A new exhibition titled 'Colour Me Modern: Claire Aho and the New Woman' is being presented at the Hundred Heroines Museum in Stroud, UK. The show celebrates the pioneering work of Finnish photographer Claire Aho, highlighting her vibrant, cinematic, and witty use of color in postwar fashion, advertising, and portrait photography.
LA CONSISTENCIA FORMAL DE MARCOS LÓPEZ
The Fundación Larivière in Buenos Aires is hosting a major retrospective of Argentine photographer Marcos López, featuring over 200 works spanning from 1975 to 2025. The exhibition highlights López’s distinct visual language, characterized by the high-saturation color palette of his 'Pop Latino' series and his rejection of traditional black-and-white documentary photography. His work is defined by deliberate staging, using artificial backdrops and theatrical props to create images that function as allegorical documents of Latin American identity.
Ins Offene
The Bauhaus-Archiv / Museum für Gestaltung is presenting a comprehensive survey of female Bauhaus photographers at the Museum für Fotografie in Berlin. The exhibition highlights how these artists utilized avant-garde techniques and unconventional perspectives to document a rapidly changing world, featuring works that span from the innovative interwar period to the post-war era, such as Elsa Thiemann’s 1950s captures of the Wannsee lido.
Versace has appointed Dario Vitale as its new Chief Creative Officer, and under his direction, the house launched the Spring/Summer 2026 collection at Milan Fashion Week alongside a new initiative called Versace Embodied. This series commissions photographers, painters, filmmakers, and poets to reinterpret Versace’s visual language through their own mediums. The first chapter features contributions from photographer Stef Mitchell, poet Eileen Myles, artist Collier Schorr, photographer Camille Vivier, and photographer Andrea Modica, whose works range from motorcycle portraits to hand-drawn nudes and regional Italian portraiture.
Contemporary painter Vanessa Johansson recently debuted her solo exhibition at the Sky Garden Penthouse in Gramercy Park, New York. Curated by Jenny Mushkin Goldman of Agency Esta, the show featured Johansson’s large-scale acrylic on canvas works, which utilize fluid, transparent layers to evoke the spiritual and visual language of mid-20th-century Color Field abstraction. Pieces such as the triptych 'Windows' and the diptych 'Flow State' demonstrate her intuitive approach to motion, buoyancy, and orbital forms.
LewAllen Galleries in Santa Fe presents 'Primal field / Interval,' an exhibition of new paintings and monotypes by San Francisco-based artist Henry Jackson, running from May 15 to June 20, 2026. Jackson’s work blends Bay Area Figuration with Abstract Expressionism, using masonry trowels and scrapers to build and excavate layers of oil paint and cold wax, creating elemental fields where the human figure emerges from abstraction. The show also includes oil-based monotypes derived from spontaneous material happenings on the plate.
The Walters Art Museum is showcasing the intricate jewelry designs of Douriean Fletcher, the specialty jeweler responsible for the iconic adornments in the 'Black Panther' film franchise. The exhibition highlights Fletcher's craftsmanship and her ability to blend Afrofuturist aesthetics with traditional African metalworking techniques, bringing cinematic artifacts into a fine art museum context.
Japanese artist Etsu Egami is set to debut a solo exhibition titled "Blessings from Afar" at Tang Contemporary Art’s Wong Chuk Hang space in Hong Kong on March 21, 2026. The showcase features over ten recent works that bridge the artist's cross-cultural background with her evolving visual language of rainbow hues and rhythmic line work. The exhibition specifically explores themes of miscommunication and sonic perception, drawing from Egami's experiences living between Japan, China, Germany, and the United States.
The Wanda Hollensteiner Art Gallery in Kalispell is hosting a new exhibition titled "David Secrest: The Unprejudiced Silence of Things that Are," running through May 23. The show features the work of the Somers-based master metalsmith, whose four-decade career spans forged iron, fabricated steel, bronze, and woodworking. Secrest, who was named a "Master Metalsmith" by the Metal Museum in 2017, is recognized for a visual language that blends natural forms with rigorous material manipulation.
The Yale Center for British Art has opened a new exhibition, “Painters, Ports, and Profits: Artists and the East India Company, 1750-1850,” on January 8. Curated by Laurel Peterson and Holly Shaffer, the show features over a hundred works—including watercolors, portraits, and a 37-foot-long scroll of Lucknow—drawn from the museum’s collection and beyond. It explores the artistic networks and innovations that emerged around the British East India Company’s colonial and economic activities in India and China.
