At the 2026 Venice Biennale, pavilions shut down for pro-Palestine strike. The map of protests

Alla Biennale di Venezia 2026 serrata dei padiglioni per sciopero pro Palestina. La mappa delle proteste

On May 8, 2026, the third VIP preview day of the 61st Venice Biennale, a massive strike shut down numerous national pavilions and disrupted the exhibition. Led by the Art Not Genocide Alliance (Anga), the protest demands Israel's exclusion from the Biennale over allegations of genocide in Palestine, and also targets poor labor conditions in the cultural sector. Pavilions closed one after another due to staff shortages, and protest posters appeared around artworks at the Giardini and Arsenale. The strike involved the Biennale Foundation itself, along with about twenty contractors managing services and national pavilions, with unions Adl Cobas, USB Lavoro privato, and Cub supporting the action. Tensions rose when the UK Pavilion reportedly replaced striking staff to remain open, and the Foundation issued a statement falsely denying that its employees were covered by the strike.

The 2026 Venice Biennale is light and conscious

Quella del 2026 è una Biennale di Venezia leggera e consapevole

The 2026 Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, has opened with a focus on ecology and humanity's relationship with nature. The central pavilion at the Giardini presents a festive, craft-heavy exhibition that emphasizes connections with plants and animals, while the Arsenale offers a more spacious, symphonic experience featuring standout works such as Alfredo Jaar's "End of the World" (2023-2024) and Kader Attia's "Whisper of Traces" (2026). National pavilions, including those of Austria, Denmark, France, Germany, and Spain, explore themes of the body, memory, and ruin with notable installations.

In a Rome exhibition, an artist draws his own atlas: the body becomes world

In una mostra a Roma un artista disegna un proprio atlante: il corpo diventa mondo

Luca di Luzio's exhibition "Atlas ego imago mundi" at Palazzo Mattei in Rome, hosted by the Italian Geographical Society, presents a personal geography where the artist's body becomes landscape and world. Curated by Anna Cestelli Guidi, the show features around 40 maps, three large canvases, and a handmade book created between 2015 and 2023. Di Luzio uses his body as a palette, pressing skin directly onto paper or canvas to generate imaginary territories that merge sensory experience with artistic expression, referencing Merleau-Ponty's philosophy and Leonardo da Vinci's Vitruvian Man.

Un’importante collezione tedesca d’arte per la prima volta in mostra in Italia a Venezia

The Kelterborn Collection, a German private collection focused on video art and experimental installations, will be exhibited in Italy for the first time at Venice's Contemporary Forces platform from May 7 to September 27, 2026. The exhibition, titled "Who’s a good boy??," is curated by Anastasia Stravinsky and Mario von Kelterborn in collaboration with IKT – International Association of Curators of Contemporary Art, and features works by twelve artists including Joseph Beuys, Gary Hill, Laure Prouvost, and Ulay. The show aligns with the theme of the 61st Venice Biennale, exploring power "in minor keys."

A brand-new novel is set in Renaissance Venice and its powerful Arsenal (where the Biennale is held)

Un nuovissimo romanzo è ambientato nella Venezia rinascimentale e nel suo potente Arsenale (quello dove si tiene la Biennale)

Allegra Scattaglia and Luca Josi have co-authored a new novel titled "Venetians – Il segreto dell’Arsenale," published by Sonzogno. Set in Renaissance Venice, the story follows young patrician Marcantonio Bragadin as he becomes entangled in a plot driven by the city's sophisticated and ruthless political system. The narrative highlights the Arsenal, one of the world's first proto-industrial shipbuilding complexes, which also hosts the Venice Biennale. The book weaves together art, technology, diplomacy, and intrigue, featuring historical figures such as Titian, Tintoretto, Albrecht Dürer, Leonardo da Vinci, and Aldus Manutius.

This unpublished comic tries to tell us what the Biennale of the future will be like

Questo fumetto inedito prova raccontarci come sarà la Biennale del futuro

Hurricane (Ivan Manuppelli), a leading figure in Italian underground comics, creates an original comic titled "Biennale 2126" for Artribune, imagining what the Venice Biennale might look like in the future. In an accompanying interview, he discusses his satirical approach, the enduring relevance of underground comics, and the importance of critiquing power through art.

The Biomorphic Sculptures of Alma Allen in the U.S. Pavilion at the 2026 Venice Art Biennale (Amid Controversy)

Le sculture biomorfiche di Alma Allen nel Padiglione USA alla Biennale d’Arte di Venezia 2026 (tra le polemiche)

Alma Allen, a self-taught American sculptor, has been selected to represent the United States at the 61st Venice Biennale in 2026 with the exhibition "Call Me the Breeze." The pavilion, curated by Jeffrey Uslip, will feature site-specific biomorphic sculptures that explore the concept of "elevation" through a hybrid creative process combining pre-industrial carving and hand-modeling with advanced robotic sculpting. Works will incorporate local American materials such as walnut burl, Cantera green volcanic rock, and Yule marble from Colorado, and the pavilion is tied to America250, the celebration of the 250th anniversary of the U.S. Declaration of Independence.

