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Bill Viola’s complete moving-image works and a William Dobson self-portrait: the latest museum acquisitions

Tate and the National Portrait Gallery in London have jointly acquired William Dobson's rare self-portrait (circa 1635-40) for £2.4 million, supported by the National Lottery Heritage Fund. The painting will debut at Tate Britain in November before touring the UK. Separately, the George Eastman Museum in Rochester, New York, will digitize the complete moving-image works of Bill Viola, following a donation of over 200 works by the Viola-Perov Trust. Crystal Bridges Museum of American Art has acquired a monumental Tiffany Studios stained-glass window by Agnes F. Northrop, originally installed in a San Antonio chapel, for its campus expansion opening in 2026.

Arts of Life Celebrates 25 Years

Arts of Life, a Chicago-based nonprofit supporting artists with intellectual and developmental disabilities, is celebrating its 25th anniversary with its first museum exhibition, "Community on the Make | Arts of Life 2000 – 2025," at the Design Museum of Chicago from August 11 to September 30, 2025. The retrospective features works by over 50 artists, staff, and volunteers, including founding member Veronica "Ronnie" Cuculich, and highlights collaborative pieces such as David Krueger and Ben Marcus's Love Man series. Related programs include a public reception on August 21 and artist residency hours throughout September.

NYU’s Grey Art Museum Presents ‘June Leaf: Shooting From the Heart’ Sept. 9–Dec. 13

NYU’s Grey Art Museum will present the exhibition ‘June Leaf: Shooting From the Heart’ from September 9 to December 13. The show focuses on the work of American artist June Leaf, known for her expressive drawings, paintings, and sculptures that explore the human figure and emotional states.

Avignon becomes artist Jean-Michel Othoniel's gallery in his biggest ever exhibition

French artist Jean-Michel Othoniel has mounted his largest-ever exhibition across the city of Avignon, installing 270 artworks—140 of them new—in 10 locations including the Palais des Papes, city museums, public courtyards, building facades, and the medieval St Bénezet bridge. The show, commissioned to mark Avignon’s 25th anniversary as European Capital of Culture and 30th year as a UNESCO World Heritage site in 2025, took nearly six weeks to install and involved a team of hundreds, including glassblowers, metalworkers, gilders, and dancers. Othoniel took the 14th-century Italian poet Petrarch as his thematic starting point, exploring different facets of love across the venues.

Art & the Book* and Spineless Wonders: The Power of Print Unbound**

Two concurrent exhibitions in central London this summer—'Art & the Book' at the Warburg Institute and 'Spineless Wonders: The Power of Print Unbound' at Senate House Library—celebrate the contemporary and historical impact of print and small-press publishing. The shows feature a spectrum of materials from socialist pamphlets and activist flyers to artists' books and ephemera, drawn from special collections to highlight the deep history of paper and print as a medium for autonomous production. The Warburg exhibition, curated by Matthew Harle with guest curators Arnaud Desjardin and Hlib Velyhorskyi, centers on artists' books and includes residencies, talks, and an art bookfair, all open to the public.

‘Why don’t you talk about the hostages?’: Nan Goldin interrupted by protester during Gaza-focused speech at Rencontres d’Arles

American photographer Nan Goldin was confronted by a protester during her acceptance of the 2025 Women In Motion Award at the Rencontres d'Arles photography festival. Goldin used the occasion to speak about the humanitarian crisis in Gaza, describing the conflict as "the first live-streamed genocide" and projecting images of Gaza before and after the Israeli military campaign. A woman in the audience repeatedly shouted, "Why don't you talk about the hostages?" while other audience members chanted "Free Palestine." Goldin responded by acknowledging the 7 October attacks but emphasizing the scale of Palestinian casualties. She also accused the Israeli government of conflating anti-Zionism with antisemitism and of putting drugs in flour delivered to Gaza, a claim not independently verified.

