The Box Shutters in Los Angeles After Nearly Two Decades

The Box, a pioneering Los Angeles gallery known for its nonprofit-style support of experimental and performance art, has announced its closure after nearly two decades. Founded in 2007 by Mara McCarthy, the gallery’s final exhibition featured late California painter Wally Hedrick, and a closing event will include a fashion show by Johanna Went. Mara McCarthy cited the shifting market for her father Paul McCarthy’s work and the loss of family homes in the Eaton Fire as factors behind the decision.

'Trusting that first reaction is important': Nacho Polo and Robert Onuska on the process of collecting

Nacho Polo and Robert Onuska, co-founders of the design gallery Studiotwentyseven, discuss their art collection in an interview with The Art Newspaper. Housed in their Tribeca apartment, the collection spans painting, sculpture, and photography with an emphasis on materiality and sculptural form. They recount their first acquisition—Ron Gorchov's *Autolykos* (2019)—and their most recent purchase, Alex Katz's *Nine Women 5* (2009). The couple also shares their instinctive buying process, a regret over missing a Nick Cave sculpture, and their anticipation for the Jean and Terry de Gunzburg collection at Sotheby's this spring.

Tracing the Arc of British Sculpture From Modernism to Today

A new exhibition titled “Modern British: Modern & Contemporary British Sculpture” has opened at Bowman Sculpture in London, tracing the evolution of British sculpture from Modernism to the present day. The show features iconic figures such as Henry Moore, Eduardo Paolozzi, and Lynn Chadwick alongside emerging talents like Rufus Martin and Joanna Allen, creating cross-generational dialogues. Highlights include Moore’s *Small Seated Figure* (ca. 1936) and Paolozzi’s *Richard Rogers as Newton* (1990). The exhibition runs through May 29, 2026, and reflects the gallery’s shift from focusing on Modern masters to embracing contemporary voices.

Art with Bite: Putting Claude Cahun and Marcel Moore’s Bravery on Display

An exhibition at the Art Institute of Chicago, 'Claude Cahun and Marcel Moore: The Seeing Stone,' presents the collaborative and subversive work of the French artists and life partners. The show features over 200 objects, including photographs, photomontages, and manuscripts, focusing on their radical self-portraiture and resistance to gender and social norms.

Scrappy, Political and Paranoid: ‘Greater New York 2026’

The article previews 'Greater New York 2026', an exhibition at MoMA PS1, characterizing it as 'scrappy, political and paranoid'. It is presented as a critic's guide, highlighting key shows during Art Brussels, including Richard Tuttle's assemblages at Galerie Greta Meert and an expansive exhibition of Lutz Bacher at WIELS. The piece is written by Emile Rubino and published by Frieze.

15 Art Shows to See in NYC This May

Hyperallergic's May 2025 guide to New York City art shows highlights 15 exhibitions, including a survey of Hawaiian Japanese-American artists from the Metcalf Chateau group at Ryan Lee Gallery, a retrospective of Malian photographer Seydou Keïta at the Brooklyn Museum, and Renée Green's multimedia project 'Secret' at Bortolami Gallery. The article also features Lynette Yiadom-Boakye's quietude-focused works, a meditation on grief and death, and a document of a city devastated by the AIDS crisis through portraits of inanimate objects, among other shows.

What ‘Costume Art’ Gets Wrong About the Body

The Metropolitan Museum of Art's Costume Institute spring exhibition, featuring nearly 400 objects, pairs garments and ensembles with Western figurative artworks from the museum's permanent collection in dyadic, associative displays. The show eschews traditional art-historical timelines and context in favor of visual and thematic parallels—comparing, for example, Rudi Gernreich's Pubikini with an Egyptian statuette, or Ying Gao's sound-responsive dress with a David Hockney drawing. The exhibition is sponsored by Jeff and Lauren Sánchez Bezos.

Artists made their mark at 2026 Met Gala

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art, raised a record $42 million for the Costume Institute, surpassing last year's $31 million. Honorary chairs Jeff Bezos and Lauren Sanchez Bezos contributed at least $10 million, but their involvement sparked protests outside the event, with demonstrators holding signs like "Tax the Rich" and a group called Everyone Hates Elon leaving fake urine bottles labeled with Bezos's face. Inside, artists made a strong impression: Amy Sherald wore a Thom Browne look based on her painting; Jordan Roth donned a Robert Wun outfit inspired by a Met collection work; and Tschabalala Self collaborated with Brandon Blackwood on a gown evoking Degas's ballerina sculpture. The gala's dress code was "fashion is art," and the accompanying exhibition, "Costume Art" (May 10–January 10, 2027), debuts the Met's new 12,000-square-foot Condé M. Nast Galleries.

