Gloria Gallery in Nicosia is presenting a new solo painting exhibition titled 'The Allure of the Visible' by Cypriot artist Silia Philippou. The exhibition opens with an inauguration by the Greek ambassador and runs from April 24 to May 15, featuring a new body of work that continues the artist's exploration of nature, colour, and light.
Award-winning visual artist and animator Lesego Vorster is set to debut a solo exhibition titled 'BETWEEN THE LINES' at MCA Gallery (Madlozi Contemporary Art) in Paris. Running from April 22 to August 31, 2026, the exhibition features a deeply personal body of paintings that explore human connection through the study of hands and emotional anatomy. The collection includes eleven new works, such as 'NOMAYINI' and 'Portrait of The Artist', with prices ranging from approximately $3,250 to nearly $10,000.
A new art gallery called THINGS! Global Experiences is opening in Stonewell Plaza in New Scotland, New York. Founded by Elena Silverman, a longtime Voorheesville resident, the space will launch on April 18 with an inaugural exhibition titled VOICES, featuring 17 local artists. Silverman, who has a background in economics and a deep connection to art through experiences like working with Cambodian hand-woven textiles, describes the gallery as a meeting point between vision and structure. The exhibition emphasizes authenticity and communication over stylistic uniformity, with works by artists including Joe Schaefer and Kris Kelly. Silverman plans to expand to a second location if the gallery establishes a strong identity.
East Coast artist Prudence Davis has unveiled her latest exhibition, "Going with the Flow," at the Matawhero Art Gallery. The collection features a series of paintings deeply inspired by the local landscape and the artist's personal connection to the ocean. Davis, who comes from a significant artistic lineage, uses this body of work to explore her environment through fluid, nature-focused compositions.
Emporia State University seniors Sydney Hickman and Michael Kidwell debuted their collaborative Bachelor of Fine Arts senior exhibition, "All That Remains," at the Eppink Art Gallery. The show features a dialogue between Hickman’s quilt-inspired ceramics and mosaics, which explore domesticity and femininity, and Kidwell’s nature-oriented paintings and wood displays that reflect on his Kansas upbringing and identity.
Slippery Rock University recently concluded its Annual Juried Student Art Exhibition at the Martha Gault Art Gallery, showcasing the diverse creative output of its student body. Out of 90 submissions, guest juror Clayton Merrell selected 49 pieces for the three-week installation, spanning mediums such as sculpture, painting, printmaking, fiber art, and ceramics. The exhibition culminated in an awards ceremony where senior Kayla Stallings took first place for her sculpture titled "Fur."
Grundy Art Gallery in Blackpool is celebrating its 115th birthday in 2026 with a winter exhibitions programme that includes a giant birthday cake drawing installation in the foyer, the largest-ever Grundy Open Exhibition for local artists, newly commissioned paintings by locally based artist Jayne Simpson, and a collection spotlight exhibition themed around 1926 featuring loans from Showtown History Centre. The gallery invites the public to a special launch on January 24, 2026, and the exhibitions run through March 7.
Ashland artist Crystal Proffitt's interactive installation 'Don't Touch My Hair: An Interactive Crowned Experience' at the Langford Art Gallery in Phoenix, Oregon, invites viewers to touch the braids and locs attached to portraits of local Black models while listening to voice recordings about hair as cultural identity and resilience. The work, supported by the Oregon Cultural Trust and the Black Alliance & Social Empowerment (BASE) Southern Oregon, debuted January 3 and runs through January 24, after which it will join BASE's Black Cultural Legacy Series at the Rogue Gallery & Art Center in Medford. Proffitt intentionally allows the hair to show wear from handling, treating the erosion as part of the artwork's meaning.
Felix Anderson-Goldsmith, a 17-year-old pencil artist from Timaru, New Zealand, is preparing for his first solo exhibition at the Red Bird Gallery in Timaru. The exhibition opens on January 9, 2026, and runs until February 3, featuring ten works including pencil realism pieces and two pop art paintings on skateboards. Anderson-Goldsmith previously gained recognition as a shortlisted entrant in the 2024 Parkin Drawing Prize, where he received a highly commended award. Gallery owner Polly Rowe offered him the show after being impressed by his sketches, and has guided him in developing a cohesive body of work.
Local artist James Green, professionally known as 'The Artful Green,' has launched a new solo exhibition at Drax Studio in Canford Cliffs, Poole. Running until May 4, the showcase features a body of work created through a singular, unrevised process where each painting is completed in a single pass without later corrections or modifications.
