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A flurry of art fair activity across Asia marked the early weeks of 2026. Art Basel's inaugural Qatar edition broke format with single-artist presentations, focusing on MENASA artists and discreet institutional buying. The India Art Fair in New Delhi reported strong sales for local and international galleries, while new fairs launched in Jakarta, Manila, and Hong Kong. Tokyo Gendai announced its return, and Art Basel's digital platform Zero 10 expanded to Hong Kong.

Michael Joo's 30 Years of Work at a Glance... Solo Exhibition in New York by the Hanwha Cultural Foundation

The Hanwha Cultural Foundation is presenting a major solo exhibition, 'Sweat Models 1991-2026,' by Korean American artist Michael Joo at its New York venue, Space Zero One. The show, running from February 20 to April 18, is a 30-year survey of Joo's work across sculpture, installation, and video, exploring themes of body, system, matter, and information.

Hanwha Foundation to Open Michael Joo Solo Show at Space Zero One in New York

The Hanwha Foundation will present a solo exhibition by Korean American artist Michael Joo titled 'Sweat Models 1991-2026' at its New York space, Space Zero One, from February 20 to April 18, 2026. This marks the first exhibition of the year for the Tribeca-based platform, which opened in November with a mission to support emerging artists internationally.

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The House of Electronic Arts (HEK) in Basel and the Tezos Foundation have announced a year-long partnership to integrate blockchain technology into museum experiences. The collaboration includes virtual and physical exhibitions, workshops, and preservation initiatives, featuring six international digital artists. Exhibitions will be hosted on HEK's online platform virtual.hek and outdoors during Art Basel, with artworks released via the Tezos-based marketplace Objkt. The partnership also involves on-site kiosks and educational workshops on NFTs and digital ownership, as well as HEK's participation in the EU COST Action EMBARK training school on NFT preservation at ZKM in Karlsruhe.

Afghanistan’s heritage comes to the fore in acclaimed Doha show

A new exhibition at the Museum of Islamic Art (MIA) in Doha, titled *Empire of Light: Visions and Voices from Afghanistan*, highlights Afghanistan’s art and history from pre-Islamic times to the present day. Running until 30 May and timed to Art Basel Qatar week, the show draws primarily from MIA’s collection, with loans from Qatari institutions and international lenders such as the National Museum of Asian Art at the Smithsonian. It includes historical objects like a 13th-century ewer and a 9th-century Qur’an folio, as well as contemporary works such as Khadim Ali’s *Un-Safe Heaven* (2025), a textile piece embroidered by Afghan men and women. No objects come from Afghan museums, but large-scale wooden models and glass vessels were produced in Afghanistan with help from the Aga Khan Trust for Culture.

'Still young and going strong': Berlin's pioneering contemporary art space Hamburger Bahnhof turns 30

Hamburger Bahnhof, Berlin's pioneering contemporary art museum, is celebrating its 30th anniversary. Co-directors Sam Bardaouil and Till Fellrath, who arrived in 2022, are using the milestone to reflect on the institution's legacy and future direction, emphasizing its role as a site of artistic production and experimentation. They are also organizing an international fundraising gala on March 14 to help shape its next chapter.

Spring 2025: 2 minutes with Rory Fitzgerald Bledsoe

Rory Fitzgerald Bledsoe, a PhD candidate in media studies, operates the multimodal art gallery Space__Space in East Boulder. Her inaugural exhibition, "Phones are Heavy," concluded in January, and a new show, "Archive Fever Dream," is set to open in March. She previously ran a similar gallery, Space 121, out of her Boston apartment.

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British-Indian artist Anish Kapoor will open his 16th-century Venetian palazzo, Palazzo Manfrin, to the public this spring for an exhibition of his work. The show, opening May 5 just before the Venice Biennale, will feature around 100 architectural models, sculptures, and installations from the past five decades, many related to unrealized large-scale projects. Key works include a new version of *At the Edge of the World* (1998) and a permanent installation of *Descent into Limbo* (1992).