An important exhibition in Milan tells the story of the lesser-known Man Ray: interview with the curator

Una importante mostra a Milano racconta il Man Ray meno conosciuto: intervista al curatore

The Gió Marconi gallery and Fondazione Marconi in Milan have launched a major retrospective titled "Man Ray: M for Dictionary," marking fifty years since the artist's passing. Curated by Yuval Etgar and Deborah D’Ippolito, the exhibition moves beyond Man Ray’s famous photography to highlight his role as a pioneer of conceptual and multimedia art. The show is organized into five thematic sections that explore his use of visual puns, experimental "Rayographs," and the transformative power of language across painting, drawing, and sculpture.

Even exhibition catalogues can become manga: The case of Yuko Mohri

Pure i cataloghi delle mostre possono diventare manga. Il caso Yuko Mohri

The Pirelli HangarBicocca has released a unique exhibition catalogue for Japanese artist Yuko Mohri following her solo show, 'Entanglements,' in Milan. The publication distinguishes itself by including a 24-page manga titled 'Yuko and the Unnamed' by artist Ran Kurumi, tucked into the book's jacket. This graphic insert serves as a biographical narrative, tracing Mohri’s journey from her formative years in Tokyo’s Akihabara electronics district to her recent representation of Japan at the 2024 Venice Biennale.

Habib Hajallie’s Meticulous Ballpoint Pen Drawings Examine the Depths of Emotion

Habib Hajallie, a Kent-based artist of Sierra Leonean and Lebanese heritage, presents a new solo exhibition titled "Black & Blue" at Larkin Durey in London. The show features meticulous ballpoint pen drawings on found fragments of philosophical and historical texts, exploring themes of memory, connection, and loss. For this series, Hajallie switched from black to blue ink as he grapples with the stillbirth of his daughter and the loss of his sister four years ago. Works include self-portraits and depictions of Black cultural figures, conveying emotions such as despair, confusion, numbness, and care.

Paolo Roversi on Getting a Permanent Gallery Space in His Italian Hometown

Italian photographer Paolo Roversi, based in Paris since 1973, has opened a permanent gallery space in his hometown of Ravenna. The Paolo Roversi Gallery officially opened at the Art Museum of the City of Ravenna (Mar), featuring a recreation of his Paris studio, an archive room, and a muses' room with portraits of Kate Moss, Naomi Campbell, and others. The gallery was curated by Chiara Bardelli Nonino and designed by longtime collaborator Ania Martchenko, building on a previous exhibition at the museum.

At the Venice Biennale, protests, self-mutilation and rage against Israel and Russia. Is anyone left to talk about the art?

At the 61st Venice Biennale, protests and controversies have overshadowed the art itself. The Art Not Genocide Alliance (ANGA) demonstrated against the inclusion of Israel and Russia, while the Israeli Pavilion became a flashpoint. Artist Belu-Simion Fainaru, presenting his installation "Rose of Nothingness" in a temporary space, complained that he was forced to defend his art's right to exist amid questions about politics rather than his work. The Biennale also saw barricades, strikes, the resignation of the Golden Lion jury, Iran's last-minute withdrawal, and anger directed at the American pavilion over Trump administration policies. The central exhibition, "In Minor Keys," curated by the late Koyo Kouoh, was eclipsed by these events.

Gallery 14 Fine Art Photography features two members and a guest artist

Gallery 14 Fine Art Photography in Hopewell, New Jersey, will host a group exhibition from May 16 through June 14, featuring two member artists and one guest artist. The show includes John Stritzinger's series 'Trees Find A Way,' which captures trees in urban and rural settings; Dutch Bagley's 'What In The World,' a self-taught photographic exploration of environment and diversity; and guest artist Elvira Peretsman's 'The Fractured Perspective,' which uses experimental in-camera techniques to reveal abstract geometric forms. A meet-the-artists reception is scheduled for Sunday, May 17 from 1 to 3 p.m.

Inside Richie Shazam’s Debut Solo Show in Texas

Multidisciplinary artist Richie Shazam has launched her debut solo exhibition, "I Was Never Meant to Survive This," at the McLennon Pen Co. gallery in Austin, Texas. The show features 39 new works that blend photography, sculpture, and set design, utilizing found objects, hair, and flowers alongside Shazam’s own body as a primary subject. The collection represents a deeply personal exploration of her Guyanese heritage, trans identity, and the community that has supported her journey from New York City to the international stage.

