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Photo London, the UK’s leading photography fair, is relocating

Photo London, the UK's leading photography fair, is relocating from Somerset House to the newly renovated Olympia in west London starting with its 11th edition in May 2026. The move follows a decade at Somerset House and coincides with Olympia's £1.3bn redevelopment co-designed by Heatherwick Studio and SPPARC. Director Sophie Parker cited feedback from galleries and collectors requesting a more flexible, cohesive space, while co-founder Michael Benson called the relocation a 'thrillingly adventurous reimagining' of the fair's future.

Australia’s first National Centre for Environmental Art to open in Gariwerd/Grampians

The Wama Foundation has announced the launch of the National Centre for Environmental Art in Halls Gap, Victoria, set to open this winter. It will be Australia's first gallery dedicated solely to environmental art, located at the foothills of the Gariwerd/Grampians National Park. The inaugural exhibition will feature a major work by artist Jacobus Capone, titled 'End & Being', and the gallery will eventually form part of a larger art and ecology precinct.

Art, ancestors and the land: summer season opens at Art Gallery of Greater Victoria

The Art Gallery of Greater Victoria (AGGV) opens its summer season with three contemporary exhibitions centered on Indigenous perspectives, identity, and land. The anchor show is Meryl McMaster's "Bloodline," opening June 18, featuring large-scale photographs, sculptural elements, and immersive video that trace her mixed Plains Cree, Métis, Dutch, and British heritage through the lives of her grandmothers from the Red Pheasant Cree Nation. Alongside it, "Lekwungen: Place to Smoke Herring" by Brianna Bear and Eli Hirtle presents a film installation on Songhees Nation language and land stewardship, while "Architectures of Protection," curated by Dr. Toby Lawrence, features works by Dana Claxton, Jessica Karuhanga, Emilio Rojas, Beth Stuart, and France Trépanier exploring care and resistance.

Charlotte Gere obituary

Art historian Charlotte Gere has died at the age of 88. A specialist in 19th-century art and design, she was the author of seminal works like 'Victorian Jewellery Design' and played a key role in rediscovering the lost jewels of architect William Burges, turning her research into compelling detective stories.

Kim Dacres Revitalizes Sleek Tires, Chains, and Gears in Defiant Sculptures

Kim Dacres transforms discarded auto and bicycle rubber into sculptural portraits that celebrate Black hairstyles and community. Her new exhibition "Lost on a Two Way Street" at Charles Moffett in New York features busts with braided buns and gear-like crowns, alongside flat wall works evoking Victorian cameos. The show also includes reimagined U.S. flags with Black and brown figures, addressing the current political climate and the gap between national symbols and lived reality.

Watch: Wallace Chan returns to the Venice Biennale with ‘Vessels of Other Worlds’

Wallace Chan returns to the Venice Biennale for the fourth time with 'Vessels of Other Worlds', a two-city exhibition opening at the Chapel of Santa Maria della Pietà in Venice on 8 May 2026 and continuing at the Long Museum West Bund in Shanghai from 18 July, coinciding with the artist's 70th birthday. Curated by James Putnam, the project features large-scale titanium sculptures that explore material transformation, perception, and metaphysical space, including a live video link between the two venues and an inhabitable mirrored sculpture at the Long Museum.

Boston had Isabella Stewart Gardner, and Fitchburg had Eleanor Norcross

The Fitchburg Art Museum is celebrating its 100th anniversary with the exhibition “Kaleidoscope: 100 Years of Collecting for our Community.” The show honors the legacy of founder Eleanor Norcross, a Victorian-era artist and collector who studied under William Merritt Chase and exhibited in Parisian salons. Although Norcross died in 1923 before the museum opened, her estate and personal collection of paintings and decorative arts provided the foundation for the institution, which officially opened in 1929.

A Cartier Exhibitions Lands at the National Gallery of Victoria in Melbourne

The National Gallery of Victoria in Melbourne is hosting a major exhibition of Cartier’s historic jewelry and objects, organized in partnership with the Victoria and Albert Museum. The showcase features over 300 items, ranging from the iconic 1917 Tank watch and the surrealist 1967 Cartier Crash to opulent commissions for figures like the Maharaja of Patiala, the Duchess of Windsor, and Grace Kelly.