Anish Kapoor at Palazzo Manfrin for 61st International Art Exhibition of La Biennale di Venezia, Italy

During the 61st International Art Exhibition of La Biennale di Venezia, Anish Kapoor presents a major new exhibition at Palazzo Manfrin, a 16th-century Venetian landmark in Cannaregio that houses the artist's foundation. The show, titled 'Anish Kapoor: Palazzo Manfrin,' features around 100 architectural models from the past 50 years, alongside large-scale installations and stainless-steel works, including a monumental black-pigment version of 'At the Edge of the World' (1998), a towering mirror work, 'Descent into Limbo' (1992), and Vantablack sculptures. The exhibition explores Kapoor's concept of the 'non-object' and the transformative quality of sculpture.

Anish Kapoor to show some of his most ambitious projects—realised or not—in Venice

Anish Kapoor will open an exhibition at Palazzo Manfrin in Venice on May 5, focusing on his architectural-scale sculptural projects—both realized and unrealized. The show includes around 50 to 70 models, with highlights such as *Cloud Gate* (2006) in Chicago, the Monte Sant’Angelo Metro Station in Naples, and unrealized plans for a work in outer space. New works include an immersive painting room, and *At the Edge of the World* (1998) has been remade in a dark black paint related to Vantablack. The exhibition runs through August, after which *Descent into Limbo* (1992) will be permanently installed on the Cannaregio site.

spielzug gallery 1 day at a time new york 1234770906

Spielzeug Gallery, a nomadic curatorial project founded by Evan Karas, opened a temporary brick-and-mortar space at 131 Chrystie Street in New York through a collaboration with 1 Day at a Time, an enterprise that helps nomadic creatives secure footholds in the city. The inaugural exhibition, “TOYS! TOYS! TOYS!”, featured works by Thomas Liu Le Lann, Josh Rabineau, and Michelle Im, exploring themes of control, psychosexuality, and the interplay of objects and space. The gallery’s model, described as an “itinerant fantasy,” has previously staged shows in venues including a Czech bunker, a party bus, and a Bushwick apartment.

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A growing number of art fairs and galleries are publicly announcing a 'strategic pause'—a hiatus from their regular exhibition schedules to reassess their models. This week, Vienna's Spark Art Fair invoked the phrase to take a year off, following Berlin dealer Mehdi Chouakri's decision to suspend his gallery's exhibition program after 30 years. Last July, ADAA's Art Show coined the term when it announced a year-long break to reimagine the New York fair, and Taipei Dangdai in Taiwan followed suit days later. In December, an unprecedented number of galleries skipped Art Basel Miami Beach. The trend reflects a broader shift in the art world's willingness to openly acknowledge the need for rest and reinvention.

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This week's art industry roundup covers major developments across auctions, galleries, and institutions. Christie's will auction René Magritte's 'Les grâces naturelles' (ca. 1961) as the star lot of its Art of the Surreal evening sale in London on March 5, with an estimate of £6.5–9.5 million. Zona Maco in Mexico City has announced 241 exhibitors for its 22nd edition, including a new section called Forma. The London Art Fair reported strong sales for British women abstract painters, while Vienna's Spark Art fair canceled its 2025 edition for a strategic pause until 2027. In gallery news, Amy Sherald signed with Creative Artists Agency, and several other artist-gallery representation changes were announced. The U.K. government pledged £1.5 billion to support cultural organizations from 2025 to 2030, and Tarek Atoui was named the next Turbine Hall commission artist at Tate Modern.

Persistent low attendance and funding cuts are forcing US museums to think local

A federal judge ruled on December 3 that all grants from the Institute of Museum and Library Services (IMLS) must be reinstated, offering relief to museum directors like Scott Stulen of the Seattle Art Museum, which lost $300,000–$400,000 in annual federal funding in 2025. The American Alliance of Museums (AAM) survey of 511 directors found that over half reported fewer visitors than in 2019, with 29% citing declines tied to weakened travel and economic uncertainty. However, some museums like the Toledo Museum of Art and the Art Institute of Chicago have seen local attendance rise, offsetting losses in international tourism.

