Women artists 'take up space' at the biggest gallery in town

Hangar Art Co. in downtown Bloomington has opened "Women Taking Up Space," a group exhibition organized by local artist Lori Laughlin featuring works by nine women artists including Jenni Bateman, Deana Moore Schoolcraft, Cindy Lawson Flynn, Jane Reed Wilson, Cathie Haab, Kristine Stayton, Basha Ontiveros, and Laughlin herself. The show, inspired by Mexican artist Cesar Cruz's quote about comforting the disturbed and disturbing the comfortable, emerged from conversations among the Plein Air of McLean County painting group following the presidential election. Works include Jane Reed Wilson's "Flowers are Lovely But I'd Prefer a Revolution" and Laughlin's portrait of Gisèle Pelicot, with a QR code linking to a Time article about Pelicot's public trial for sexual assault.

Artist Keni Arts Transforms Altadena Fire Aftermath Into Exhibition of Hope

Local artist Keni Davis, known as Keni Arts, will present his exhibition "Beauty for Ashes" at the Altadena Main Library throughout May 2025. The show documents the aftermath of January's Eaton Fire, which destroyed over 9,000 homes and businesses in Altadena, including Davis's own home, studio, and most of his paintings. Through his watercolor works, Davis captures the destruction, renewal, and emerging hope in the community he has called home since 1977.

South Asian artists draw inspiration from heritage and identity at exhibition

The South Asian Artists Association of America held its "Vasant: A Spring Mosaic by Indian Artists" exhibition at Bridgewater Commons mall in Bridgewater Township, New Jersey, from April 25 to 27, 2025. The three-day event featured 21 artists showcasing diverse works including large paintings, hand-carved candles, small sculptures, and traditional Madhubani-style art, with live painting demonstrations, workshops, Indian dance performances, and face painting for kids. The exhibition was part of the second annual Garden State Art Weekend and attracted over 60 attendees on opening day, with artworks priced under $150.

A Curatorial Vision on View: “Iterations of Interrupted Space” at the Rubin Center, El Paso

The Rubin Center for the Visual Arts at the University of Texas at El Paso is presenting "Iterations of Interrupted Space," an exhibition curated by the duo Un Dique (Octavio Castrejón and Alonso Robles). Selected through the center's Genius Loci open call, the show features works from eight of Un Dique's projects since 2023, including a video of DJ Conejx performing in a Juárez market, Nayeli Hernandez's installation exploring masculinity and grief, and Mariana Ajo's prints on shifting beauty standards. The exhibition transforms the gallery into a space where art becomes ephemera, documenting past events and happenings.

Lemonis Center for Student Success displays student art in annual exhibition

The third Student Art Exhibition was held on April 24 at the Lemonis Center for Student Success at Marquette University, featuring eight student artworks centered on themes of "Culture & Career," "Inclusivity at Marquette," and "Defining Success." Organized by Courtney Hanson, director of the Career Center, the exhibition was sponsored by the Lemonis Center, the Office of Inclusion and Belonging, and Enterprise Mobility. Student artists from various colleges—including Nursing, Engineering, Arts & Sciences, and Communication—submitted proposals and received a $500 stipend to create their pieces, which are now on permanent display alongside works from previous years.

Landmark store transformed into art gallery

Kellie Miller Art (KMA) gallery has opened a new location in Brighton's Church Street, taking over the former Dockerills hardware store. The two-floor space, which doubles the gallery's previous size, was inaugurated with a packed opening event on Friday evening, featuring paintings, ceramics, and sculptures from over 100 local, national, and international artists. The gallery is run by artist and curator Kellie Miller, who has over 30 years of industry experience.

An immersive digital art exhibition from Europe is coming to Osaka this May

A pop-up digital immersive art exhibition titled 'European Digital Art Experience: The Immersive in Osaka 2025' will run from May 2 to May 14 at Seaside Studio Caso in Osaka's Bay Area. Curated by the Italian multimedia art studio Fake Factory, the exhibition features works by artists including German artist Videogeist, Italian artist Leandro Summo, and Polish artist Pani Pawlosky. It is part of the Study: Osaka Kansai International Art Festival 2025, held alongside the Osaka Expo, and coincides with the Expo's EU National Day on May 9.

