Winterthur’s ‘Almost Unknown’ offers immersive look at Black history and art

Winterthur Museum in Delaware has opened a new exhibition titled "Almost Unknown: The Afric-American Picture Gallery," which brings to life a fictional gallery imagined in 1859 by Black writer and schoolteacher William J. Wilson, writing under the pseudonym Ethiop. In a series of columns for the magazine "The Anglo-American," Wilson described an imaginary museum of Black history and art, featuring works like a depiction of a slave ship, a bust of poet Phillis Wheatley, and images of Crispus Attucks and Haitian Revolution heroes. Curator Jonathan Square has transformed Wilson's fantasy into an immersive, haunted-attraction-style exhibition using objects from Winterthur's collection, with dark lighting, sound effects, and false walls that evoke a carnival ride inspired by Jordan Peele films and "The Shining."

A fairy-tale exhibition in Milan: the paintings look like Disney film sets

A Milano una mostra da fiaba: i quadri sembrano scenografie da film Disney

The Galleria Gaburro in Milan is presenting a solo exhibition of British artist Iain Andrews, titled "Whispers from the Red Room." The show features over 30 paintings and a handcrafted diorama, the "Diorama del Leviatano," which Andrews uses as a source of inspiration. His work blends fairy-tale and nightmare imagery, drawing on his background as a psychotherapist specializing in childhood trauma. The paintings evoke the visual language of Disney films and Rococo art, with oil and acrylic works that range from large immersive canvases to small, intricate panels.

Diego Gualandris “Floralia” at ADA, Rome

Diego Gualandris presents "Floralia" at ADA gallery in Rome, an exhibition that explores themes of growth, nature, and human intervention through a poetic lens. The show features works that evoke the cycle of life and decay, using floral motifs to reflect on the fragility of existence and the tension between natural processes and external forces.

Taiwan Strips National Prize from Sakuliu Pavavaljung After Sexual Assault Conviction

Taiwan’s National Culture and Arts Foundation has revoked the National Award for Arts from Indigenous Paiwan artist Sakuliu Pavavaljung, following his conviction for sexual assault. The Supreme Court upheld a four-and-a-half-year prison sentence for forcible sexual intercourse involving a female student in 2021. Pavavaljung, who received the award in 2018, must return the NTD 1 million prize. The case gained traction after artist Kuo Yu Ping disclosed it on social media in December 2021, leading to additional victims coming forward. His planned exhibition for Taiwan at the 59th Venice Biennale was canceled in 2022.

Mohit Mahato unveils his debut solo exhibition in Bengaluru, Bring Me Flowers

Bengaluru-based artist Mohit Mahato has opened his debut solo exhibition, "Bring Me Flowers," at an undisclosed venue in Bengaluru. The series features drawings and bookforms that explore the quiet journeys of plants and people amid a rapidly changing urban landscape, with delicate lines and technical accuracy that evoke an ethereal realm. In an interview, Mahato discusses the emotional power of flowers, the role of time and night-time creation, and his choice of drawing as a foundational medium.

Evidence of Evolution at QUEUE Gallery, Miami

QUEUE Gallery in Miami is presenting 'Evidence of Evolution,' a two-person exhibition featuring Fharid LaTorre’s hand-carved wood and metal sculptures alongside Jamieson Pearl’s oil-on-linen paintings. LaTorre’s works, such as 'showing slivers & taking off skin for sake of dopamine layer of diophantine equations' (2026), use scavenged metal and burl wood to evoke surgical transformations and bodily stress, while Pearl’s paintings depict glitch-blocked internet microcelebrities and screenshots from LiveLeak pornos, rendered freehand in distorted blocks. The show runs at QUEUE’s new location above Tunnel Projects in Miami.

Damola Adepoju Evokes Hope With ‘Light’, His Solo Exhibition

Nigerian artist Damola Adepoju has opened his third solo exhibition, titled 'Light', at Mydrim Gallery in Lagos. The show, curated by Idowu Bankole to commemorate Adepoju's 50th birthday, features 30 paintings and mixed-media works created between 2015 and the present, focusing on Lagos cityscapes and employing his signature technique of newspaper prints, acrylic, and soft gold on a grey palette.