Exhibit With More Than 100 Masterworks Opens This Week at Birmingham Museum of Art

The Birmingham Museum of Art (BMA) opens "Monet to Matisse: French Moderns, 1850–1950" on January 30, featuring over 100 masterworks from iconic artists including Monet, Matisse, Cézanne, Cassatt, Degas, Renoir, and Pissarro. The traveling exhibition, curated by the Brooklyn Museum, has been significantly expanded by BMA with over 40 works from its own collection, making it a unique venue on the tour. The show runs through May 24 and coincides with the museum's 75th anniversary, with thematic sections on Landscape, Still Life, Portraits and Models, and The Nude.

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Jonathan Carver Moore, founder of an eponymous gallery in San Francisco, is presenting a solo booth of new paintings by Cameroonian-born artist Sesse Elangwe at the FOG Design + Art Fair. The works, developed during a residency with the gallery, depict local Bay Area subjects against recognizable backdrops. Moore, who opened his gallery in 2023 after a career in nonprofit communications and criminal justice reform, emphasizes creating an inclusive, conversational atmosphere for art viewing and collecting.

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The di Rosa Center for Contemporary Art in Napa, California, has listed its 217-acre estate for $10.9 million amid ongoing financial struggles. The property, which houses a significant collection of postwar Northern California art including works by Mark di Suvero, Peter Saul, and Jay DeFeo, was founded by collector Rene di Rosa and his wife Veronica. The center has been seeking financial stability since 2019, when it briefly attempted to sell its holdings before reversing course after local backlash. Director Kate Eilertsen hopes a wealthy philanthropist will purchase the estate and lease it back to the center, or that Napa County may acquire the land for public use while preserving the sculptures.

River Art Gallery spotlights psychedelic delight

River Art Gallery at Reedley College opened “Technicolor Mind,” an exhibition featuring over a dozen oil paintings by drawing and painting instructor Tracy Carrera. The show, which opened on January 22, 2026, includes abstract, colorful works arranged alongside toys and figurines that inspired them. The exhibition was organized by students in the college's art gallery class, and the opening night featured a performance by local band Dying Suns, whose song “Technicolor Mind” gave the show its name.

Practice what you preach: artists reflect on ocean crisis at England's Baltic as centre wins sustainability award

Baltic Centre for Contemporary Art in Gateshead, England, has opened a major group exhibition titled "For All at Last Return," featuring 13 international artists whose work addresses the ocean crisis. Inspired by Rachel Carson's 1950 book, the show explores marine habitats from the surface to the deep seabed, with works by Bianca Bondi, Kristina Ollek, Joan Jonas, Taloi Havini, Michael Toisuta, Shezad Dawood, Otobong Nkanga, and Michele Allen. The exhibition includes installations, videos, tapestries, and a public program that engages local communities and examines the fragile balance between industry and ecology on Britain's North East coast.

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Northern California's di Rosa Center for Contemporary Art has listed its 217-acre Napa campus for sale at $10.9 million after years of financial struggles. The museum, which houses a renowned collection of Postwar Northern California art, plans to use the proceeds to stabilize its finances and ensure the long-term care of its collection. Executive director Kate Eilertsen, who took over in 2020, has introduced alternative revenue streams like event rentals and a summer camp, and opened outposts in downtown Napa and San Francisco. The museum will remain open during the sale, and talks are underway with the Napa Land Trust and Open Space District to sell only part of the property for a public hiking trail, while keeping the sculpture park intact.

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52 Walker, the Tribeca kunsthalle-style space founded by Ebony L. Haynes under David Zwirner in 2021, has quietly transitioned from a standalone venue into a standard David Zwirner gallery space. The change followed Haynes's promotion to global head of curatorial projects last fall. The final exhibition at 52 Walker as a dedicated physical space was a presentation by Nicole Eisenman. Haynes will continue to curate under the 52W banner as a nomadic, project-based initiative across Zwirner's global locations, with the next show being an Isa Genzken exhibition titled 'Vacation' opening in March.