The Taipei Fine Arts Museum of Taiwan is presenting a collateral event titled "Screen Melancholy" by Taiwanese artist Li Yi-Fan at the 61st Venice Biennale. The exhibition will take place at the Palazzo delle Prigioni from May 9 to November 22, 2026, featuring a new work by the artist.
Maya Lin, the renowned artist and designer known for the Vietnam Veterans Memorial, has created new works for a Manhattan skyscraper and a Chicago project, drawing on her deep connection to nature. The article highlights her latest installations that integrate environmental themes into urban architecture, reflecting her ongoing exploration of landscape and ecology.
Michael Joo, a contemporary artist known for his multidisciplinary work, is currently featured in multiple exhibitions spanning New York, the San Francisco Bay Area, a Mediterranean island, and Venice. These shows highlight his ongoing engagement with themes of identity, ecology, and cultural exchange, bringing his practice to a broader international audience.
Trevor Paglen, an artist and geographer known for exploring surveillance technology, has been named curator of the third edition of Art Basel's 'Zero 10' digital art initiative, set to debut at Art Basel in Switzerland. He will co-curate the program with digital art strategist Eli Scheinman, featuring twenty exhibitors under the theme 'The Condition,' which examines life saturated by digital media and AI. The presentation will include works such as Hito Steyerl's 'Green Screen' (2023) and pieces by pioneering digital artist Vera Molnar.
Montreal artist Abbas Akhavan's installation "Entre chien et loup" transforms the Canadian pavilion at the 2026 Venice Biennale into a living climate system, featuring a humid, Amazon-like environment with a pond of Victoria water lilies. The seeds were sourced from the Royal Botanic Gardens, Kew, and germinated at the Orto Botanico di Padova, with the lilies growing and blooming over the course of the biennale.
An exhibition titled "Parakeets, Lemons, Flowers in a vase" is on view at CADAN OTEMACHI in Tokyo from April 21 to September 5, 2026. Organized by Misako & Rosen and Galerie Saint Guillaume, the show features works by artists Richard Aldrich, Daan van Golden, and Henri Matisse.
Air de Paris presents "Oh What A Time," a group exhibition running from April 16 to May 2, 2026, featuring works by Trisha Donnelly, Joseph Grigely, Pati Hill, Pierre Joseph, Allen Ruppersberg, Lily van der Stokker, Mona Varichon, and Amy Vogel. The show brings together eight artists in a concise two-week presentation at the Parisian gallery.
The United States military has been dropping propaganda leaflets in psychological operations (psyops) for over a century, from World War I through the Gulf War and the wars in Iraq and Afghanistan. A new interactive exhibit at Pioneer Works in Brooklyn, organized by the digital archive group Khajistan, displays hundreds of these leaflets, including those dropped on Japan during World War II and in more recent conflicts. However, declassified internal documents, such as a 1971 US Air Force report, reveal that leaflets were often used as toilet paper, cigarette rolling paper, or souvenirs by enemy soldiers, undermining the official narrative of their effectiveness.
London-based artist Jes Chen presents "Occupied" (2026), an interactive installation that strips AI technology down to a knock sensor, a screen, and a live AI system. Viewers knock on a door-like interface and receive varied responses—defensive, evasive, or silence—generated in real time. The work draws from Chen's childhood memory of having her bedroom door lock removed, transforming privacy and vulnerability into a behavioral system. Recent presentations at the London Design Festival, Edinburgh Fringe, and Generative Art Conference 2025 have showcased Chen's restrained, psychologically charged approach to AI art.
The Kimbell Art Museum in Fort Worth, Texas, announced it will host the major international touring exhibition 'Treasures of the Pharaohs' from March 14 to September 19, 2027. Featuring 130 artifacts from the Egyptian Museum in Cairo and the Luxor Museum, the exhibition spans 3,000 years of ancient Egyptian history, including royal treasures, newly discovered objects from the 'Golden City' in the Valley of the Kings, and works from Dynasty I to the Ptolemaic period. The exhibition is currently on view at the Scuderie del Quirinale in Rome and will travel to the de Young museum in San Francisco before arriving at the Kimbell.