Ten of the best by Banksy — from Queen Victoria to Kate Moss

Christie’s has highlighted ten of Banksy’s most iconic works following a dedicated online auction held in March 2026. The selection spans the artist's career, featuring famous motifs such as the 'Flower Thrower Triptych'—originally sold through his Gross Domestic Product pop-up shop—and 'NOLA,' a commentary on the aftermath of Hurricane Katrina. Other notable entries include his 'Pulp Fiction' parody featuring bananas and the globally recognized 'Girl with Balloon,' which continues to command high prices on the secondary market.

Gwen John: The 'reclusive spinster' artist who shunned conformity

A major retrospective of Gwen John, one of Britain's greatest 20th-century artists, is opening at National Museum Cardiff on the 150th anniversary of her birth. The exhibition, titled 'Gwen John: Strange Beauties,' brings together works from across the UK and the USA for the first time, including a significant collection acquired from her nephew Edwin in 1976 that has never been extensively researched or exhibited. John, born in 1876 in Haverfordwest, Pembrokeshire, was long overshadowed by her younger brother, the artist Augustus John, and was often dismissed as a 'reclusive spinster.' However, curators and biographers now challenge that myth, revealing her as a socially engaged, determined artist who pursued her own path despite Victorian-era constraints on women.

UK museum directors join prime minister on diplomatic mission to China

A delegation of senior UK museum directors, including Tim Reeve of the Victoria and Albert Museum, Doug Gurr of the Natural History Museum, Keith Merrin of North East Museums, Sara Wajid of Birmingham Museums Trust, and Laura Pye of National Museums Liverpool, accompanied Prime Minister Keir Starmer on a three-day diplomatic and trade mission to China. The trip aimed to strengthen bilateral relations, with the museum leaders highlighting existing partnerships and exploring new opportunities for cultural exchange and commercial collaboration in the Chinese market.

‘The Hay Wain’ to go on show in Constable's home county for the first time

John Constable's iconic painting *The Hay Wain* (1821) will be exhibited in Suffolk, the artist's home county, for the first time in 2026 as part of the 250th anniversary of his birth. The work, on loan from the National Gallery in London, will be shown at Christchurch Mansion in Ipswich from 11 July to 4 October 2026, within the exhibition *Constable: Walking the Landscape*. It will be reunited with preparatory sketches from the Ipswich collection and accompanied by loans from the Tate, the Victoria and Albert Museum, the Royal Academy of Arts, and the National Galleries of Scotland. Two additional exhibitions at Christchurch Mansion—*Constable: A Cast of Characters* and *Constable to Contemporary*—also form part of the broader Constable 250 project, which is funded by the National Lottery Heritage Fund and supported by the Weston Loan Programme.

Sarasota Art Museum stages an Art Deco extravaganza

The Sarasota Art Museum (SAM) on the Ringling College of Art and Design campus has opened "Art Deco: The Golden Age of Illustration," an exhibition of 100 large posters from the Crouse family collection. Curated by Rangsook Yoon, the show celebrates the 100th anniversary of Art Deco, tracing its origins from the Belle Epoque through the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, and features works by artists such as Alphonse Mucha, Henri de Toulouse-Lautrec, and Théophile-Alexandre Steinlen. The Crouses, who previously lent works to The Guggenheim and the Victoria and Albert Museum, displayed part of their collection at New York's Poster House in 2023-2024.

Whiteley showcase reveals struggles with addiction and pursuit of beauty

A touring exhibition from the Brett Whiteley studio in New South Wales, titled *Inside The Studio*, has arrived at the Shepparton Art Museum in Victoria—its final stop and only Victorian venue. The show features drawings, ceramics, sketchbooks, photographs, Whiteley's iconic Sydney Harbour painting, and his 1976 Archibald Prize-winning self-portrait. Wendy Whiteley, the artist's former wife and an artist herself, shares memories of their turbulent marriage, including his struggles with addiction and his intense dedication to his craft. She has also repurchased several of her favorite sketches of her in the bathtub, which had been auctioned off over the years.

Pallets, not plinths: the V&A opens its vast storehouse to the public

The Victoria and Albert Museum (V&A) in London will open its V&A East Storehouse on 31 May, a vast open-access working store at the 2012 Olympics site in Stratford. Designed by Diller Scofidio + Renfro, the 16,000 sq. m space holds over 250,000 objects and 1,000 archives, allowing visitors to browse collections without glass cases via a self-guided route and an 'Order an Object' booking service. Deputy director Tim Reeve compares the experience to shopping at Ikea, emphasizing flexibility and public access.

