Para Site, a Hong Kong contemporary arts center, has launched a year-long 30th anniversary programme featuring exhibitions, performances, and residencies. The programme is structured around acts of response, pairing artists and fostering new collaborations, drawing inspiration from the organization's earliest experimental exhibitions.
Le marché asiatique porte Art Basel Hong Kong
Art Basel Hong Kong 2026 concluded with strong attendance and significant sales, demonstrating the fair's central role in the Asian art market. The event attracted over 91,000 visitors and featured 240 galleries, with a strong presence from the Asia-Pacific region, Europe, and the United States. Major international galleries like Gagosian, Hauser & Wirth, and David Zwirner reported multimillion-dollar sales of works by artists such as Louise Bourgeois, Liu Ye, and Marlene Dumas, alongside notable transactions for works by Tracey Emin and Antony Gormley.
Jean-Marc Bottazzi, a Japanese bond trader and collector based in Hong Kong, discusses his philosophy of collecting in an interview with The Art Newspaper. He emphasizes deep, focused support of artists rather than acquiring a superficial variety, citing his extensive holdings of over 100 works by the 96-year-old Japanese artist A-Yo and deep collections of Abstract Expressionism, Gutai, and conceptual photography.
German art dealers are increasingly pivoting toward regional strategies as the national market faces a period of stagnation. While the broader European Union saw a modest rise in dealer sales, Germany’s market contracted by 4 percent between 2024 and 2025, hampered by high interest rates and a sluggish post-pandemic recovery. In response, major fairs like Art Cologne are launching satellite editions in locations like Mallorca to follow wealthy German collectors on vacation, while Art Düsseldorf prepares for a record-breaking edition despite the economic downturn.
Art Basel will launch a new fair, Art Basel Qatar, in Doha in February 2025, featuring around 50 exhibitors. The expansion into West Asia follows the fair's earlier move into Hong Kong in 2013 and reflects the region's growing wealth and cultural development. Vincenzo de Bellis, Art Basel's director of fairs, stated the company aims to attract collectors from the entire Middle East and North Africa (MENA) region as well as South Asia. The announcement has drawn interest from collectors and curators across Asia, including those from the United Arab Emirates, Malaysia, and India, who see the fair as a potential turning point for Doha's art scene.
This article from Cultured magazine highlights several notable art and architecture openings and exhibitions around the world. Key events include the reopening of Donald Judd's Architecture Office in Marfa, Texas, after a seven-year closure and a devastating 2021 fire; the opening of the Tselinny Center of Contemporary Culture in Almaty, Kazakhstan, designed by British architect Asif Khan; and the debut of "Chiharu Shiota: Two Home Countries" at Japan Society in New York, marking the artist's first solo museum exhibition in the city. Other featured shows include "Dream Rooms: Environments by Women Artists 1950s-Now" at M+ Museum in Hong Kong, "Vacant Futures" at VI PER Gallery in Prague, and "Four Five Six" by OFFICE KGDVS at A83 in SoHo, New York.
This week's art industry moves include Coco Fusco and Jeffrey Gibson being named speakers for Johns Hopkins University's Sam Gilliam Lecture Series, with free talks scheduled in Washington, D.C. Other notable developments: MCA Denver received a $1 million gift from the Precourt Foundation for free youth admission through 2031; Xavier Hufkens now represents painter Richard Aldrich; Galatea will represent the estate of Brazilian self-taught painter Grauben do Monte Lima; Green Art Gallery added Sharjah-based artist Fatma Al Ali; Chris Sharp Gallery now represents sculptor Richard Rezac; and the Oakland Museum of California received a ceramics gift and $1 million endowment from the Brian and Edith Heath Foundation. Additionally, a Banksy painting from the "Crude Oils" series is estimated at $18 million for an upcoming Fair Warning auction at Tiffany & Co.
