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A Holistic and People-Centered Approach to Accessible Exhibition Design: Walker Art Center Case Study

The Walker Art Center in Minneapolis developed a holistic, people-centered set of guidelines for accessible exhibition design, moving beyond legal ADA compliance. The project involved collaboration across curatorial departments, artists, d/Deaf and disabled staff and community members, and the Institute for Human Centered Design (IHCD). The guidelines were created in three stages: identifying the need, drafting and revising, and implementing, with strategies including cross-departmental working groups, targeted interventions for bottlenecks, shared terminology, and embodied learning for staff.

Picasso Museum Malaga undergoes transformation to revisit artist's relationship with his father

The Picasso Museum Malaga (MPM) has opened a major exhibition titled "Memory and Desire," featuring 112 works from museums across Europe and the United States. The show centers on Picasso's 1925 painting "Studio with Plaster Head," on loan from MoMA in New York, and aims to rehabilitate the reputation of José Ruiz Blasco, Picasso's father and first art teacher. Curated by Eugenio Carmona, the exhibition challenges the long-held critical view that the father-son relationship was stormy, instead tracing the profound artistic influence José had on Picasso, from early academic works to surrealist masterpieces.

Collector of Beeple’s $69.3 million NFT work launches space in Singapore

Collector Vignesh Sundaresan, known as Metakovan and famous for purchasing Beeple's NFT artwork "Everydays: The First 5000 Days" for $69.3 million in 2021, has launched a new project space called Padimai Art & Tech Studio in Singapore's Tanjong Pagar Distripark. The venue opens with an Olafur Eliasson exhibition titled "Your view matter," an adaptation of a 2022 virtual reality work that records visitors' experiences on a blockchain system. Sundaresan describes Padimai as a heritage, contemporary art and research institution focused on technology as cultural infrastructure, exploring digital creation, preservation, circulation, and collective memory.

This Week at LACMA

This week at LACMA features the opening of Tavares Strachan's first museum exhibition in Los Angeles, "The Day Tomorrow Began" (October 12, 2025–March 29, 2026), with immersive multisensory installations including uncanny everyday spaces, a field of rice grass with ceramic figures, and monumental bronze sculptures. The museum also offers a gallery tour of "Deep Cuts: Block Printing Across Cultures" with curator Erin Maynes on November 18, alongside ongoing exhibitions such as works by Beeple, Zheng Chongbin, Youssef Nabil, Ai Weiwei, Mark Bradford, Robert Irwin, Barbara Kruger, Richard Serra, and Chris Burden, plus public programs like Mindful Monday, Communities Create LA! workshops, and member screenings of Academy Award contenders.

The Crocker Art Museum’s CEO Wants the World — and People of Sacramento — to Love His Newly Adopted City

Agustín Arteaga, the new Mort and Marcy Friedman director and CEO of the Crocker Art Museum in Sacramento, discusses his first months on the job, including extensive meetings with staff, board members, and community stakeholders. Arteaga, who previously led the Dallas Museum of Art, the Museo Nacional de Arte in Mexico City, and the Museo de Arte de Ponce in Puerto Rico, emphasizes the need to balance fundraising, donor relations, educational programming, and political transparency while maintaining the museum's relevance as the oldest art museum in the American West.

Children curate exhibition of Clyfford Still works inspired by their reservation

The Clyfford Still Museum in Denver has handed curatorial authority to 100 children from the Confederated Tribes of the Colville Reservation for the exhibition "Tell Clyfford I Said ‘Hi’" (on view until May 10, 2026). The show features works by Clyfford Still, who in 1936 traveled to the Colville Reservation with colleague Worth Griffin to document tribal members and landscapes. The museum collaborated with tribal youth from three schools—Nespelem School, Nespelem Head Start, and Hearts Gathered Montessori—who selected artworks from facsimiles of Still’s paintings and photographs, drawing connections between his abstract works and their own cultural experiences, such as a student noting that a painting resembled a pow wow blanket.

A new hope: Lucas Museum of Narrative Art sets September 2026 opening date

The Lucas Museum of Narrative Art in Los Angeles has announced its opening date of September 22, 2026, more than a decade after the project was first conceived by filmmaker George Lucas and his wife Mellody Hobson. The museum, which moved from San Francisco to Chicago before settling in Los Angeles's Exposition Park, has grown from a $700 million budget to a reported $1 billion and will house over 40,000 works across 100,000 square feet of exhibition space. The collection spans ancient artifacts, canonical artists like Frida Kahlo and John Singer Sargent, comic book legends such as Jack Kirby and Alison Bechdel, photography by Gordon Parks and Dorothea Lange, and the Lucas Archives of film memorabilia.