Danish artist Anders SCRMN Meisner presents his first solo exhibition in New York at Isabel Sullivan Gallery, featuring 14 new paintings inspired by what he calls a "European lust for life." The show, on view through November 29, includes works such as *Blue Flamenco Shoes and Portrait* (2025), *Orange Blossom Water (Like Wild Horses)*, and *The Flower Picker* (2025), which draw on flamenco motifs, Sevillian culture, and folk-inspired imagery. Meisner, who lived in Seville in his 20s, infuses his canvases with vivid blues, reds, and yellows, often depicting his wife Carolina and using pointillist dots and poetic titles painted directly on the canvas.
Artist Linda Colletta has transformed her studio practice within Bridgeport’s historic American Fabric Arts building, a former lace factory, by blending painting with labor-intensive weaving. Drawing inspiration from the site’s industrial history and the teachings of Bauhaus artist Anni Albers, Colletta repurposes drop cloths and tears apart her own canvases to weave them back together. Her recent work explores the materiality of paint and the concept of "Thought Forms," a visual language for emotions influenced by early 20th-century Theosophy.
Lakota artist Dyani White Hawk is presenting a solo exhibition that bridges the gap between traditional Indigenous art forms and contemporary abstraction. The showcase features a range of media, including painting, photography, and video, all centered on the enduring power of Lakota storytelling and the preservation of cultural heritage through visual language.
The National Portrait Gallery in London has unveiled a new family portrait of Sir Elton John, his husband David Furnish, and their two sons, captured by the acclaimed American photographer Catherine Opie. Taken at the family's home in Old Windsor, the image depicts the group in their library alongside their pet Labradors. The work is a centerpiece of Opie’s major retrospective, "Catherine Opie: To Be Seen," which opens this week.
Former picture researcher Caroline Chapman has released a new book titled "Painted Mysteries: Interpreting Great Paintings," which decodes the hidden symbolism in over 135 historic artworks. The publication serves as a guide for modern viewers to understand the complex visual language used by masters such as Botticelli, Rembrandt, and Raphael, unravelling layers of meaning that have become elusive over time.
Korean-born, Los Angeles-based artist Ken Gun Min is set to debut his third solo exhibition, 'Strange Days of a Quiet Sun,' at Nazarian/Curcio in Los Angeles. The showcase features a new body of work including a monumental double-sided folding screen and paintings that utilize Min's signature technique of combining embroidery, beading, and hand-applied materials with traditional pigments. The exhibition explores themes of sadness and estrangement through the astronomical metaphor of a 'quiet sun,' blending Western art history with East Asian traditions.
The Middle East Institute (MEI) in Washington, D.C., is presenting an exhibition titled "Arab Pop Art: Between East and West," featuring works by Arab artists who remix global Pop Art with local voices and political commentary. The exhibition includes a closing celebration with a live performance by Syrian-American rapper and poet Omar Offendum, an artist talk with participating artist Marwan Chamaa and co-curators Lyne Sneige and Laila Abdul-Hadi Jadallah, and a film screening of "A Thousand and One Berber Nights" (2023) with director Hisham Aidi. The show is part of MEI's broader programming and has been highlighted in multiple media outlets including YUNG Magazine, Hyperallergic, Vogue Arabia, and Washington City Paper.
Wilson College in Chambersburg, Pennsylvania, will open a new art exhibition titled “Jacques Callot and Those Who Came After” on November 19, 2025, in the first-floor gallery of the John Stewart Memorial Library. The show features 18 etchings from Callot’s 1633 series “Les Grandes Misères de la Guerre,” widely regarded as the first anti-war statement in Western art, alongside works by artists he inspired, including Francisco Goya, Otto Dix, and Ernst Barlach. Curated by assistant professor Adam DelMarcelle, the exhibition was a collaborative effort involving students from multiple courses—Western Art History 1000–1800, Graphic Design II, Typography and the Letterform, and digital photography—who conducted research, designed the visual language, built the catalog, and contributed photographic elements.
The Museum of Contemporary Art (MOCA) in Los Angeles has opened "MOCA focus: Takako Yamaguchi," the third exhibition in its relaunched MOCA focus series, running from June 29, 2025, to January 4, 2026. The show presents the first solo museum exhibition in Los Angeles for the 72-year-old Japanese-born artist, featuring a series of oil-and-bronze-leaf seascapes that synthesize motifs she has developed over four decades, blending influences from Mexican muralism, Renaissance art, Japanese Nihonga, and Art Nouveau.
Boston University Art Galleries presents "Ni de Aquí, Ni de Allá (Not From Here, Not From There)," a solo exhibition by Victor “Marka27” Quiñonez, curated by Kate Fowle, running from September 5 to December 10, 2025, at the Faye G., Jo, and James Stone Gallery. The show features original paintings, immersive installations, 3D sculptural works, and a curated soundscape that blend street culture with Indigenous tradition, exploring themes of identity, immigration, incarceration, and resilience through the artist's signature "Neo Indigenous" style.