Danish painter Eva Helene Pade, born in 1997, has been working in a borrowed London studio while her Paris home undergoes renovations. Three of her new monumental paintings—Jagt (Hunt), Nærmere (Closer), and Opstand (Surge)—will debut with Thaddaeus Ropac at TEFAF New York this week. Known for tempestuous, large-scale nocturnal scenes filled with writhing naked female bodies, Pade draws on influences from Edvard Munch, James Ensor, and Gustav Klimt, though she now works more intuitively. She signed with Thaddaeus Ropac in 2024 as the gallery's youngest represented artist and was featured in Artnet's Intelligence Report 'Zero to Hero' list for a major spike in search interest.
Several galleries announced new artist representations and expansions. Patron Gallery added painter Miao Wang, who will appear at Expo Chicago; Jessica Silverman added Neo-Pop painter Koak; Anat Ebgi added painter Veronica Fernandez; and Sundaram Tagore Gallery opened a new London space. Additionally, Open Restitution Africa launched an AI-powered database to assist with restitution processes.
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Hong Kong’s art market is signaling a cautious recovery in 2026 as the city prepares for its marquee Art Week. Despite macroeconomic improvements in real estate and equities, the sector is grappling with significant logistical hurdles caused by the US–Israel–Iran War. Shipping costs between Europe and China have surged by 30%, leading to the cancellation of the International Antiques Fair and the withdrawal of high-profile delegations like the Sharjah Art Foundation.
Clément Delépine, the director of Art Basel Paris, has been appointed as the next director of Lafayette Anticipations, a prominent Parisian exhibition space. He will succeed Rebecca Lamarche-Vadel, who is leaving after six years to pursue new challenges. Delépine will assume the role on November 17, shortly after the upcoming edition of Art Basel Paris, which opens to VIPs on October 22. A search for a new director for the Paris fair is underway.
Tim Blum, founder of Blum Gallery, announced the closure of his gallery in early July, citing systemic problems and burnout. However, former employees and artists have since spoken out, claiming they were blindsided by the decision and criticizing the lack of notice, severance, and transparency. Some sources allege that poor business decisions, including a buyout of partner Jeff Poe and costly renovations in a shaky economy, contributed to the closure, while others dispute Blum's claims of strong sales at Art Basel. Separately, a bipartisan Senate bill seeks to extend a 2016 law aiding Holocaust victims in reclaiming Nazi-looted art, but major museums are pushing back, arguing the law unfairly hinders their ability to defend claims.
Beijing concluded its inaugural "Beijing Art Season" from May 22 to June 1, comprising the long-running Gallery Weekend Beijing and two local art fairs, Beijing Dangdai and Art021 Beijing. The event took place shortly after a diplomatic breakthrough in U.S.–China tariff tensions, but amid China's economic slowdown, the atmosphere was subdued: the Visiting Sector for international galleries and the large-scale group show were scrapped, and satellite events were fewer. Despite this, collectors, curators, and institutional directors from Germany, the UK, Korea, and Japan attended, with some noting China's strategic importance due to its deep collector base. French billionaire Laurent Dassault reported better market sentiment in Beijing than in Europe, while Berlin galleries PSM and Galerie Thomas Schulte made their first appearances at Beijing Dangdai, collaborating with Hua International for a "Berlin Section." The fair grew from 32 galleries in 2018 to 87 this year, reflecting local collectors' appetite for international and experimental contemporary art.
Paula Tsai, a key figure in Asia's art market, discusses the evolving landscape of collecting in the region, focusing on mainland China and Korea. She notes a surge of new buyers from China, many of whom are young entrepreneurs, while the Korean market remains more mature and stable. Tsai addresses the impact of tariffs on importing art, particularly for Chinese collectors, but asserts that passionate collectors will continue to buy, adjusting timing rather than abandoning purchases. She also highlights the growing Thai market and the complexity of the Chinese market, where established collectors are cautious but new entrants keep activity high.
MCH Group, parent company of Art Basel, announced a new Doha edition of the Swiss art fair, set to launch in February 2026. Art Basel Qatar will start with 50 galleries and expand to around 200, partnering with Qatar Sports Investments and QC+, a commercial arm of Qatar Museums. The fair aims to bolster markets across the Middle East, North Africa, and South Asia.