IU Bloomington art galleries feature works from and about South Africa

Indiana University Bloomington's art galleries are presenting two exhibitions focused on South African and Indigenous visual culture. "Illusions of Identity: The Colonial Gaze," curated by student Joshua Sinnett at the Community Gallery in the Museum of Archaeology and Anthropology, contrasts early 20th-century photographs of Native Americans by Joseph K. Dixon with images of Indigenous South Africans by Alfred Duggan-Cronin, examining colonial perspectives. Concurrently, "Coloured Pots (Izinkamba kwamaKhaladi)" at University Collections at McCalla features contemporary ceramics by artist Fileve Tlaloc, who uses amaZulu pottery forms to explore her mixed-race ancestry and challenge colonial racial categories, displayed alongside historical amaZulu vessels.

Berliner Kulturverwaltung arbeitet an Reformen

Berlin's cultural administration is pressing ahead with reforms to make funding for projects against antisemitism legally secure, following the resignation of Culture Senator Sarah Wedl-Wilson. Cultural State Secretary Cerstin Richter-Kotowski told the culture committee that a working group established under Wedl-Wilson is now implementing recommendations from the state audit office report, which had found serious legal violations and omissions in the allocation of funds for antisemitism prevention projects. Richter-Kotowski emphasized that the administration continues its normal operations despite the leadership change, and she publicly thanked both Wedl-Wilson and the recently dismissed State Secretary Oliver Friederici for their service.

Design Theft in Platform Capitalism

Designklau im Plattformkapitalismus

The article details a growing trend of design plagiarism within the platform economy, where large interior trade platforms and fast-design companies systematically copy the original work of small, independent design studios. These copies are then mass-produced and sold globally at lower prices, often marketed directly through social media channels. The original designers find it nearly impossible to defend their intellectual property due to the high cost and complexity of legal action, especially against international entities.

In Greece, the Thessalonikéon Métropolis Archaeological Museum Opens Its Doors

En Grèce, le musée archéologique Thessalonikéon Métropolis ouvre ses portes

The Thessalonikéon Métropolis archaeological museum opened on May 7 in Thessaloniki, Greece, inside the renovated Pavlos Melas barracks (Building A3). Its collection of over 300,000 objects—including ceramics, jewelry, mosaics, sarcophagi, and architectural fragments—was unearthed during the construction of the city's metro system, which began in 2006 and became the largest rescue excavation in northern Greece. The centerpiece is the Decumanus Maximus, a well-preserved Roman-Byzantine commercial street discovered at the Venizelou station, nicknamed "Byzantine Pompeii." The museum's restoration cost about €14.5 million, partly funded by European Union funds, while the total archaeological interventions cost between €75 and €203 million.

The Museum of the Surrender of Reims Reopens After a Year of Renovations

Le Musée de la Reddition de Reims rouvre ses portes après un an de travaux

The Musée de la Reddition de Reims (Museum of the Surrender of Reims) reopened on May 7, the 81st anniversary of the German surrender signed in its map room, after a year-long closure. The renovation, costing approximately €2 million, focused on conservation: protective glazing, improved ventilation and lighting, and anoxic treatment of collections to halt degradation of original maps, documents, and war room objects. The museum also overhauled its scenography, designed by Belgian agency Kascen, to present a clearer chronological narrative covering the occupation, Allied presence in Reims, liberation, postwar reconstruction, and reconciliation, rather than just the surrender itself. The museum now displays 17 uniforms, 130 objects and weapons, and 65 archival documents, including the act of capitulation and General McAuliffe's jacket.

