Lebanese artist Ali Sbeity was killed in an Israeli airstrike on the southern town of Kafra. The death was confirmed by the Artists at Risk Connection and reported by local media. Sbeity was known for his vibrant portraits and landscapes of his rural hometown, which he frequently shared on social media.
In Wiesbaden begreift Wolfgang Hollegha Abstraktion körperlich
The Museum Reinhard Ernst in Wiesbaden is hosting a major retrospective dedicated to the late Austrian painter Wolfgang Hollegha. The exhibition showcases Hollegha’s signature monumental canvases, characterized by a unique technique of pouring paint to create eruptive yet precise compositions that bridge the gap between physical movement, memory, and spatial abstraction.
Vietnam will make its historic debut at the 61st Venice Biennale in 2026 with its first-ever national pavilion titled “Viet Nam: Art in the Global Flow.” Located at the Ca’ Giustinian Faccanon palace and curated by Đỗ Tường Linh, the exhibition will feature works by ten contemporary artists, including a major immersive installation by Lê Hữu Hiếu. Hiếu’s contribution, titled "Tằm" (Silkworm), utilizes traditional materials like lacquer and jackfruit wood alongside live silkworms to explore themes of metamorphosis and memory.
The article examines the philosophical and literary significance of laughter in François Rabelais's work, particularly *Gargantua and Pantagruel*, contrasting his celebratory view with the predominantly negative assessments of laughter in Western philosophy from Plato to Hobbes. It highlights how Rabelais channels a durable tradition of folk humor as a form of affirmative relief from oppression and official solemnity.
L'édition 2026 du Salon du Dessin
The 2026 edition of the Salon du Dessin, a specialized drawing fair, is underway at the Palais Brongniart in Paris. The fair features a new 'young collectors' pathway designed to appeal to those not spending hundreds of thousands, alongside the traditional stand for anonymous works. Major pieces, like two allegorical drawings by Grégoire Huret, sold immediately at the opening, and the event maintains its characteristic scholarly yet warm atmosphere with notable new exhibitors.
「NCAR×AWARE 女性アーティストリサーチフェローシップ」の第1回採択者が決定
The National Center for Art Research (NCAR) and Archives of Women Artists, Research and Exhibitions (AWARE) have announced the first recipients of their joint research fellowship dedicated to women artists in Japan. Sculptor and critic Nodoka Odawara and Tokyo Photographic Art Museum curator Yuri Yamada were selected from 19 applicants to conduct specialized research on marginalized female figures in Japanese art history. Odawara will focus on pioneering female sculptors Kamono Ota and Toko Kuhara, while Yamada will investigate early female photographers from the Meiji to early Showa eras, including Ryu Shima and Yoshino Hanawa.
Aipad: The Photography Show is taking place at the Park Avenue Armory in New York from April 22-26, 2026, featuring works from over 70 galleries. The exhibition highlights include Bill Brandt's 1952 nude, Rania Matar's portrait of a young woman in Lebanon, and Zanele Muholi's 2009 portrait of a lesbian pageant queen, alongside works by Tania Franco Klein, Ruth Thorne-Thomsen, and others that explore themes of identity, anxiety, and alternative realities.
Artist Khaled Sabsabi and curator Michael Dagostino discuss their project 'conference of one’s self' for the Australia Pavilion at the 61st Venice Biennale. Sabsabi explains how the work draws on the twelfth-century Sufi poem 'The Conference of the Birds' by Farīd al-Dīn ʿAṭṭār, mapping its seven spiritual valleys and adding an eighth level of 'wholeness and completeness'. He also reflects on his childhood in Lebanon, migration to Australia, and how his return to Lebanon in 2002 reconnected him with his Sufi lineage, which informs his artistic practice focused on memory, displacement, and social justice.
National Gallery Singapore has opened its first R18 exhibition, 'Passion Is Volcanic: Desire In South-east Asian Art', featuring around 60% of works from the national collection, many shown for the first time, alongside regional loans. The show includes a 14th-15th century tantric Buddhist sculpture of kissing buddhas, a pastel painting by pioneering gay Singaporean artist Tan Peng, Liu Kang's 1953 painting 'Scene In Bali', and long-exposure photography by Lavender Chang originally commissioned for a Viagra campaign. Co-curators Adele Tan and Kathleen Ditzig contextualize the exhibition with pre-modern works to demonstrate that artists' interest in the body, desire, and sex is enduring in Asia.