Latefa Wiersch “Atlas Studios“ at Istituto Svizzero, Rome

Istituto Svizzero in Rome presents "Atlas Studios," the first solo exhibition in Italy by Swiss-based artist Latefa Wiersch. The show is specifically designed for the spaces of Villa Maraini and evokes the famous Atlas Studios film sets located on the edge of the Moroccan desert, which have been used by international film productions.

New Currents: Jungeun Park

Jungeun Park, an artist based between New York and Seoul, creates sculptures that blend glass, ceramics, and textiles to evoke raw biological forms and alien organic matter. Her 2025 graduate presentation at the Rhode Island School of Design featured works like *Skin Mite (demodex)* (2024), sewn from old pillowcases, and *Period Chalice* (2024), made from resin, metal chain, metal ring, water, and strawberry syrup, which transform the repulsive into something tender and strange.

art young photographer michael wolever

Cultured magazine profiles Pennsylvania-born photographer Michael Wolever, nominated by David Brandon Geeting as part of its "28—NEW YORK" series. Wolever creates images that evoke surrealist ’90s filmmaking, exploring themes of shame, attraction, and melodrama through soft lighting, monsters, and woodland scenes. His work draws heavily on his own "pretty weird life" and memories, using photography as a "funhouse mirror" and "shame ritual." The article includes several of his titled works—Big Flirt, Evidence, Tove, and Untitled—and quotes Wolever reflecting on the culture of picture-taking, mass self-awareness, and his critical approach to intention in photography.

Mastering the Mood: Exhibition explores emotion through light and color

American Legacy Fine Arts in Pasadena is launching a new exhibition titled 'Mastering the Mood: Atmospheric Emotion,' running from April 24 to June 6. The show features approximately 45 works by 25 contemporary-traditional artists, focusing on how light, color, and atmosphere in representational painting can evoke emotional responses in viewers.

London artist Irum Rahat’s ‘Yeh Kab Ki Baat Hai’ is a house full of memories

London-based artist Irum Rahat presents her first solo exhibition in India, 'Yeh Kab Ki Baat Hai', at Pristine Contemporary in Delhi. The show features 16 new works that draw from her upbringing in a South Asian household, transforming mundane domestic scenes—making chai, sitting in rooms, family interactions—into a visual archive of memory and intimacy. Rahat's paintings, influenced by cinema and her own photography, use soft, hazy colors to evoke nostalgia and the ambiguity of time.

us art schools international students

The Trump administration threatened to block Harvard University from enrolling international students and revoked its SEVIS certification, a move frozen within 24 hours by a judge. The administration also announced plans to aggressively revoke visas of Chinese students, raising concerns for US art schools, which are heavily dependent on international enrollees—many with higher percentages of international students than Harvard, such as the School of Visual Arts (50%), Parsons School of Design (35%), and CalArts (30%).

Suporna’s first solo exhibition under way at Safiuddin Shilpalay

Visual artist and poet Suporna Alice Gomes has launched her debut solo exhibition, "Burnt Expressions—the Realms of Fantasy," at Safiuddin Shilpalay in Dhaka. The showcase features 59 works, including acrylics and unique series utilizing watercolor and coffee on paper. The collection is characterized by a monochromatic, rusted aesthetic intended to evoke "burnt expressions" and nostalgic memories, featuring portraits of iconic Bangladeshi figures like Kazi Nazrul Islam and SM Sultan alongside nature-inspired landscapes.

Philadelphia museum sues Trump administration over lost federal funding

The Woodmere, a museum in Philadelphia, sued the Trump administration after an executive order revoked a $750,000 federal grant from the Institute of Museum and Library Services (IMLS). The museum had already received roughly $195,000 of the funds, but the order targeting "unnecessary" federal bureaucracy cut the remainder. On September 4, the IMLS reinstated the full grant, leading to the dismissal of the lawsuit, which had been scheduled for a first hearing on September 12. The grant, part of the Save America's Treasures program, was intended for conservation, catalog updates, and digitization projects.