Portland-based artist Ami Maki has unveiled her latest exhibition, "Obese Landscapes," at the Multnomah Arts Center. The showcase features eight large-scale charcoal drawings, some reaching seven feet in height, that draw visual parallels between the human form and natural topographies like rolling hills and rock formations. By utilizing earth tones and monumental scale, Maki seeks to reframe bodies often marginalized by societal beauty standards as majestic, natural environments.
The Mint Museum Uptown is set to debut "Mint to Be: The Feminine Body as Costume Art" on May 1, an exhibition that explores the feminine form through the lens of fashion and identity. Curated by Professor Perrine DeShield-Jenkins, the showcase serves as a Met Gala–inspired experience featuring interactive narratives, photo activations, and a high-stakes runway competition where 20 Charlotte-based designers will vie for a $1,000 prize for couture that best reimagines the body as a living canvas.
The Oxford Community Arts Center recently hosted the opening of "Changing Climate, Changing Communities," an exhibition organized by Engaging for Climate in Oxford (ECO). The show features a diverse range of media, including paintings, sculptures, and graphic works created by professional artists, Miami University faculty, and local elementary students. Notable works include Tara Trueblood’s abstract painting "The Flood," which explores the tension between crisis and hope, and imaginative drawings of undiscovered animals by sixth-grade students from Ridgeway Elementary.
Boston University Art Galleries' 808 Gallery is presenting "Hidden in the Layers," a monthlong exhibition featuring printmaking and photography works by BU faculty and alumni. Originally shown at the 2024 Venice Biennale, the show includes pieces from artists Lynne Allen, Deborah Cornell, Toni Pepe, Joshua Brennan, and Charles Suggs, curated by Lissa Cramer, director of BU Art Galleries. The exhibition explores physical and conceptual layering across varied printmaking techniques.
Thomas Duffield, a photographer, has created a body of work documenting his relationship with his father after years of estrangement. The project captures their gradual reconnection, moving beyond superficial conversation to address deeper, unspoken tensions. Duffield's images explore the emotional landscape of rebuilding a father-son bond, using photography as a tool for reconciliation and understanding.
Stephanie Pierre, a Haitian American community developer and placemaker, has opened Kafou, a Haitian art-inspired gallery in East Flatbush, Brooklyn. The gallery launched with an inaugural exhibition titled “Space as Place,” featuring seven artists—including Bianca Allen, Marie Medijne Antoine, Jordan Dubreuil, Wilfrid Ignace, Richard Louissant, Claire Saintil, and Zarita Zevallos—whose works explore themes of space, place, migration, and identity. The opening reception on April 16, 2026 drew strong public interest, prompting the gallery to extend the show through May 17. Kafou operates on a community-centered model, charging artists a reduced commission in exchange for their active involvement in managing and promoting their own work.
Jess Self, a Decatur-based sculptor and educator, presents *Celestial Perspectives* at the Marietta Cobb Museum of Art, an immersive textile environment that explores autobiography through figurative form. The exhibition features works in resin, plaster, felted wool, fiber, and rope, including the large-scale installation *The Veil* and the compelling *She Who Ties Magic Knots*, a resin and plaster cast of the artist's pregnant torso. Self's practice draws on Jungian archetypes and spiritual traditions, and the show communicates themes of connectivity, motherhood, bodily experience, and transcendence without relying on wall text.
The article text is corrupted and unreadable, so the specific details of what happened cannot be extracted. Based on the title, it appears that significant changes are planned for a historic arts center in Morristown, New Jersey.
The European House of Photography (MEP) in Paris is presenting the first major retrospective of French photographer Camille Vivier, running from June 10 to September 13, 2026. The exhibition features nearly a hundred photographs spanning two decades, including works created specifically for the show, exploring themes of female identity, sensuality, and cultural references from fine art to pop culture.
The Palais Galliera in Paris will host the exhibition "A Wardrobe of One’s Own: Dissident Femininities in the 19th Century" from September 26, 2026 to February 14, 2027. Featuring over 350 works—including clothing, paintings, photographs, and fashion posters—the show explores how 19th-century women appropriated men’s wardrobes, from Amazonian costumes and trousers to suits, ties, and top hats, as a means of emancipation and identity reshaping. Iconic figures such as Marie-Antoinette, George Sand, Rosa Bonheur, and Natalie Clifford Barney are highlighted alongside anonymous subjects from amateur photographs.
