Berlin-based artist Matthias Esch presents a survey of his painterly practice in the solo exhibition 'Slice Through Reality' at Kutlesa in Goldau, Switzerland. The show features works from several years that explore the tension between rigid visual systems and deliberate disruptions, utilizing patterns and schematic forms that are systematically 'sliced' or broken open.
Ashland University is set to host its annual Senior Art and Design Exhibition at the Coburn Gallery, running from April 9 through May 9, 2026. The showcase features the capstone projects of graduating seniors and kicks off with an opening reception where student awards will be officially announced.
The final exhibition of 'Bowie and Friends,' a series of portraits by Sunnyside-based artist Gareth Doyle (dubhghaill.art), was celebrated at Aubergine Cafe in Queens, New York. The two-month show featured 13 original works inspired by music icons like David Bowie, Debbie Harry, Kurt Cobain, and John Lydon, with prints and original canvases available for sale.
The Philadelphia Museum of Art has appointed Katherine Anne Paul as the Stella Kramrisch Curator of Indian and Himalayan Art, a role named after the pioneering scholar and curator. Paul previously served as Assistant and Associate Curator of Indian and Himalayan Art at the PMA from 2002 to 2008, and most recently held the Virginia and William M. Spencer III Curator of Asian Art position at the Birmingham Museum of Art, where she also served as Lead Curator. She holds a PhD from the University of Wisconsin–Madison and has curated notable exhibitions including "Silver & Ceremony from Southern Asia 1830–1930" and "Expanding Darshan: Manjari Sharma, To See and Be Seen."
The Yale Center for British Art has opened a new exhibition, “Painters, Ports, and Profits: Artists and the East India Company, 1750-1850,” on January 8. Curated by Laurel Peterson and Holly Shaffer, the show features over a hundred works—including watercolors, portraits, and a 37-foot-long scroll of Lucknow—drawn from the museum’s collection and beyond. It explores the artistic networks and innovations that emerged around the British East India Company’s colonial and economic activities in India and China.
Giant Runt, an artist-run gallery in Fort Worth, Texas, has announced an open call for a 2026 juried group exhibition. One selected artist will receive a $500 prize and a solo exhibition at the gallery in 2027. The call is open to artists of all media and locations, with the only requirement that artworks fit through a standard seven-by-three-foot door. Co-owners Cosmo Jones and Max Marshall will jury the show, which is scheduled to run from February 23 to April 11, 2026. Applications are due January 31, 2025.
Sharon Stone, the actress turned artist, has created a new series of paintings titled "Rogues Gallery" that she claims were inspired by channeling spirits from different historical eras. The works include a portrait called "Him" (2025), which she says depicts an enslaved person who drowned in the East China Sea on a slave ship. Stone describes her process as communicating with these spirits while painting, evoking the spiritualist approach of artists like Hilma af Klint. She plans to exhibit the works in intimate, phone-free settings to enhance the ethereal experience.
Dean McCrillis, an emerging painter from Rumford, Maine, is the subject of a solo exhibition titled "Dog Years" at Cove Street Arts in Portland, running through January 17. The show features oil paintings that depict distinctly Maine activities—hunting, fishing, camping—while employing layered, translucent brushstrokes to evoke the ephemerality of time and experience. McCrillis, who also works as a framer at Greenhut Galleries, uses a bright, saturated palette and techniques that make his images appear to simultaneously emerge and dissolve, capturing fleeting moments in the state's rugged landscape.
The Barbican has announced In Other Worlds, the first UK solo exhibition by artist, director and BAFTA-nominated producer Liam Young, set to open from 21 May to 6 September 2026. The immersive exhibition will feature films, costumes, miniature models, comics and sound-led environments exploring speculative futures shaped by climate change and emerging technologies. A new commission, World Machine (2026), will serve as the centrepiece, imagining a planetary-scale AI system where nature and computation coexist. Other works include Planet City (2021), The Great Endeavour (2023), and After the End (2024), co-authored with Aboriginal actor Natasha Wanganeen.
Globally-renowned English felt artist Lucy Sparrow has opened a new 13,000-piece felt exhibition titled "Lucy Sparrow’s Quick Shop" at FloridaRAMA in St. Petersburg, Florida. The immersive grocery-themed pop-up features handmade felt versions of everyday products like avocados, toothpaste, and seafood, and functions as both an art installation and a shop where visitors can purchase the signed felt items. The exhibition will remain open only as long as the stock lasts, with special shopping events alongside the artist scheduled for November 25, 26, and 28.
Meredith Connelly, a 2011 alumna of UNC Wilmington, has returned to the city to install her first solo exhibition at the Cameron Art Museum. Titled "Nested: Where Light Gathers and Nature Holds," the outdoor installation features glowing, cup-shaped nests built from reusable plastics and other unconventional materials, creating a warmly lit nature stroll for nighttime visitors. Connelly, now a multidisciplinary artist based in Charlotte, worked with UNCW students on the installation and reflects on how natural intelligence and human observation shape our built environment.