The 5 Best Booths at Frieze New York 2026

Frieze New York 2026 opened its VIP day at The Shed on May 13, following the Venice Biennale's opening week. Now in its 15th edition, the fair anchors New York Art Week, a series of concurrent fairs, gallery openings, auctions, and parties that take over the city each May. The article highlights the five best booths at the fair, curated by Artsy Editorial.

8 Must-See Shows during Gallery Weekend Berlin 2026

Gallery Weekend Berlin 2026 features over 50 galleries across the city, with a strong emphasis on painting. The event, founded in 2005 by a cooperative of local gallerists as an alternative to traditional art fairs, this year confirms the lasting power of painting despite its original anti-painting ethos.

“Primary Structures,” Turns 60

On April 28, 1966, The New York Times published a review by conservative critic Hilton Kramer of the Jewish Museum's exhibition “Primary Structures,” organized by curator Kynaston McShine. Kramer, disdainful of contemporary art, described the 42 American and British artists as rejecting personal expression and subjective inflection, yet he acknowledged the show as the first comprehensive glimpse of a style that would define the 1960s. The exhibition featured then-little-known artists including Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, Anne Truitt, John McCracken, Larry Bell, Robert Smithson, Judy Chicago, Philip King, Michael Bolus, and David Annesley, and is now recognized as the ur-survey of Minimalism—a term McShine deliberately avoided.

German artist Georg Baselitz dies aged 88

German artist Georg Baselitz has died at age 88, as confirmed by the Thaddaeus Ropac gallery. Known for his expressive paintings and sculptures, Baselitz rose to prominence in the 1960s after a scandal over sexually symbolic works led to a high-profile court case. He pioneered painting canvases upside down from 1969 onward, a technique he used to grapple with German history and collective guilt. His work spanned six decades and included notable sculptures, such as a wooden figure at the 1980 Venice Biennale that appeared to perform a Nazi salute, which he later clarified was inspired by an African artifact. Baselitz achieved international acclaim in the 1980s and became one of Germany's highest-priced living artists, alongside Gerhard Richter.

Bahar Behbahani Brings the Persian Garden to NYC

Bahar Behbahani's project "Damask Rose: A Gathering" transformed three fountains on Governors Island into a Persian garden using handwoven carpets and crocheted canopies. The event, part of Governors Island Arts's annual Interventions series, brought together over two dozen community practitioners and cultural groups for a four-hour gathering focused on storytelling, music, and art-making. The article also covers Mana Contemporary's Spring Open Studios in Jersey City, a new Gaza monument in Paterson, Sarah Lucas's public sculpture at the New Museum, and other New York-area art news.

Christie’s $1.1 B. Double-Header Shows Growing US Market Strength, Basque Government Snubbed Reina Sofía in ‘Guernica’ Loan Request, and More: Morning Links for May 19, 2026

Christie’s evening sales on Monday reached $1.1 billion, driven by top lots including a Jackson Pollock drip painting ($181.2 million), a Constantin Brâncuși bronze head ($107 million), and a Mark Rothko abstraction ($98.4 million). The sales revealed strong bidding in the under-$20 million segment, with most activity from US buyers, while European and Asian clients remained cautious. Separately, Reina Sofía Museum director Manuel Segade stated that the Basque government never formally requested to borrow Picasso’s ‘Guernica’ from the museum, only approaching Spanish political leaders, who lack authority to lend the work. The UK’s shadow culture secretary urged an investigation into antisemitism allegations against Southbank Centre chairman Misan Harriman.

Seoul’s new Centre Pompidou Hanwha museum opens next month—can it live up to expectations?

Seoul's new Centre Pompidou Hanwha museum will open to the public on June 4, 2025, marking the Pompidou's second Asian branch after its collaboration with Shanghai's West Bund Museum. The four-year partnership between the Hanwha Foundation of Culture and the Centre Pompidou will feature two exhibitions per year from the Pompidou collection, starting with "The Cubists: Inventing Modern Vision." The museum occupies 11,000 square meters over four floors of Hanwha Group's 63 Building, with one gallery dedicated to early 20th-century European art and another to global contemporary art with a Korean focus, curated in-house. The inaugural Korea Focus section includes local artists such as Kim Whanki and Yoo Youngkuk.

S.I. Newhouse’s 11-Foot-Wide Jackson Pollock Drip Painting Sells for Record-Breaking $181.2 M.

A Jackson Pollock drip painting, *Number 7A* (1948), formerly owned by media magnate S. I. Newhouse, sold at Christie’s on Monday night for a hammer price of $157 million, totaling $181.2 million with fees. The work, measuring nearly 11 feet wide, received over 60 bids in a 10-minute bidding war and set a new auction record for the Abstract Expressionist artist, surpassing the previous high of $61 million set in 2021. The winning bid was placed by a buyer represented by Christie’s global president Alex Rotter, with Swiss mega-dealer Iwan Wirth acting as an underbidder, possibly for collector Laurene Powell Jobs.

