Readers react to LACMA’s new David Geffen Galleries: L.A. arts and culture this weekend

The Los Angeles County Museum of Art (LACMA) is preparing for the public debut of its $724-million David Geffen Galleries, designed by Pritzker Prize-winning architect Peter Zumthor. Ahead of the April 19 member opening, public discourse has intensified following a series of reports detailing the building's architecture, the reinstallation of Alexander Calder’s "Three Quintains (Hello Girls)," and the project's massive budget. Reader reactions remain deeply polarized, reflecting a two-decade-long debate over the structure's unconventional design and its impact on the urban landscape.

How four Los Angeles artists are doing a year after the wildfires

Four Los Angeles-based artists—Kelly Akashi, Christina Quarles, Adam Ross, and Kathryn Andrews—are navigating the long-term recovery process one year after devastating wildfires destroyed their homes, studios, and archives. Despite significant losses, including Adam Ross’s archive of 5,000 drawings, the artists have demonstrated remarkable resilience by securing temporary workspaces and continuing to produce new work for major events like Frieze Los Angeles and the Whitney Biennial.

Three key takeaways from Lagos’s newest African art symposium

The second week of November 2025 marks Lagos Art Week, featuring the 10th edition of Art X Lagos, West Africa’s leading international art fair, and the 15th edition of Lagos Photo Festival, now a biennial. A new symposium, Re: assemblages, hosted by the Alliance Française de Lagos and organized by the Guest Artists Space and Yinka Shonibare Foundations, brought together cultural practitioners from across Africa and the diaspora to discuss African and Afro-diasporic art archives. Key takeaways include the importance of archives as living tools for shaping the future, concerns about restricted access to the archives of late curators Okwui Enwezor and Bisi Silva, and the need for restitution efforts to incorporate African knowledge systems and language, not just the return of objects.

Comment | As the US’s 250th anniversary approaches, museums must keep pushing the American story forward

The Phillips Collection in Washington, DC, is launching a new strategic plan and an upcoming exhibition titled "Out of Many: Reframing an American Art Collection," timed to the US's 250th anniversary. The museum's director reflects on founder Duncan Phillips's original vision of the museum as a space for civic dialogue and shared inquiry, arguing that this model is urgently needed amid current political pressures, loss of federal funding, and debates over historical narrative.

Thinking bigger: gallery stalwarts Sadie Coles, Maureen Paley and Stuart Shave on why they're expanding to new London spaces

Three of London's major gallerists—Maureen Paley, Sadie Coles, and Stuart Shave—are opening substantial new spaces in the capital, defying pessimism about the London art market. Paley has moved into part of Wolfgang Tillmans's former studio at 4 Herald Street, Coles will occupy a townhouse at 17 Savile Row from 14 October, and Shave's Modern Art will open a double shopfront at 8 Bennet Street, St James's, from 14 November. In an interview with The Art Newspaper, they discuss their motivations: Paley cites serendipity and historical significance, Coles sought a different kind of space for her artists, and Shave needed consolidation under one roof after years of fragmentation.

25 of 2025: 5 Painters Who’ve Been Catching Our Eye

Artnet News has spotlighted five painters in its '25 of 2025' series, highlighting emerging talents defining the year. Among them are Pol Taburet, a Parisian painter known for bold color palettes and a rising market presence, with works selling above estimates at Sotheby's and Artcurial, and Maja Ruznic, a Bosnian-born artist whose haunting, jewel-toned works earned comparisons to Klimt and Rothko and a standout at the 2024 Whitney Biennial. Taburet is set to feature in the 36th Bienal de São Paulo, while Ruznic recently opened a solo exhibition at Karma Gallery and is included in Site Santa Fe International.