Diego Montoya's drag designs are art, and a major museum finally agrees

Diego Montoya, a fashion and costume designer known for his work on RuPaul's Drag Race and HBO's We're Here, has opened a solo exhibition titled 'Resplendent Dreams: Reawakening the Rococo' at the Indianapolis Museum of Art at Newfields. The show, running from June 6, 2025 to March 29, 2026, features costumes created for drag queens including Sasha Velour, Blair St. Clair, Kandy Muse, Jimbo, and Miz Cracker, as well as a new commission 'Rocaille' made for the museum. Montoya worked with exhibition designer Mandie Holden to present the costumes on custom mannequins that evoke drag silhouettes rather than standard fashion displays.

New art exhibit showcases local artist's nostalgic portrayals of La Crosse landmarks

A new art exhibit at the Pump House Regional Arts Center in La Crosse, Wisconsin, features the work of local artist John Smith, who creates nostalgic paintings of iconic La Crosse landmarks. The show, titled 'Memories of La Crosse,' includes depictions of the historic Riverside Park bandshell, the Cass Street Bridge, and other beloved sites, rendered in a warm, impressionistic style that evokes the city's past.

The Frick debuts dreamy greenhouse art show

The Frick Pittsburgh Museum and Gardens has opened a new exhibition in its 128-year-old greenhouse featuring abstract sculptures by local Pittsburgh artist Atticus Adams. Titled "Catching Sunbeams from the Porch Swing of Wisteria Castle," the show presents dozens of whimsical pieces made from metal mesh, wiring, and textile materials, hanging from the greenhouse roof. The free exhibit runs through October 26, Tuesday through Sunday from 9am to 5pm.

Exquisite, Multifarious Visual Narratives Arouse Emotions In Joana Galego’s First U.S. Solo Show

Portuguese artist Joana Galego presents her first U.S. solo exhibition, featuring intricate visual narratives that blend drawing, painting, and textile elements to evoke deep emotional responses. The show highlights her unique approach to storytelling through layered, multifarious imagery.

In Venice, an Ocean-Inspired Exhibition Takes Visitors Under the Sea

An ocean-inspired exhibition titled "Ocean Space" has opened inside a former convent on an island in Venice, featuring immersive artworks that invite visitors to explore the depths of the sea and expand their sense of self. The show includes installations by contemporary artists that use sound, light, and sculpture to evoke underwater environments and marine life.

MONITOR YIN YANG ARGENTINA ARRIVES AT THE VENICE BIENNALE WITH AN OPEN CARTOGRAPHY

The Argentine Pavilion at the 61st Venice Biennale will feature a site-specific installation titled "Monitor Yin Yang" by artist Matías Duville. Curated by Josefina Barcia, the work uses salt and charcoal to create an unstable, walkable landscape that explores the coexistence of opposing forces such as light and shadow, waste and energy. The installation includes a sound composition developed with Centolla Society and Alvise Vidolin, integrating real-time environmental data from Venice. Duville's project was selected from 69 proposals in an open competition organized by Argentina's Ministry of Foreign Affairs, National Secretariat of Culture, and the Argentine Investment and Trade Agency.

CUBA PRESENTS FREE MEN AT THE VENICE BIENNALE

Cuba presents Roberto Diago's installation "Hombres Libres (Free Men)" at the 61st Venice Biennale, curated by Nelson Ramirez de Arellano Conde and commissioned by Daneisy García Roque. The work, on view from May 9 to November 22, 2025, features a group of sculpted heads made from oxidized metals, wood, plastics, and reclaimed materials that advance toward viewers, bearing scars that evoke a history of pain and resistance.

Il duo di artisti internazionali Gawęda/Kulbokaitė sono a Roma per la prima volta con una mostra su identità e percezione

The international artist duo Dorota Gawęda and Eglė Kulbokaitė present their debut exhibition in Rome, titled "Spit and Image," at the Basement gallery. The show, on view until July 10, 2026, features sculptures, installations, and videos that explore identity construction in the digital age, using mirrors, fragmented bodies, and olfactory elements. Works like "Yield (twinning)" (2025) and "Spit and Image 1 and 2" (2025) evoke surveillance, metamorphosis, and duplication, while the Slavic vampire figure of the upiór serves as a metaphor for fluid, non-binary identities.