'Reflection of resilience': Art Dubai's war-postponed edition opens to healthy sales

Art Dubai's 20th anniversary edition opened at Madinat Jumeirah after being postponed from April to May due to the US-Israel war in Iran and regional missile threats. Around 75 exhibitors dropped out, leaving roughly 50 participants, mostly from the region. The fair was reorganized in just eight weeks under executive director Benedetta Ghione and new director Dunja Gottweis, who created a new floor plan in a day and a half. The scaled-back format includes an embedded digital section, and initial sales have been strong, with works by Samira Badran, Mostafa Al Hallaj, Safeya Sharif, Alyazia Al Nahyan, Roudhah Al Mazrouei, and Nabil Anani selling at prices ranging from $3,500 to $360,000.

Frieze New York Is an Assembly-Line Salad

At Frieze New York, curator Lucien Zayan searches for artworks exploring the relationship between food and art, finding a piece by Aki Goto at Europa gallery that reflects on sugar, colonization, and cavities. The fair features works like David Lamelas's "To Pour Milk into a Glass" (1972) from Dia Art Foundation and Mungo Thomson's "Snowman" (2023) at Karma, while a performance by Kite (Oglála Lakȟóta) at the Counterpublic triennial booth offers a reprieve from the monotonous fair experience.

What is Nicole Kidman Doing in a Christie’s Video Promoting the Upcoming S.I. Newhouse Sale?

Christie’s has released a two-minute promotional video featuring actress Nicole Kidman interacting with Constantin Brancusi’s bronze sculpture *Danaïde* (1913), ahead of the S.I. Newhouse collection sale in New York. The sculpture carries a pre-sale estimate of $100 million, and the video—inspired by a Man Ray film of Lee Miller—shows Kidman dancing around the work to David Bowie’s “Golden Years.” The sale, scheduled for May 18, includes 16 masterpieces from the late media magnate’s collection, expected to total around $450 million.

The exhibitions to see in New York during Art Week 2026

Le mostre da vedere a New York durante l’Art Week 2026

The article highlights a selection of must-see exhibitions in New York during the 2026 Art Week, spanning major museums and galleries. At MoMA, three shows explore memory, identity, and artistic experimentation: Elizabeth Murray's retrospective on fragmented painting, Naufus Ramírez-Figueroa's works addressing Guatemala's civil war, and Arthur Jafa's curated connections across the museum's collection. The Whitney Museum presents the 82nd Whitney Biennial, featuring 56 artists questioning what it means to be 'American,' alongside an Andy Warhol exhibition of rarely seen polaroids from 1972-73. Hauser & Wirth debuts its first Carol Rama show, highlighting six decades of her experimental, anticonformist art.

A Joan Mitchell diptych and a rare stack by Donald Judd: our pick of the May auctions

The Art Newspaper highlights five major lots from New York's May 2025 auctions. Phillips offers Joan Mitchell's diptych 'Plain' (1989), estimated at $5-7 million, from the collection of late Miami art patron Tina Hills. Christie's presents Donald Judd's rare copper and red Plexiglas 'Untitled (Stack)' (1969), estimated at $10-15 million, from the Minimalist collection of the late Henry S. McNeil Jr. Sotheby's leads with Jean-Michel Basquiat's 'Museum Security (Broadway Meltdown)' (1983), estimated above $45 million, and Mark Rothko's 'Brown and Blacks in Reds' (1957), estimated at $70-100 million from the collection of late dealer Robert Mnuchin.

How Painter Akira Ikezoe Became This Spring’s Breakout Star in New York

Japanese-born painter Akira Ikezoe has become a breakout star in New York this spring, appearing simultaneously in two prestigious exhibitions: the Whitney Biennial and MoMA PS1's Greater New York. His absurdist, diagrammatic paintings—featuring naked figures, skeletons, and dairy-centric narratives—have drawn significant attention from curators and critics. Despite lacking a New York gallery, Ikezoe is represented by Proyectos Ultravioleta in Guatemala City and was also included in the 2025 Sharjah Biennial, positioning him for rapid ascent in the art world.

Mom, I'm Gonna Be an Artist!

Hyperallergic's Saturday newsletter, edited by Valentina Di Liscia, rounds up a week of art-world activity marked by protests and resistance. Staff Writer Isa Farfan asked 15 artists to share advice from their mothers for Mother's Day, featuring responses from Pat Oleszko, whose work is in the Whitney Biennial. The newsletter also covers editor-in-chief Hakim Bishara's report on a historic strike for Palestine and workers' rights at the Venice Biennale, where dozens of national pavilions shut down, and Editor-at-Large Hrag Vartanian's review of the central exhibition "In Minor Keys." Additional stories include Damien Davis on artists and consignment agreements, Matt Stromberg on the LA Art Book Fair, a protest against Jeff Bezos at the Met Gala, MoMA PS1's upcoming Teresa Margolles survey, and a picket at the American Folk Art Museum.

