The New York Times examines the enduring power of Felix Gonzalez-Torres's 1991 performance piece "Untitled" (Go-Go Dancing Platform), in which a go-go dancer performs on a pedestal for a brief, scheduled period each day. The work, currently on view at the Art Institute of Chicago, uses the dancer's absence as a central component, creating a poignant metaphor for queer presence and loss.
A new hotel, the Ace Hotel Kyoto, has opened in the historic Umekoji neighborhood, housed within a renovated 1920s brick building that was once the Kyoto Central Telephone Office. The project, a collaboration between Ace Hotel Group and Japanese developer NTT Urban Development, blends the original structure's industrial character with contemporary design by Kengo Kuma and Commune Design, featuring guest rooms, restaurants, and a gallery space.
Michael Heizer, the pioneering Land Art figure known for monumental desert works like "City" and "Double Negative," is presenting a new exhibition of smaller-scale, indoor sculptures at Gagosian Gallery in New York. The show, titled "Collapse," features a series of large, geometric steel forms that, while still substantial, represent a significant shift in scale and context from his earth-moving outdoor projects.
Artist Jen Liu’s solo exhibition 'Pound of Flesh' at Silverlens New York explores the dehumanizing nature of digital labor through visceral imagery of raw meat. The show features paintings where human consciousness is replaced by butcher-shop cuts and an animated video based on Liu’s research into microworkers—individuals who perform repetitive, low-paid tasks to train AI models. By juxtaposing the biological reality of the body with the clinical extraction of data, Liu highlights the physical and psychological toll of the 'Agentic Age.'
Artist John Skoog has premiered a new black-and-white feature film, 'Redoubt' (2025), starring Denis Lavant, and opened a concurrent exhibition at Moderna Museet in Malmö. The film follows a farmhand building an apocalyptic shelter, while the museum installation features the full-scale, fabricated bunker from the film's production.
The Metropolitan Opera in New York faces a $30 million deficit after a $200 million funding deal with Saudi Arabia collapsed. The Saudi government withdrew from the agreement, which would have sent Met performers to the Royal Diriyah Opera House for three weeks each February, citing economic pressures from the Iran War and the blockage of the Strait of Hormuz. To address the shortfall, the Met is considering selling two monumental Marc Chagall paintings—The Sources of Music and The Triumph of Music (1966)—valued at $55 million, along with other options like selling naming rights or seeking a similar deal with another country.
Wohin am Wochenende?
This week's art tips from Monopol magazine highlight exhibitions and events across Germany and Europe. In Berlin, the Helmut Newton Museum reopens with a new immersive film space and a fresh presentation of its collection, while the Neue Nationalgalerie showcases Ernst Ludwig Kirchner's iconic painting "Potsdamer Platz" in the exhibition "Ruin und Rausch. Berlin 1910-1930." In Bozen, Chinese artist Evelyn Taocheng Wang presents new works at Museion, blending painting, textiles, and installation. The Art Brussels fair returns with a reduced lineup of 138 galleries, focusing on Belgian and neighboring markets. In Duisburg, Anish Kapoor receives the Wilhelm-Lehmbruck Prize, accompanied by a solo exhibition at the Lehmbruck Museum.
Raphael Fonseca, a prominent curator specializing in Latin American art, has been appointed as the new visual arts programmer at Culturgest in Lisbon. He will relocate to Portugal in June, succeeding Bruno Marchand, while maintaining a curator-at-large position with the Denver Art Museum, where he has served since 2021.
A major portrait by Pierre-Auguste Renoir, "La femme aux lilas (Portrait de Nini Lopez)" (1876–77), will be sold at Christie's on May 18. The painting, which has been held privately by the Whitney Payson family for 97 years, is expected to fetch between $25 and $35 million.
Swiss art historian Maria Schnyder has been appointed as the new director of the De Pont Museum of Contemporary Art in Tilburg, Netherlands. She will succeed the retiring director Martijn van Nieuwenhuyzen in October. Schnyder is an internal promotion, having joined the museum in 2013 and served as its deputy director for the last four years.
Wie Alexander Calder die Skulptur in Bewegung setzte
The Fondation Louis Vuitton in Paris has launched a major retrospective titled "Rêver en Équilibre," dedicated to the American sculptor Alexander Calder. Featuring over 300 works, the exhibition traces Calder’s journey from his 1926 arrival in Paris to his invention of the "mobile," a term coined by Marcel Duchamp. The show includes iconic large-scale hanging sculptures like "Rouge triomphant," wire figures from his famous "Cirque Calder," and rarely seen private loans, alongside paintings and jewelry that highlight his engineering background and poetic approach to abstraction.
