The Metropolitan Museum of Art is hosting "Raphael: Sublime Poetry," the first comprehensive exhibition of the High Renaissance master in the United States. Running through June 28, 2026, the landmark show features over 170 works, including major loans like "The Alba Madonna" and the "Portrait of Baldassarre Castiglione," alongside preparatory sketches that reveal the artist's technical process.
New York City’s April art calendar features a diverse array of major institutional shows and gallery exhibitions, ranging from Italian Renaissance masters to contemporary experimental collectives. Highlights include a massive Raphael retrospective at the Metropolitan Museum of Art, the first major U.S. museum exhibition for Finnish painter Helene Schjerfbeck, and the 82nd edition of the Whitney Biennial featuring 56 multidisciplinary artists.
The Palm Springs Art Museum is launching "A Queer Arcana: Art, Magic, and Spirit," an ambitious exhibition exploring the intersection of LGBTQ+ identities and spiritual practices. Spanning over a century of creative production from 1906 to 2026, the show features 35 artists who have utilized occultism, tarot, and magical traditions to navigate societal oppression and foster community. The collection includes a diverse array of media, ranging from historical occult drawings by Austin Osman Spare to contemporary paintings by Devan Shimoyama and feminist tarot decks.
Opera Gallery has officially opened its latest international location in Houston’s River Oaks District, marking the occasion with a series of high-profile events including a collector's preview and a VIP opening. The new space debuted with an impressive inventory of modern and contemporary masterpieces, featuring works by blue-chip artists such as Marc Chagall, Pablo Picasso, Joan Miró, Yayoi Kusama, and Keith Haring. The opening festivities drew a significant crowd of Houston’s social and art elite, signaling a major addition to the city's luxury retail and art landscape.
The Portland Art Museum (PAM), the oldest art museum in the Pacific Northwest, has recently completed a significant 100,000-square-foot expansion to enhance its public and gallery spaces. The museum's diverse collection of over 50,000 objects is particularly noted for its holdings in Native American art, English silver, and graphic arts. Current highlights include the Joe and Shelley Voboril Gallery’s focus on Plains regional works and the 'Conductions: Black Imaginings II' series of in-gallery activations.
The Metropolitan Museum of Art has launched the eleventh annual New York City Scholastic Art & Writing Awards exhibition, titled "Filling in the Gaps." Hosted at the Uris Center for Education, the showcase features 316 artworks and 300 literary pieces from local students in grades 7–12 who earned the prestigious Gold Key distinction. The exhibition highlights original works in painting, printmaking, and drawing, while providing digital access to the winning writing entries.
The Seattle Art Museum (SAM) has unveiled "A Room for Animal Intelligence," a landmark exhibition curated by Pam McClusky that draws almost exclusively from the institution's permanent collection. The show features a diverse array of works—some of which had never been previously unboxed or displayed—ranging from ancient artifacts to contemporary sculptures. A unique narrative device is employed throughout the gallery, where the animal subjects "speak" for themselves on wall labels to foster a direct connection with visitors.
The article explores the perennial struggle artists face in determining when a work is complete, a process often fraught with the risk of overworking or 'wrecking' a piece. Drawing on insights from Howard Hodgkin and David Sylvester, it examines how artists like Degas, Matisse, and Cézanne navigated the boundary between a finished object and a work-in-progress, sometimes intentionally leaving canvases 'open' or 'fragmentarily complete' to preserve their emotional and visual immediacy.
Houston is experiencing a significant surge in artistic activity this month, anchored by the 40th anniversary of FotoFest and major new installations at the city's leading institutions. The Museum of Fine Arts, Houston (MFAH) is hosting "Buddha/Nature," a dialogue between ancient sculptures and contemporary works, alongside the return of Ernesto Neto’s massive immersive crochet installation, "SunForceOceanLife." Meanwhile, the Menil Collection is showcasing recent gifts, and Artechouse has launched a technology-driven spring celebration featuring AI-assisted sculpting and digital floral environments.
The Frist Art Museum in Nashville is celebrating its 25th anniversary with a special exhibition titled "A Landmark Repurposed: From Post Office to Art Museum." Located in the Conte Community Arts Gallery, the show utilizes archival images, architectural drawings, and historical documents to chronicle the building's transformation from a 1930s Art Deco post office into a premier non-collecting art institution.