25 of 2025: 5 Groundbreaking Fiber Artists You Need to Know

Artnet News profiles five groundbreaking fiber artists as part of its "25 of 2025" series, highlighting Diedrick Brackens and Melissa Joseph among them. Brackens, born in 1989, has seen his textile works exhibited at major institutions including the Museum of Modern Art, the National Gallery of Art, and LACMA, with a solo show "the shape of survival" at the SCAD Museum of Art and a U.K. debut at the Holburne Museum in 2025. Melissa Joseph, who only began working with felt in 2020, has rapidly gained attention through solo exhibitions and major public commissions, including a 2024 installation at Rockefeller Center and the 2025 UOVO Prize-winning work "Tender" at the Brooklyn Museum.

Dexter Dalwood: ‘If we want art history to change, we need to include artists in creating shows’

British artist Dexter Dalwood, known for his paintings of imagined interiors of famous figures like Kurt Cobain and Ludwig Wittgenstein, has taken on an unexpected role as co-curator of an exhibition at the National Gallery in London. The show, *José María Velasco: A View of Mexico*, runs until August 17 and highlights the 19th-century Mexican landscape painter, who documented industrialization and ecological change. Dalwood, who moved to Mexico in 2022 after a residency, brings his own artistic perspective to the curation, aiming to introduce Velasco to an international audience.

pace closes hong kong gallery h queens 2025

Pace Gallery is closing its exhibition space at H Queen’s in Hong Kong later this month, with its final show—featuring Alejandro Piñeiro Bello—ending on October 18. The gallery chose not to renew its lease, citing that the location was no longer serving its needs. Pace will maintain its Hong Kong and Beijing offices and remains open to finding new spaces, signaling it is not fully exiting the city.

Joan Semmel Kicks Ass at 93

A profile of 93-year-old artist Joan Semmel reveals her continued artistic vigor and rising market demand. The article details her recent studio visit, her philosophy of persistence, and her significant body of work focused on the female form.

A View From the Easel With Celia Paul

British painter Celia Paul provides an intimate look at her long-term studio and residence in London's Bloomsbury neighborhood, where she has lived and worked for 44 years. The artist describes a disciplined routine starting at 5am, emphasizing a need for silence and a pared-down environment to foster the introspection found in her seascapes and self-portraits.

Art Problems: Do I Need to Go to Art Fairs?

Art critic Paddy Johnson addresses the common dilemma faced by unrepresented artists regarding the necessity of attending major art fairs. While acknowledging that fairs can be physically exhausting and prohibitively expensive, Johnson argues that their true value lies in strategic information gathering and long-term career planning rather than immediate sales or representation.

Woman With Her Back to the Viewer in Gallery Photos Speaks Out

A satirical article features an exclusive interview with the fictional archetype "Woman With Her Back to the Viewer in All Those Gallery Photos." She describes her daily routine of posing ambiguously next to artworks, her artistic influences like Caspar David Friedrich, and the challenges of her unseen labor, including a lack of sales commission and the need for side hustles like making herself blurry in photos.

Stühle, die zum Reden zwingen

The article examines a peculiar three-seat sofa called the "Indiscret" on display in the Louvre, designed in 19th-century France under Napoleon III to force conversation among sitters. This "Conversation Chair" reflects an era when furniture was deliberately crafted to create social intimacy and control guest behavior, in stark contrast to modern public seating that often discourages lingering through hostile architecture.

Venice Art Biennale: The Time of Nuances

Biennale d’art de Venise : le temps des nuances

The 61st Venice Biennale, titled "In Minor Keys," opened under the artistic direction of the late Swiss-Cameroonian curator Koyo Kouoh. The exhibition features 111 artists and collectives, presenting a more subdued, poetic, and experiential approach compared to the previous edition's explicit decolonial program. It navigates contemporary political tensions, including the participation of Israel and the reopening of the Russian pavilion, while aiming for a radical return to art's own environment and its place in society.

You’ll Need a Magnifying Glass to Read Some of the World’s Smallest Books at the V&A

You’ll Need a Magnifying Glass to Read Some of the World’s Smallest Books at the V&A

The Victoria and Albert Museum (V&A) in London is showcasing a collection of the world's smallest books, many of which require a magnifying glass to read. The highlights include miniature volumes from Queen Mary's Dolls' House library, such as a tiny 1896 Bible, a Quran, and works by authors like Robert Burns, alongside even smaller modern creations like a 2002 book measuring just 2.4 by 2.9 millimeters.