Two concurrent exhibitions at the El Paso Museum of Art explore the Southwestern desert through distinct artistic lenses. "Desert Rinpa" presents Mitsumasa Overstreet's large-scale panels that blend Chihuahuan Desert flora with the classical Japanese Rinpa tradition, using techniques like tarashikomi and metallic leaf to evoke desert light. Upstairs, "Suzi Davidoff: Wander" features nearly 100 works from 1991 to the present, including drawings, prints, and installations made with natural materials like dirt, clay, and charcoal gathered from wildfire sites, emphasizing the physical presence of the desert itself.
Threshold Art Gallery and the State Hermitage Museum in St. Petersburg, Russia, are presenting a landmark exhibition of contemporary Indian art titled "Sediments of Becoming: Fossilised Present, Summoned Pasts." Opening on 4 June 2026 and running until 4 October 2026, it is the first dedicated presentation of contemporary Indian art in the Hermitage's 260-year history. The exhibition features works by eleven Indian artists—including Afrah Shafiq, Anindita Bhattacharya, Debashish Mukherjee, Gargi Raina, Lakshmi Madhavan, Manjunath Kamath, Maya Krishna Rao, Pushpamala N., Ravinder Reddy, Sumakshi Singh, and V. Ramesh—several of whom created new commissions after a 2025 residency at the Hermitage. Curated by Marina Schulz and Tunty Chauhan, the show places contemporary works alongside historical objects from the museum's vast collections, fostering a dialogue across time and geography.
The Art Gallery of Burlington is hosting a Spring Exhibition Opening & Closing Reception on Saturday, May 16, 2026, celebrating the opening of Celina Eceiza's exhibition "A material called Earth, Volume 1: The life of corners" in the Lee-Chin Family Gallery, curated by Sylvie Fortin and on view from May 16 to August 16, 2026. The event also marks the closing of Phuong Nguyen's exhibition "she died a death of a thousand cuts" in the Perry Gallery, which runs from January 31 to May 17, 2026.
University College Cork (UCC) has launched an MA in Global Gallery Studies (Online), a two-year part-time programme designed to prepare students for careers in the international gallery sector. Directed by Dr Mary Kelly, the programme combines core modules in global gallery studies, global art histories, and digital arts with practice-based learning, including online fieldwork connecting students with galleries across multiple countries, guest lectures by international gallery practitioners, and a project-led onsite internship in the second year.
Cathy de Monchaux, a prominent British artist from the 1990s known for her erotic and dystopic sculptures, has opened a major survey exhibition at the Palais de Tokyo in Paris titled 'Studio, Wounds and Battles, Desire is the Reiteration of Hope'. The show comes 26 years after her last major solo exhibition at the Hirshhorn Museum in Washington DC, and includes a facsimile of her Hoxton studio, featuring intimate sketchbooks, maquettes, and early works. De Monchaux, who graduated from Goldsmiths in 1987 and was nominated for the Turner Prize, largely stepped away from the public exhibition circuit to raise her son, focusing instead on private commissions.
Architect Koray Duman and his studio Büro Koray Duman (B-KD) have unveiled five major international projects, including designs for the UAE National Pavilion and Denniston Hill's special project at the 61st Venice Biennale, the 59th Carnegie International in Pittsburgh, the National Academy's "Future Schools" exhibition in New York, and a multi-generational upstate residential project. Duman's work emphasizes inclusivity, cultural exchange, and architecture as a social tool, with installations like "Chimera" for Denniston Hill and a sound-and-memory-focused pavilion for the UAE.
Mosaic ArtSpace in Long Island City, NY, presents Antonia Papatzanaki: Unseen Brought to Light, a solo exhibition running from May 22 to September 30, 2025. The show features Papatzanaki's stainless steel light sculptures, inspired by microscopic imagery such as cellular formations and plant tissues, creating immersive environments that blend art, science, and technology. The opening reception is on May 22, 5-8 PM.