Rose Art Museum Presents Fred Wilson: Reflections August 20, 2025 – January 4, 2026

The Rose Art Museum at Brandeis University will present "Fred Wilson: Reflections," a major survey of the artist's work from 2003 to the present, on view from August 20, 2025, through January 4, 2026. Curated by Dr. Gannit Ankori, the exhibition spans three sections, including Wilson's glassworks inspired by the 2003 Venice Biennale, his black-and-white Flag paintings, and the debut of a new immersive installation, "Black Now!," which features over 2,500 found objects collected since 2005 that explore themes of race, identity, and material culture.

In ‘A Natural History of the Studio,’ Many William Kentridges Add Up to One

William Kentridge's latest exhibition, 'A Natural History of the Studio,' at Hauser & Wirth in New York presents over 70 drawings from his nine-part film series 'Self-Portrait as a Coffee-Pot,' alongside new sculptures. The works, created during the pandemic, explore self-portraiture through charcoal, pastel, and collage, often featuring doppelgängers that argue and disagree, reflecting the artist's engagement with theater and the materiality of his forms.

National Gallery of Art lends historic works to the Figge Art Museum

The Figge Art Museum in Davenport, Iowa, has opened an exhibition titled "The Golden Age: Featuring Northern European Artworks from the Collection of the National Gallery of Art," featuring 10 masterworks from 1537 to 1700 on loan from the National Gallery of Art in Washington, D.C. The show includes paintings by Lucas Cranach the Elder, Anthony van Dyck, Frans Hals, and Louis Vallée, and runs through April 4, 2027. The Figge is one of ten small to mid-size museums selected for the National Gallery's "Across the Nation" initiative, which sends key works to institutions nationwide to commemorate the 250th anniversary of the United States.

Whiteley showcase reveals struggles with addiction and pursuit of beauty

A touring exhibition from the Brett Whiteley studio in New South Wales, titled *Inside The Studio*, has arrived at the Shepparton Art Museum in Victoria—its final stop and only Victorian venue. The show features drawings, ceramics, sketchbooks, photographs, Whiteley's iconic Sydney Harbour painting, and his 1976 Archibald Prize-winning self-portrait. Wendy Whiteley, the artist's former wife and an artist herself, shares memories of their turbulent marriage, including his struggles with addiction and his intense dedication to his craft. She has also repurchased several of her favorite sketches of her in the bathtub, which had been auctioned off over the years.

Cultural Affairs Bureau announces the selection results of the “Local Curatorial Project” of the “Art Macao: Macao International Art Biennale 2025”

The Cultural Affairs Bureau of Macao has announced the six exhibition proposals selected for the "Local Curatorial Project" of "Art Macao: Macao International Art Biennale 2025." Chosen from 34 submissions by a panel including chief curator Feng Boyi, Wang Xiaosong, Song Dong, Marcel Feil, and Van Pou Lon, the winning proposals are: "Genetic Duration" (curated by Ung Vai Meng), "After Oriental Garden" (Cheong Weng Lam), "The Sea of Languages: Macao Language Research Program" (He Yan Jun and Zhang Ke), "A Speakable Position for Women" (Cheong Cheng Wa and Wang Jing), "Beneath the Wetware Peninsula" (Daisy Di Wang and Wong Mei Teng), and "Jacone's Tower" (Feng Yan and Ng Sio Ieng). These exhibitions will be part of the biennale and will also be shortlisted for the 61st International Art Exhibition of La Biennale di Venezia – Collateral Event from Macao, China.

“Dyke is our armor:” A conversation with dyke artist Sarah-Joy Ford’s about her new exhibition Dykeland (2025)

Dr. Sarah-Joy Ford, an artist and independent scholar based in Todmorden, West Yorkshire, has opened her exhibition "Dykeland: Volume 1" at The Whitaker Museum & Art Gallery in Rossendale on June 7, 2025. The show explores the history of dyke and lesbian landscapes in the UK, focusing on queer relationality to placemaking and preservation. It interweaves historical material, personal memory, and fantasy in response to Jane Cambell's upcoming poetry collection "Dykeland and other secret islands," and is displayed alongside Cambell's art. Ford uses quiltmaking as a medium to share lesbian and queer archival material, continuing a tradition of queer fabric art that includes recent installations like the ACLU's 258-square-quilt display on the National Mall and the Euphoria Quilt by Eliot Anderberg.