Clark County's Office of Public Arts has issued a call for artists to submit work for "Juneteenth: Freedom Moves," a juried group exhibition at the Pearson Community Center Gallery. Open to artists aged eight and up residing in Clark County, the exhibition accepts all original media including digital art, photography, and printmaking. Submissions are due by May 10, and awards include gift certificates from Desert Art Supplies for Best in Show and Honorable Mentions. The exhibition will run from June 2 to July 23.
The Hungarian Academy of Arts (MMA) and the Hall of Art (Műcsarnok) have opened an outdoor panel exhibition in front of the Műcsarnok building on Bajza Street to celebrate the 130th anniversary of the institution's opening. Designed by Albert Schickedanz, the building was completed in 1896 for the Millennium alongside Heroes' Square and the Museum of Fine Arts. The exhibition, which will be on view until November 22, looks back on the Műcsarnok's 130-year history, and a fall anniversary exhibition is also planned.
The Hansell Gallery at The Philosophical Research Society in Los Angeles is presenting "Brain Drawings: The Art of Harry Smith," an exhibition running from May 7 to May 31, 2026. Curated by Rani Singh, the show features a wide selection of Smith's work, including early experiments in visualizing sound, a rare 1954 four-color silkscreen of the Kabbalistic Tree of Life, string figure constructions, materials related to the Anthology of American Folk Music, photographs, and rarely seen films and audio works. An opening reception on May 7 includes a panel and multimedia presentation titled "Mind Maps: Exploring Harry Smith's Hermetic Allusions."
An exhibition titled 'Rising Lines' opens on 3rd May 2026 at ReachOut Art Gallery in Nashik, bringing together a curated group of emerging artists at different stages of their creative journeys. The show, on view until 14th June 2026, emphasizes evolving artistic processes, experimentation with form and material, and personal narratives, rather than presenting finished bodies of work. The gallery positions itself as a space dedicated to nurturing emerging talent in Nashik's growing contemporary art scene.
hui.red, an independent curatorial platform in Milan founded by Huizhong “Ines” Song, presents its inaugural exhibition "Legitimation of Dust," featuring the work of Chinese artist Zhang Meichun. This marks Zhang Meichun's first exhibition in Italy, showcasing pieces such as "Shoreless River," "Dust of Breath," "Fossil of Light," and "The Blind Oracle" that blend body, data, and cosmic perception through sensors, algorithms, and interactive installations.
Schreyer Honors College at Penn State has opened a new art gallery called “Illuminate” on the ground floor of Atherton Hall, featuring artwork from four Schreyer Scholars. The inaugural exhibition includes pieces by Olivia Knoechel, Jessica Matinchek, Paige Rishel, and Lisa Wang, selected by a panel of staff, students, and alumni artist Kaleigh Quinnan. The gallery opened on April 10 with a celebration attended by family, friends, and college staff.
Ojai-based artist Pam Grau is presenting her first solo exhibition at the Santa Paula Art Museum. The show marks a milestone in her career, bringing together a body of work that reflects her artistic practice and connection to the local landscape.
Mär Martinez's first solo museum exhibition, “A loom, a fence, a wire, a thread,” opens at The Art & History Museums of Maitland, featuring paintings inspired by traditional Turkish and Middle Eastern textile practices. The works, developed during her 2024-2025 Fulbright research in Istanbul, weave together her Cuban and Syrian heritage, exploring themes of cultural memory, displacement, and resilience through imagery of carpets, barbed wire, and urban barriers.
Biennale-Jury will Länder mit IStGH-Vorwürfen nicht berücksichtigen
The jury of the Venice Art Biennale has announced that it will not consider countries whose heads of state or government face allegations of crimes against humanity from the International Criminal Court (ICC) when awarding prizes this year. The jury, led by Brazilian art historian Solange Farkas, cited its commitment to defending human rights. While no specific countries were named, the ICC currently has arrest warrants against Russian President Vladimir Putin for alleged war crimes in Ukraine and Israeli Prime Minister Benjamin Netanyahu for alleged war crimes in Gaza. The Biennale leadership stated the jury acted in full autonomy and independence.
British artist Stuart Robertson is set to debut a comprehensive new body of work at Bikaner House in New Delhi in April 2026. The exhibition, titled “Through The Artist’s Eye,” is the culmination of an 18-month residency at Dr Shroff’s Charity Eye Hospital in Daryaganj. Spanning photography, drawing, bronze sculpture, and cyanotypes, the collection documents the daily life, medical precision, and quiet compassion within one of India’s most prominent charitable medical institutions.