The Guardian view on a much-needed boost for the arts: rebuilding England’s cultural landscape

The V&A East Museum is set to open in Stratford, London, marking a significant milestone for the East Bank cultural quarter. This £135m project joins the V&A East Storehouse and other major institutions in a transformed area of East London, aiming to attract younger and more diverse audiences through accessible art and design collections.

English museums should only charge tourists if digital ID checks in place, UK politician says

Labour peer Margaret Hodge has detailed her proposal to introduce admission fees for overseas tourists at England’s national museums, stipulating that such a move must be preceded by a universal digital ID system. Speaking to a parliamentary committee, Hodge argued that without digital verification, museum staff might resort to profiling visitors based on appearance, which would undermine community cohesion.

frances mcdormand suzanne bocanegra hauser and wirth

Actor Frances McDormand and performance artist Suzanne Bocanegra have debuted a new iteration of their multi-sensory installation, 'CRADLED', at Hauser & Wirth’s downtown Los Angeles location. Developed in collaboration with the Shaker Museum, the exhibition features adult-sized cradles and Shaker furniture designed for care and infirmity. The performance-based installation explores themes of mortality, loneliness, and communal care through the lens of Shaker craft and spiritual tradition.

museo del prado visitor numbers

Museo del Prado director Miguel Falomir announced at a press conference unveiling the museum's 2026 exhibition schedule that the institution does not need more visitors, stating it is comfortable with 3.5 million annual visitors and fears becoming "over-saturated." Falomir cited concerns about circulation around iconic works like Velázquez's *Las Meninas* and Bosch's *The Garden of Earthly Delights*, and emphasized improving visitor experience through optimizing entrances, reducing group sizes, and enforcing photography bans. The Prado, last expanded in 2007, is significantly smaller than the Louvre, which topped 2024 visitor figures with 8.7 million.

united states artists 2026 fellowships

United States Artists, a Chicago-based nonprofit, has named 50 artists as recipients of its 2026 USA Fellowship and awarded the Berresford Prize to Lori Lea Pourier. Each fellowship comes with an unrestricted $50,000 grant, marking the 20th anniversary of the organization founded in 2006. The 2026 cohort spans nine disciplines, including visual art, media, and writing, with notable fellows such as Mendi + Keith Obadike, Nancy Baker Cahill, Edra Soto, Eric-Paul Riege, Macon Reed, Maia Chao, and Johanna Hedva. The Berresford Prize honors Pourier for her decades of advocacy for Native artists and her role in founding the First Peoples Fund.

new wealth 2026

The article examines the art market's struggle to attract new wealthy buyers despite a surge in global wealth. Marc Spiegler, former global director of Art Basel, argues that galleries have failed to recruit the newly wealthy, noting that inflation-adjusted art sales have declined over the past 15 years. He suggests the industry needs to reposition art as 'magical' and transformative to appeal to potential patrons.

jack butcher self checkout abmb

Artist Jack Butcher (b. 1988) debuted his first-ever booth at Art Basel Miami Beach, titled *Self Checkout*, where he sells art—literally receipts—on a pay-what-you-wish model. Each receipt includes a seed phrase creating a custodial Ethereum wallet holding a digital copy, but the NFT cannot be sold; it merely proves ownership of the physical receipt. The project features a real-time tracker showing his progress toward recouping the $74,211 total cost of the booth, with purchases made at self-checkout kiosks or online in Ethereum. By the fair's second day, the amount needed had dropped to $33,103.56, and Butcher was optimistic about breaking even. If the countdown hits zero, he will auction the flip board and receipt case as a one-of-one sculpture.