Lillian Blades' first solo exhibition sparkles and shines at Sarasota Art Museum

Lillian Blades' first solo exhibition, "Through the Veil," is on view at the Sarasota Art Museum (SAM) through October 26. The Bahamian-born artist presents large, quilt-like mixed-media installations made from found objects such as toys, jewelry, utensils, and mirrors, wired together and hung from PVC piping. Her work is displayed on the museum's third floor, while a concurrent exhibition of Gee's Bend quilts occupies the second floor, creating a thematic dialogue between the two shows.

London’s Queen Elizabeth II memorial to feature contemplative Yinka Shonibare sculpture

A team led by architect Norman Foster and British-Nigerian artist Yinka Shonibare has won the competition to design a national memorial to Queen Elizabeth II in St James’s Park, London. The winning proposal includes a series of royal gardens linked by a stone path, a new bridge inspired by the Queen Mary fringe tiara, and Shonibare’s Wind Sculpture as a contemplative centerpiece. The project also features figurative sculptures of the Queen and Prince Philip, a Prince Philip gate, and a main monument beside the Mall. The design will be developed with the Queen Elizabeth Memorial Committee, which will select a sculptor for the figurative elements later this year; the final design is due in April 2026, with a provisional budget of £23m–£46m.

Maggi Hambling: ‘The sea is sort of inside me now … [and] it’s as if she has become a wave’

Maggi Hambling has unveiled a deeply personal installation titled "Time" at Norfolk's 18th-century Wolterton Hall, as part of the exhibition "Sea State." The installation features a single portrait of her late partner, Tory Lawrence, alongside 40 small paintings called "nightwaves," created in response to Lawrence's death from a brain tumor in autumn 2024. The show also includes new works by Ro Robertson and Hambling's ongoing "Wall of Water" series, marking the first arts and culture program at the historic Palladian house built for Horatio Walpole.

Vitra Design Museum celebrates the enduring influence of egalitarian religious sect, the Shakers

The Vitra Design Museum in Germany has opened "The Shakers: A World in the Making," an exhibition exploring the minimalist designs and democratic beliefs of the Shakers, an egalitarian religious sect founded in the 18th century. Organized with the Milwaukee Art Museum, the Institute of Contemporary Art Philadelphia, and Germany's Wüstenrot Foundation in collaboration with the Shaker Museum in Chatham, New York, the show features historic Shaker objects like oval boxes and ladder-back chairs alongside newly commissioned works by contemporary artists including Amie Cunat, David Hartt, and Kameelah Janan Rasheed.

Rachel Jones, Liverpool Biennial, UK Aids Memorial Quilt at Tate Modern —podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major topics. Host Ben Luke interviews painter Rachel Jones about her exhibition 'Gated Canyons' at Dulwich Picture Gallery, which features both giant and tiny works. Contemporary art correspondent Louisa Buck reviews the Liverpool Biennial 2025, titled 'BEDROCK', held at the Walker Art Gallery. The episode also features writer Charlie Porter discussing the UK AIDS Memorial Quilt, a commemorative work made of 42 quilts and 23 individual panels honoring 384 individuals affected by HIV and AIDS, currently installed at Tate Modern's Turbine Hall.

The Denver Art Museum celebrates A Century of Art in Latin America

The Denver Art Museum (DAM) has announced its upcoming Fox Gallery exhibition, *A Century of Art in Latin America*, opening June 15, 2025, and running through June 15, 2027. The exhibition will be held in the Latin American Art galleries on level four of the museum’s Martin Building and is included in general admission, which is free for visitors 18 and under and for museum members. Featuring works exclusively from the John and Sandy Fox Collection, the show includes sculptures, paintings, textiles, prints, and mixed media pieces spanning the 20th and 21st centuries, offering a broad survey of artistic movements across the region.