Child damages Rothko work at Rotterdam museum

A child visiting the Depot, a publicly accessible storage facility at Museum Boijmans Van Beuningen in Rotterdam, made small scratches on Mark Rothko's painting *Grey, Orange on Maroon, No. 8* (1960). The museum confirmed superficial damage to the unvarnished paint layer and is consulting conservation experts in the Netherlands and abroad, expecting the work to be displayable again in the future. No information on valuation, repair costs, or further handling has been released, and images of the damage will not be circulated.

Snuffboxes stolen in Paris daylight robbery to go on display at V&A

Five 18th-century gold snuffboxes recovered after a violent daylight robbery in Paris are set to go on public display at the Victoria and Albert Museum. The objects were stolen in November 2024 from the Musée Cognacq-Jay during a high-profile heist that targeted pieces from the Rosalinde & Arthur Gilbert Collection, the Louvre, and the UK Royal Collection. Following an extensive police investigation and delicate restoration work by Parisian goldsmiths to repair damage sustained during the theft, the items will headline the opening of the V&A’s newly revamped Gilbert Galleries.

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Christie's online sale of decorative arts from the collection of Jonathan Burden, titled 'Crafted and Collected: The Jonathan Burden Sale,' achieved over $1.07 million with fees, more than doubling the low estimate of $487,500. The sale featured 151 lots, with only five unsold, a 97% sell-through rate. The top lot was a 10-foot-long French Incarnat Turquin marble dining table that sold for $101,600, far exceeding its $30,000 high estimate. The auction employed an innovative 'in-situ' viewing at Burden's studio in Long Island City, where potential bidders could meet the dealer, hear stories, and see pieces demonstrated. Many items sold for multiples of their estimates, including a Victorian metamorphic chair that brought $27,940 against a $3,000 high estimate.

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Belgian police are investigating the theft of the infant Jesus figure from a controversial Nativity scene at a Brussels Christmas market. The installation, created by German artist Victoria-Maria Geyer, features faceless cloth figures intended to allow all Catholics to identify with the biblical story, but it sparked a national scandal and political backlash, with critics calling the design zombie-like and the €65,000 cost exorbitant. The figure was stolen from its manger in the early hours of November 29, and authorities have since replaced it with a new model.

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The U.K. government has imposed a temporary export bar on a mid-19th century marble sculpture by Henri-Joseph-François de Triqueti, depicting sisters Florence and Alice Campbell. The work, valued at £280,000 ($367,000), sold for £117,700 at Lyon and Turnbull auction house in January 2025. The Department for Culture, Media, and Sport (DCMS) intervened on the advice of the Reviewing Committee on the Export of Works of Art (RCEWA), citing the sculpture's rarity, outstanding aesthetic importance, and potential for scholarly study. The export license is deferred for three months, with a possible six-month extension, to allow a U.K. institution to acquire it.

Venice exhibition of US artist Hernan Bas will tackle issue of mass tourism

American artist Hernan Bas is set to debut a major new series of over 30 paintings titled "The Visitors" at the Ca’ Pesaro International Gallery of Modern Art in Venice. The immersive installation, created in part during a residency in the city, satirizes the absurdity of global mass tourism, from iconic clichés like the Mona Lisa to "dark tourism" sites such as Chernobyl. The works depict a procession of North American and European youths performing for cameras and navigating tourist traps with a mix of naiveté and arrogance.

New V&A exhibition explores modern spirit of traditional Chinese crafts

The Victoria and Albert Museum in London has opened 'Dimensions: Contemporary Chinese Studio Crafts,' a landmark exhibition in its China Gallery that pairs nearly 50 newly acquired contemporary works with historic artifacts from the Ming and Tang dynasties. Curated by Li Xiaoxin, the show features artists including Lin Fanglu, Zhao Jinya, and Eliza Au, who transform traditional crafts such as tie-dye, glassmaking, and ceramics into contemporary art forms. The exhibition, which opened on October 28, is the first major V&A show dedicated solely to contemporary Chinese studio crafts, the result of a five-year research journey by Li to address the museum's lack of modern Chinese representation.