The Arts Council of Wales has announced a 19-strong team of early-career artists, curators, and students who will travel to Venice this summer to support Wales' presence at the 61st International Art Exhibition – La Biennale di Venezia, running from May 9 to November 22, 2026. As part of the Invigilator+ programme, participants will spend at least one month in Venice acting as ambassadors for the Wales in Venice exhibition, an official collateral event. The exhibition, titled Sownd, is led by artists Manon Awst and Dylan Huw, jointly organized by Oriel Myrddin in Carmarthen and Oriel Davies in Newtown, with Steffan Jones-Hughes as Curator and Catherine Spring as Exhibition Project Director. The invigilators include Lily Tonkin Wells, Robert Oros, Ophelia dos Santos, Grace Springer, Cerian Wilshire Davies, Megan Evans, Howl Hubbard, Temeka Davies, Llyr Evans, Chloe Goodwin, Abby Pouslon, and Niamh O'Dobhain, while student team members come from Cardiff Metropolitan University, University of Wales Trinity St David, Wrexham University, and Aberystwyth University.
Beaux Arts Magazine publishes a detailed visual analysis of Jean-François Millet's painting "L'Angélus" (1857–1859), housed at the Musée d'Orsay in Paris. The article describes the scene of two peasants pausing their potato harvest to pray at dusk, examining the composition, color, and spiritual resonance of the work. It also traces Millet's biography—from his peasant origins in the Cotentin region to his training under Langlois and Paul Delaroche, and his early career painting portraits and nudes before turning to rural subjects.
Guinea has presented its first-ever national pavilion at the 61st Venice Biennale. Titled 'Le Son de l’Art,' the exhibition is installed on the island of San Servolo and is curated by Koyo Kouoh, featuring a multidisciplinary group of artists exploring memory, materiality, and postcolonial identity.
The National Museum of Modern and Contemporary Art (MMCA) in Gwacheon has unveiled a major reorganization of its permanent collection exhibitions, "Korean Modern and Contemporary Art I & II." The highlight of the refresh is a dedicated "Artist's Room" featuring 43 works by Park Su-geun, including 20 oil paintings and 23 drawings from the 1950s and 1960s. The update also introduces a spotlight on the prodigy Lee In-sung and expands the "Modernist Women Artists" section with newly acquired and rarely seen craft works.
The National Gallery of Australia in Canberra is currently presenting 'New Asian Art,' a permanent collection display featuring recent acquisitions and highlights from across Asia. The exhibition includes a significant suite of works by Thai-born artist Korakrit Arunanondchai, featuring video and sculptural elements, as well as pieces by Japanese fashion designer Issey Miyake, the artist collective teamLab, and painter Yoshitomo Nara, exploring themes of globalization and cultural exchange.
Artist Phoebe Boswell has unveiled a major public art commission for Art on the Underground, installed across the escalators of Bethnal Green and Notting Hill Gate stations in London. The immersive photographic series features Black subjects moving underwater, captured in a stop-motion style that responds to the physical movement of commuters. The project was inspired by the statistic that 95 per cent of Black British adults do not swim, a reality Boswell links to generational trauma and structural inequality.
The Museum of Contemporary Art San Diego (MCASD) is debuting "Giants," a major exhibition featuring over 130 works from the private collection of Kasseem "Swizz Beatz" Dean and Alicia Keys. The West Coast premiere showcases monumental paintings, sculptures, and installations by nearly 40 Black artists, including Kehinde Wiley, Mickalene Thomas, and Nick Cave. The show is organized around themes of scale and cultural impact, beginning with personal artifacts from the Deans' early careers before transitioning into significant contemporary masterpieces.
The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have launched "A Nation of Artists," a massive dual-museum exhibition running through late 2027. The show features over 1,000 works, including the public debut of 120 pieces from the private Middleton Family Collection, owned by Philadelphia Phillies owner John Middleton. While the PMA presents the works chronologically from 1700 to 1960, PAFA offers a thematic exploration, both aiming to integrate underrepresented Black, Indigenous, and immigrant artists alongside canonical figures like Georgia O’Keeffe and Jackson Pollock.
Judy Chicago’s first major New York museum survey, "Herstory," has opened at the New Museum, marking a triumphant return for the 84-year-old feminist icon. The exhibition features a comprehensive look at her 60-year career, including her large-scale tapestries and "Rejection" drawings, alongside a curated "show-within-a-show" titled "City of Ladies." This section integrates Chicago’s work with pieces by over 90 historic women and non-binary artists, ranging from Hilma af Klint to Hildegard of Bingen, creating a visual dialogue across centuries of female creativity.
Gagosian is expanding its presence on the Upper East Side with the opening of a new ground-floor gallery at 980 Madison Avenue on April 25. The inaugural exhibition features the iconic readymades of Marcel Duchamp, including the 1964 editions of works like "Fountain." This opening marks a return to a historic location for the gallery, which previously utilized the building as its headquarters for over three decades.
