Un tableau de Gerard van Honthorst à Utrecht
The Centraal Museum in Utrecht has acquired a painting by Gerard van Honthorst, titled *Extase de Marie-Madeleine* (c. 1618-1620), purchased from Cantore Galleria. The work was previewed at TEFAF Maastricht, where the museum also announced a major retrospective dedicated to the artist, titled "Gerard van Honthorst - En tout point différent de Rembrandt," which opened on April 25.
Meow Wolf's upcoming Los Angeles location, set to open later this year in a former Cinemark movie theater in West L.A., will feature a 20-foot-tall, 1,000-pound amoeba-like creature named WoWoW, created by the L.A.-based multimedia collective Everything Is Terrible. WoWoW serves as the centerpiece of "the N.E.S.T.," an EIT-designed section of the 26,000-square-foot immersive exhibition space that tells the story of the Noothies, a fictional community of former film workers who discover a god and a hidden truth about reality. The installation pays tribute to maximalist roadside attractions like Wisconsin's House on the Rock and New Mexico's Tinkertown Museum, and is one of 45 installations by local collaborating artists including Gabriela Ruiz and David Altmejd.
Artist David Adey is the subject of a mid-career survey, “David Adey: Sacrificial Bodies,” opening April 25 at the Oceanside Museum of Art. The 70-piece exhibition, curated by gallery owner Mark Quint in collaboration with Adey, spans 25 years of his career and includes a 2026 re-creation of his 2001 piece “The Lamb,” which features a reconstructed lamb carcass. Adey, now 53, originally created the work as a graduate student at Cranbrook Academy of Art. The show also features pieces like “Gravitational Radius” and “2,127 Rounds,” a sculpture made by firing an AR-15, Glock 34, and shotgun into cedar.
Beyoncé attended the 2026 Met Gala in a translucent gown by Olivier Rousteing, adorned with a bejeweled skeleton motif. Online sources suggest the design was inspired by 'Visitor,' a 1944 lithograph by Louisiana artist Caroline Durieux, who was a professor at Tulane University and LSU. The artwork, held by the LSU Museum of Art, depicts a skeleton in a translucent frock, echoing the gown's aesthetic. Art collector Jeremy K. Simien noted Durieux's influence and the potential value boost to the print from the Beyoncé connection.
The Charles H. MacNider Art Museum in Mason City, Iowa, has opened its 46th Annual Cerro Gordo Photo Show in the Center Space Gallery, sponsored by the Safford and Lena Lock Photo Endowment Fund. Sixty-two entries were submitted by residents of Cerro Gordo County and students at North Iowa Area Community College, with 36 photographs by 20 artists selected for exhibition. An opening reception and awards ceremony will be held on May 7, 2026, with cash prizes including $125 for Best in Show. The exhibition runs through July 11, 2026, and admission is free.
The 46th Annual Cerro Gordo Photo Show has opened at the Charles H. MacNider Art Museum's Center Space Gallery in Mason City, Iowa. The exhibition features 36 photographs by 20 artists from Cerro Gordo County and North Iowa Area Community College, selected by a panel of judges from 62 entries. Artists include Alec Heggen, Brad Janson, Wendy Janson, Dennis Nettifee, Margo Underwood, Lisa Wolf, and many others from Clear Lake, Mason City, and Plymouth. The show is sponsored by the Safford and Lena Lock Photo Endowment Fund, with an opening reception and awards ceremony scheduled for May 7, offering cash prizes including $125 for Best in Show.
Fondazione Elpis in Milan has appointed Marcella Ferrari as its new director, effective April 2026, marking a new phase for the foundation founded by Marina Nissim in 2020. Ferrari plans to expand the foundation's spaces in Porta Romana with the addition of Villa and Atelier Elpis alongside the existing Lavanderia, creating a constellation of venues for residencies, production, education, and public programs. She emphasizes listening to staff, artists, curators, and the local community, while strengthening international relations and developing projects that connect artistic production with public space and contemporary research.
Unionized staff at Ohio State University's Wexner Center for the Arts, organized as Wex Workers United, have officially called for the renaming of the arts center and other campus buildings named after billionaire benefactor Les Wexner. The union argues that Wexner's name, due to his decades-long association with convicted sex offender Jeffrey Epstein—who had power of attorney over Wexner's fortune—harms artists and community members. The call follows similar demands from the Ohio Nurses Association regarding the Wexner Medical Center and ongoing student protests, including an April 10 action where students covered Wexner's name on the art center's façade with a black tarp. OSU spokesperson Chris Booker noted that over 500 renaming requests have been filed under the university's official review procedure, while OSU President Ted Carter has emphasized that name changes require fact-finding and cannot be based on supposition.
