Ceramicists Savannah Jacob and Abby Jo Elle are co-curating "Respect Your Mother," a group exhibition at Patina Gallery dedicated to climate change and environmental activism. Opening in honor of Earth Day, the show features works from over 50 artists across various mediums, including sculptures, collages, and paintings, with a strict prohibition on artificial intelligence to emphasize human-centric craft.
The Azerbaijan National Carpet Museum has launched "Images Imprinted in Memory," a solo exhibition by multidisciplinary artist Madina Gasimova. Supported by the .ART domain, the showcase features 28 works produced over the last five years, including five new carpets woven using the museum's traditional techniques based on the artist's contemporary sketches. The exhibition highlights the fluidity of artistic motifs as they transition across various media, including painting, stained glass, mosaic, and digital formats, accompanied by a sound installation of the carpet-weaving process.
Wyoming artist Zak Pullen is returning to the Nicolaysen Art Museum (the NIC) for his first solo exhibition in eleven years. The showcase features his signature comically exaggerated style and includes the first-ever public display of the complete interior oil paintings from his latest children’s book, "A Home for Steamboat." The exhibition also provides a rare look into Pullen’s creative process, featuring sketches and reference photos that highlight his meticulous approach to character-focused storytelling.
The Colorado Springs art community has announced its extensive 2026 spring and summer calendar, featuring a diverse range of student exhibitions, juried festivals, and monthly gallery walks. Key highlights include the Young People’s Art Exhibition at The Colorado Springs School, the UCCS Visual Art Majors exhibition titled “Chrysalis” at the Ent Center for the Arts, and the Garden of the Gods Art Festival, which will host over 150 national artists. The schedule also confirms the continuation of the popular First Friday art walks across Old Colorado City and downtown Colorado Springs through the end of the year.
Multiple open calls for artists and grants have been announced for April 2026 deadlines. The 2027 Creative Capital Open Call offers unrestricted project grants up to $50,000 for artists across all 50 states, while also selecting recipients for the new State of the Art Prize, which grants $10,000 to one artist from each state and territory. Delfina Foundation, in partnership with the Jorge M. Pérez Collection, is offering four fully funded residencies for Latin American and Caribbean artists, with two spots available in this round. The Ogden Museum of Southern Art is accepting submissions for its Louisiana Contemporary 2026 statewide juried exhibition, and the Handweaver’s Guild of America has issued calls for entries for its Convergence 2026 fiber art exhibitions.
The Australian puppetry company Erth is preparing for a new immersive dinosaur show at the Sydney Opera House. The article provides a behind-the-scenes look at their workshop in Marrickville, where a team of artists and designers hand-craft highly realistic, large-scale dinosaur puppets using animatronics, 3D printing, and traditional craftsmanship.
Un giovane artista ha progettato delle marmitte da suonare come trombe. A Milano il concerto itinerante
Emerging artist Aronne Pleuteri will debut a mobile performance titled "Mototrombe!" during Milan Art Week on April 17, 2026. The event features a parade of sound sculptures crafted from salvaged automotive exhaust pipes, which have been welded and reconfigured into hybrid instruments. Led by composer Dario Buccino, the procession will travel from Milan’s Central Station to the Church of Santa Maria degli Angeli, where the sculptures will remain on display through April 26.
Artist Aleph Geddis creates intricate, hand-carved wooden sculptures that blend organic forms with retrofuturistic aesthetics. His work oscillates between abstraction and figuration, drawing inspiration from his nomadic lifestyle between Japan, Bali, and the Pacific Northwest. Currently, Geddis is exploring varying scales of production, ranging from intimate, toy-like "Littles" to a massive, immersive installation designed for the upcoming Burning Man festival.
Franco-Malian artist Ladji Diaby presents 'Who’s gonna save the world?' at Lafayette Anticipations, a solo exhibition featuring sculptural installations crafted from found furniture and discarded objects. By repurposing second-hand furnishings through the lens of his mother’s domestic and spiritual rituals, Diaby transforms marginal items into talismanic vitrines of memory. The works challenge Western hierarchies of cultural value, positioning the act of salvaging as both an aesthetic and political gesture.