Victoria Miro gallery launches sophisticated digital platform to put past and present exhibitions online

Victoria Miro gallery has launched a new digital platform called Live / Archive, which uses 3D modeling, augmented reality (AR), and virtual reality (VR) to present past and current exhibitions online. The platform, powered by the Vortic software developed by Oliver Miro, initially features 72 archived shows dating back to 2019, including Grayson Perry's "Super Rich Interior Decoration." The launch coincides with the gallery's 40th anniversary, and the platform allows artists like Chantal Joffe to revisit and plan exhibitions virtually.

GRIMM Grows Across London with New St James’s Gallery Opening This Autumn

GRIMM, the international gallery founded in 2005, will open a new space in London's St James's district this autumn, timed to Frieze Week. The gallery will occupy the ground and lower floors of a historic late Victorian building at 43a Duke Street, expanding from its current Mayfair location at 2 Bourdon Street. The inaugural exhibition will feature new paintings by German artist Matthias Weischer. Founder Jörg Grimm described the move as a logical progression following the gallery's establishment in London in 2022.

An expansive monograph of Celia Paul paints a portrait of a single-minded, singular artist

A new monograph on Indian-born British painter Celia Paul (b. 1959) presents an expansive survey of her career, featuring over 500 color reproductions and essays by Hilton Als, Clare Carlisle, Karl Ove Knausgaard, Edmund de Waal, and Rowan Williams, alongside contributions from the artist herself. The book traces Paul's trajectory from her training at the Slade School of Fine Art and her decade-long relationship with Lucian Freud to her recent solo exhibition *Colony of Ghosts* at Victoria Miro in London, positioning her as a singular figure distinct from the shadow of Freud and the School of London painters.

‘A true champion of artists’: Victoria Miro's artists celebrate gallery's 40th anniversary

Victoria Miro opened her eponymous gallery on Cork Street in London in December 1985, at a time when the punk collective The Grey Organisation was protesting the conservative art establishment. To mark the gallery's 40th anniversary, Miro is hosting an exhibition of works by all her artists at her 17,000 sq. ft space in Hoxton, with 23 of them creating new works specifically for the show, including Njideka Akunyili Crosby, Flora Yukhnovich, Elmgreen & Dragset, Chris Ofili, Chantal Joffe, Grayson Perry, and Celia Paul. The article features heartfelt tributes from artists like Isaac Julien, who calls Miro 'a true champion of artists,' and Joffe, who describes the gallery as family.

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Victoria Helena, an artist and former CFO, is launching Artist Money Matters, a financial consultancy designed specifically for artists. The service aims to provide independent, informed support to artists navigating a volatile and opaque art economy, addressing common issues like contract clarity, payment terms, and intellectual property.

Nymphs, mermaids and rosy cherubs: mansion filled with hidden wall paintings makes Victorian Society’s endangered buildings list

A derelict mansion called Parndon Hall, located within the grounds of Princess Alexandra Hospital in Harlow, Essex, has been named to the Victorian Society’s annual list of the top ten at-risk buildings in England and Wales. The house, built in 1867, contains a hidden trove of wall paintings by the almost-forgotten Victorian artist Elizabeth Arkwright, who covered walls, ceilings, and doors with nymphs, mermaids, and cherubs—many still concealed under Edwardian whitewash. The building has been used for storage and has sat unoccupied since flood repairs in 2024.

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A newly discovered 1877 chalk portrait of the poet Christina Rossetti by her brother, the Pre-Raphaelite master Dante Gabriel Rossetti, has been unveiled at Wightwick Manor. The drawing, recently acquired by the National Trust, serves as the centerpiece for the exhibition "The Rossettis – Siblings and Spouses." Created during a period of shared family mourning following the death of their sister Maria, the work departs from Rossetti’s typical idealized style to offer a somber, realistic depiction of grief and resilience.

Pre-Raphaelite exhibition explores LGBT+ stories

Cartwright Hall Art Gallery in Bradford has launched a new exhibition of Pre-Raphaelite masterpieces paired with contemporary reflections from the local LGBT+ community. Members of the Equity Partnership charity collaborated with museum staff to reinterpret 19th-century works by artists such as Dante Gabriel Rossetti, Ford Madox Brown, and John Collier through the lens of lived queer experience.