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Artnet News lists 10 immersive installation artworks that are creepy enough to double as haunted houses for Halloween. Featured works include Alex Da Corte's "Die Hexe" (2015) at Luxembourg & Dayan, which transformed a townhouse into a ghostly dollhouse with a morgue; Mike Kelley's "Exploded Fortress of Solitude" (2011) at Hauser & Wirth, a sculptural interpretation of Superman's lair; Jonah Freeman and Justin Lowe's "Scenario in the Shade" at Red Bull Studios, a dystopian arts festival installation; Tobias Rehberger's "Bar Oppenheimer" (2013) at Hotel Americano, featuring disorienting dazzle camouflage patterns; and Puppies Puppies' "Gollum" at Queer Thoughts, where an actor in a Gollum mask performs live.

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Belgium plans to revoke the museum status of Antwerp's Museum of Contemporary Art (M HKA) and transfer its 8,000-work collection to Ghent's Municipal Museum of Contemporary Art (Smak), canceling a promised $93 million new building. The proposal by Flemish culture minister Caroline Gennez has sparked resignations, legal challenges, and backlash from artists including Luc Tuymans and Anish Kapoor, who call it unlawful and a threat to cultural independence. A parliamentary hearing is expected in January 2026.

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Barbara Chase-Riboud, now 86, reflects on her transformative 1958 trip to Egypt, which she undertook on a dare as a 19-year-old student at the American Academy in Rome. The journey, during which she explored the pyramids and temples of Luxor and Karnak alone, profoundly influenced her artistic practice, leading her to create abstract bronze sculptures that evoke ancient Egyptian forms. The article traces her remarkable career as a sculptor and writer, highlighting her many firsts: the first Black female artist acquired by MoMA (at age 16), the first Black woman to earn an MFA from Yale, the first living female artist to have a solo show at the Metropolitan Museum of Art, and the only visual artist to appear on the cover of Ebony.

Sculptor Sahar Khoury, Collection Exhibition at the Manetti Shrem Museum Offer New Views of California Art

Two exhibitions opening in January at the Jan Shrem and Maria Manetti Shrem Museum of Art at UC Davis explore themes of cultural origins, legacy, and preservation in California art. "Sahar Khoury: Weights & Measures" (Jan. 7–June 20) is the Bay Area sculptor's largest solo show to date, featuring works in ceramics, metal, papier-mâché, and found objects that interrogate value systems, personal and political symbols, and site sensitivity. The emotional centerpiece, "The Elephant in the Room," evokes ruins and marketplaces of North Africa and Southwest Asia. Concurrently, "Backstory: Digitizing the Museum Collection" (Jan. 21–May 2) turns the museum into a working digitization lab, displaying signature works from UC Davis’ Fine Art Collection while revealing the process of preserving art for posterity.

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Artist Ai Weiwei has claimed in a new interview that he faced censorship in the West, citing a specific incident with London's Royal Academy. In late 2023, an exhibition of his new works at the Lisson Gallery was canceled after he posted a controversial tweet about the Israeli-Palestinian conflict. Subsequently, the Royal Academy held a vote on whether to revoke his honorary membership over accusations of antisemitism, which he won. Ai also claims the Academy then declined to publish an article he wrote on free speech for its magazine.

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The Art Institute of Chicago has opened an exhibition titled 'Strange Realities: The Symbolist Imagination,' drawn entirely from its own collection. The show features works by Vincent van Gogh, Edvard Munch, Odilon Redon, and lesser-known artists like Gustaf Fjaestad, aiming to present Symbolism through its visual output rather than its often vague literary manifestos. The exhibition sidesteps strict definitions of the movement, instead offering a broad range of works from the late 1880s to early 1900s that evoke mystery, doubt, and inner realities.

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Ariana Papademetropoulos has debuted a new solo exhibition titled "Glass Slipper" at Thaddaeus Ropac’s gallery in Paris. The show features a diverse range of works, including hyper-realistic paintings of dry-cleaned dresses, surrealist landscapes featuring floating chairs, and a central immersive installation. This centerpiece consists of a mattress and a fish tank filled with 150 kissing fish, accompanied by a commissioned ambient soundtrack by Nicolas Godin of the band Air, designed to evoke a meditative, ritualistic experience.