Barkley L. Hendricks was a transformative American portrait artist known for depicting ordinary Black men and women with the scale and technical mastery typically reserved for European Old Masters. After a pivotal trip to Europe in the 1960s where he noted the absence of Black subjects in museum collections, Hendricks dedicated his career to elevating Black identity through bold, life-sized oil paintings and photography. His work often featured vibrant monochromatic backgrounds and subjects drawn from his personal life, popular music, and urban culture.
The Museum of Modern Art (MoMA) in New York is hosting "Wifredo Lam: When I Don’t Sleep, I Dream," the first comprehensive U.S. retrospective of the Cuban modernist's career. Running from November 2025 to April 2026, the exhibition traces Lam’s artistic evolution from his formative years in Europe to his return to the Caribbean, where he integrated Afro-Caribbean histories and spirituality into the language of modern painting. The show features major loans, a documentary film, and a scholarly catalogue exploring his unique synthesis of Surrealism and decolonial thought.
The U.S. Latinx Art Forum (USLAF) has appointed artist, archivist, and curator Josh T. Franco as its new executive director, succeeding founding director Adriana Zavala. Under Franco’s leadership and alongside newly promoted deputy director Mary Thomas, the organization is shifting its mission toward fostering "convivial spaces" and organic networking. This new phase includes hosting intimate dinners across major cities to connect artists with supporters and planning a major touring exhibition featuring the 75 recipients of the Latinx Artist Fellowship.
Art collector David Nahmad has publicly denied allegations that Amedeo Modigliani’s "Seated Man with a Cane" (1918) is Nazi-looted property. Following revelations from the Panama Papers that Nahmad is the true owner of the painting via the International Art Center, he defended his provenance, claiming the work sought by the heirs of Jewish art dealer Oscar Stettiner is a different painting entirely. Nahmad asserted that if the work is definitively proven to be looted, he will return it, but he currently maintains that the historical documentation regarding a 1944 sale at Drouot refers to a self-portrait, not the work in his possession.
The Greytown Art Gallery has launched the third edition of its annual "Full Circle" exhibition, featuring nearly 100 anonymous works created on small, circular formats. The opening event, officiated by South Wairarapa mayor Fran Wilde, included an auction of the pieces, which are priced at a flat rate of $200 to ensure affordability. The exhibition showcases a mix of emerging and established artists from across the Wairarapa region, challenging them to work outside traditional rectangular constraints.
The Cleveland Museum of Art is hosting "Manet & Morisot," an exhibition that explores the deep artistic and personal relationship between Edouard Manet and Berthe Morisot. Moving beyond traditional narratives that cast Morisot as a secondary figure or mere muse, the show highlights her role as a peer who actively influenced Manet’s transition toward modernism. The exhibition features key works such as Morisot’s "View of Paris from the Trocadero" and Manet’s "The Railway," emphasizing their shared motifs and collaborative vision.
The Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts (PAFA) are launching a major collaborative exhibition titled 'A Nation of Artists,' set to open on April 12. The exhibition explores the foundational role of Philadelphia in shaping American art history, drawing from the deep permanent collections of both historic institutions to showcase a diverse range of American creative expression.
Yoshitomo Nara’s painting "Nothing about it" has set a new record for the highest price ever achieved at a Korean art auction, selling for 15 billion won ($11 million) at Seoul Auction’s Gangnam Center. The sale significantly surpassed the previous record of 9.4 billion won held by Marc Chagall’s "Bouquet de Fleurs." The auction also saw a major result for Yayoi Kusama, whose "Pumpkin" painting fetched 10.45 billion won, marking the second-highest price in Korean auction history.
The Memorial Art Gallery in Rochester has opened a significant retrospective dedicated to the 20th-century African American sculptor John Rhoden. The exhibition showcases Rhoden’s unique ability to blend modernist abstraction with global cultural influences, featuring a wide array of his bronze and wood works that reflect his extensive travels and commissions.
Christie’s successfully transitioned its Middle Eastern Modern & Contemporary Art evening auction from Dubai to London, achieving a total of £5.2 million ($6.8 million). The sale boasted high sell-through rates of 85% by lot and 88% by value, driven by bidders from 23 different countries. Significant highlights included world auction records for Iraqi artist Jewad Selim, whose painting "The Watermelon Seller" fetched over double its estimate, and Mahmoud Sabri, whose work "Grief" sold for more than ten times its high estimate.
The Mississippi Museum of Art has launched "L.V. Hull: Love Is a Sensation," the first major museum retrospective dedicated to the late self-taught African American artist L.V. Hull. The exhibition showcases Hull’s vibrant, immersive practice of transforming her Kosciusko home and everyday found objects—ranging from sneakers and fan blades to television sets—into a dense, kaleidoscopic art environment. The show is presented in partnership with the L.V. Hull Legacy Center and features individual artworks, archival ephemera, and documentary footage.