The Museum of Modern Art in Warsaw has launched "The Woman Question 1550-2025," a massive survey featuring nearly 200 works by 140 women artists spanning five centuries. Curated by Alison M. Gingeras, the exhibition uses the medieval concept of "la querelle des femmes" to explore how women have asserted their status as "citizen artists" against patriarchal structures. The show juxtaposes historical masterpieces by figures like Artemisia Gentileschi and Sofonisba Anguissola with contemporary provocations by Miriam Cahn and Lubaina Himid, focusing heavily on figurative painting and sculpture.
The Blanton Museum of Art has unveiled a new exhibition featuring approximately 80 works of American modernism drawn from the private collection of H-E-B chairman Charles Butt. Curated by Carter Foster, the show eschews a "trophy collection" approach in favor of intimate, transitional works by canonical artists such as Edward Hopper, Alice Neel, and Alma Thomas. The exhibition is organized thematically, focusing on urban life, precisionism, and the evolution toward abstraction, presenting these works together in a single gallery for the first time.
Recent Old Master auctions in New York have defied narratives of market decline, totaling over $185 million across Sotheby’s and Christie’s. High-profile sales included a newly discovered Michelangelo drawing for $27.2 million, a Canaletto masterpiece for $30.5 million, and a record-breaking Rembrandt drawing sold for $17.8 million. These results, alongside the Italian state's $14.9 million acquisition of an Antonello da Messina, suggest that historical masterpieces remain premier "civilisational assets" and stable financial havens during periods of economic volatility.
The Getty Research Institute is hosting "How to Be a Guerrilla Girl," its first major exhibition drawn from the extensive archives of the anonymous feminist activist collective. The show features early drafts, posters, and archival materials that trace the group's 40-year history of using humor and data to combat misogyny and racism in the art world. Despite the institutional spotlight, the Getty has chosen to maintain the group's secrecy, even redacting names from public documents and keeping boxes of unmasked photographs sealed until the members' deaths.
British painter Rose Wylie is preparing for a landmark solo exhibition at the Royal Academy of Arts in London, making her the first female British painter to receive a solo show in the institution's main galleries. At 91 years old, Wylie continues to work late into the night in her Kent studio, producing large-scale, vibrant canvases that draw inspiration from everyday objects, newspapers, and sports icons. Her work is celebrated for its 'punk' energy and a youthful spontaneity that belies her age.
The Fitzwilliam Museum in Cambridge is launching "War Craft," an exhibition dedicated to art and objects created by non-professional soldiers on or near the front lines. Curated by Richard Kelleher, the show features a diverse array of items ranging from First World War shell cases engraved by the Chinese Labour Corps to a contemporary Ukrainian ammunition tin decorated with Sharpie drawings. The collection includes scavenged battlefield materials transformed into personal mementos, alongside significant works by established artists like J.M.W. Turner, John Singer Sargent, and C.R.W. Nevinson.
The Walters Art Museum in Baltimore has opened a new exhibition titled 'From Gérôme to Monet: Stories from the 19th Century Collection' at its Hackerman House location. The show, which runs from February 7 to May 31, features 20 paintings and one sculpture drawn from the museum's own holdings, placing academic Salon paintings alongside Impressionist works to illustrate contrasting artistic philosophies of the period.
The Wichita Art Museum (WAM) has opened a major exhibition titled 'Alex Katz: Theater and Dance,' focusing on the celebrated American artist's decades-long engagement with performing arts subjects. The show features over 50 works, including paintings, collages, and prints, that capture the energy and aesthetics of theater and dance, highlighting Katz's distinctive style of flat planes and bold color.
The Smithsonian American Art Museum has unveiled "Nick Cave: Mammoth," a major new commission by artist Nick Cave. The exhibition, which opened on February 13, 2026, is the museum's largest-ever commission by a single artist and marks Cave's first solo show in Washington, D.C. It transforms a suite of galleries into immersive environments featuring a massive hand-beaded tapestry, towering sculptures incorporating mammoth skulls, and a large light table displaying thousands of found objects.
The National Portrait Gallery in London has opened a major exhibition dedicated to Lucian Freud's works on paper, featuring 170 drawings, etchings, and paintings. The show, drawing heavily from the Lucian Freud Archive acquired by the gallery after the artist's death, includes 48 sketchbooks, unfinished works, and childhood drawings, alongside 12 new acquisitions from the estate.
Bowdoin College Museum of Art (BCMA) announces the reopening of its upper-level galleries (Assyrian, Shaw-Ruddock, Walker, and Markell) on February 3, 2026, following floor refinishing and reinstallation projects, with additional galleries (Bowdoin, Boyd, Rotunda) set to reopen in March. Three new exhibitions are now on view in the lower-level galleries: "Josefina Auslender: Drawing Myself Free," "Hung Liu: Happy and Gay," and "From Guild to Genius: Inventing 'The Artist' in Western Culture." The museum also highlights the acquisition of Anna Boberg's painting "The Blue Roof [Det blå taket]," a loan of an Edmonia Lewis sculpture to the Peabody Essex Museum for the exhibition "Edmonia Lewis: Said in Stone" opening February 14, 2026, and an upcoming artist talk with Samira Abbassy.