L’arte contemporanea torna protagonista ad Ascoli Piceno per la quinta edizione del Premio Sparti
The fifth edition of the Premio Sparti, titled "Dove finisce la città" (Where the City Ends), will open on May 23 at the Forte Malatesta in Ascoli Piceno, Italy, running through June 28. Curated by Alex Urso, the exhibition features over twenty international artists exploring artistic practice outside major urban centers, with works also installed at the Frida Museum. The show is divided into three sections—"Essere oltre," "Essere qui," and "Essere altro"—highlighting artists who have chosen peripheral, rural, or marginalized locations as bases for their research, including Francesco Arena, Davide Maria Coltro, Andrea Mastrovito, and emerging talents under 35.
The European Night of Museums returns on Saturday, May 23, 2026, with participating museums across Europe opening their doors for special evening hours. In Italy, the Ministry of Culture organizes extraordinary openings from 8 PM to midnight at the symbolic price of 1 euro, alongside events in theater, music, dance, literature, and cinema. Highlights include Rome's Notte dei Musei (16th edition) with civic museums open until 2 AM, Villa Adriana and Villa d'Este in Tivoli offering evening access and contemporary performances, and the Royal Savoy Residences in Piedmont featuring guided tours, exhibitions, and family activities.
The Museum of the City of New York (MCNY) in East Harlem will open the Puffin Foundation Center for Social Activism this fall, replacing its existing Puffin Foundation Gallery. The expanded center, funded by an $8 million donation from the Puffin Foundation, will feature a new version of the permanent exhibition "Activist New York," along with temporary shows, public programs, and an annual fellowship. The inaugural temporary exhibition, "Halumii Ktapihna: Lenape Legacies and Future," marks the 400th anniversary of Manhattan's purchase from Indigenous peoples.
Un Beato Angelico riscoperto protagonista alle aste di arte antica di Pandolfini a Firenze
Pandolfini auction house in Florence will auction a rediscovered fragment of Beato Angelico's *Tebaide* on May 20, 2026, after it had been missing for fifty years. The attribution was confirmed by comparison with the version held at the Museo di San Marco and formerly at the Galleria degli Uffizi. The auction house's Old Masters department, led since 2025 by young director Nicolò Pitto, has achieved strong results, including over €5 million in total revenue for the year, with top lots such as Artemisia Gentileschi's *Cleopatra* (€595,600) and a French School *Saint Catherine of Alexandria* (€620,000).
Mimmo Jodice, the renowned Italian photographer who died in October 2025 at age 91, is being honored with a new exhibition at the Museo del Tesoro di San Gennaro in Naples. The show, curated by former Capodimonte director Sylvain Bellenger, presents Jodice's rare color photographs from the 1980s—his only color project—which focus on 17th-century Neapolitan Baroque paintings by artists such as Caravaggio, Jusepe de Ribera, and Artemisia Gentileschi. The exhibition runs until January 10, 2027, and also marks the inauguration of newly renovated welcome spaces at the museum, designed by Vanni del Gaudio.
Over 100 employees at the Seattle Art Museum (SAM) have announced their intention to unionize, forming Seattle Art Museum Workers United (SAMWU) and affiliating with the Washington Federation of State Employees/AFSCME Council 28. In a letter to Director and CEO Scott Stulen and the museum board, staff across departments including visitor experience, collections care, curatorial, and education cited unsustainable wages, subpar health benefits, and top-down decision-making as key grievances. They are urging voluntary recognition by May 27 to bypass a formal election, and also call for just-cause job protections. The effort follows a successful 2024 strike by SAM's unionized security guards.
The Kremlin is systematically erasing the memory of Soviet repression under Joseph Stalin from Russian museums. The Gulag Museum in Moscow, which documented Stalin-era crimes, has been rebranded as a "Museum of Memory" focused on Nazi war crimes, with its entire website replaced and exhibitions packed up. Simultaneously, Russia's supreme court banned Memorial, a human rights organization founded to document Stalin-era atrocities, labeling it an "anti-Russian" extremist group. The Yeltsin Presidential Center in Yekaterinburg has also removed references to Memorial from its walls, and the Sakharov Center in Moscow was disbanded and evicted from its facilities.