Tehching Hsieh: ‘I didn’t try to be a superman, my work is not about heroism’

Tehching Hsieh, the pioneering performance artist known for his extreme durational works, has opened his first retrospective, 'Lifeworks 1978-99', at Dia Beacon. The exhibition follows his gift of 11 major works to the institution last year and features six spaces designed to convey the relative time of his performances—including his five one-year pieces (Cage Piece, Time Clock Piece, Outdoor Piece, Rope Piece, No Art Piece) and the Thirteen Year Plan—using spatial measurements to represent 'art time' and 'life time'.

A Story of South Asian Art: Mrinalini Mukherjee and Her Circle

The Royal Academy of Arts in London presents "A Story of South Asian Art: Mrinalini Mukherjee and Her Circle," a visually thrilling exhibition running from 31 October 2025 to 24 February 2026. Curated by Tarini Malik, the show pivots around the work of Mrinalini Mukherjee (1949-2015), placing her in dialogue with key figures of the Indian cultural scene, including her parents Benode Behari Mukherjee and Leela Mukherjee, as well as artists Gulammohammed Sheikh and Nilima Sheikh. The exhibition highlights Mukherjee's hemp sculptures like 'Adi Pushp II' (1998-99) and bronze works such as 'Forest Flame IV' (2009), and emphasizes the importance of art schools and places—Santiniketan, Baroda (Vadodara), and New Delhi—in shaping her practice.

Sara Friedlander Appointed Chairman, Post-War & Contemporary Art, Americas - Christie's

Christie's has promoted Sara Friedlander to chairman of Post-War and Contemporary Art for the Americas, as announced by Global President Alex Rotter. Friedlander, a specialist and dealmaker with nearly 20 years at the auction house, will focus on works from the last 50 years. She has brought major collections to market, including the Kawamura Memorial DIC Museum of Art and the Edlis | Neeson Collection, and has achieved world-record prices for artists such as Joan Mitchell, Alice Neel, Ernie Barnes, Dorothea Tanning, and Marlene Dumas.

The Top 10 Exhibitions to See Around the World This November

This article presents a curated list of the top 10 exhibitions to see around the world in November, highlighting key shows such as 'Project a Black Planet' at MACBA, which explores Pan-Africanism through art and culture, Sylvie Fleury's installation 'She-Devils On Wheels Headquarters' in New York, and Araya Rasdjarmrearnsook's survey at Jameel Arts Centre. Other featured exhibitions include Karolina Jabłońska's paintings of pickled beets and severed limbs, among others, each offering unique perspectives on identity, gender, and mortality.

Portland exhibit shows off multifaceted artists’ personal narratives | Column - Portland Press Herald

Mauricio Muñoz and Andrew Roberts' installation "The Harvest" (2021) is featured in "otherwise," a thesis exhibition at the Institute of Contemporary Art at MECA&D in Portland, running through Dec. 13. The show also includes works by Ayana V. Jackson, whose project "From the Deep: In the Wake of Drexciya" was targeted by Donald Trump in his attacks on the Smithsonian Institution. The exhibition explores how artists use storytelling and worldbuilding to cope with difficult contemporary issues and imagine better futures, serving as a companion to the Ogunquit Museum of American Art's "Where the Real Lies."

Performa brings digital doubles, kids reciting animal noises and more to New York

Performa, New York's performance art biennial, returns for its 20th anniversary edition with a main slate of eight commissions, seven by women artists and one by a male-female duo. Projects include Ayoung Kim's live motion capture choreography exploring body doubles and digital avatars at Canyon, Diane Severin Nguyen's remix of Vietnam War-era protest songs with an 11-person supergroup at Bric, and Tau Lewis's staging of the Sumerian epic 'The Descent of Inanna' using textile sculptures and experimental opera at Harlem Parish. The biennial also features a Lithuanian Pavilion with Augustas Serapinas's mobile wooden shack and Lina Lapelytė's piece 'The Speech,' in which 270 children perform animal vocalizations at Federal Hall.

Sasha Gordon Finds Beauty and Empathy in the Shadows of the Human Mind

Sasha Gordon, a rising young artist from New York's art scene, debuted her solo exhibition "Haze" at David Zwirner's 19th Street gallery in Chelsea. The show, which drew long lines and significant attention, features hyperrealistic paintings that explore identity, memory, and the subconscious through an Asian diasporic lens. Gordon, who rose to fame during the pandemic and is co-represented by David Zwirner and Matthew Brown (Zwirner's son-in-law), discusses her evolving technique and her shift away from explicitly autobiographical work toward more open-ended, timeless figures.

Camille Pissarro Member Preview Saturday

The Denver Art Museum and the Museum Barberini in Potsdam have co-organized a new exhibition titled 'The Honest Eye: Camille Pissarro's Impressionism,' which opens with a member preview on Saturday. The show is supported by a wide range of donors, including Jana and Fred Bartlit, Barbara Bridges, Bridget and John Grier, the Kristin and Charles Lohmiller Exhibitions Fund, Craig Ponzio, and many others, as well as by an indemnity from the Federal Council on the Arts and the Humanities and promotional support from CBS Colorado.