LR Vandy’s Rope Sculptures Disentangle Histories of Colonialism and Transportation

London-based artist LR Vandy has opened her first solo museum exhibition, "Rise," at the Yorkshire Sculpture Park. The show features a series of sculptures crafted from nautical materials like Manila rope, ship's helms, and hull-shaped wooden forms, many of which were created in her studio at the Chatham Historic Dockyard. The works explore the complex intersections of maritime history, trade, and the labor systems that powered the Age of Discovery.

Ai Weiwei faced vote about his Royal Academy of Arts, London membership after Gaza tweet

Chinese artist and activist Ai Weiwei faced a vote by the Royal Academy of Arts in London on whether to revoke his membership as an international Royal Academician. This followed a controversial tweet he posted in late 2023 about the Israel-Hamas conflict, which he later deleted and which led his gallery, Lisson Gallery, to postpone a show of his work. The RA's General Assembly ultimately voted to retain his membership.

1+1. Relational Art: at MAXXI a major exhibition reflects on the legacy of Nicolas Bourriaud's critical revolution

The MAXXI museum in Rome has opened a major exhibition titled "1+1. Relational Art," which examines the legacy of Nicolas Bourriaud's influential 1998 book "Relational Aesthetics." The show brings together works by artists from the 1990s generation—including Maurizio Cattelan, Douglas Gordon, Pierre Huyghe, Philippe Parreno, Liam Gillick, and Dominique González-Foerster—who pioneered art based on human interactions and social contexts rather than traditional autonomous objects. The exhibition reflects on how Bourriaud's theory, developed from studio visits with these young artists, redefined art criticism by proposing that artworks be judged by the interhuman relations they produce or evoke.

Dallas Art Prize winner on pink trees, Texas museums and why ‘it's OK to be kind of hokey’

Massachusetts-based painter John McAllister has been named the winner of the inaugural Dallas Art Prize. The award includes a $20,000 cash prize and the consideration of his work for the permanent collection of the Dallas Museum of Art. McAllister, who is represented by James Fuentes Gallery, is recognized for his vibrant, non-traditional landscapes that utilize a palette of pinks, purples, and yellows to evoke emotional responses rather than literal depictions of nature.

A Wooden Canopy by Kengo Kuma Casts Dappled Light Around a Copenhagen Museum

Architect Kengo Kuma has unveiled a monumental site-specific installation titled "Earth / Tree" at Copenhagen Contemporary. The structure features a suspended canopy of curved wooden slats designed to evoke the Japanese concept of 'komorebi,' or the dappled light that filters through trees. Positioned over a brick platform and rubble, the installation serves as a material bridge between Nordic and Japanese architectural traditions.

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Three Jewish groups issued an open letter to the Kunstakademie Düsseldorf, a prominent German art school, calling for the cancellation of a lecture by Palestinian artist and filmmaker Basma Al-Sharif, scheduled for January 21. The groups alleged, without providing proof, that Al-Sharif's past events and social media posts—including one referring to Israel as a "Zionist entity" and stating "The lie of #neveragain is over"—trivialized terrorism and constituted antisemitism. The Kunstakademie Düsseldorf declined to cancel the event, affirming its commitment to free dialogue and noting that Al-Sharif was invited based on her CV, while also condemning the Hamas terrorist attack as a grave crime.

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P. Staff's current exhibition at David Zwirner in New York transforms the gallery's Upper East Side townhouse into a haunting, body-centric experience. The show features a new video titled *Penetration* (2025), split across three floors, depicting a person with a laser beamed at their bare stomach, alongside sculptures with wood spikes under latex drapes and ambient sounds of a beating heart. The installation evokes a dread of having a body, with jaundiced yellow window films and disjointed sensory elements creating an uncomfortable, dysphoric atmosphere.

‘Get in the Game’ at PAMM puts sports and art on a level playing field

The Pérez Art Museum Miami (PAMM) presents 'Get in the Game: Sports, Art, Culture,' an exhibition running through August 23 that bridges the worlds of sports and visual art. Featuring over 100 works by international artists alongside sports memorabilia—including vintage sneakers, racing equipment, and FIFA World Cup soccer balls from 1930 to 2023—the show is organized by the San Francisco Museum of Modern Art and adapted for Miami with local additions. Curated by PAMM director Franklin Sirmans and co-curator Fabiana A. Sotillo, the exhibition is divided into six thematic sections such as Fandom, Winning and Losing, and Mind and Body, aiming to make both sports and art accessible to all visitors.