The Hong Kong Museum of Art (HKMoA) has organized 'Fermata: Hong Kong in Venice' as a Collateral Event of the 61st Venice Biennale, running from May 9 to November 22. The exhibition features artworks by Hong Kong artists Kingsley Ng and Angel Hui, curated under the musical symbol 'Fermata' in dialogue with the Biennale's theme 'In Minor Keys'. This marks the first time HKMoA has curated Hong Kong's exhibition at the Venice Biennale, with support from the Hong Kong Arts Development Council (HKADC) and the Hong Kong Special Administrative Region Government.
The Grand Rapids Art Museum (GRAM) has announced its summer exhibition 'Decadent Spirit: French Art at the Turn of the Century,' on view from May 29 to September 6. Featuring over 130 works spanning 1880 to 1910, the show highlights artists such as Henri de Toulouse-Lautrec, Pierre Bonnard, Jules Chéret, Hector Guimard, and Théophile Alexandre Steinlen, alongside early film pioneers Auguste and Louis Lumière, Georges Méliès, and Alice Guy-Blaché. The exhibition includes works on paper, painting, sculpture, metalwork, interior and urban design, and early film, exploring the cafés, streets, theaters, and domestic scenes of fin-de-siècle Paris. It closes with an 1899 French motorcar, symbolizing the era's new mobility.
The Buffalo AKG Art Museum will present "Ali Banisadr: Temple of the Mind," a solo exhibition running from June 26 to November 8, 2026. The show occupies the Hemicycle Gallery and, for the first time, the Wilmers Galleries, where Banisadr's works will be installed alongside Surrealist and Abstract Expressionist pieces from the museum's permanent collection. The exhibition includes an installation exploring the artist's influences, featuring works by Andō Hiroshige and Francisco de Goya, as well as studio materials, a new etching created with Mirabo Press, and an audio journey narrated by Banisadr.
The Art Institute of Chicago is currently hosting "Matisse's Jazz: Rhythms in Color," an exhibition centered on Henri Matisse's 1947 artist's book "Jazz." The show, on view until June 1, features the iconic cut-paper works Matisse created after a 1941 surgery left him unable to paint. Visitors enter directly into the "Jazz" gallery before backtracking through earlier works, offering a chronological journey that culminates in the cut-paper technique. Wait times can exceed 90 minutes, but the museum recommends joining a virtual queue and exploring other galleries in the meantime.
The Korea Herald recommends three must-visit museum shows in Venice during the Venice Biennale. At Palazzo Grassi, the Pinault Collection presents "Michael Armitage. The Promise of Change," featuring the Kenya-born British painter's vivid works addressing sociopolitical tensions and migration. At Gallerie dell'Accademia, "Transforming Energy" by Marina Abramovic marks her 80th birthday, creating a dialogue between her performance art and Renaissance masterpieces. The Peggy Guggenheim Collection hosts "Peggy Guggenheim in London: The Making of a Collector," revisiting her formative years and her short-lived London gallery Guggenheim Jeune.
The exhibition "Flesh and Bones: The Art of Anatomy" at Singapore's ArtScience Museum explores the history of anatomical representation as a cultural construct rather than a universal scientific truth. It juxtaposes Western anatomical atlases from the Renaissance with Chinese meridian (jingluo) systems, featuring works by artist Chiharu Shiota and other historical pieces that reveal how different cultures have visualized the human body through both scientific and spiritual lenses.
The article reviews "WeWork (oralmoral)," a temporary exhibition at The Gallery in Crown Heights, Brooklyn, curated by artist-turned-curator Florian Meisenberg. The show transforms a former office space into a free-form, non-hierarchical environment where works by over a dozen artists are placed unpredictably—in trash bins, closets, ventilation shafts, and on whiteboards left by the previous tenant. Artists span three generations, from Post-Minimal figures like B. Wurtz and David Humphrey to younger digital-savvy artists such as Lucas Blalock and Anna K.E., whose sound piece "Tamada" greets visitors. The exhibition runs from April 10 to May 18, 2026.