New Frida Kahlo museum to open in Mexico City

Frida Kahlo's family has announced the opening of Museo Casa Kahlo, also known as Casa Roja, on September 27 in Coyoacán, Mexico City, near the iconic Casa Azul. The museum, run by Kahlo's descendants for the first time, will display personal objects, documents, and photographs from the artist's childhood, including dolls, clothing, letters, cross-stitch work from age five, her first oil painting, and a recently discovered mural. The property belonged to Kahlo's parents and later her sister Cristina, and has been preserved by the family for decades. The museum will be led by Adán García Fajardo and overseen by the newly founded Fundación Kahlo, a New York-based non-profit.

Review: Guadalupe Rosales crafts an analog Wayback Machine for a vibrant show at Palm Springs Art Museum

Guadalupe Rosales presents a solo exhibition titled "Tzahualli: Mi memoria en tu reflejo" at the Palm Springs Art Museum, centered on a checkerboard dance floor with a makeshift DJ booth, motorized blue spotlights, and mirrored disco fixtures. The show gathers ephemera from the 1990s—magazines, snapshots, lowrider bicycle parts, bandannas, street signs, and more—used in assemblage sculptures and display cases. Four thematic sections include a dance room, an entryway, a nighttime space, and a car culture gallery, with imagery referencing Chicana culture, Los Angeles' Eastside, and historic clubs like Arena and Circus.

June Book Bag: from the cool influence of Ice Age art to the story of Arshile Gorky’s early years in the US

This article presents a roundup of six new art books released in June, covering a diverse range of topics. Titles include a monograph on Arshile Gorky's early years in New York, a collection exploring interspecies consciousness from the Serpentine Galleries, a book accompanying a British Museum exhibition on Ice Age art, a lavish Taschen monograph on Salvador Dalí, and a three-volume photographic study of the American West by Maryam Eisler and Alexei Riboud.

Washington, DC street renamed ‘Alma Thomas Way’ in honour of renowned abstract painter

A block of 15th Street NW in Washington, DC, where renowned abstract painter Alma Thomas (1891-1978) lived for most of her life, has been renamed “Alma Thomas Way.” The street signs now stand at the corners of 15th and Church streets and 15th and Q streets, bookending the house at 1530 15th Street NW that her parents purchased in 1907. The renaming follows a bill introduced by District Councilmembers Christina Henderson and Brooke Pinto, who led a ceremony to honor the artist. Henderson stated the goal is to “elevate and introduce local heroes to folks for the next generation.”

Denver Art Museum presents photography exhibition What We’ve Been Up to: Landscape

The Denver Art Museum has opened a new photography exhibition titled *What We’ve Been Up to: Landscape*, featuring works by over a dozen artists including Meghann Riepenhoff, Masao Yamamoto, Linda Conner, Terri Weifenbach, Tanya Marcuse, Christina Fernandez, Patrick Nagatani, Zora J. Murff, Marion Post Wolcott, William Henry Jackson, Mary Peck, Abelardo Morell, Steve Fitch, John Ganis, Frank Gohlke, and Henry Wessel, Jr. The photographs are loosely grouped by theme—ranging from intimate nature studies and scenic beauty to technology’s imprint and difficult histories of slavery, Indigenous conflict, and natural disasters. A related lecture by Terri Weifenbach is scheduled for September 30, 2025.

‘I feel at home here’: Michael Rakowitz’s Acropolis Museum exhibition locates the lines between stories of lost heritage

The Acropolis Museum in Athens has opened "Allspice: Michael Rakowitz and Ancient Cultures," the first exhibition in a trilogy organized with the Hellenic Ministry of Culture and the nonprofit Neon. It is also the first time the museum has presented work by a living artist. The show pairs ancient objects from the University of Chicago’s Institute for the Study of Ancient Culture and the Thanos N. Zintilis Collection of Cypriot Antiquities with 14 works by Iraqi-American artist Michael Rakowitz, including pieces from his ongoing series "The invisible enemy should not exist," which recreates artifacts looted or destroyed from the National Museum of Iraq. Rakowitz’s lamassu reliefs, reimagined from the Palace of Nimrud, and a new commission featuring his mother’s recipes explore themes of lost heritage, memory, and diaspora.