Taiwan revokes Sakuliu Pavavaljung’s National Award for Arts

Taiwan’s National Culture and Arts Foundation has revoked the National Award for Arts granted to artist Sakuliu Pavavaljung in 2018, ordering him to return the NTD 1 million prize. The revocation follows a Supreme Court ruling on 1 April that upheld a January 2025 conviction by the Pingtung District Court, which found the artist guilty of rape and sentenced him to four years and six months in prison.

In Memoriam: Melvin Edwards (1937–2026)

Renowned sculptor Melvin Edwards, a pioneer of the Black Art Movement who transformed welded steel into powerful explorations of African American identity, has passed away at the age of 88. Edwards was best known for his "Lynch Fragments," a series of over 300 compact, wall-mounted assemblages that utilized industrial materials like chains, meathooks, and barbed wire to evoke the history of racial violence and the struggle for civil rights. His career spanned over six decades, beginning with a breakout solo show at the Santa Barbara Museum of Art in 1965 and a landmark exhibition at the Whitney Museum of American Art in 1970.

Robert Therrien’s Supersized Art Featured In New Broad Exhibit

The Broad Museum in downtown Los Angeles is hosting "Robert Therrien: This is a Story," the largest museum exhibition ever devoted to the late artist Robert Therrien (1947–2019). Opening November 22 and running through April 5, 2026, the show features over 120 artworks spanning five decades, many never publicly displayed before. Highlights include Therrien's monumental sculptures—such as the iconic "Under the Table" (1994), a giant wooden table and chairs that has become a social media favorite—alongside drawings, a recreated studio, and rooms that explore his process and scale.

Dublin’s Monumental Picasso Exhibition Showcases 60 of the Artist’s Masterpieces

The National Gallery of Ireland, in partnership with the Musée national Picasso-Paris, has opened a major exhibition titled "Picasso: From the Studio," featuring 60 works by Pablo Picasso. The show spans five decades of the artist's career, including Cubist portraits, sculptures, still lifes, and rarely seen pieces, with immersive photographic and audio-visual elements that evoke his creative environments in Avignon and the Côte d'Azur. The exhibition runs until February 22, 2026.

In Prague, the long-term future of Alphonse Mucha’s ‘Slav Epic’ hangs in the balance

Alphonse Mucha’s monumental 20-painting series *Slav Epic*, completed in 1928, has never received the permanent exhibition space in Prague that the artist demanded when he donated the work to the city. For decades the series has been displayed in Moravský Krumlov, and its current loan there was recently extended to 2031. Plans to install the Epic in a vaulted underground space designed by Thomas Heatherwick as part of Crestyl’s Savarin development have stalled due to permitting delays, though Crestyl now expects construction to begin in 2025 and open in 2029. Meanwhile, legal disputes persist: John Mucha (the artist’s grandson) had threatened to revoke the city’s ownership, and another granddaughter, Jarmila Mucha Plocková, has challenged the proposed location as unworthy.

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Artist Gail Morris presents "Blue Note," a solo exhibition at Bonner David Galleries in New York, featuring bold abstract paintings that explore the emotional and psychological experience of light, space, and music. The show's title references the musical concept of a "blue note," which Morris reinterprets as a compositional strategy to create tension and balance in her works. While starting from physical landscapes—such as natural sites, urban parks, or islands—Morris obscures specific details, using titles like "Down By the River" (2025) and "Bird of Paradise" (2025) to evoke universal moods rather than literal scenes. The exhibition runs through November 29, 2025.

Urgent Request from Participating Artists and Curators of the 61st Venice Biennale

第61回ヴェネツィア・ビエンナーレ参加アーティストおよびキュレーターによる緊急要請

A group of 73 artists and curators participating in the 61st Venice Biennale, including Yoshiko Shimada and Bubu de la Madeleine, have issued an urgent demand to the Biennale's board to revoke Israel's participation. The collective specifically objects to the decision to relocate the Israeli pavilion to the Arsenale, arguing that its presence contradicts the curatorial vision of Artistic Director Koyo Kouoh, which emphasizes the dignity of all life. They contend that the military and police presence required for the pavilion introduces an atmosphere of violence and fear that undermines the exhibition's integrity.

