouse housed a large artist cooperative, woodshops, furniture makers, and small businesses, and many artists lost work prepared for the upcoming Red Hook Open Studios event.

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Archaeological treasures from Gaza's five main archaeological sites were evacuated from the French Biblical and Archaeological School of Jerusalem's storehouse in Gaza City, following an Israeli order to vacate the building before a threatened military strike. The operation, described by school director Olivier Poquillon as a "high-risk" and "last-minute rescue," involved improvised transport and logistics in a context where almost no international actors remain on the ground. The relics include artifacts from a fourth-century monastery designated as a UNESCO World Heritage site.

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WeTransfer, the cloud-based file transfer company widely used by art institutions, updated its terms of service on July 14 to include a clause granting the company a perpetual, royalty-free license to use uploaded content for training machine learning models and creating derivative works, which it could monetize without compensating users. After widespread criticism from the art community, including post-production professional Ashley Lynch, who noted conflicts with non-disclosure agreements, WeTransfer removed the controversial language and issued a statement assuring users that it does not use their content to train AI or machine learning models.

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A group of high-profile art market veterans—Ed Dolman, Alex Dolman, Brett Gorvy, Philip Hoffman, and Patti Wong—have launched a new collaborative consultancy called New Perspectives Art Partners (NPAP). Unlike traditional advisory firms, NPAP operates on a flexible, project-based model where partners retain their existing roles and assemble only for high-level, specialized challenges. The consultancy aims to advise collectors, fiduciaries, and family offices on managing, growing, or dispersing significant collections, leveraging the partners' deep experience across auction houses, galleries, institutions, and advisory, with a global footprint spanning Hong Kong to Doha.

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Aislan Pankararu, an Indigenous Brazilian artist and licensed physician, maintains a studio in São Paulo where he creates works that draw from his Pankararu heritage, medical training, and the Caatinga biome of northeastern Brazil. His practice includes clay-pigmented paintings, abstract forms evoking cellular structures and ritual designs, and series such as "Soil" (2024) and "Touch" (2024). After returning to drawing during his medical residency in 2019, Pankararu quickly gained recognition, participating in exhibitions at the Museu Nacional da República and Museu de Arte de São Paulo, and winning the prestigious PIPA Prize in 2024.

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Hilde Lynn Helphenstein, the creator of the popular Instagram account Jerry Gogosian, announced she is winding down the project after seven years. The account, known for its sharp and often acerbic commentary on the art market, amassed 151,000 followers since its launch in 2018. Helphenstein initially ran the account anonymously, revealing her identity in 2020, and used it to mock dealer Larry Gagosian, comment on auction records, and document her experiences at art fairs. The account also had real-world impact, including prompting Gagosian gallery to drop a director after Helphenstein urged people to come forward with sexual harassment allegations. Helphenstein, who previously ran her own gallery in Los Angeles, said she has 'grown out' of the project and is looking toward her next endeavor.

A Bodybuilder’s 3,300-Year-Old Egyptian Stele Heads to TEFAF

A 3,300-year-old Egyptian stele once owned by bodybuilding pioneer Ben Weider is set to be a highlight at TEFAF New York this May. The limestone carving, which depicts Pharaoh Thutmose IV, was gifted to Weider in 1964 and recently surfaced at a Montreal auction before being acquired by the London-based gallery David Aaron. Alongside the stele, the gallery will present a 2,500-year-old greywacke bust of a goddess, which was recently authenticated after being dismissed as a fake due to its pristine condition and 18th-century restorations.

154-Million-Year-Old Dinosaur Fossil Debuts in the U.K.—But Its Species Remains a Mystery

A remarkably complete 154-million-year-old theropod fossil, nicknamed Juliasaurus, has made its public debut at the Hollytrees Museum in Colchester, U.K. Discovered in Wyoming’s Morrison Formation in 2020 and sold by the David Aaron gallery to a private collector, the 20-foot-long specimen is currently part of the “Discover: Museum Wonders” exhibition. While initially thought to be an Allosaurus or Marshosaurus, unique anatomical features in its skull and pelvis suggest it may represent an entirely new species.

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Rome's new Colosseo-Fori Imperiali metro station opened on Tuesday after 11 years of construction, featuring archaeological treasures uncovered during excavation, including ceramic fragments, statues, oil lamps, stone vessels, and 28 ancient wells. The station, part of Metro Line C, also revealed a nearly 260-foot early second-century military barracks and a home with frescoes and mosaics at the nearby Porta Metronia station. Mayor Roberto Gualtieri attended the opening ceremony, and the city plans to open a museum in the station.

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Sylvester Stallone is reclaiming one of his two Rocky statues from Philadelphia after a city commission vote. A second bronze sculpture by Auldwin Thomas Schomberg, which Stallone bought at auction in 2017 and loaned to the city in December 2024 for RockyFest, will be returned to the actor in 2026. Meanwhile, the original 1980 statue—currently at the foot of the Philadelphia Art Museum steps—will be moved inside the museum for the exhibition “Rising Up: Rocky and the Making of Monuments” celebrating the franchise’s 50th anniversary, then relocated to the top of the steps where it originally stood in the 1980s. A third Schomberg Rocky statue was recently unveiled at Philadelphia International Airport.

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Santina Semadar Panetta, a progenitor of Neo-Pointillism, recently exhibited her vibrant, brushstroke-driven works at Art Miami. In an interview with Artnet News, she discussed her debut at the fair, showing two key pieces—'Souls Connection' (2022) and 'Ciel et Terre' (2023)—chosen to reflect Miami's dual nature of boldness and introspection. She also described her practice as 'emotional architecture,' evolving to engage more deeply with classical art philosophy and contemporary themes like identity and the fluidity of time.