The Lowe Art Museum at the University of Miami is presenting two simultaneous exhibitions that together form the most comprehensive survey of Afro-Cuban art ever assembled. "El Pasado Mio/My Own Past," organized by Harvard's Afro-Latin American Research Institute, features over 81 works by 44 Cuban artists of African descent spanning two centuries, including nine paintings by Wifredo Lam and works by eleven female artists shown together for the first time. The companion exhibition, "Afrocubanismo: Highlights from the Ramón and Nercys Cernuda Collection," examines the cultural movement of the 1930s when artists began centering Cuba's African roots despite widespread societal suppression. The shows run through September 12 with free general admission.
The Hestia Artistic Journey National Grant Programme (Artystyczna Podróż Hestii) has announced the winners of its third edition, selecting eight projects from nearly 200 applications across Poland. The programme, subtitled "Opening Time" (Czas otwarcia), supports artists and cultural institutions planning exhibitions that address collective responsibility for global issues. Winners include "Ślady pamięci" by Fundacja Szałfynster in Katowice, exploring memory and dementia; "Głodne drzewa/Thirsty Trees" by Przemek Branas at the Central Museum of Textiles in Łódź, critiquing human greed through eucalyptus metaphors; and "Tymczasowa pława" by Norbert Delman at the State Art Gallery in Sopot, an installation on ecocide using a sunken fishing boat and amber. Each project will present an exhibition between July 2026 and the last quarter of 2027, with increased funding due to exceptional submissions.
The Pérez Art Museum Miami (PAMM) will present "Basquiat: Figures, Signs, Symbols," the largest exhibition of Jean-Michel Basquiat's work ever mounted in Florida, opening June 25, 2026. The show features ten works from the collection of billionaire Kenneth C. Griffin, including the iconic "Untitled" (1982), which sold for $110.5 million at Sotheby's and reportedly traded for $200 million in 2024. Curated by PAMM director Franklin Sirmans, the exhibition focuses on Basquiat's portraiture, use of text and coded language, and his layered visual vocabulary drawing from world history, Renaissance anatomy, hip-hop, and 1980s New York street culture.
Hauser & Wirth’s New York gallery on 22nd Street has opened ‘I See You You See Me’, its first exhibition dedicated to the radical Italian artist Carol Rama (1918–2015). Organized by Carlo Knoell, the show presents key works spanning six decades—from 1947 to 1998—across paint, textile, sculpture, and bricolage, highlighting Rama’s wildly original and non-conformist experimentation.
Koyo Kouoh's Venice Biennale, titled after ancient wisdom, opens with a focus on healing and historical reimagination. The exhibition features works by artists such as Alexa Kumiko Hatanaka, Khaled Sabsabi, Daniel Lind-Ramos, Guadalupe Maravilla, Kennedy Yanko, and Ayrson Heráclito, alongside a strong emphasis on artist-led schools and institutions like Denniston Hill, blaxTARLINES KUMASI, and RAW Material Company. During the opening, the Koyo Kouoh Foundation was announced, set to launch in Basel to support Pan-African cultural infrastructure. The show includes Refaat Alareer's poem "If I Must Die" and addresses political realities, blending spiritual, ecological, and technological themes to explore collective care and restoration.
Marina Abramović has unveiled "Transforming Energy," a landmark exhibition at the Gallerie dell’Accademia in Venice, on view through October 19, 2026. The show marks the museum’s first major solo presentation dedicated to a living woman artist, arriving during the Venice Biennale. It places Abramović’s most significant performance works, including "Pietà (with Ulay)" (1983), in direct dialogue with Renaissance masterpieces such as Titian’s "Pietà," exploring themes of spirituality, grief, endurance, and transcendence. The exhibition is curated by Shai Baitel and features iconic works like "Balkan Baroque" (1997), for which Abramović won the Golden Lion.