An exhibition of Francisco de Zurbarán's 17th-century religious paintings at London's National Gallery prompts a critic to question whether the artist's personal faith influenced his artistic skill. The show features monumental works from Spanish churches and monasteries, displayed dramatically against black walls, including crucifixion scenes, monks, and saints. The critic notes that no personal records of Zurbarán survive—only contracts—leaving his beliefs unknown, and compares him to Agnolo Bronzino, who painted pious scenes but wrote obscene verses. A small painting of a crucified Christ with a painter, possibly a self-portrait of Bronzino, is presented as ambiguous evidence of faith.
Louis K. Meisel Gallery in New York City will present “Larry Kagan: Men,” an exhibition of steel and shadow sculptures by artist Larry Kagan, opening May 9 and running through June 20. Kagan, a former engineer turned sculptor, creates intricate steel assemblages that, when lit from a calculated angle, project remarkably detailed shadow images onto the wall, blending material and illusion. The show includes works like “Michelangelo's Adam” (2025) and highlights his career shift from acrylics to metal in the 1980s under the mentorship of Richard Stankiewicz.
On May 3, 2026, the activist group Everyone Hates Elon projected messages condemning Jeff Bezos and Amazon onto Bezos's luxury penthouse in Manhattan's Madison Square Park, ahead of the Met Gala on May 4. The projections included a video testimony from Amazon warehouse worker Mary Hill, who called for honoring workers instead of billionaires, and slogans such as 'Boycott The Bezos Met Gala.' The group also projected onto the Chrysler and Empire State buildings. This action follows earlier protests, including littering the Met with fake urine bottles and wheatpasting posters across the city, all targeting Bezos's role as an honorary co-chair of the gala.
The Japan Pavilion at the Venice Art Biennale 2026 features an immersive, interactive exhibition titled "Grass Babies, Moon Babies" by Japanese-American artist Ei Arakawa-Nash. Visitors are invited to care for one of 200 dolls, each with a QR code that provides a "diaper poem" linked to the doll's symbolic birth date—reflecting the artist's personal experience of becoming a father in 2024 and broader social dynamics in Japan. The pavilion, curated by Lisa Horikawa and Mizuki Takahashi, evolves over the seven months of the Biennale as a platform for shared care and participation.
Alla Biennale di Venezia c’è anche Taiwan. Con un evento collaterale sulla malinconia
Taiwan will present a collateral event at the 2026 Venice Biennale titled "Screen Melancholy," curated by Raphael Fonseca and featuring artist Li Yi-Fan. The exhibition, organized by the Taipei Fine Arts Museum, will be held at Palazzo delle Prigioni and run until November 22, 2026. It explores anxieties of the digital age through a site-specific installation combining a single-channel video and monumental human sculptures, reflecting on information overload, fragmented perception, and the limits of human knowledge.
The German Pavilion at the 2026 Venice Biennale will present the work of two women artists, Henrike Naumann and Sung Tieu, following the death of Naumann at age 41 in February 2026. Curated by Kathleen Reinhardt, director of the Georg Kolbe Museum in Berlin, the pavilion's project, titled "Ruin," explores the dual meanings of the word in English and German—architectural decay versus economic, social, or moral collapse. The exhibition draws on research into East Germany (DDR) and the post-reunification period, using the pavilion's fascist architecture as a lens to examine historical ruptures and their impact on the present. For the first time in its history, the German Pavilion is represented solely by women, mirroring the Italian Pavilion.
Alla Casa di Goethe di Roma due episodi controversi della storia della scienza nelle installazioni di luce di Mischa Kuball
The Casa di Goethe in Rome is hosting a solo exhibition of German conceptual artist Mischa Kuball from April 30 to October 4, 2026. The show features two light installations: "Newton/Goethe luce nera," which contrasts Johann Wolfgang von Goethe's and Isaac Newton's opposing theories on color and light refraction, and "five suns / after Galileo," which visualizes Galileo Galilei's observations of sunspots and his conflict with the Catholic Church. The exhibition is curated by the museum's director, Gregor H. Lersch.