Kiang Malingue, a prominent Hong Kong gallery, is opening a new commercial space in New York's Chinatown this week. The inaugural exhibition features Japanese artist Hiroka Yamashita, marking her New York solo debut. Founders Edouard Malingue and Lorraine Kiang cite a strategy to tap into a growing community of young Asian American collectors and rising market interest in Asian and Asian diaspora artists.
In March 2025, major auction houses, particularly in London, achieved strong sales despite the month typically being quiet. Christie’s and Sotheby’s sold ten high-value lots, led by Jean-Michel Basquiat’s *Sabado Noche* (1984) at £8.4 million ($14.5 million). A standout result was M.F. Husain’s *Untitled (Gram Yatra)* (1954), which sold for $13.75 million at Christie’s New York, marking the first time an Indian Modern artwork exceeded $10 million at auction. Other notable sales included works by René Magritte, Yoshitomo Nara, Francis Bacon, Tamara de Lempicka, Amedeo Modigliani, Paul Delvaux, Michael Andrews, and Lisa Brice.
Art Basel 2026 has announced that artist Trevor Paglen will co-curate the latest edition of Zero 10, the fair's global initiative dedicated to digital art, alongside digital art strategist Eli Scheinman. Making its debut at Art Basel's flagship Swiss edition, Zero 10 will take over the Event Hall on Messeplatz from June 17–21, 2026, with a Preview Day on June 16. The expanded presentation will feature 19 exhibitors showcasing artists working at the forefront of digital, generative, and media-based practices, and is themed "The Condition," examining life within algorithmic systems and AI. Highlights include works by Hito Steyerl, Avery Singer, Andreas Gursky, Vera Molnar, Ryoji Ikeda, John Gerrard, and Rafael Lozano-Hemmer, presented by galleries such as Hauser & Wirth, Marian Goodman Gallery, Sprüth Magers, Esther Schipper, Almine Rech, bitforms gallery, Art Blocks, and HEK (Haus der Elektronischen Künste).
Art Basel has announced that artist Trevor Paglen and digital art strategist Eli Scheinman will co-curate the third edition of Zero10, the fair's initiative dedicated to digital art, at its flagship Swiss edition in Basel from June 17–21, 2026 (with a preview on June 16). The presentation will feature 20 exhibitors, including major galleries such as Hauser & Wirth, Marian Goodman, and Sprüth Magers, and will be freely accessible to the public in the Event Hall on Messeplatz. The curatorial theme, "The Condition," explores life in a world saturated by digital imagery, computational systems, and artificial intelligence, bringing together historical and contemporary voices across digital, generative, and media art.
This article highlights three art exhibitions in Hong Kong for May 2026. 'Seeds of Wishes' at JPS Gallery features black-and-white and colorful drawings by thirteen-year-old artist Yat Long, created after his diagnosis with a life-threatening disease, with a related CASETiFY phone case collection. 'Dial-A-Poem Hong Kong' at M+ presents an interactive installation based on John Giorno's 1969 project, offering newly recorded poems in Cantonese, English, and Mandarin by thirty local poets. 'Fallen Angels' at Hauser & Wirth showcases Nicole Eisenman's paintings and sculptures exploring middle-class life, departing from her usual crowded scenes.
This article highlights a curated spring journey through major exhibitions across Europe and the US, focusing on artists represented in the UBS Art Collection. Featured shows include Catherine Opie at the National Portrait Gallery in London, Yin Xiuzhen at the Hayward Gallery, Tracey Emin at Tate Modern, Lorna Simpson at Palazzo Grassi in Venice, and Jean-Michel Basquiat at the Louisiana Museum of Modern Art in Denmark. Each exhibition offers fresh perspectives on the artists' practices, from photography and installation to painting and works on paper.
Art Basel Hong Kong 2026 commenced against a backdrop of global economic uncertainty and geopolitical tension, yet the city's local scene demonstrated remarkable resilience. The week was characterized by a surge of grassroots activity, including the debut of three alternative art fairs and the opening of several new gallery outposts. Key highlights included the launch of GOLD, a cross-disciplinary salon in Wong Chuk Hang, and the expansion of Shanghai’s Antenna Space into the city, signaling a shift toward more flexible, community-oriented art spaces.
