Bulldozer Plows Across Thousand-Year-Old Indigenous Land Art During Border Wall Construction

Construction workers building the Trump administration's border wall between the US and Mexico accidentally damaged a two-hundred-foot-long Indigenous land art figure known as the Las Playas Intaglio, a colossal fish etched into the earth near Ajo, Arizona, that is thought to be over a thousand years old. Satellite imagery showed bulldozer tracks cutting a sixty-to-seventy-foot-wide path across the intaglio, and a Customs and Border Protection spokesperson confirmed the disturbance, stating the remaining portion had been secured and would be protected in place.

Sherman Fund Acquires Work by Emerging Artists for US Museums

The Sherman Fund has acquired works by emerging artists for donation to US museums, supporting new talent and expanding institutional collections. The initiative focuses on acquiring pieces from lesser-known contemporary artists and placing them in public institutions to increase accessibility and representation.

SPAIN ORIOL VILANOVA AND THE ABOLITION OF THE MUSEUM AND THE ARCHIVE

The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring Vilanova's collection of postcards sourced from flea markets over more than twenty years. The work critiques traditional archival systems through accumulation, repetition, and fragmentation, and includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale.

Spain: Oriol Vilanova and the Abolition of the Museum and the Archive

ESPANA ORIOL VILANOVA Y LA ABOLICION DEL MUSEO Y EL ARCHIVO

The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring over twenty years of postcards collected from flea markets, arranged in a wall-based accumulation that challenges linear narrative and archival hierarchy. The project also includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale through unannounced encounters.

A GLIMPSE INTO FERNANDO MAZA S SURREAL WORLD AT THE MAR MUSEUM

The exhibition "The Construction of Painting," organized by the National Museum of Fine Arts, opened at the MAR Provincial Museum of Contemporary Art in Mar del Plata, Argentina. It traces the career of Argentine visual artist Fernando Maza (1936–2017) through more than 50 paintings and watercolors, curated by Pablo De Monte. Maza, who studied under Raúl Podestá and was part of the Informalist Movement alongside Alberto Greco and Kenneth Kemble, lived in New York, London, and Paris. The show features works that blend metaphysical painting with surreal atmospheres, using objects like staircases, arches, and linguistic signs to create enigmatic landscapes.

Behind Palazzo Citterio in Milan there is a beautiful garden and a bistro open to all for lunch and dinner

A Milano dietro a Palazzo Citterio c’è un bellissimo giardino e un bistrot aperto a tutti dove pranzare e cenare

Palazzo Citterio in Milan is reopening its lush courtyard garden as Citterio Garden for summer 2026, starting May 27, with extended hours from 9 AM to 10 PM. The garden bistro, adjacent to the Orto Botanico di Brera, introduces a partnership with St-Germain liqueur, transforming into a "Giardino St-Germain" with signature cocktails. A major new collaboration brings Michelin-starred chef Claudio Sadler to craft an elevated Italian menu, managed by AFM Banqueting under the Grande Brera institution. The museum also announces summer exhibitions, including a show on Giovanni Agostino da Lodi and neoclassical displays featuring the Canova collection from Banca Ifis and the Sommariva miniature collection.

The Women of Grigory Gluckmann on Display at the Archaeological Museum of Aosta

Le donne di Grigory Gluckmann in mostra al Museo Archeologico di Aosta

The Museo Archeologico Regionale di Aosta is hosting the first Italian exhibition dedicated to Grigory Gluckmann (1898–1973), a Belarusian-born American painter. Curated by Daria Jorioz and Valeria Gorbova, the show, titled "Grigory Gluckmann. Tra luce e grazia," runs until June 2, 2026, and features works centered on the female figure. Gluckmann's career spanned Russia, Berlin, Florence, Paris, and the United States, and his style blends Renaissance techniques with modern sensibility.