'Monuments' is the most significant American art museum show right now

The article reports on "MONUMENTS," a major exhibition jointly organized by the Museum of Contemporary Art (MOCA) in Los Angeles and the nonprofit Brick. The show features 10 decommissioned Confederate monuments, some splashed with protesters' paint, alongside works by 20 contemporary artists including Hank Willis Thomas and Karon Davis. It was assembled by curators Hamza Walker, Hannah Burstein, Bennett Simpson, Paula Kroll, and artist Kara Walker, and has been in development for nearly eight years, spurred by events such as the 2015 Charleston church massacre, the 2017 Charlottesville riot, and the 2020 George Floyd protests.

Manhattan block where Basquiat lived and worked renamed in his honour

A block of Great Jones Street in downtown Manhattan, between Bowery and Lafayette Street, has been officially renamed Jean-Michel Basquiat Way in honor of the late Neo-Expressionist artist. Basquiat lived and worked at 57 Great Jones Street from 1983 until his death from a heroin overdose at age 27 in 1988, renting the space from his friend Andy Warhol. On October 21, New York city council members and Basquiat's family, including his sister Lisane Basquiat, unveiled the street signs. The building now features a commemorative plaque and has been rented by actress Angelina Jolie as a showroom and curatorial space for her fashion brand Jolie Atelier.

Remembering Sylvio Perlstein, the Belgian art collector and jeweller, who died aged 94

Sylvio Perlstein, the Belgian art collector and jeweller, died at age 94 in Antwerp, where he was born in 1931. A third-generation gem-cutter from a diamond dynasty, he fled the Nazis with his Jewish family to Brazil as an infant, reinventing himself as "Sylvio." His collecting began as an adolescent in Rio, where he bought a strange painting from a florist. Over decades, he amassed a major collection of 20th-century avant-garde art, befriending artists like Man Ray and Yves Klein, and acquiring works by René Magritte, Marcel Broodthaers, and Pablo Picasso. He was known for his discerning eye, seeking works that were "esquisito"—weird, strange, and different—rather than conventionally beautiful.

One Way to Shake Up Museum Curation? Hand the Keys to the Kids.

Museums across the United States are experimenting with youth-curated exhibitions, handing curatorial authority to teenagers and children. The Orange County Museum of Art's "Piece of Me" exhibition, part of its larger biennial, was organized by 15 members of the Orange County Young Curators program, who surveyed the museum's collection, selected a theme and artworks, collaborated with conservators and designers, and wrote wall text. Similar initiatives are underway at the Clyfford Still Museum in Denver and the Museum of Fine Arts, Boston, where young people are curating shows with staff guidance.

Comment | Frieze galleries have committed to climate donations—now it's time for the art world to pack in its private jets

A new initiative called 10% Of launches at Frieze London and Frieze Masters, inviting galleries to donate 10% of the sale price of designated works to the Gallery Climate Coalition (GCC), an international art world environmental charity. Nearly thirty galleries have signed up, including Gagosian, White Cube, David Zwirner, and Lisson, with works priced from £3,000 to £150,000. The scheme aims to reframe a standard art market gesture into collective climate action, with participating galleries displaying their GCC membership status on booth signs.

Wayne Thiebaud’s first UK show reveals the hidden depths of his deceptively simple paintings

Wayne Thiebaud's first museum exhibition in the UK has opened at the Courtauld Gallery, featuring 21 paintings on loan from US public and private collections, including the Wayne Thiebaud Foundation. The show, titled "Wayne Thiebaud: American Still Life," highlights the artist's deceptively simple depictions of cakes, pies, and deli counters, and includes a concurrent exhibition of works on paper called "Delights." Co-curator Barnaby Wright emphasizes that seeing the works in person reveals their extraordinary painterly quality, which reproductions flatten.

Oberlin art museum kicks off fall with a fine Monet show and a new director

The Allen Memorial Art Museum at Oberlin College has opened "Picturing Paris: Monet and the Modern City," a focused exhibition reuniting three Claude Monet paintings from spring 1867, including the museum's own "The Garden of the Princess" alongside two loans from European museums. The show features over 30 additional works from the Allen's collection by artists such as Renoir, Degas, and Cézanne, and coincides with the arrival of new director Jon Seydl, who returned to Northeast Ohio in July after leadership roles at the Cleveland Museum of Art, Worcester Art Museum, and Krannert Art Museum.