Aria Dean, Sandra Mujinga and Tschabalala Self

Galerie Eva Presenhuber is hosting a group exhibition featuring the works of Aria Dean, Sandra Mujinga, and Tschabalala Self. The show explores the construction and erasure of the human body through diverse mediums, including Aria Dean’s 3D-animated film of an empty slaughterhouse and Sandra Mujinga’s spectral, fabric-based sculptures. By focusing on the architectures of violence and the labor of repair, the artists move away from traditional representation toward conceptual and structural critiques of subjecthood.

Museum of Contemporary Art Los Angeles acquires Kara Walker sculpture made from dissected Confederate monument

The Museum of Contemporary Art (MOCA) Los Angeles has acquired "Unmanned Drone" (2023), a significant bronze sculpture by Kara Walker. The work was created by dissecting and reassembling a decommissioned 1921 monument of Confederate General Stonewall Jackson, which was removed from Charlottesville, Virginia, following the 2017 "Unite the Right" rally. The acquisition was announced alongside more than 150 other new additions to the museum's permanent collection, including major works by Cynthia Daignault and Paul Pfeiffer.

Visit the Art of Science Gallery

Florida Atlantic University is opening its 7th Annual Art of Science gallery exhibition, featuring visual art created by university researchers from their scientific work. The images were selected from a university-wide contest and will be on display at the Ritter Art Gallery on the Boca Raton campus from March 31 to April 20.

Paradigm Shift and Ryoji Ikeda exhibitions at 180 Studios extended due to popular demand

180 Studios in London has extended two exhibitions—'Paradigm Shift' and Ryoji Ikeda's 'data-cosm [n°1]'—through February 1, 2026, due to popular demand. 'Paradigm Shift' presents moving-image works from the 1970s to the present by artists including Andy Warhol, Pipilotti Rist, Nan Goldin, and Arthur Jafa, exploring the evolution of screen culture across avant-garde cinema, TV, music video, and internet culture. Ikeda's 'data-cosm [n°1]' is a world-premiere, site-specific audio-visual installation commissioned by 180 Studios, charting data from particle physics to astrophysics.

Studio Art MFAs Present Thesis Exhibition “TRANSIT”

American University's 2025 Master of Fine Arts Thesis Exhibition, titled “TRANSIT,” is on view at the AU Art Museum from April 19 to May 18. The show features the culminating works of six graduating Studio Art MFA students: Phaedra Askarinam, Pooja Campbell, Patricia Edwine Poku, Connor Gagne, Andrés Izquierdo, and Julia Cheng Zhang. Their diverse practices span painting, ceramics, installation, and performance, unified by the theme of transit—interpreted as acts of passage, transformation, and self-discovery. Curated around this shared concept, the exhibition explores life transitions such as grief and parenthood, as described by Professorial Lecturer Molly Springfield.

The rare midnight photos that might reveal the ‘real’ Marilyn Monroe

A National Portrait Gallery exhibition and a BFI season are set to re-examine Marilyn Monroe, focusing on rare midnight photographs that may reveal a more authentic side of the iconic star. The show and film program aim to look beyond her public persona to explore her true self through lesser-known images and cinematic works.

韓国国立現代美術館 果川館で「Road movie: Art between Korea and Japan since 1945」が開幕

The National Museum of Modern and Contemporary Art (MMCA) in Gwacheon, South Korea, opened "Road movie: Art between Korea and Japan since 1945" on May 14, 2026. This exhibition is a touring version of the collaborative show "Always by Your Side: 80 Years of Art between Japan and Korea," which was held at the Yokohama Museum of Art from December 6, 2025, to March 22, 2026. Marking the 60th anniversary of the normalization of diplomatic relations between Japan and South Korea in 1965, the exhibition traces eight decades of artistic exchange from 1945 to the present. It features around 200 works by 43 artists, including Cho Yang-gyu, Kwak In-sik, Nam Hwa-yeon, Nam June Paik, Lee Ufan, Lee Bul, Takashi Murakami, and others, organized into five sections. The show also incorporates six outdoor sculptures installed at the museum's opening in 1986 and 1987, highlighting how the institution itself fostered cross-border artistic dialogue.

A Rococo Snuffbox for Cleveland

Une tabatière rocaille pour Cleveland

The Cleveland Museum of Art has acquired a rare gold and lapis-lazuli snuffbox (tabatière) by the Rococo master Juste-Aurèle Meissonnier, dated 1728-1729. The box, which bears Meissonnier's hallmark and the coat of arms of Marie-Anne de Neubourg (widow of King Charles II of Spain), was likely made for her during her long exile in Bayonne. It will be a centerpiece of the museum's upcoming exhibition "Juste-Aurèle Meissonnier: Rococo Goldsmith in Focus," opening in October.