An exhibition titled 'Xa jun ruk’oxomal qanima—A Shared Heartbeat' at La Nueva Fábrica in Guatemala brings together the work of two Kaqchikel Maya artists, Rosa Elena Curruchich and Angélica Serech, for the first time in their homeland. It features over 100 paintings by the late Curruchich, a pioneering self-taught painter, alongside recent and newly commissioned textile sculptures by Serech, creating a dialogue between painting and weaving.
Fernando Botero (1932–2023) returns to Seoul with his largest retrospective in Asia, opening this Friday at the Hangaram Art Museum, Seoul Arts Center. Curated by Lina Botero and organized with the Fernando Botero Foundation, the exhibition features over 112 works, several never before exhibited. The show, titled "Fernando Botero: The Triumph of Form," runs through August 30, 2026, and highlights the Colombian master's signature visual language of volume, sensuality, irony, and humanity.
C/O Berlin is hosting "Eyes to Fly With," the first major retrospective of Mexican photographer Graciela Iturbide in the German capital. The exhibition features approximately 250 works spanning over five decades, ranging from her iconic documentary series of the Seri and Juchitán people to her more introspective studies of Chicano culture in Los Angeles and the personal belongings of Frida Kahlo at Casa Azul.
Song E Yoon's exhibition "Songs Across Time" at Spazio 996/A in Venice, presented as a Collateral Event of the 61st International Art Exhibition – La Biennale di Venezia, pairs her Song E Code with Frédéric Bruly Bouabré's Bété alphabet. In an interview with Kun Sok, Yoon discusses how her work uses dots, intervals, and repetition to create a visual language that exists before conventional meaning, emphasizing bodily encounter, sensation, and the productive role of misreading.
Contour Art Gallery in Vilnius is presenting 'Monstrare', a solo exhibition by emerging artist Raminta S. R. Mint. The show explores the human body through three layers—exterior, interior, and invisible—using painting to critique social media's filtered self-image, anatomical abstraction, and digital medical imaging. Influenced by Gothic literature and H. R. Giger, the works combine red, black, and white palettes in a 'Frankensteinian' visual language.
The Chambers Project Gallery in Grass Valley, CA, has opened '60 Years of the Grateful Dead,' billed as the most comprehensive exhibition of original Grateful Dead artwork ever assembled. Curated by Brian Chambers, the show features historic posters, album covers, sketches, and rare artifacts from key artists like Rick Griffin, Stanley Mouse, Alton Kelley, Victor Moscoso, and Wes Wilson, alongside collaborators such as Bill Walker and Owsley 'Bear' Stanley. Highlights include Bill Walker's original Anthem of the Sun mandala, stored for years in his sister's garage, and Edmund J. Sullivan's 1900 'Skeleton Amid Roses' illustration, reinterpreted for the band's iconic 1971 album cover. The opening weekend also featured a concert by the supergroup White Lightning at the Bodhi-Hive.
Wenn die Nacht auf den Tag abfärbt
Berlin-based graffiti artist Paradox Paradise, known for his distinctive red-and-blue "Paraglyphs" painted on high facades, discusses his evolution from classic graffiti to a radically reduced visual language. In an interview with Monopol, he explains how he stripped away decorative elements to focus on precise, vertical outlines and messages like "Mieten runter Wände bunter" (lower rents, more colorful walls). He describes his nocturnal actions as states of heightened presence requiring weeks of planning, where every movement has immediate consequences.
Kyiv-born illustrator Tania Yakunova creates lush digital and graphite illustrations characterized by grainy textures, gestural lines, bold shapes, and vibrant colors. Her work, which often features expressive human figures entwined with plant life, conveys brand narratives and personal emotions, such as homesickness following her 2023 move from Ukraine to London.
Ghanaian painter Kwame Akoto, known for his vibrant signboard works blending bold imagery with urgent text, is the subject of his first major French exhibition, 'Almighty God Art Works', at the Musée du quai Branly – Jacques Chirac in Paris. In an interview with ART AFRICA, Akoto discusses how his paintings transform when moving from the streets of Kumasi—where they function as everyday spiritual and commercial communication—into a European museum context, addressing themes of translation, shared authorship, and the shifting meanings of images across cultural and institutional boundaries.
South African artist Johannes Phokela is set to showcase a significant body of work at the 2026 Venice Biennale, building on his recent series 'The Seven Virtues' and 'Original Sin'. Curated under a vision initiated by the late Koyo Kouoh and supported by Eclectica Contemporary, Phokela’s paintings subvert the aesthetics of European Old Master traditions. His works, including 'Fides' and 'Temperantia', utilize Baroque visual languages to critique constructed morality, institutional power, and the performance of virtue.