tod lippy trump voters portraits independent

Artist and editor Tod Lippy, stunned by Donald Trump's 2024 presidential election win, embarked on an obsessive two-day search for voters who had publicly supported Trump. Finding 50 individuals through op-eds and news interviews, Lippy—who had never painted before—created a series of portraits titled *My Fellow Americans*. The works debut as a site-specific installation at Independent New York. Over several months, Lippy painted nearly one portrait a day using acrylic gouache, immersing himself in the process and studying each subject's face in detail.

Can a Venice Biennale Pavilion Be Rock ‘n’ Roll? At the Belgium Pavilion, Miet Warlop Makes the Case.

Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.

fashion bottega veneta peter fraser venice

Photographer Peter Fraser has collaborated with Bottega Veneta on a new series of 27 photographs exploring Venice, capturing both its iconic landmarks—canals, marble floors, Byzantine façades—and its overlooked details like construction cranes, discarded plaster casts, and beached boats. The images are juxtaposed with Bottega Veneta's intrecciato bags from Louise Trotter's first collection, nodding to the fashion house's long history in the Veneto region. In an interview, Fraser discusses his approach to photographing a city burdened by its own legacy, emphasizing the need to distance himself from preconceptions and to shoot based on feeling rather than appearance.

literature ann rower lee and elaine autofiction

Ann Rower's novel "Lee & Elaine," originally published in 2002 by Serpent's Tail, is being reissued next month by Semiotext(e). The autofictional work follows a narrator—a lightly fictionalized version of Rower—who, after learning of the death of her friend, artist Hannah Wilke, becomes obsessed with the graves of Lee Krasner and Elaine de Kooning at Green River Cemetery. The narrator imagines these two women, known primarily as wives of famous male painters, as secret lovers or comrades, and attempts to write a joint biography that doubles as a journey of self-discovery.

art frida kahlo auction record sothebys

Frida Kahlo's painting *El sueño (La cama)* (1940) sold at Sotheby's for $54.7 million, setting a new auction record for Latin American art, for the artist herself, and for any work by a female artist. The sale surpasses Kahlo's previous record of $34.9 million set in 2021 for *Diego y yo* and eclipses the $9.76 million record for her husband Diego Rivera's *The Rivals* from 2018.

design literature best books of 2025

Cultured magazine has published its annual list of the best design and architecture books of 2025, featuring ten titles that span cookbooks, travelogues, political design history, photography, and architectural theory. Highlights include "Campania: Recipes & Wandering Across Italy’s Polychromatic Coast" edited by Apartamento, "Furnishing Fascism" by Ignacio G. Galán, "Synthesis" by Mari Katayama, and "Monumental" by Cat Dawson, which examines how contemporary artists are reshaping memorial landscapes.

parties art swiss institute 2025 gala

The Swiss Institute held its 2025 Benefit Gala at the Rainbow Room in Rockefeller Center, honoring artists Theaster Gates and Andro Wekua, patron Yan Du, Printed Matter (under Executive Director Lesley A. Martin), and the late curator Koyo Kouoh. The evening featured an a cappella performance by Tonewall, a paddle raise, a seated dinner, and an art auction led by Simon de Pury, with works by Chloe Wise and Michèle Sandoz. Attendees included collectors Maja Hoffmann, Eva Dichand, and Carola Jain; artists Chloe Wise, Tschabalala Self, and Sarah Morris; and other cultural figures.

fashion versace embodied dario vitale spring summer 2026 2

Versace has appointed Dario Vitale as its new Chief Creative Officer, and under his direction, the house launched the Spring/Summer 2026 collection at Milan Fashion Week alongside a new initiative called Versace Embodied. This series commissions photographers, painters, filmmakers, and poets to reinterpret Versace’s visual language through their own mediums. The first chapter features contributions from photographer Stef Mitchell, poet Eileen Myles, artist Collier Schorr, photographer Camille Vivier, and photographer Andrea Modica, whose works range from motorcycle portraits to hand-drawn nudes and regional Italian portraiture.

art young photographer camille farrah lenain

Cultured magazine profiles French-Algerian photographer Camille Farrah Lenain, nominated by Bell Pitkin of Leica Gallery Boston as part of the publication's '35—New Orleans, New York' feature. Lenain's documentary and portrait work has earned her the Arnold Newman Prize, a residency at the Joan Mitchell Center, and publication in The New York Times and Rolling Stone. She is preparing to release her first monograph in spring 2026. The article includes Lenain's personal reflections on photography, trust, and connection, illustrated with her self-portrait and images titled 'A Day With Edith,' 'Cassandra and Raymond,' and 'Ramziya's Dance.'