adaa art fair

The Art Dealers Association of America (ADAA) has announced a new art fair, the ADAA Fair, set to take place at the Park Avenue Armory from November 12–16, 2026. This follows the cancellation of the 2025 edition of its long-running Art Show, prompted by the end of a partnership with the charity Henry Street Settlement, which had hosted the fair's VIP opening as a fundraiser. The ADAA plans to refocus on supporting visual arts and museums, with the ADAA Foundation continuing to provide grants to U.S. institutions.

the met returns historic buddhist painting to korea

The Metropolitan Museum of Art has returned a late-18th century Buddhist painting, *The Tenth King of Hell* (1798), to the Sinheungsa Temple in Sokcho, Gangwon Province, South Korea. The work is believed to have been taken by U.S. troops during the Korean War. The repatriation was celebrated at a ceremony in Seoul attended by Met Director and CEO Max Hollein, Korean government officials, and religious leaders. The painting is part of a larger series of ten scrolls depicting the Ten Kings of the Underworld; three remain abroad, while six others previously at LACMA have already been returned.

lacma employees unionization effort

Employees at the Los Angeles County Museum of Art (LACMA) have formed a union called LACMA United in association with AFSCME Cultural Workers United District Council 36. In a letter dated October 29 addressed to museum leadership, a supermajority of eligible staff across departments requested voluntary recognition by November 5, citing wages that have not kept up with the rising cost of living and the need for fairer compensation, expanded benefits, and greater transparency. The effort comes ahead of the opening of LACMA's new Peter Zumthor–designed David Geffen Galleries, scheduled for next April.

british museum tudor heart henry viii

The British Museum has launched a high-profile fundraising campaign to acquire the Tudor Heart, a gold pendant from the early reign of Henry VIII, discovered by amateur metal detectorist Charlie Clarke in Warwickshire in 2019. The museum needs to raise £3.5 million ($4.6 million) by early next year to secure the piece, which features symbols of Henry VIII and Katherine of Aragon and is described as the only surviving Tudor jewelry of its kind. Actor Damian Lewis and historian Mary Beard are supporting the appeal, and the museum will host its first British Museum Ball on October 18 to further fundraising efforts.

glenn lowry middle east podcast interview

Glenn Lowry, who stepped down last month after 30 years as director of the Museum of Modern Art, has given a wide-ranging interview on the podcast *The Art World: What If…?!* with Charlotte Burns. He discusses the Trump administration’s threats to museums’ tax-exempt status, his upcoming advisory roles for the Islamic Arts Biennale in Jeddah and the Kiran Nadar Museum of Art in Delhi, a prospective leadership campaign for Alice Walton’s Art Bridges Foundation, and a series of talks at the Louvre titled “I Want a Museum. I Need a Museum. I Imagine a Museum.”

takahashi mizuki textile art

In a recent edition of Artnet Pro's newsletter 'The Asia Pivot', the director of CHAT (Centre for Heritage, Arts and Textile) in Hong Kong reflects on highlights from Art Basel Hong Kong, including textile-based works by Movana Chen, Huan Po-Chi, and Ade Darmawan. The article discusses the growing engagement of contemporary artists with traditional craft practices like weaving, embroidery, and dyeing, particularly during the pandemic, and notes the distinct lineage of fiber art in Asia compared to the West, where it emerged as a subgenre of Modernism in the 1960s.

water leaks from louvres roof and misses prized cimabue painting

A powerful hailstorm caused water to leak through the Louvre's roof into the Salle Rosa room, where the exhibition "A New Look at Cimabue: At the Origins of Italian Painting" is on view. The water narrowly missed Giovanni Cimabue's unprotected "Maestà" panel painting (circa 1280), but drips hit the base of Nicola Pisano's "Three Acolytes" (1264-67) on loan from Florence's Museo Nazionale del Bargello. Another near miss occurred near Duccio di Buoninsegna's "Madonna of the Franciscans" (1285-88), which was protected by glass. The museum closed the exhibition early for firefighter inspection, identified a damaged glass seal as the cause, and reopened the next morning after repairs.