Cultural Cities at the Heart of New Municipal Conquests

Villes culturelles, au cœur des nouvelles conquêtes municipales

Municipal elections across France have resulted in a wave of new and re-elected mayors, many of whom campaigned on strong cultural platforms. Key victories include Emmanuel Grégoire in Paris, Catherine Trautmann in Strasbourg, Grégory Doucet in Lyon, Yann Galut in Bourges, and Arnaud Deslandes in Lille, each outlining specific cultural visions ranging from continuity and private-public partnerships to fostering urban and street culture.

Bruno Pélassy, Perla Zuñiga at Taon

The gallery Taon in Ivry-sur-Seine, France, is presenting a two-person exhibition featuring the works of artists Bruno Pélassy and Perla Zuñiga. The show runs from March 6 to April 14, 2026, and is documented with installation photography.

Rachel Mentzer Transforms Discarded Cartons into Dusky Collagraphs

Ohio-based artist Rachel Mentzer creates collagraph prints using discarded cartons as printing plates, carving them with images of birds, trees, and energy infrastructure. Her process involves carving the cardboard, sealing it with polyurethane, inking it, and transferring the image via an etching press, often incorporating chine collé for color. Her work was recently shown at the Manhattan Graphics Center, and she will participate in the Suzanne Wilson Artist-in-Residence Program at Glen Arbor Arts Center this summer.

Water Samples from Around the World Melt into Dima Rebus’ Dreamy Paintings

London-based artist Dima Rebus creates large-scale watercolor paintings using water samples collected from strangers around the world. In her series "Floaters," she freezes the crowdsourced water with pigments, then lets it melt across paper to form abstract color fields, later adding figures and aquatic landscapes. Each sample arrives with a letter, building an archive of rain, rivers, seas, oceans, and glaciers that serve as both material and human message.

Stitch Your Favorite Destinations with Jake Henzler’s ‘Knit the City’

Fiber designer Jake Henzler, known as Boy Knits World, is releasing a new book titled 'Knit the City' through David & Charles Publishing. The book provides modular knitting patterns inspired by the architecture of global cities like Copenhagen and Paris, allowing crafters to create customizable blankets, pillow covers, and other textile projects that stitch together building-block facades.

Barry Webb Documents a Marvelous, Macro Array of Colorful Slime Molds

British photographer Barry Webb creates large-format macro photographs of slime molds, revealing their intricate, sculptural forms and vibrant colors. His work transforms organisms typically only a few centimeters tall into atmospheric, large-scale images that showcase a hidden world.

David Morrison’s Alluring Drawings Spring from the Blank Page

Artist David Morrison has released a new series of hyperrealistic botanical drawings, created with colored pencil. The works, including pieces titled "Botanical Series No.4 Drawing" and "Iceland Poppy," focus on flowers, seeds, and plants, capturing intricate textures and organic forms with delicate lines and smooth gradients that create a soft, luminous effect.

A Doomed Mission to Mars Awaits Henry Wood’s Lanky Explorers

Artist Henry Wood has created a series of wooden figures depicting doomed explorers on Mars, titled 'We went to Mars and it was a disaster.' Each lanky, meticulously carved figure represents a colonist with a specific tragic history, such as being stranded or buried, imagining a future archaeological dig on the terraformed planet. The work reflects on humanity's ambitious but potentially flawed drive to colonize other worlds, using the medium of wood and ancient relic aesthetics to critique grand narratives of exploration and progress. Wood's process, influenced by travel and traditional techniques, transforms speculative science fiction into tangible artifacts that question the costs of expansion and the stories we tell about our future.

Austin Bell Chronicles Every Single One of Hong Kong’s 2,549 Basketball Courts

Photographer Austin Bell documented all 2,549 outdoor basketball courts in Hong Kong, creating the series SHOOTING HOOPS. Using a drone and Google Maps, he captured the courts' vivid colors and geometric designs from an aerial perspective over 140 days of shooting, sometimes photographing hundreds in a single day.