Lawren Harris leads the way in Heffel’s all-Canadian marquee spring auctions in Toronto

Heffel Fine Art Auction House held its spring sales in Toronto on May 22, featuring an all-Canadian lineup of 85 lots with an estimated value of C$18m to C$22m. Despite rain and economic concerns, the two-session sale achieved C$22m total, led by Lawren Harris's *Northern Lake* (1926) at C$3.1m. Other highlights included record-breaking prices for Franklin Carmichael, Arthur Lismer, and A.Y. Jackson, plus strong results for Emily Carr and Tom Thomson works.

“Selma Burke African American Art Show” at Phillips’ Mill

Phillips’ Mill Community Association in New Hope, Pennsylvania, has announced a new exhibition titled “The Selma Burke Invitational African American Art Show,” running from May 31 through June 29. The show pays homage to Selma Burke, a prominent 20th-century sculptor and art educator who lived in New Hope for the last 40 years of her life. It features over 60 works by African American artists Burke mentored, taught, or inspired, including James E. Duprée and Kimberly Camp, alongside historical pieces by artists such as Faith Ringgold, Romare Bearden, and Thornton Dial. The exhibition also includes works loaned from collectors like Lawrence Hilton.

Summer Shows Coming to South & West Texas

Museums and art venues across South and West Texas have announced a series of summer exhibitions opening between May and September 2025. Highlights include "The Wyeths: Three Generations" at the Art Museum of South Texas in Corpus Christi (May 23–Aug 24), featuring works by N.C., Andrew, Henriette, and Jamie Wyeth; "PAINT: Rachelle Thiewes" at the El Paso Museum of Art (May 30–Sep 21), showcasing jewelry and sculpture inspired by lowrider culture and the Chihuahuan desert; "Midland Collects" at the Museum of the Southwest (Jun 3–Sep 21), displaying private and foundation collections; a solo show by Doylene H. Land at the Ellen Noël Art Museum in Odessa (Jun 6–Aug 24); "Visions of the West" at the International Museum of Art & Science in McAllen (Jun 21–Sep 28); and "Los Encuentros" at Ballroom Marfa (July), a group exhibition centered on Latinx culture and community collaboration.

Veronica Ryan: Unruly Objects

The Pulitzer Arts Foundation and the Wexner Center for the Arts have co-organized an exhibition titled "Veronica Ryan: Unruly Objects," curated by Tamara H. Schenkenberg with curatorial assistant Molly Moog. At the Wexner Center, the presentation is further organized by Schenkenberg and Julieta González, head of Visual Arts. The exhibition is supported by a range of funders including ENGIE, the American Electric Power Foundation, and the Mellon Foundation, among others.

Artist Alison Saar wins High Museum’s 20th annual Driskell Prize

Alison Saar, a Los Angeles-based artist known for sculptures exploring Black American experience through historic and symbolic imagery, has won the 20th edition of the David C. Driskell Prize from the High Museum of Art in Atlanta. The annual prize, which alternates between honoring an artist and a curator, comes with $50,000 and was announced during a reception at the Fifth Avenue Hotel in New York on 9 May. Saar succeeds 2024 winner Naomi Beckwith, and past honorees include Ebony G. Patterson, Amy Sherald, Mark Bradford, and Rashid Johnson.

Behind the scenes of the Met’s revamped Rockefeller Wing with its acclaimed architect

Kulapat Yantrasast, the Bangkok-born architect behind Why Architecture, has completed a $70 million overhaul of the Metropolitan Museum of Art's Michael C. Rockefeller Wing, which houses the arts of Africa, Oceania, and the ancient Americas. Working with executive architect Beyer Blinder Belle, Yantrasast redesigned the 40,000-square-foot exhibition hall to address longstanding conservation issues caused by a 200-foot glass wall on Central Park that exposed fragile objects to heat and light. The wing reopens to the public on May 31 after four years of construction.