Exhibition Review & Studio Visit Feature: Don Porcaro and his “Lost Stories” at Westwood Gallery

Don Porcaro (American, b. 1950) presented his second solo exhibition at Westwood Gallery in New York, titled "Lost Stories," featuring two series of stone sculptures: towering polylithic pillars from the Lost Stories series and mysterious artifact-like objects from the Art or Fact series. Curated by gallery co-founder James Cavello, the show highlights Porcaro's lifelong practice of sourcing stones from diverse geographies and reconfiguring them into stacked, architecturally inspired forms that evoke prehistoric megaliths, ancient columns, and funerary urns.

Gitterman Gallery : Ruth Thorne-Thomsen

Gitterman Gallery is presenting an exhibition of vintage gelatin silver prints by artist Ruth Thorne-Thomsen, on view through June 6, 2026. The show features a selection of her work from several series, including 'Expeditions' (1976-1984), 'Door' (1981-83), and 'Views from the Shoreline' (1986-1987), which showcase her signature technique of staging and photographing dioramas within landscapes to create surreal, dreamlike scenes.

Matisse, Soulages, Chagall… The most beautiful churches and chapels decorated by artists throughout France

Matisse, Soulages, Chagall… Les plus belles églises et chapelles décorées par des artistes dans toute la France

Renowned modern and contemporary artists have transformed various religious sites across France into immersive 'total works of art.' From Pierre Soulages’ translucent stained-glass windows in the Abbey of Sainte-Foy in Conques to Pablo Picasso’s monumental 'War and Peace' murals in Vallauris, these projects demonstrate how secular artists have engaged with sacred architecture. The article highlights ten specific locations where artists like Matisse, Chagall, and Cocteau integrated painting, glasswork, and furniture into historic ecclesiastical settings.

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The Underground Railroad Education Center (UREC) in Albany, New York, has filed a lawsuit against the National Endowment for the Humanities (NEH) following the cancellation of a $250,000 grant. The legal action, filed in the US District Court for the Northern District of New York, alleges that the funding was revoked based on race and as part of a broader federal effort to dismantle diversity, equity, and inclusion (DEI) initiatives. The center claims this cancellation violates its First and Fifth Amendment rights.

Exhibition | Trishla Jain, 'In Equilibrium' at Sundaram Tagore Gallery, New York, New York, United States

California-based artist Trishla Jain presents her first solo exhibition at Sundaram Tagore Gallery in New York, featuring abstract canvases from her 'Yantra' and 'Tantra' series. The works are deeply rooted in the artist’s lifelong meditation practice and spiritual study, utilizing intricate patterns of dots, dashes, and grids to represent the intangible process of breath awareness. While the 'Yantra' series focuses on mathematical precision and geometric focus, the 'Tantra' series explores fluid, organic arrangements that evoke celestial or topographical forms.

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Pierre Huyghe has unveiled his most ambitious project to date in Berlin, a major exhibition titled 'Liminals' staged at the cavernous Halle am Berghain. Commissioned by the LAS Art Foundation as part of its 'Sensing Quantum' program, the installation features a massive 50-minute film projected in a former electrical station, accompanied by a droning, atmospheric soundscape. The work continues Huyghe’s exploration of AI-driven systems and 'unworlding,' attempting to create a space that transcends human subjectivity through bio-technological environments.

Thousands of Strips of Silk Undulate in Kenny Nguyen’s ‘Deconstructed Paintings’

Kenny Nguyen, a Vietnamese-born artist based in Charlotte, North Carolina, creates large-scale wall works using thousands of hand-cut strips of silk. Drawing on his background in fashion design, he employs techniques like pinning, weaving, sewing, and layering to produce what he calls “deconstructed paintings.” Each piece is built around an imaginary body, with creases and undulating forms that evoke movement. Though the works appear fixed, they are malleable—their shape changes depending on pin placement during installation. Nguyen’s work is currently on view in the group exhibition *Textile Art Redefined* at Saatchi Gallery in London.

Must-See: Mirosław Bałka and the Fragility of Memory

Mirosław Bałka has opened a major solo exhibition at the Pirelli HangarBicocca in Milan, featuring a new, large-scale installation titled 'CROSSOVER/S' (2026). The work, a monumental steel structure filled with salt, continues the Polish artist's decades-long exploration of memory, trauma, and the body, using industrial materials to evoke profound personal and historical narratives.