川井雄仁&アレクサ・クミコ・ハタナカ「ついたよ：Becoming by Making」@ KOTARO NUKAGA（六本木）
Artists Kazuhito Kawai and Alexa Kumiko Hatanaka are presenting a joint exhibition titled "Tsuitayo: Becoming by Making" at KOTARO NUKAGA in Roppongi, Tokyo. Running from March 14 to April 10, 2026, the show features Kawai’s expressive ceramic sculptures alongside Hatanaka’s textile-based works, including her signature "Noren" and "Tabi" pieces. The exhibition highlights a dialogue between Kawai’s tactile, often grotesque ceramic forms and Hatanaka’s exploration of heritage and craft through traditional Japanese materials.
Homestead Fine Art Gallery in downtown Berthoud has established itself as a vital community hub, currently representing 23 local artists from Northern Colorado. The gallery recently hosted its third annual student art show, featuring works from Berthoud High School students and concluding with a public awards reception. Managed by volunteer Executive Director Jim Fronapfel, the space operates on a cooperative model where artists juried into the gallery rent space and contribute volunteer hours to maintain operations.
Visual artist and faculty member Anthony Ryan debuted his solo exhibition, "Imperfect Pixels," at the City College Art Gallery with an opening reception that highlighted his unique printmaking process. The collection features screen prints and woodcuts developed from digital illustrations created using a MacPaint simulator, embracing the aesthetic limitations of early 1980s software. During the event, Ryan’s students demonstrated printmaking techniques, showcasing the practical application of the methods seen in the gallery.
Warsaw is experiencing a significant revival of interest in its Cold War-era neon signs, a movement spearheaded by the city’s Neon Museum. Founded in 2012 by photographer Ilona Karwińska and designer David Hill, the museum has rescued hundreds of historic illuminations that were once discarded as worthless relics of the communist past. Originally commissioned by Soviet-era authorities as a form of "socialist modernization," these signs were designed by leading artists of the Polish Poster School and have now transitioned from propaganda tools to beloved cultural icons.
Central Oregon’s art scene is hosting a diverse array of exhibitions this week across Bend, Sisters, Sunriver, and Redmond. Notable highlights include Jana Charl’s mixed-media showcase "This is not a Love Story" at Art Adventure Gallery, Hilary Baker’s moth-themed "Prophets" at the High Desert Museum, and a collection of literary-inspired quilts at the Deschutes Historical Museum. The offerings span various mediums, from nomadic woven macramé and custom jewelry to volcanic science explorations and historic cartography.
Japanese artist Manabu Kosaka creates hyperrealistic, scale replicas of everyday and retro objects using only paper. His meticulously crafted sculptures—ranging from 35mm film cameras and vintage transistor radios to luxury wristwatches and fast food—feature functional internal components like gears, levers, and moving hatches that mimic the mechanics of the original items.
Artist Jennie Jieun Lee has unveiled a series of new sculptural installations that utilize community-sourced kilns as their primary medium. By repurposing these industrial tools into expressive, ceramic-based works, Lee explores the intersection of domestic labor, communal history, and the physical transformation of clay.
Artist Lucy Bailey is presenting a solo exhibition titled "Roots and Wings" at the Aiken Center for the Arts, running through April 29. The show features nearly 50 mixed-media works created on vintage early 20th-century infant gowns, exploring the complex origins of human identity through themes of genetics, genealogy, community, and nature. Bailey utilizes diverse materials—ranging from DNA-inspired patterns and family photographs to resin-dipped cicada wings—to symbolize the foundational "roots" of selfhood and the "wings" of individual expression.
Chiang Mai’s art scene is hosting a diverse range of exhibitions this April, anchored by a major retrospective of Araya Rasdjarmrearnsook at the MAIIAM Contemporary Art Museum. The survey, curated by Kittima Chareeprasit and Roger Nelson, spans four decades of the artist's provocative video, installation, and photographic works. Other highlights include Myrtille Tibayrenc’s installation of 108 Buddha paintings at the Museum of Something and Chatchai Notananda’s process-oriented solo show at the newly opened Haan Studio.
