Photographer Chris Perani creates hyper-detailed images of insect wings using an extreme macro photography technique. His series, Wings, captures the intricate, often invisible details of bee, wasp, damselfly, beetle, and butterfly wings by taking up to 2,000 photos of a single specimen and digitally stacking them for unprecedented clarity.
The Hungarian Pavilion at the 61st Venice Biennale has opened with Endre Koronczi's exhibition "Pneuma Cosmic (Cosmic Breath)," a three-part installation based on nearly 20 years of research into visualizing air currents. The exhibition features elements including ventilation system components from the Hungarian Academy of Sciences, a video of a year-long walk seeking the most significant sigh, and a breathing wall, complemented by a composition by Máté Balogh. The pavilion opened to professionals on Wednesday and will be open to the public from May 9 to November 22.
Tra controllo e fragilità: le storie invisibili di Martina Zanin in mostra a Roma
Martina Zanin’s solo exhibition, "EVERY CARESS, A BLOW," has opened at the Fondazione Pastificio Cerere in Rome. Curated by Antonio Grulli, the show features a multidisciplinary range of works including photography, bronze sculpture, and immersive installations that explore the thin line between protection and threat. Through recurring motifs like falconry gloves and symbolic animals such as the hawk and the hare, Zanin investigates the invisible power dynamics and rituals inherent in relationships.
Dib Bangkok, a major new contemporary art museum, has opened in Thailand's capital. Conceived by the late Thai businessman and art collector Petch Osathanugrah and realized by his son Purat 'Chang' Osathanugrah, the museum is housed in a converted 1980s warehouse redesigned by LA-based Thai architect Kulupat Yansantrast of WHY Architecture. It features 7,000 square meters of gallery space across 11 galleries, a central courtyard, an outdoor sculpture garden, and a penthouse. The inaugural exhibition, titled '(In)visible Presence,' presents 81 works by 40 artists exploring memory and the unseen, curated by director Miwako Tezuka.
Brazilian conceptual artist Daniel de Paula is set to make his Expo Chicago debut with a solo presentation hosted by gallery Yehudi Hollander-Pappi. The installation features industrial thousand-liter water tanks filled with water from the San Francisco Bay, a site chosen for its symbolic and material convergence of neoliberal history and digital infrastructure. The water contains both the scattered ashes of economist Milton Friedman and chemical effluents from Silicon Valley data centers, creating a visceral link between economic theory and environmental reality.
Artist Khushi Khandelwal has opened her first solo exhibition, "What's Under My Skin?", at the All India Fine Arts & Crafts Society (AIFACS) in New Delhi. The show, on view through July 24, 2025, explores hidden emotions such as anxiety, which Khandelwal likens to parasites growing inside the body. Using mixed media including pencils, pens, and markers, she aims to reveal the psychological and physical struggles that remain invisible beneath a composed exterior.
Fifteen artists share their experiences with long COVID through a new exhibition titled 'And Still it Remains: A Long COVID Exhibition' at the Artworks Center for Contemporary Art in Loveland, Colorado. The show features a range of media including paintings, sculptures, textiles, digital art, and photographs, all exploring the lingering physical and emotional impact of the disease. The exhibit is housed in the North Gallery and aims to give voice to the often invisible suffering of long COVID patients.
The Cultural Center of Spain in Panama is hosting an exhibition titled 'The Dimension of the Invisible: Ecofeminist Traces of Panamanian Art' until April 1, 2026. The show features traditional and digital works by ten Panamanian and international artists who explore the intersections of nature, culture, and the body from an ecofeminist viewpoint, challenging established boundaries between the human and non-human.