Art Review: "The Rip in Her Sleeve" and "Iliana Arocho: Drawings" at Maiden Lane Gallery in Kingston

Maiden Lane Gallery in Kingston is hosting two concurrent exhibitions curated by Matt Moment: "The Rip in Her Sleeve," featuring pigment print photographs by Alicia Schirrmeister and Ruth Lauer Manenti, and "Iliana Arocho: Drawings," a solo show of ethereal drawings and metalpoint works by Iliana Arocho. The shows occupy two floors of a brick building that serves as an outpost for Headstone Gallery, run by Lauren Aitken and Chase Folsom, marking Moment's first collaboration with the gallery as a guest curator.

‘In Mali, When Animals Dance’ – Inside the Pulse of Sogo Bò

Yoann Cormier curates 'In Mali, When Animals Dance' at the Musée des Confluences, an exhibition dedicated to sogo bò, a Malian performance tradition blending theater, dance, music, and community. Rejecting static displays, Cormier uses immersive scenography—light, sound, film footage from the early 2000s by Sonia and Albert Loeb, and reconstructed masks made with the Lyon Opera costume workshop—to evoke the festive atmosphere of sogo bò, moving visitors through a simulated Malian day from afternoon to night.

Catch a wave to RAM for new exhibit

The Bakersfield Museum of Art (RAM) has opened a new exhibition titled "Catch a Wave," featuring works that explore themes of water, movement, and coastal culture. The show includes paintings, sculptures, and mixed-media pieces by regional and national artists, aiming to evoke the sensory experience of being near the ocean.

Art Gallery explores home and identity in ‘Mi Casa es su Casa’ exhibition

The El Camino College Art Gallery is hosting 'Mi Casa es su Casa,' an exhibition featuring ceramic works by artist Yvette Trujillo and curated by Dulce Stein. The show, which opened October 30 and runs through December 1, transforms common Mexican household cleaning products like Fabuloso and Zote into saint-like ceramic sculptures, alongside clay shrines and an ofrenda celebrating Dia de los Muertos. The exhibition includes sugar skull face painting, dancing, and works by Hispanic artists.

Exhibit at Lord Baltimore Hotel by local artist Mark Anthony West Jr. evokes starry skies

Baltimore-born artist Mark Anthony West Jr. is debuting a new body of work titled "Seven Stars Between Two Skies" at the Lord Baltimore Hotel. Created during a residency in Rio de Janeiro, the exhibition features portraits of American and Brazilian creatives depicted as sovereign forces, utilizing signature elements like terra cotta noses, metallic leaf, and symbolic ribbons to explore Afro-diasporic themes and spiritual lineage.

“Arteries with Wings”: Mai al-Halwani opens her Art Exhibition in Homs

Syrian visual artist Mai al-Halwani opened her latest exhibition, “Arteries with Wings”, at the Palace of Culture in Homs on Wednesday, December 18. The show features 40 paintings in her signature expressionist style, combining miniature art and decorative motifs to explore themes of life, freedom, and resilience. Organized by the Union of Visual Artists, the exhibition marks al-Halwani's first in Homs since the city's liberation, with some pieces referencing the Syrian revolution. Half of the proceeds will go to the Syrian Development Fund.

'All That Remains' faculty exhibition opens Oct. 21

A faculty exhibition titled 'All That Remains' opens Oct. 21 at Tyler Art Gallery on the SUNY Oswego campus, featuring works by art faculty members Peter Cardone and Christopher McEvoy. Cardone presents a photographic series of the Oswego West Pierhead Lighthouse, capturing empty interior spaces and lake views that evoke presence and absence. McEvoy contributes large abstract paintings with layered organic and geometric forms that explore perception, memory, and the construction of meaning. The exhibition includes related events on Oct. 28, such as a presentation by H. Lee White Maritime Museum curator Michael Pittavino, artist talks, and a poetry reading with faculty poets.