Urban art and music unite Amsterdam and Milan for three days

L’arte urbana e la musica uniscono Amsterdam e Milano per tre giorni

MUROMi, an independent Milan-based company, is launching a special Milan edition of Here&Now, a cultural event originally created in Amsterdam by Tony Ant and Chinny Bond. Taking place May 21–23, 2026, at Spazio Diaz in Milan, the event combines live painting, music, and contemporary urban art, aiming to bring together creatives, brands, and key figures from the Milanese scene. The project is born from a collaboration between MUROMi and the Here&Now community, which is rooted in international street culture and music.

The boundary between inner world and reality in Gak Yamada's photography on show in Friuli

Il confine tra mondo interiore e realtà nella fotografia di Gak Yamada in mostra in Friuli

Japanese artist Gak Yamada's exhibition 'Cosmic Prayer' is on view until June 14 at Die Gelbe Wand, a new exhibition space in Pordenone, Italy, which will be the Italian Capital of Culture in 2027. The show traces Yamada's shift from photography as representation to an experiential medium, featuring series such as 'HIGAN' (where urban landscapes dissolve), 'Red' (where chemical decomposition reveals dominant red tones), and the latest 'Flower of the Universe,' inspired by cosmic connectivity. Yamada, who once abandoned photography entirely to paint, immerses prints in water to alter their chemical stability, with Fujifilm papers dissolving quickly and Kodak papers slowly, producing varied chromatic and material effects.

Torna TAILOR. Ecco come abbonarsi alla newsletter di Artribune sulla cultura del vestire

TAILOR, the vertical newsletter from Artribune exploring the intersections of art and fashion, returns on Sunday, May 17, 2026. The upcoming issue focuses on "Science Fashion," an event held from May 13 to 15 at the MACRO – Museo d'Arte Contemporanea di Roma, curated by Dobrila Denegri, which investigates relationships between fashion, science, and new technologies. The newsletter also examines the rapid spread of the non-color white in fashion and design as a response to pandemic, crisis, and geopolitical tensions, offering analytical content for professionals, students, and enthusiasts.

A Genova riapre dopo un lungo restauro la Torre Grimaldina. La visita al belvedere di Palazzo Ducale

The Torre Grimaldina, a medieval tower in Genoa's Palazzo Ducale, has reopened after extensive restoration and safety upgrades funded by Italy's PNRR (National Recovery and Resilience Plan). Built in the late 13th century as a symbol of municipal power, the tower later served as a prison for political dissidents, including Risorgimento patriots and anti-fascist activists, as well as the violinist Niccolò Paganini. The restoration has preserved historic graffiti and inscriptions left by inmates, while reopening the tower's belvedere offering panoramic views of the city.

Tra workshop, studio e incontri. Ecco il nuovo programma formativo di Triennale Milano assieme al Qatar Museum

Triennale Milano, in collaboration with Qatar Museums, has launched a new educational program for recent graduates from Qatari universities. The initiative began with a selection call overseen by representatives of Design Doha, followed by a residency in Milan starting April 20. Five graduates—Reema Abu Hassan, Abdulrahman Al Muftah, Adriane de Souza, Maryam Hashim, and Meryem Omerspahic—participated in workshops, studio activities, and meetings during Milan Design Week. An open discussion about their experience will be held at Triennale on May 15 at 6 PM, featuring the participants and the bootcamp team.

How do art auctions change if everything online seems like a video game?

Come cambiano le aste d’arte se online tutto sembra un video game?

The article examines how digital infrastructure has transformed art auctions from exclusive in-person rituals into real-time competitive interfaces. Online sales, which peaked during the pandemic, now account for about 16% of the global art market in 2025 (down from 18% in 2024), according to the Art Market Report by Art Basel and UBS. Digital tools enable instant bidding, global streaming, and discreet participation, allowing collectors to compete without physical presence. The piece highlights the gamification of auctions, noting that ArtTactic has launched Art Forecaster, a platform where users predict auction prices in tournament-style competitions, blending market engagement with ludic elements.