WAYAMOU: LENGUAS DE LO COMÚN. LAURA ANDERSON BARBATA Y SHEROANAWE HAKIHIIWE

The exhibition "Wayamou: Lenguas de lo común" at the Museo Tamayo in Mexico City presents the collaborative work of artists Laura Anderson Barbata and Sheroanawe Hakihiiwe, whose artistic and political relationship spans over three decades. The show traces their shared history, beginning in the early 1990s when Barbata traveled to the Venezuelan Amazon and taught handmade papermaking using local plant fibers, introducing Hakihiiwe to a sustained visual exploration of Yanomami cosmology, oral tradition, and legacy. In 1992, they co-founded Yanomami Owë Mamotima ("Yanomami art of papermaking"), a project enabling the community to tell its own stories through its own visual and linguistic codes, exemplified by the handmade book "Shapono (Casa)" (1996).

Jamie Robertson’s soft heat at Houston Center for Photography, Houston

Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.

This is fucking Disneyland

"Das ist fucking Disneyland"

The article surveys recent German cultural commentary, highlighting three main stories: art historian Bénédicte Savoy's warning in the FAZ about the physical decay of German universities, particularly the Technical University of Berlin, as a threat to democratic culture; Berlin artist Charlie Stein's essay on anxiety as a pervasive contemporary condition and art's role in making it visible; and critic Rachel Wetzler's harsh review of the Venice Biennale in Artforum, calling it an overwhelming 'theme park' version of the art world. Additionally, Nikolaus Bernau defends expert juries in the Tagesspiegel, using the Biennale's jury crisis as a case study.

It's a Rollercoaster of Emotions

"Es ist ein Wechselbad der Gefühle"

Sung Tieu has been selected to represent Germany at the Venice Biennale with a solo exhibition in the German Pavilion. In an interview with Monopol, she discusses how her personal biography—as a Vietnamese-German artist—informs her practice, which examines Vietnamese migration to East Germany, the rise of right-wing extremism, and the cold, bureaucratic language of state power. The exhibition will bring these themes to an international audience in Venice.

The Art of the Chosen Family

Die Kunst der Wahlfamilie

Mike D, co-founder of the Beastie Boys, has co-curated an exhibition titled "Mishpocha. The Art of Collaboration" at the Jewish Museum Frankfurt. The show explores the concept of family beyond biological ties, featuring works such as Ira Eduardovna's video installation "The Library Room," which depicts a family packing for emigration, and immersive audiovisual spaces evoking techno, hip-hop, punk, and Riot Grrrl subcultures. The exhibition includes contributions from artist Jan Ove Hennig, photographer Jan Zappner, design studio Atelier Markgraph, and hospitality group Ima Clique, with Mike D serving as artistic director and ambassador.

‘As If’ by Isabel Waidner, Reviewed

Isabel Waidner’s latest novel, 'As If', follows the surreal intersection of two actors, Lewis and Korine, who share an uncanny resemblance and wives with the same name. After meeting in a Central London sublet, the pair decide to swap lives: the younger Korine takes over a high-stakes audition for the grieving Lewis, while Lewis assumes Korine’s domestic and financial burdens. Set against the brutalist backdrop of London’s Barbican and Golden Lane estate, the narrative uses this identity swap to explore the thin line between performance and reality.

À Sars-Poteries, le MusVerre célèbre pour ses dix ans toutes les infinies possibilités de l’art verrier

The MusVerre in Sars-Poteries, France, celebrates its tenth anniversary with a new exhibition titled "Enchanté – La fabrique des histoires," curated by Laura Bouvard. The museum, which opened in 2016 in a distinctive blue beveled building, houses over 800 glass artworks and 3,000 ancient pottery pieces, originating from the passion of amateur collector Louis Mériaux. Under new director Laetitia Messager, the museum is forging collaborations with the Musée de Charleroi, Cirva Marseille, and Frac Normandie, and plans to host a symposium in autumn to mark the anniversary.

The Musée d’Ixelles at the Crossroads of Different Perspectives

Le Musée d’Ixelles à la croisée de différents regards

The Musée d’Ixelles in Brussels, closed for eight years for expansion and renovation, is nearing completion of its architectural transformation with a reopening scheduled for spring 2027 (March 19). Founded in 1892 in a former slaughterhouse, the museum has grown through successive donations and a continuous acquisition policy, now holding over 15,000 works spanning Belgian art from the 19th century to the contemporary period. Director and curator Claire Leblanc, who has led the institution since 2006, emphasizes a participatory approach that integrates diverse public perspectives, including a project called "Musée comme chez soi" during the closure where locals hosted artworks in their homes.