Erste Details zum deutschen Pavillon
The German Pavilion at the upcoming Venice Biennale will present an exhibition titled "Ruin," featuring works by the late Henrike Naumann and artist Sung Tieu. Curated by Kathleen Reinhardt, the exhibition explores historical ruptures and the lingering effects of political and social voids following German reunification. Tragically, Naumann passed away shortly after completing her contributions, and her studio team is now working to realize her final artistic vision for the prestigious international stage.
The Los Angeles County Museum of Art (LACMA) has announced that its new David Geffen Galleries will officially open to the public on May 4, 2025. Designed by Pritzker Prize-winning architect Peter Zumthor, the $724 million "curvaceous concrete sandwich" spans Wilshire Boulevard and replaces four previous buildings. The inaugural exhibition, organized by a massive team of forty-five curators, will forgo traditional chronological displays in favor of a thematic framework centered on global oceanic exchange, featuring both permanent collection highlights and new commissions from contemporary artists like Lauren Halsey and Do Ho Suh.
The John Simon Guggenheim Memorial Foundation has announced its 101st class of fellows for 2026, awarding 223 individuals across 55 disciplines. This year’s cohort includes a significant number of visual artists and art professionals, such as American Artist, John Ahearn, Sonya Clark, and Fia Backström, alongside scientists, writers, and scholars. The fellowships provide varying monetary awards, typically ranging from $30,000 to $45,000, to support the recipients' ongoing creative and intellectual projects.
Schon 100.000 Besucher in Kölner Kusama-Ausstellung
The Museum Ludwig in Cologne has reached a significant milestone, welcoming 100,000 visitors to its Yayoi Kusama retrospective within just four weeks of opening. The exhibition, which features 300 works ranging from early childhood drawings to contemporary installations, has proven to be an unprecedented draw for the institution, surpassing the director's initial expectations for attendance speed.
"Ich glaube, ich habe viele Künstler nicht verstanden"
Adrian Searle, the long-standing chief art critic for The Guardian, is stepping down after three decades at the publication and nearly 50 years in art criticism. In a reflective interview, Searle discusses his transition from a practicing painter and educator to a critic, noting that his early interactions with students like Peter Doig and Isaac Julien helped him realize his true strength lay in writing rather than art-making. He recounts his experiences navigating the British art scene, from the decline of Greenbergian abstraction to his encounters with formidable figures like Richard Serra.
The Getty Center in Los Angeles will close for a full year starting March 15, 2027, to undergo its first major renovation since opening in 1997. The "modernization initiatives" include updates to the galleries, a redesign of the Welcome Hall with a new café, and the replacement of the iconic tram system to increase passenger capacity. During the closure, the Getty Villa in Malibu will remain open and display highlights from the Center’s permanent collection, while additional programming will be held at a temporary space on Sepulveda Boulevard.
Julian Cox will step down as deputy director and chief curator of the Art Gallery of Ontario on April 13, concluding an eight-year tenure. The AGO's director praised Cox's impact on exhibitions, collection growth, and scholarship, stating his departure is not connected to recent institutional turmoil.
La Market Art Fair di Stoccolma è un nuovo modello di fiera d’arte da cui imparare qualcosa
The Market Art Fair in Stockholm, founded in 2006 by galleries from Denmark, Sweden, Norway, and Finland, held its 20th edition from April 23-26, 2026, at Magasin 9 during Stockholm Art Week. The fair features 54 exhibitors from 8 countries and 150 artists, with 80% of works tied to the Nordic context and 20% international. Highlights include a solo presentation by Olafur Eliasson at i8 Gallery (Reykjavík) featuring his sculpture *Rare metallic plant* (2026), and a preview of the Nordic Pavilion at the Venice Biennale by artist Benjamin Orlow at Season 4 Episode 6 gallery. The fair has recently opened its selection to international galleries, a shift welcomed by collectors.
Le marché asiatique porte Art Basel Hong Kong
Art Basel Hong Kong 2026 concluded with strong attendance and significant sales, demonstrating the fair's central role in the Asian art market. The event attracted over 91,000 visitors and featured 240 galleries, with a strong presence from the Asia-Pacific region, Europe, and the United States. Major international galleries like Gagosian, Hauser & Wirth, and David Zwirner reported multimillion-dollar sales of works by artists such as Louise Bourgeois, Liu Ye, and Marlene Dumas, alongside notable transactions for works by Tracey Emin and Antony Gormley.