A new cultural space that works on the memory of the city (also through postcards) has been born in Rome

A Roma è nato un nuovo spazio culturale che lavora sulla memoria della città (anche attraverso le cartoline)

A new cultural space called URBS has opened in Rome's Testaccio district, founded by architect Andrea D'Antrassi in collaboration with Giovanni Colombara. The space debuted in 2024 as "The Smallest Museum by URBS," a 20-square-meter venue housing over 1,600 historical postcards of the city, creating a visual archive spanning different eras. The museum also hosts temporary exhibitions, such as the current show "Not Mine, Not Yours" by Iranian artist Mehrdad Shadrooh, curated by Barbara Blasi, which draws from a family video-photo archive covering over eighty years of history. A commercial space has also been opened in Trastevere.

1990s pop icon Jewel is the protagonist in Venice with an exhibition that rewrites the geographies of the feminine

L’icona pop Anni ‘90 Jewel è protagonista a Venezia con una mostra che riscrive le geografie del femminile

Singer-songwriter Jewel, a 1990s pop icon with four Grammy nominations, is presenting her largest exhibition to date in Venice. Titled "Matriclysm: An Archaeology of Connections Lost," the immersive show runs from May 6 to November 22, 2026, at the Salone Verde, coinciding with the 2026 Venice Biennale. Curated by Joe Thompson, the exhibition blends painting, textiles, sculpture, sound, and installation to explore themes of femininity, motherhood, care, and intergenerational knowledge, drawing on forgotten rituals and marginalized mythologies.

Morocco is for the first time with a Pavilion at the Venice Art Biennale. Homage to the weaving of Amina Agueznay

Il Marocco è per la prima volta con un Padiglione alla Biennale d’Arte di Venezia. L’omaggio alla tessitura di Amina Agueznay

Morocco is participating for the first time with an official national pavilion at the Venice Art Biennale, presenting a monumental installation by artist Amina Agueznay. Titled "Asǝṭṭa" (2026), the site-specific work at the Arsenale's Artiglierie space explores ritual weaving and the transmission of traditional craftsmanship, using sewn panels to create a second skin over the 300-square-meter pavilion. Curated by Meriem Berrada, the project draws on Agueznay's two-decade-long research in dialogue with Moroccan artisan communities, including spinners, embroiderers, basket makers, and goldsmiths.

Un nuovo centro culturale e residenza d’artista nasce in un’ex chiesa di Venezia

A 13th-century Gothic church in Venice's Cannaregio district, the former Chiesa dell'Abbazia della Misericordia, will reopen on May 5, 2026, as Etnia House of Arts. The project is promoted by Spanish eyewear brand Etnia Eyewear Culture and includes artist residencies, public events, and site-specific interventions. The restoration was led by architects Piero Vespignani and Alessia Semenzato of Studio Anfibio. The first two resident artists are Conxi Sane and Greta Pllana, who will explore themes of perception and vision, with the residency program using eyewear as a symbolic field to investigate identity and representation.

Future cultural professionals in Africa will be trained by six Italian museums

I futuri professionisti della cultura in Africa saranno formati da sei musei italiani

The fourth edition of the International School of Cultural Heritage (Scuola Internazionale del Patrimonio Culturale) is underway, with 23 cultural professionals from 12 African nations participating in a hands-on training program hosted by six Italian museums. After online modules and a week of lectures in Rome, the residential phase runs from April 27 to May 22, 2025, placing participants at the Museo delle Civiltà (MUCIV), the Archaeological Parks of Praeneste and Gabii, the National Archaeological Museum of Taranto (MArTA), the National Archaeological Museum of Naples (MANN), the National Archaeological Museum of Reggio Calabria (MArRC), and the National Archaeological Museum of Agro Falisco and Forte Sangallo in Civita Castellana. The program, titled "Managing Art Collections: from ancient to contemporary," focuses on collection management, conservation, and public programming, linking archaeological heritage with contemporary practices.