The True Story of the Caravaggio Theft by the Sicilian Mafia Behind the 'Le Complot Caravaggio' Series on Arte

La véritable histoire du vol du Caravage par la mafia sicilienne derrière la série « Le Complot Caravaggio » sur Arte

The article details the infamous 1969 theft of Caravaggio's masterpiece, "Natività con i santi Lorenzo e Francesco d'Assisi" (The Nativity with Saint Francis and Saint Lawrence), from the Oratory of San Lorenzo in Palermo, Sicily. The painting, a large-scale work measuring three by two meters, was expertly cut from its frame and has never been recovered, remaining second on the FBI's Top Ten Art Crimes list. The theft is widely attributed to the Sicilian Mafia, with theories suggesting it was stolen to order or for use in secret mafia gatherings.

European Commission Tells Venice Biennale to Ditch Russian Pavilion

The European Commission has formally accused the Venice Biennale of violating EU sanctions against Russia by planning to reopen the Russian Pavilion for the 2026 edition. In a letter to the Biennale's president, the Commission argues that hosting a government-funded national pavilion constitutes accepting indirect support from the Russian state during its ongoing war in Ukraine. The organization has threatened to withhold a $2.3 million grant intended for the 2028 edition unless the Biennale addresses these concerns by May 11.

The appalling mediocrity of the chosen project for the 'Grande Colonnade' of the Louvre

L'effarante médiocrité du projet retenu pour la « Grande Colonnade » du Louvre

The French Ministry of Culture has announced the winning team for the 'Grande Colonnade' project at the Louvre, selecting STUDIOS Architecture Paris and Selldorf Architects. The ministry's press release, described as self-congratulatory and written in trendy bureaucratic language, celebrates the choice as a major advancement. However, the article criticizes the lack of transparency, noting that only three exterior visuals have been released, and argues that the project is unfunded and threatens necessary renovations at the museum, as previously highlighted by the Cour des Comptes and parliamentary representatives.

Faig Ahmed Weaves Mysticism, Science, Technology, and Craft into ‘The Attention’

Faig Ahmed, the Baku-based artist known for transforming traditional Azerbaijani carpets into melting, glitching textile sculptures, has opened a solo presentation at the 61st Venice Biennale, where he represents Azerbaijan. Titled 'The Attention,' the sprawling, maze-like installation curated by Gwendolyn Collaço explores science, alchemy, spirituality, and self-perception, weaving together digital processes with handcrafted techniques. Works include monumental machine-woven carpets like 'I Can Contain Both Worlds But I Do Not Fit Into This One,' a handwoven piece called 'Ancestors' that glows under black light, and 'Entropy Altar,' which uses a quantum random number generator to respond to visitors. The exhibition bridges 15th-century Hurufi mysticism with modern information theory, reflecting Ahmed's interest in consciousness, quantum physics, and the dialectic between measurable science and subjective experience.

Anoushka Mirchandani Conjures Ancient Mythological Nature Spirits in Vibrant Oil Paintings

San Francisco-based artist Anoushka Mirchandani presents a solo exhibition, 'My Body Was a River Once,' at ICA San José. The show features vibrant oil paintings that depict apsaras, ancient Southeast Asian mythological nature spirits associated with water and transformation, drawing from the artist's Indian heritage and childhood memories of sites like the Ajanta and Ellora caves.

Jenna Sutela “With each cycle” at Nicoletta Fiorucci Foundation, London

Jenna Sutela's exhibition "With each cycle" at the Nicoletta Fiorucci Foundation in London features a site-specific iteration of her sculptural sound installation *Pond Brain*. The work, a water-filled bronze piece forged as the artist's neuroplastic portrait, functions as both instrument and fountain, creating feedback loops of sonic vibrations and dancing droplets inspired by cybernetic ideas of ponds as self-regulating living systems.

Nancy Lupo “Meow Meow Real Estate” at Nicoletta Fiorucci Foundation, London

Nancy Lupo's exhibition "Meow Meow Real Estate" opens at the Nicoletta Fiorucci Foundation in London's Chelsea neighborhood, curated by Vittoria de Franchis. The show shares its title with Lupo's first novel, which follows a woman searching for an apartment—a quest that is both literal and existential. The foundation's Victorian architecture serves as the bourgeois dwelling central to the narrative.