A Venezia un nuovo progetto punta a trasformare i musei in spazi vivi e partecipati
The Fondazione Musei Civici di Venezia (MUVE) has launched "Performing MUVE," a new program set to begin in spring 2026 that reimagines museums as dynamic, participatory spaces. The initiative, developed by MUVE Academy and MUVE Education, will unfold across three venues: Museo Fortuny, Casa di Carlo Goldoni, and the new MUVEC – Casa delle Contemporaneità in Mestre. The program includes four distinct projects—led by Mattia Berto, choreographer Elena Ajani, actress Sara Urban, and dancer Giulia Gemma Manfrotto—that use dance, theater, and embodied practices to transform visitors from passive observers into active participants.
The Frist Art Museum in Nashville will present "Anila Quayyum Agha: Interwoven," a survey exhibition spanning two decades of the Pakistani American artist's work, from May 22 to August 30, 2026. Organized by The Westmoreland Museum of American Art, the show features 26 works including installations, drawings, and sculptures that explore themes of identity, immigration, and environmental devastation, drawing on influences from Indo-Islamic architecture, Urdu poetry, and traditional crafts. The exhibition, which is the final stop on a four-venue tour, includes Agha's iconic lightbox installations such as "Intersections" (which won the 2014 ArtPrize) and "All the Flowers Are for Me (Red)."
A German media roundup reports on a planned restructuring of the Stiftung Flucht, Vertreibung, Versöhnung (Foundation Flight, Expulsion, Reconciliation), which would shift its focus toward German expellees and reduce the influence of the Federal Government Commissioner for Culture and the Media. The reform, criticized by FAZ commentator Andreas Kilb as a fundamental cultural-political intervention, would detach the foundation from the German Historical Museum and give greater weight to the Federation of Expellees in its board. Separately, the roundup covers a review of a legal study on artistic freedom sparked by the antisemitism debate around Documenta Fifteen, and a speech by Culture Minister Wolfram Weimer warning of democratic backsliding and rising antisemitism.
Gallery Weekend Beijing (GWBJ) will celebrate its 10th anniversary with the 2026 edition running from May 22 to May 31, opening with three VIP days before going public on May 26. Founded in 2017, the event features curated exhibitions from 30 galleries and 10 non-profit institutions across Beijing, anchored in the 798 Art District and extending to Caochangdi and the CBD Art District. A new Academic Committee—comprising Guo Xi, Leng Lin, Tian Yuan, Xi Tao, and Yang Beichen—selected the participating galleries, with 25 returning from previous editions and five newly nominated. Highlights include institutional presentations at UCCA Center for Contemporary Art, Red Brick Art Museum, and SONG Art Museum, as well as a special exhibition titled "Nirvana" by Ouyang Chun.
Lifestyle Asia has published a curated list of art exhibitions and events to see in May, offering recommendations for art enthusiasts looking to explore new shows and installations during the month. The article serves as a guide to notable cultural happenings, likely highlighting both emerging and established artists across various venues.
This article is a comprehensive listing of art exhibitions and events across Marin County, California, from May through August 2025. It includes details on dozens of shows at venues such as the Belvedere Tiburon Library, Anthony Meier, Blunk Space, Bolinas Museum, Gallery Route One, and many others, featuring works by artists like Carol Thomas, Saif Azzuz, Ian Collings, and Drew Frazier. The listings cover photography, painting, sculpture, and mixed-media exhibits, with opening receptions, artist talks, and benefit events noted.
Emirati photographer and musician Farah Al Qasimi presents her solo exhibition "Psychic Repair" at the SCAD Museum of Art in Savannah, Georgia, running from January to June 7, 2026. Curated by SCAD Museum Associate Curator Brittany Richmond, the show explores self-presentation and consumerism through staged domestic interiors, vinyl works, framed photographs, and music videos. Key pieces include "Beauty Salon" (2024), "Aquarium" (2024), "Clothing Store" (2023), and "Painting and Astroturf" (2023), which appropriate signifiers of the attention economy. The exhibition is strategically positioned to respond to Savannah's history as a port city built on trade in cotton, indigo, rice, and enslaved people, with the museum itself occupying a former railway depot made of Savannah Gray brick produced by enslaved laborers.
The Driehaus Museum in Chicago has opened 'Ink & Outrage: 18th-Century Satirical Prints in London & Dublin,' an exhibition of some 100 prints by Georgian-era caricaturists including James Gillray and Thomas Rowlandson. Curated by Silvia Beltrametti and William Laffan, the show explores the rise of visual satire in 18th-century England and features side-by-side comparisons of original English prints with unauthorized Irish copies, highlighting issues of plagiarism and intellectual property.