Memorial Art Gallery Announces Frontiers of Impressionism: Paintings from the Worcester Art Museum Opening Nov. 2

The Memorial Art Gallery (MAG) in Rochester, NY, will present "Frontiers of Impressionism: Paintings from the Worcester Art Museum" from November 2, 2025, through March 1, 2026. The exhibition features fifty-two masterworks from the Worcester Art Museum's collection, including Claude Monet's 1908 painting "Nymphéas (Water Lilies)"—the first water lily painting ever purchased by an art museum. More than thirty European and American artists are represented, such as Monet, Pierre-Auguste Renoir, Camille Pissarro, Mary Cassatt, Childe Hassam, and John Singer Sargent.

Comment | Museums can't get enough of anniversary exhibitions—but surely there's better ways to serve the public

The article critiques the growing trend of museums mounting anniversary exhibitions to celebrate the birth or death of famous artists, using the centennial of Robert Rauschenberg as a prime example. Nearly 100 organizations worldwide are participating in Rauschenberg-related shows, from the Menil Collection in Houston to the Grey Art Museum in New York. The author notes similar patterns in 2024 for James Ensor and in 2023 for Ellsworth Kelly and Pablo Picasso, with museums often resorting to highly specific or gimmicky themes to differentiate their offerings.

A ‘town square for the arts and humanities’: The new Princeton University Art Museum shares opening details

The Princeton University Art Museum will open its new building to the public with a 24-hour celebration from 5 p.m. on Oct. 31 to 5 p.m. on Nov. 1, 2025. The event includes tours, artmaking, live performances, film screenings, poetry readings, and yoga, all free of charge. Planning began in 2012, and the museum has also scheduled preview days for Princeton students, faculty, staff, and members before the public opening.

How Two New Art Exhibitions Are Spotlighting Black Queer History

Two new art exhibitions are spotlighting Black queer history amid escalating government censorship and threats to federal arts funding. "In the Life: Black Queerness—Looking Back, Moving Forward" at the Carr Center in Detroit traces 80 years of Black queer culture, opening with LeRoy Foster's 1945 self-portrait and featuring works by Zanele Muholi, April Bey, and Pamela Sneed. Co-curated by Patrick Burton and Wayne Northcross, the show is produced by Mighty Real/Queer Detroit and will be part of the Detroit Queer Biennial in June 2026. A second exhibition, "The Gay Harlem Renaissance," runs from October 10 through March at the New York Historical Museum in Manhattan, curated by Allison Robinson, highlighting queer contributions to the Harlem Renaissance through artifacts like rent party tickets and works by Malvin Gray Johnson.

Top Art Exhibits at Chicago Museums | 2025 Guide

Chicago museums are presenting a diverse slate of fall 2025 exhibitions, including a major Yoko Ono retrospective at the Museum of Contemporary Art Chicago, the National Museum of Mexican Art's 39th annual Día de Muertos exhibit, a landmark Elizabeth Catlett retrospective at the Art Institute of Chicago, a Marvel's Spider-Man interactive show at the Griffin Museum of Science & Industry, and Italian artist Diego Marcon's U.S. debut at The Renaissance Society.

In first peek at collections, Art Museum announces two opening exhibits

The Princeton University Art Museum (PUAM) has announced its two opening exhibitions for the newly rebuilt museum, set to debut on October 31. The inaugural shows are “Princeton Collects,” featuring approximately 150 works donated over the past four years including the largest piece by Irish-American artist Sean Scully, and “Toshiko Takaezu: Dialogues in Clay,” a ceramics exhibition highlighting the late artist’s closed-form works and her connections to teachers, peers, and students. The museum, described by Director James Steward as a “once-in-a-century remaking,” will open with a 24-hour public open house after student and member previews.

Dallas Museum of Art to Host “International Surrealism” Exhibition

The Dallas Museum of Art (DMA) will present "International Surrealism," a major exhibition in collaboration with Tate London, opening November 2, 2025, and running through March 22, 2026. Marking the centenary of the first Surrealist exhibition in 1925, the show features over 100 works from Tate’s collection, including pieces by René Magritte, Salvador Dalí, Lenora Carrington, Wifredo Lam, Malangatana Ngwenya, Alberto Giacometti, Dorothea Tanning, and Jackson Pollock. The exhibition aims to decentralize Surrealism by presenting works from around the world, alongside printed ephemera and publications from the early 1900s. Tickets go on sale October 7, 2025, with early access for DMA members on October 6.

The first US solo exhibition of late Japanese artist Yoshida Chizuko comes to Portland Art Museum - Oregon Public Broadcasting

The Portland Art Museum has opened the first solo U.S. exhibition of late Japanese artist Yoshida Chizuko (1924-2017), featuring over 100 woodblock prints and paintings, many never before displayed publicly. The exhibition, curated by Asian art curator Jeannie Kenmotsu, highlights Yoshida's avant-garde work that pushed the boundaries of painting and printmaking within Japan's male-dominated postwar art world.