At Mcube, the movement and memory of jatras come alive

Pradip Kumar Bajracharya's solo exhibition 'Festive Spirit' at Gallery Mcube in Kathmandu marks his return to solo shows after over a decade. The exhibition captures the movement and memory of Nepal's jatras (festivals), focusing on the cultural celebrations of the Newa people. Bajracharya uses abstraction and fluid acrylic techniques to depict events like Bhaktapur's Sindure Jatra and Indra Jatra, often decentering faces to emphasize atmosphere and emotion. The works also reflect on the pandemic's halt of festivities, with paintings referencing locked chariots and temple guardians.

Art Review: "The Rip in Her Sleeve" and "Iliana Arocho: Drawings" at Maiden Lane Gallery in Kingston

Maiden Lane Gallery in Kingston is hosting two concurrent exhibitions curated by Matt Moment: "The Rip in Her Sleeve," featuring pigment print photographs by Alicia Schirrmeister and Ruth Lauer Manenti, and "Iliana Arocho: Drawings," a solo show of ethereal drawings and metalpoint works by Iliana Arocho. The shows occupy two floors of a brick building that serves as an outpost for Headstone Gallery, run by Lauren Aitken and Chase Folsom, marking Moment's first collaboration with the gallery as a guest curator.

Four generations of creativity on display at ‘Belong’ Art Exhibition

The Webster family, spanning four generations from great-grandmother Beverly Neylon to five-year-old Jasper Webster, is exhibiting their artwork together at the 'Belong: 2026 Art Exhibition' hosted by the City of Whittlesea in South Morang, Australia. The show features paintings, mosaics, and porcelain works, including Beverly Neylon's award-winning piece 'Beauty of the Wind,' which earned the Award of Excellence – Use of Materials. The exhibition runs from 2 May to 27 May 2026 at the Plenty Ranges Art and Convention Centre.

Writer-artist Nia Zera's work draws parallels between Africa countries and Dravidian communities

Writer-artist Nia Zera recently opened her exhibition "Cobalt Blue" in Chennai, featuring 31 paintings on shaped wooden panels that draw parallels between Dravidian communities in south India and African cultures. The works explore shared histories of resource wealth and colonial exploitation, inspired by Karen Blixen's 'Out of Africa' and Zera's own upbringing near the Muthuvan Kudi community in Munnar, Kerala. The exhibition took one year and one month to complete, using a predominantly blue palette referencing cobalt and blue-green algae from Africa.

Plas Art Show goes back to basics with renewed focus on its sculpture, 3-D work

The Plas Art Show, a Seoul-based art fair specializing in sculpture and three-dimensional works, returns for its 11th edition from June 4 at Coex in Gangnam District. Featuring 102 galleries (91 domestic and 11 from Taiwan, Germany, Japan, and Georgia), the fair presents roughly 750 artists and 3,500 works under the theme “New Chance.” Fair president Shin Jun-won acknowledged criticism that the event had drifted from its sculptural focus and announced stricter curation, including on-site inspections and penalties for galleries that fail to include at least one three-dimensional artist and one stereoscopic work. Standard booth prices range from 5.7 to 6.7 million won, which Shin says attracts Gangnam-area galleries priced out of larger venues.

Medium Art Center Celebrates Five Year Anniversary

Medium Art Center in Ukiah, California, celebrates its five-year anniversary. Founded during the pandemic by a small team of local artists and community members including Chris Pugh and Lillian Rubie, the center began as an online exhibition series called "Dear America" before securing a vacant storefront at the Pear Tree Center in 2021. Run entirely by volunteers for its first three years, the center has hosted in-person exhibits, traditional Chinese brush painting workshops with artist William Shi, and outreach programs to support local artists. Recently, it received a grant from the RISE program administered through Redwood Coast Regional Center to support people with disabilities or neurodivergence.

Abbeydale Road art space opens with exhibition celebrating local talent

A new independent art space called The Shop has opened on Abbeydale Road in Sheffield, England, with a debut group exhibition titled Bee Sting Cake featuring 19 South Yorkshire artists. The venue, founded by Sheffield artist Nick Grindrod, combines a studio and exhibition space in a former retail unit. Grindrod, who turned fully to painting during the pandemic and gained traction through the Artist Support Pledge initiative on Instagram, curated the show alongside artists Sean Williams and Kate Jacob. The exhibition runs from 14–28 May 2026, and the space aims to offer original artworks for sale in a relaxed, accessible setting.