A new watercolor by Marie-Désiré Bourgoin acquired by Orsay

Une nouvelle aquarelle de Marie-Désiré Bourgoin acquise par Orsay

The Musée d’Orsay has expanded its collection with the acquisition of a watercolor by Marie-Désiré Bourgoin. The work depicts a somber interior scene featuring an elderly woman in black seated before a commemorative display of the late painter Ernest Meissonier’s personal effects, including his Academician's sword, Legion of Honor insignia, and his final self-portrait on an easel.

art fashion womens history museum devan diaz

Women's History Museum, the collaborative duo of Mattie Barringer and Amanda McGowan, presents their first institutional solo exhibition in the U.S., "Grisette à l'enfer," at Amant in Greenpoint, Brooklyn. The show reimagines the 17th-century French grisette—a working-class woman who was both a laborer and a style icon—through a blend of past video, fashion, and sculpture, staged as a re-creation of a shopping experience. Works like "For a Moment I Have No Pain" (2025) and "Lit Reliquaire de Mary Magdalene" (2025) explore femininity, desire, and the price of beauty, with references to the 1911 Triangle Shirtwaist Factory Fire and the artists' own history meeting at that site.

parties culture metropolitan opera opening night

The Metropolitan Opera opened its season with a politically charged production of Mason Bates's *The Amazing Adventures of Kavalier & Clay*, based on Michael Chabon's Pulitzer Prize-winning novel. General Manager Peter Gelb declared the company's commitment to freedom of artistic expression, drawing a lengthy standing ovation. The opera, running through Oct. 11, follows two Jewish cousins creating an anti-fascist superhero comic during WWII. The opening night featured speeches by Senate Minority Leader Chuck Schumer, who warned that 'the arts are under attack,' and a red carpet attended by celebrities including Christine Baranski, Neil Patrick Harris, Laverne Cox, and Julianna Margulies.

Artist Murari Jha sculpts memory and home in his New Delhi exhibition

Artist Murari Jha presents *The Future of Nostalgia*, a solo exhibition at Nature Morte in New Delhi, running through May 17, 2026. The show features abstract sculptures in stone, bronze, wood, brass, aluminum, and synthetic putty that explore themes of home, migration, memory, and belonging. A live durational performance is scheduled for May 16, with Jha describing the gallery as a stage and his sculptures as performative objects. The works are deliberately untitled to invite viewers to become co-creators of meaning.

Creativity, contrast, conversation: Mumbai’s Tao Art Gallery promotes dialogue through exibitions

Mumbai’s Tao Art Gallery is fostering artistic dialogue through a series of exhibitions that emphasize creativity, contrast, and conversation. The gallery’s programming highlights diverse visual narratives and encourages engagement between artists and audiences.

Exhibition | Celeste Rapone, 'Hyperarousal' at Esther Schipper, Esther Schipper Berlin, Germany

Esther Schipper Berlin presents 'Hyperarousal', Celeste Rapone's first exhibition with the gallery, featuring three new paintings that explore the intersection of sensuous stimulation and nervous tension. The works depict female protagonists in narratively dense, ambiguous scenes that allegorize millennial angst, using techniques like alla prima painting and color-based formal constraints. Key pieces include 'While Waiting' (2025), showing a figure with pepper spray and a digital camera, and 'Den' (2026), where intertwined figures follow a self-defense tutorial on an iPad.

This beloved pop culture art gallery in L.A. is closing after 20 years — is AI to blame?

Gallery 1988, a pioneering Los Angeles institution that branded itself as the world's first pop culture-focused art gallery, will cease operations at the end of April after 20 years. Founded in 2004, the gallery became a cult favorite for its tribute exhibitions dedicated to films, video games, and television, often drawing massive crowds for shows like "Crazy 4 Cult." Owner Katie Sutton cited a historically weak art market and the loss of a physical storefront as primary factors in the decision to close.

Khaled Sabsabi—who had his Australia Pavilion cancelled and reinstated—will also exhibit in main Venice Biennale show

Khaled Sabsabi has achieved a historic milestone as the first Australian artist to be selected for both a national pavilion and the Venice Biennale’s main international exhibition. After a tumultuous period in which his appointment to the Australia Pavilion was cancelled and then reinstated following political controversy, Sabsabi will now present his work 'conference of one’s self' in the Giardini alongside a separate contribution to the central show. Both projects are deeply rooted in Tasawwuf (Sufism) and themes of spiritual enlightenment and communal unity.