Ce que vous ne saviez (peut-être) pas sur Alexander Calder
The Fondation Louis Vuitton in Paris has launched the exhibition "Calder. Rêver en équilibre," prompting a retrospective look at the life and technical mastery of Alexander Calder. The article explores the artist's journey from his arrival in Paris in 1926 to his interactions with avant-garde masters like Duchamp and Miró, highlighting how he defied traditional artistic labels through his innovative use of movement and simple materials.
The Kiran Nadar Museum of Art has commissioned artist Nalini Malani for a collateral exhibition at the 2026 Venice Biennale, titled 'Of Woman Born'. Art Collaboration Kyoto announced a shift from a single director to a seven-member leadership committee. Australian artist Datsun Tran won the 2026 Glover Prize for his landscape work 'The giants are falling'. New York Mayor Zohran Mamdani appointed Diya Vij as commissioner of the city's Department of Cultural Affairs.
Marian Goodman Gallery is suspending operations at its Los Angeles location after two and a half years, following the conclusion of Tacita Dean's solo show on April 25. The gallery's partners announced a consolidation of programming to its historic homes in New York and Paris, stating they will evaluate the space's future while maintaining an LA presence through art fairs, special projects, and museum exhibitions.
A new museum dedicated to M. F. Husain, one of India's most important modernist artists, will open in Doha, Qatar, on November 28, 2025. Officially named Lawh Wa Qalam: M. F. Husain Museum, it is operated under the Qatar Foundation and will be the first museum devoted solely to Husain. The 32,300-square-foot institution, designed based on a 2008 sketch by the artist, will house a newly formed permanent collection spanning paintings, tapestries, photographs, films, installations, and poetry. Highlights include a series of paintings on Arab civilization commissioned by Sheikha Moza bint Nasser and Husain's final work, *Seeroo fi al ardh* (2009), which will have its own gallery. The museum is located in Doha's Education City, home to several US university outposts.
The article recounts the author's experience at Art Basel Miami Beach 2025, beginning with a moment of reflection on the beach before the fair week's chaos. Three veteran attendees—an artist, an advisor, and a gallery owner—chose to skip the event this year, citing lackluster parties, declining collector interest in Miami compared to Paris, and poor sales attrition. Despite these doubts, the fair saw strong sales, with Hauser & Wirth reporting a 40% increase in the first three hours, and a new digital art sector boosting optimism. Pop-up exhibitions, like "The Body is The Body" at the Rice Hotel, were highlights, while Vanity Fair's party remained the most coveted invite.
London-based contemporary galleries Edel Assanti and Emalin have both announced significant expansions within the UK capital. Edel Assanti is opening a second, more intimate location in St. James’s to complement its larger Fitzrovia flagship, launching with a focused exhibition of works by Lonnie Holley. Simultaneously, Emalin is moving its primary operations from Shoreditch to a sprawling 5,000-square-foot space in Clerkenwell previously occupied by Modern Art, while maintaining its historic Shoreditch outpost.
Jean-Marc Bottazzi, a Japanese bond trader and collector based in Hong Kong, discusses his philosophy of collecting in an interview with The Art Newspaper. He emphasizes deep, focused support of artists rather than acquiring a superficial variety, citing his extensive holdings of over 100 works by the 96-year-old Japanese artist A-Yo and deep collections of Abstract Expressionism, Gutai, and conceptual photography.
The article reviews the exhibition 'The Secret Agent' at the Institute of Contemporary Arts (ICA) in London, curated by artist and writer Hannah Gregory. The show features works by artists including Louise Lawler, Susan Hiller, and John Stezaker, exploring themes of desire, secrecy, and the archival impulse through photography, film, and installation.
A retrospective of Tracey Emin's work at Tate Modern reveals how her art, frequently interpreted as raw personal confession, is deeply intertwined with the broader cultural and social forces of her time. The review argues that her oeuvre serves as a witness to a specific era, moving beyond purely autobiographical readings to reflect wider societal currents.
Frieze magazine has published a curated list of ten essential exhibitions to see in New York City during the Frieze New York art fair. The recommendations highlight major institutional shows, including a Carol Bove exhibition at the Guggenheim, a Marcel Duchamp presentation at MoMA, and a Raphael-focused exhibition at the Metropolitan Museum of Art.