The Cafesjian Art Trust (CAT) Museum in Shoreview has launched "Abstraction and Ourselves," an exhibition marking the first time the institution has paired abstract painting with glass sculpture. Curated by Jill Ahlberg Yohe, the show was inspired by the discovery that renowned glass artists Stanislav Libenský and Jaroslava Brychtová were deeply rooted in Cubist traditions and abstract theory, leading to a broader exploration of international abstraction across different media.
The Cafesjian Art Trust (CAT) Museum in Shoreview has launched "Abstraction and Ourselves," a landmark exhibition that marks the first time a U.S. institution has paired abstract painting with glass sculpture in a dedicated showcase. Curated by Jill Ahlberg Yohe, the show features a diverse array of international artists, highlighting the formal connections between two-dimensional canvases and three-dimensional glass works.
The Chippewa Valley Museum in Eau Claire is concluding its run of “Tattoo: Identity Through Ink,” a traveling exhibition exploring the historical and cultural evolution of body art. To bring the history to life, the museum hosted live tattooing sessions where local artists, including Ed Erdmann of Wintership Tattoo, demonstrated their craft. In a notable moment of institutional engagement, the museum’s executive director, Carrie Ronnander, received her first-ever tattoo during the event to highlight the personal significance of the medium.
The Country Music Hall of Fame and Museum has launched a new community art exhibition titled "Connection" within its Taylor Swift Education Center. The showcase features letterpress posters created by Metro Nashville Public Schools students and artists from Friends Life Community, a nonprofit supporting adults with developmental disabilities. Developed in collaboration with the historic Hatch Show Print shop, the works utilize action words and imagery to envision a future centered on social causes and creative unity.
Tasmanian artist Joan Humble is presenting her final exhibition at the Lady Franklin Gallery in Hobart, featuring over 40 works that span from large-scale paintings to her signature miniatures. Despite a terminal cancer diagnosis at age 88, the internationally acclaimed artist remains dedicated to her craft, completing a three-year effort to document the rugged beauty of Tasmania’s South West Wilderness. Humble, a recipient of the prestigious Golden Bowl for miniature art, continues to work on remaining commissions, citing the intense concentration required for painting as a vital source of strength.
A new project led by master craftsman Thomas Keyes aims to recreate medieval vellum-making techniques to test theories about the origin of the Book of Kells. Keyes will build a replica of a washing tank found at the Scottish monastery of Portmahomack and use historically accurate methods, including potentially using seaweed-based lye, to produce vellum. This experimental archaeology seeks to determine if the manuscript's unique physical characteristics match the production methods used at Portmahomack.
The Houston Center for Contemporary Craft (HCCC) has opened the exhibition 'Clutch City Craft,' which explores the craft traditions and material cultures that define Houston. The show features a diverse range of making practices, from mosaic street signs and cowboy boot making to fiber artists involved in aerospace design, framing the city's creative density as an extension of its industrial identity.
NASA's Orion spacecraft, carrying the four-person crew of the Artemis II mission, is four days into its journey to orbit the moon. The mission marks the first crewed lunar flyby in over 50 years and is a critical test for NASA's deep space exploration systems.
The 217-year-old British pottery firm Denby has called in administrators, putting nearly 600 jobs at risk and threatening the closure of the historic Derbyshire manufacturer. The company, which also owns the Burleigh brand, struggled with soaring gas costs, higher labor expenses, tighter financial markets, and softening consumer demand for its premium homeware, leading to a 17% sales drop in its most recent accounts.
Guardian Australia's picture editor Carly Earl selected the publication's top three photographs for March, highlighting a total lunar eclipse, the Iranian women's football team's tense departure, and a portrait of a man displaced by Cyclone Narelle. The monthly series provides insight into the craft of photojournalism, showcasing the technical skill and narrative power behind compelling images while elevating the work of Australian photographers and the stories they capture.
The Thailand Biennale has opened in Phuket, featuring contemporary artists from Thailand and other countries. The exhibition aims to engage with and honor the island's deep history of applied arts, including traditional crafts and local artistic heritage.
The article highlights a trend in contemporary furniture design, focusing on console tables that blend sculptural aesthetics with functional design. These pieces are characterized by their use of mixed materials and artistic lines, positioning them as versatile objects suitable for diverse interior spaces.