Hong Kong's gallery scene is hosting a series of major solo exhibitions to coincide with the 2026 edition of Art Basel Hong Kong. Key highlights include Qiu Anxiong’s Daoist-inspired animations at Pearl Lam Projects, Mary Weatherford’s Asian debut at Gagosian featuring neon-infused canvases inspired by the myth of Persephone, and Walter Price’s first solo show in the region at David Zwirner. These exhibitions showcase a mix of established Chinese contemporary art and high-profile international painters entering the Asian market.
Hong Kong Art Month 2026 is set to feature a packed schedule of at least 13 major exhibitions across the city's galleries and museums. The event coincides with the return of Art Basel Hong Kong and other major art fairs, drawing international galleries and collectors to the region.
Pace Gallery has announced the representation of Korean-born, New York-based conceptual artist Anicka Yi, who joins the gallery's roster while maintaining her existing relationships with Gladstone Gallery, 47 Canal, and Esther Schipper. Yi will debut a new painting at Pace’s Art Basel Hong Kong booth this month, followed by a solo exhibition in New York in 2027 and upcoming projects at the New Museum and Storm King Art Center.
Hong Kong is hosting a vibrant array of must-see art exhibitions in December 2025, as highlighted in a curated guide. Key shows include 'Zao Wou-Ki: Master Printmaker' at M+, focusing on the artist's lithograph prints; 'Violet Veil' by Laura Zhang at The Extension, featuring meditative violet-hued works; 'Guan Yu vs. Wilson Shieh' at JPS Gallery, blending traditional gongbi painting with AI technology; and 'The Villepin House' at Villepin, celebrating the gallery's fifth anniversary with works by Zao Wou-Ki and Myo.
Hong Kong has overtaken London to become the world's second-largest contemporary art auction market, according to ArtTactic. The city's commercial art scene is bolstered by outposts of top international galleries like Hauser & Wirth, Gagosian, Pace, and David Zwirner, as well as a successful annual Art Basel fair. Major auction houses including Sotheby's, Phillips, and Bonhams operate significant spaces there, with Sotheby's selling a Claude Monet for $65.5 million in Hong Kong in 2024. The city's art calendar peaks during March's Art Month, which hosts both Art Basel Hong Kong and Art Central.
Art Week Tokyo, which launched in November 2021 during border closures, has adopted a unique "post-art fair" model that forgoes a traditional art fair in favor of connecting museums and galleries across Tokyo via free buses and inviting international art professionals. The fourth full edition coincides with three major Japanese art festivals—the Aichi Triennale, Okayama Art Summit, and Setouchi Triennale—creating a powerful autumn art season. Key highlights include AWT Focus, a selling exhibition at the Okura Museum of Art curated by Adam Szymczyk, featuring over 50 artists with increased international gallery participation, and the museum exhibition "Prism of the Real: Making Art in Japan 1989-2010" at the National Art Center, Tokyo, curated by Doryun Chong.
The article examines the growing threat of censorship in the visual arts, focusing on two key incidents. In the US, the Trump administration pressured the Smithsonian Institution to review its holdings for content that contradicts "American exceptionalism," leading artist Amy Sherald to withdraw her entire solo exhibition from the National Portrait Gallery after the museum considered removing her painting *Trans Forming Liberty* (2024), which depicts a transgender person as the Statue of Liberty. Meanwhile, in France, Dutch street artist Judith de Leeuw unveiled a monumental mural in Roubaix showing the Statue of Liberty covering its eyes in shame, protesting global migrant injustice, which went viral online.
The fourth edition of Frieze Seoul (3-6 September) took place alongside the Korea International Art Fair (Kiaf) at the Coex convention centre in Gangnam, amid economic concerns and a slower art market. Despite a modest 0.8% expected growth in South Korea's economy and fewer Western exhibitors, the fair saw strong institutional attendance, including curators from M+, the Museum of Modern Art, and the San Francisco Asian Art Museum, as well as celebrity visitors like BTS members and Blackpink's Lisa. Galleries reported cautious but steady sales, with a notable presence of Asian collectors, particularly from Japan, and a Stand Prize awarded to Kohesi Initiatives for a politically charged booth by Timoteus Anggawan Kusno.