Doosan Yonkang Foundation Joins as Sponsor of Korean Pavilion at Venice International Art Exhibition

The Doosan Yonkang Foundation has joined as a sponsor of the Korean Pavilion at the 61st Venice International Art Exhibition, held at Giardini Park in Italy until November 22. The pavilion, themed "Haebang Space," explores political and social changes in Korean society since liberation in 1945. Artistic Director Choi Bitna oversees the exhibition, featuring artists Noh Hyeri and Choi Goeun, along with fellows Han Kang, Kim Hoojoo, Lee Rang, Hwang Yeji, and Christian Nyampeta. This marks the foundation's first sponsorship of the Korean Pavilion as part of its visual arts support program.

AMP art walk: making art more accessible

Western Washington University's Arts & Music Productions (AMP) launched a monthly art walk on the first Friday of October, continuing the tradition each month after the closure of the Viking Union Gallery. The event, conceived by AMP supervisor Casey Hayden, aims to introduce students to Bellingham's art scene in a guided, social setting. Skylar Cooney, AMP's visual arts coordinator, leads tours to smaller venues like Bay Street Studios, and the walks have drawn a diverse academic crowd. Participating galleries, such as Voxel Gallery, report increased foot traffic and community engagement, while local artists and professors like Garth Amundson emphasize the importance of free, accessible events for fostering inclusion.

Alton's Elysian Gallery to close, reopen as art cafe and cultural hub

Elysian Gallery in Alton, Illinois, is closing its original location at Mineral Springs Mall on May 10, 2026, to relocate and expand into a new concept called Elysian Gallery and Cafe at 419 E. Broadway. Owner Jeff Bohnert, a photographer, is transforming the 500-square-foot gallery into a larger, pet-friendly cultural hub featuring a cafe serving Goshen Coffee, a book nook, workspaces, and art exhibitions. The new space will open with a soft launch on May 30 during Alton Main Street's Pup Crawl, followed by a grand reopening on June 6. Bohnert and his girlfriend Janel Freeman originally opened the gallery in August 2025.

月を射る @ KAG

KAG in Tokyo is presenting a group exhibition titled "月を射る" (Shooting the Moon), running from May 19 to August 16, 2026. The show takes its starting point from a prose poem of the same name by Korean poet Yun Dong-ju (1917–1945), who wrote it in 1939 under Japanese colonial rule and later died in a Fukuoka prison. The exhibition spans pre-war and wartime educational films, propaganda, performance, and contemporary fieldwork, featuring works by artists such as Inoue Kan (Lee Byung-woo), Choe Seung-hui, Kamei Fumio, Yoshimi Yasushi, Atsugi Taka, Fujii Hikaru, Yamamoto Seiko, T.T. Takemoto, Morita Reine, Gataro, and Shirakawa Masao. It examines the management models formed by the former empire and the spiritual structure of colonialism that underlies contemporary issues, centering on works that carry the "memory of censorship"—banned, deleted, or denied existence by national, administrative, or social norms.

Stilllive Documents 2019–2025 @ The 5th Floor

The 5th Floor in Tokyo is hosting "Stilllive Documents 2019–2025," a retrospective exhibition running from May 14 to June 7, 2026, that reviews the activities of the performance platform Stilllive. The show features unpublished photographs and video materials from 2019 to 2025, presenting them not as mere traces of events but as records of relationships, tensions, and responses that emerged in each moment. Stilllive was founded in 2016 by Yuki Kobayashi and graduates of the Royal College of Art's Performance program, and has held annual events since 2019 at venues including the Goethe-Institut Tokyo. A new performance, "Stilllive 2026," will take place on May 16–17 at BUoY in Senju Nakamachi, Tokyo, connecting past accumulations to future practice.