The Cincinnati Art Museum (CAM) is hosting the exhibition “What, Me Worry? The Art and Humor of MAD Magazine,” which opened on November 21, 2025, and runs through March 1, 2026. The show features over 150 original artworks spanning MAD Magazine’s 70-year history, from its comic book origins to its satirical magazine heyday. On January 30, 2026, CAM held a special “CAM goes MAD!” event as part of its monthly “Art After Dark” series, offering free admission, live music, local food, and activities such as caricature drawing by artist Joni Fleming and tabling by local comic sellers. The exhibition was organized by Stephanie Haboush Plunkett, chief curator of the Norman Rockwell Museum, and satirical artist Steve Brodner.
The National Museum Cardiff is mounting a major survey exhibition of Gwen John (1876-1939), one of the most famous artists in its collection, titled "Gwen John: Strange Beauties." The show marks the 150th anniversary of John's birth in Wales and will be the most comprehensive exhibition of her work in decades, featuring major loans from institutions such as Tate and the Museum of Modern Art in New York. It will travel to Scotland and the US, emphasizing John's interest in form, materials, and color theory, including late watercolours she never sold or exhibited. The exhibition draws on the museum's extensive archive of over 900 drawings, letters, and photographs acquired in 1976, and aims to shift focus from John's biographical narrative—her relationship with Auguste Rodin and reputation as a recluse—to her artistic dedication and technical innovations.
The El Paso Museum of Art is reopening on Valentine's Day after a $3.5 million infrastructure upgrade. The reopening is marked by the debut of the exhibition "Frida Kahlo–Sus Fotos" in El Paso, featuring 241 photographs from the artist's personal archive, alongside other new shows and the return of the permanent collection.
The article presents a selection of recently published art books, highlighting new releases on artists Tracey Emin, Beatriz González, and Lucian Freud, as well as a second volume on Arab Modernist artists. It details the content of each book, including personal reflections, career overviews, and connections to upcoming exhibitions.
A series of significant artworks are heading to auction in February, led by an early Artemisia Gentileschi self-portrait making its auction debut at Christie's New York with an estimate of $2.5m-$3.5m. Other highlights include Rembrandt's last privately-held animal drawing, 'Young Lion Resting', at Sotheby's New York ($15m-$20m estimate), a Judy Chicago print of Mary, Queen of Scots at Phillips, and an Odilon Redon work on paper at Artcurial Paris.
Several San Francisco museums are experiencing a period of transition and challenge in February 2026. Key exhibitions are closing soon, including "Manet and Morisot" at the Legion of Honor and Suzanne Jackson's first career retrospective at SFMOMA, both ending March 1. New shows are opening, such as "Video Craft" at the Museum of Craft & Design and "Echoes in the Small Mountain: Park Dae-sung and the West Coast" at the Asian Art Museum. Meanwhile, the city's cultural landscape faces strain, with the Mission Cultural Center for Latino Arts suspending operations, representing a significant loss of community programming.
The article examines the resilience of the high-end art market amid rising geopolitical tensions and shrinking public funding for culture. It notes that while sales at major auction houses like Sotheby's and Christie's have rebounded, political forces in the US and Europe are increasingly prioritizing military spending and exerting pressure on cultural institutions, drawing parallels to the rise of fascism in the early 20th century.
The Kanal-Centre Pompidou, a major new modern and contemporary art museum in Brussels, will open on November 28. Housed in a converted 1930s Citroën garage, the €230m institution will launch with ten exhibitions, including a 350-work show drawn from the Centre Pompidou's collection in Paris and installations by artists like Otobong Nkanga.
The Bard Graduate Center in New York is opening the first major US exhibition on French architect Eugène Emmanuel Viollet-le-Duc (1814-1879), known for restoring Notre-Dame de Paris and other medieval French monuments. Titled "Viollet-le-Duc: Drawing Worlds," the show features over 150 drawings spanning five decades, from his teenage sketches to late studies of medieval weaponry, drawn largely from the archives of the Médiathèque du patrimoine et de la photographie. Co-curated by Martin Bressani and Barry Bergdoll, the exhibition highlights his creative approach to preservation, including his iconic spire for Notre-Dame, which was faithfully rebuilt after the 2019 fire.