The Big Review | Venice Biennale 2026: In Minor Keys ★★★½

The Venice Biennale 2026, titled "In Minor Keys," was curated posthumously following the death of artistic director Koyo Kouoh in May 2025. A team of five curators and advisors—Gabe Beckhurst Feijoo, Marie Hélène Pereira, Rasha Salti, Siddhartha Mitter, and Rory Tsapayi—executed her vision across the Giardini and Arsenale venues. The exhibition features 110 artists, with a strong emphasis on new commissions, and is structured around themes of procession, resistance, and joy. Key works include Big Chief Demond Melancon's "Amistad Takeover" (2026), Nick Cave's "Amalgam (Origin)" (2025), and Otobong Nkanga's rewilded columns at the Central Pavilion.

In Venice, Arthur Jafa and Richard Prince Ask: What Is Appropriate to Appropriate?

Arthur Jafa and Richard Prince are showing their work together in a joint exhibition titled "Helter Skelter" at the Fondazione Prada in Venice. Curated by Nancy Spector, the show explores the artists' shared practice of appropriation, a connection that began when Prince attended the debut of Jafa's video work AGHDRA (2021) and later deepened through conversations about race, property, and self-authorization. Jafa has long admired Prince's approach, calling him "the blackest white artist I know," and the exhibition pairs their works to examine how appropriation functions differently for a Black artist versus a white artist.

Alma Allen Flops in Venice

Hyperallergic reports on the 2026 Venice Biennale, with Editor-in-Chief Hakim Bishara criticizing the U.S. pavilion's exhibition of Alma Allen's work as a disappointing departure from the previous editions' profound explorations of Indigenous life and Black sovereignty. Editor-at-Large Hrag Vartanian offers a positive review of the main exhibition "In Minor Keys," while Greta Rainbow covers a poetry procession honoring the late artistic director Koyo Kouoh. Additional stories include a review of the film "The Christophers" about an artist and forger, and news of workers at the American Folk Art Museum picketing for higher wages.

10 Art Shows to See in Los Angeles This May

Hyperallergic's May guide for Los Angeles highlights ten art shows, including a posthumous exhibition of Celeste Dupuy-Spencer's paintings at Jeffrey Deitch, Yoko Ono's first solo museum show in Southern California at The Broad, and a survey of Richard Mayhew's abstract landscapes at Karma. Other notable shows include Joe Brainard's matchbook miniatures at Chris Sharp Gallery, Gordon Parks's musical output at the California African American Museum, and a two-venue presentation of Magdalena Suarez Frimkess's ceramics and drawings.

Biennale di Venezia 2026. Le grandi mostre da non perdere in città

The article previews major exhibitions in Venice during the 2026 Biennale, highlighting a rich lineup of shows across the city's museums and foundations. Key highlights include a retrospective for Marina Abramović at the Gallerie dell'Accademia, a Peggy Guggenheim exhibition at her former home, and dual shows at Palazzo Grassi and Punta della Dogana featuring artists like Michael Armitage, Amar Kanwar, Lorna Simpson, and Paulo Nazareth. Other notable venues include Fondazione Prada, Ca' Pesaro, and the Museo Correr, with artists ranging from Joseph Kosuth to Jenny Saville.

Pittsburgh’s burgeoning gallery community readies for its moment in art world spotlight

Pittsburgh's commercial gallery scene is experiencing a resurgence as the Carnegie International, the country's longest-running recurring exhibition, prepares to open its largest edition yet with 61 artists. Since the pandemic, several young gallerists with experience in New York and Los Angeles have opened spaces in the city, including Romance gallery (2023) by former Whitney curator Margaret Kross, and april april gallery (2024) relocated from Brooklyn by Patrick Bova and Lucas Regazzi. Longer-established galleries like Concept, Zynka, and James Gallery have welcomed these newcomers, with local figures such as collector Evan Mirapaul noting that Pittsburgh's robust arts ecosystem—including museums, universities, and nonprofits—has long lacked a strong commercial gallery presence.

Digital Art Pioneer Nancy Burson Collapses the Border Between Mysticism and Quantum Physics

Nancy Burson, a pioneering digital artist, presents her latest solo exhibition "Light Matter" at Heft Gallery in New York, featuring "Quantum Entanglement" paintings that appear as white dots on black canvases but reveal jittering forms and depth when viewed through a phone camera. The 78-year-old artist, known for her 1980s composite portraits blending faces of businessmen and movie stars, continues her exploration of perception and technology, claiming a special gift to perceive the universe's emergent energy grid. The exhibition runs through May 2.