Meditate to the Undulations of Baltic Sea Ice in Jan Erik Waider’s Hypnotic Videos

German photographer and visual artist Jan Erik Waider has released a new series of aerial drone videos capturing a rare natural phenomenon in the Baltic Sea. The footage shows a thin, fresh layer of ice forming intricate, polygon-like shapes on the rolling sea surface, creating a hypnotic, undulating pattern that moves rhythmically without breaking.

Pejac Transforms Basic Graph Paper into Detailed, Trompe-L’œil Tableaux

Artist Pejac has created a new series of detailed, trompe-l'œil tableaux on basic graph paper. He transforms the two-dimensional grid into scenes of depth and movement, such as children throwing snowballs that are actually cubes from the grid itself, and a construction worker carving the iconic Sistine Chapel hand motif from the paper's lines.

Bárbara Wagner & Benjamin de Burca “The Tunnels We Dig” at Schirn Kunsthalle Frankfurt

The artist duo Bárbara Wagner & Benjamin de Burca have opened a new exhibition titled "The Tunnels We Dig" at the Schirn Kunsthalle Frankfurt. The show combines three of their collaborative film and installation works, which are the result of their decade-long practice of working in dialogue with other artists and collectives.

Stanislava Kovalčíková “Rubigo” at Kunstverein Freiburg

Stanislava Kovalčíková has opened her first institutional solo exhibition in Germany, titled "Rubigo," at Kunstverein Freiburg. The exhibition features a large-scale installation constructed from red plasticine, which forms an immersive environment housing a series of paintings executed on discarded clock dials salvaged from Prussian church towers.

Bat-Ami Rivlin “Untitled (radiators, zip ties)” at Management, New York

Artist Bat-Ami Rivlin has opened a new site-specific installation titled 'Untitled (radiators, zip ties)' at Management gallery in New York. The work features an assembly of locally sourced radiators bound by zip ties, presented in a sparse arrangement that transforms the gallery space.

Korea and Japan to Collaborate on Pavilions at Venice Biennale

Arts Council Korea has revealed the program for its national pavilion at the 2026 Venice Biennale. Curated by Binna Choi and titled "Liberation Space: Fortress/Nest," the exhibition will feature artists Goen Choi and Hyeree Ro, exploring the historical period between the end of Japanese colonial rule and the establishment of separate Korean governments. A key feature is artist Goen Choi's work *Meridian*, which will physically extend copper pipes from the Korean Pavilion into the adjacent Japanese Pavilion, marking the first formal collaboration between the two nations' presentations at the Biennale.

MARGARET WHYTE TURNS FRAGILITY INTO LANGUAGE AT THE 2026 VENICE BIENNALE

The Uruguay Pavilion at the 2026 Venice Biennale presents "ANTIFRAGIL," a new installation by artist Margaret Whyte, curated by Patricia Bentancur. The work combines textiles with obsolete technological objects such as old machines, motorcycle helmets, and waste fragments, embodying the concept of antifragility developed by Nassim Taleb—systems that grow stronger through disorder and instability. Whyte's practice transforms fragility and vulnerability into poetic resistance, challenging traditional hierarchies between craft and contemporary art.

A New Look at Rabelais and His World

The article examines the philosophical and literary significance of laughter in François Rabelais's work, particularly *Gargantua and Pantagruel*, contrasting his celebratory view with the predominantly negative assessments of laughter in Western philosophy from Plato to Hobbes. It highlights how Rabelais channels a durable tradition of folk humor as a form of affirmative relief from oppression and official solemnity.

Marin resident returns to art after retiring from police department

Donna Loftus, a Marin County resident, retired from a 33-year career with the San Francisco Police Department in 2012 and has since returned to her lifelong passion for art. She took classes at the College of Marin, joined the Marin Society of Artists and the art group Marin 6, and has exhibited her work at venues including Fred's retail store in Mill Valley, Locati Mediterranean restaurant, and Coit Tower in San Francisco. Currently, she is the guest artist in the exhibition "Embracing Art" at the Arts Guild of Sonoma, running through June 1. Loftus, who is pursuing a fine arts degree, paints landscapes, still lifes, and abstracts inspired by nature and her travels.