This Day in History: Van Gogh paintings shown in first retrospective exhibit

On March 15, 1901, the Bernheim-Jeune gallery in Paris opened the first major retrospective exhibition of Vincent van Gogh's work, featuring 71 paintings. Organized by gallery owners Joseph and Gaston Bernheim-Jeune, the exhibition marked a pivotal turning point in Van Gogh's posthumous recognition, transforming him from an obscure artist who sold only one painting in his lifetime into a globally celebrated master. The article details Van Gogh's life and career, from his early dark works like 'The Potato Eaters' to his vibrant Post-Impressionist period in Arles, where he painted masterpieces like his 'Bedroom' series and 'Sunflowers'. It notes his struggles with mental health, his death in 1890, and emphasizes that the 1901 retrospective was the crucial event that cemented his fame, long after the gallery itself closed in 2019.

January Exhibitions

The article lists January 2026 art exhibitions across multiple venues in Charlottesville, Virginia, including Ruffin Gallery at the University of Virginia, Crozet Artisan Depot, The Fralin Museum of Art, The Gallery at Studio IX, IX Art Park, Kluge-Ruhe Aboriginal Art Collection, and Jefferson School African American Heritage Center. Highlights include the Ruffin Distinguished Artist-in-Residence exhibition “We Dream of Life” by Paula Wilson and iris yirei hu, featuring a monumental 56-foot textile; “Haiti’s Time” at The Fralin Museum; and “In the Beginning” at Kluge-Ruhe showcasing Spinifex Arts Project artists. Other shows include “INSTRUMENTAL” by Rich Tarbell, “The Looking Glass” immersive space, and “Finally Remembered: The Black Patriots of Central Virginia” at the Heritage Center.

Book Review: The Disoriented Garden... A Breath of Dream

A new book titled 'The Disoriented Garden... A Breath of Dream' has been published by the Jim Thompson Art Center to accompany Vietnamese artist Trương Công Tùng's 2024 solo exhibition. The volume, edited by Hùng Mạnh Dương, is a multilingual, multidisciplinary collection featuring poetry, myths, curatorial texts, and photographs that mirror the artist's exploration of nature, gardens, and spiritual cosmology through video, installation, and painting.

Patrick Mukabi: Inside the life and legacy of artist who nurtured a movement

Legendary Kenyan painter Patrick Mukabi, known as Panye, has died at age 56 after an illness. Born in Nairobi in 1969, he studied graphic design at the Technical University of Kenya before dedicating himself to fine art. His bold, colorful works were displayed at venues like Jomo Kenyatta International Airport, Java House outlets, and in over 20 countries. He developed the Cover Girls series celebrating curvy women and worked at major art spaces including the Nairobi National Museum, Kuona Artists Collective, GoDown Arts Centre, and the Railway Museum. At Dust Depo Studio, he mentored many young artists, teaching them both technique and the business of art. His protégé Jimmy Kitheka recalls Mukabi's warmth and discipline, and how the studio became a creative hub. Even during his illness, the art community rallied to support him through benefit exhibitions like the Patrick Mukabi Medical Fund Benefit Art Exhibition in April 2026 and a solo show at Banana Hill Art Gallery.

Charles Nkomo | Siblings (Contemporary African art, Zimbabwe) (2025) | Available for Sale

Charles Nkomo's painting "Siblings" (2025) is being offered for sale through Guruve gallery in London. The oil-on-canvas work depicts two sisters embracing, reflecting the importance of family ties in Zimbabwe. Nkomo, born in 1974 in Bulawayo, trained at Mzilikazi Art and Craft Centre and was a resident artist at the National Gallery in Bulawayo. He has exhibited internationally, including solo shows at Mary Martin Gallery and Amazwi Gallery, and has worked as an Artist in Residence in the USA. The painting is priced at £1,380 and ships worldwide.

Photos: Art Gallery "2.16 Contemporary" Grand Opening

On January 21, 2026, the 2.16 Contemporary art gallery opened at 325 Constitución Street in Puerto Vallarta's Zona Romántica with a gala event featuring the exhibition “Liberatio” by Guadalajara-based artist Victor Haro, celebrating his 40-year career. The ribbon-cutting ceremony included owners and gallerists Orlando Santamaría and Abrajam Romero, Culture Councilwoman Laurel Carrillo, and Haro himself, with the show presenting hyperrealistic works in acrylic paste and airbrushing that explore human liberation.