Central Washington University's Sara Spurgeon Gallery is hosting a national juried exhibition titled “INTERSTATE: Where I-90 meets I-82,” opening November 6 in Ellensburg. Juror Alexis L. Silvia, Curatorial Assistant at the Frye Art Museum in Seattle, selected works by 46 artists from across the United States, including Brandin Barón, Neil Berkowitz, Shivani Bhalla, and others. The exhibition runs through December 6, with an opening reception from 5 to 7 p.m. following a 4 p.m. presentation.
Virginia Aldoff-Pinay, a Cree Kokum from the Foothills School Division, has opened the Sunrise Moon Art Gallery in High River, Alberta. The gallery features Indigenous art, artifacts, and educational displays representing the Blackfoot Confederation, Métis, and Inuit cultures, along with a tea room and library. Aldoff-Pinay, who comes from a family of artists, named the gallery after a morning prayer when she saw both the sunrise and moon. The business is managed by her grandson Ethan Carpenter, and the sign was made by her daughter Vanessa.
Frieze London's 22nd edition in October 2025 will retain a bold floor plan debuted in 2024 that places emerging galleries near the main entrance, pushing blue-chip heavyweights like Gagosian and David Zwirner further inside. Fair director Eva Langret confirms the layout is permanent, citing overwhelmingly positive feedback and renewed energy. The Focus section for galleries under 12 years old gets a boost, with a rotating system ensuring fresh stands near the entrance each year. A new curated section, Echoes in the Present, explores artistic links between West Africa, Brazil, and their diasporas. Meanwhile, Frieze Masters, dedicated to pre-20th-century art, will be run by new director Emanuela Tarizzo.
Offline gallery, a new brick-and-mortar space at 243 Bowery in New York (formerly Salon 94's location), has opened with a mission to bridge digital art and physical experience. Supported by the NFT marketplace SuperRare, the gallery is directed by Mika Bar-On Nesher and co-founded by Josh Long. It launched in July 2024 and has already hosted a book launch for Botto, an autonomous AI artist, and currently features a solo exhibition by Japanese multimedia artist Emi Kusano titled "Ego In The Shell," which explores AI, nostalgia, and pop culture. The gallery aims to create a tangible space where audiences can engage with digital and AI-generated art, fostering dialogue between crypto-natives and traditional art audiences.
Artist Eric-Paul Riege presents 'ojo|-|ólǫ́,' a new exhibition at Brown University's David Winton Bell Gallery that combines fiber sculpture and performance art to explore Diné (Navajo) mythology and culture. The show, curated by Nina Bozicnik and Thea Quiray Tagle, runs through December 7 and features pieces borrowed from Brown's Haffenreffer Museum of Anthropology, which Riege felt were 'buried alive' and needed to be activated. Riege encourages visitors to touch the works and incorporates dance performances, including a recent opening where he carried a humanlike figure named Hólǫ́ through the gallery.
ArtSpan, a nonprofit organization, kicked off its 51st season with the annual Art Launch gallery event at SOMArts Cultural Center in San Francisco on September 19, 2025. The one-night event featured works from over 300 Bay Area artists available for public purchase, marking the start of SF Open Studios, a two-month venture where over 600 local artists showcase their work in various venues across the city. Attendees included longtime supporters like Kate Patterson, first-time exhibitor Ivett Acosta with her painting "Fragments of Light," and veteran artist Liz Scotta with her collagraph print "Mars Surface." New executive director Shamsher Virk, leading a team of five, emphasized community engagement and accessibility.
Ringo Starr, at 85, is balancing a six-date residency with his All-Starr Band at The Venetian in Las Vegas with a concurrent art exhibition at the Animazing Gallery in the same resort. The show, titled "Starr Art" and curated by Neal Glaser of ArtCelebs, features Starr's original paintings, limited edition works, and spin-art pieces, with all artist proceeds benefiting his charity, The Lotus Foundation. Starr, who began painting in the late 1990s and discovered spin art online, describes his abstract, colorful Pop Art as a joyful creative outlet.
An art exhibition titled "Unspoken Resilience: Healing from the Lewiston Shootings Two Years In" will open at the University of New England Art Gallery in Portland on September 25, 2025, coinciding with Deaf Culture Week. Co-curated by Michelle Ames and Meryl Troop, the show features works by deaf artists and artisans, alongside photographs by Michael Kolster documenting Lewiston, Maine, where a mass shooting in 2023 killed 18 people and injured 13. Four of the victims were deaf, and two other deaf individuals were injured, making this the only mass shooting in U.S. history to disproportionately impact the Deaf community. The exhibition runs through February 7, 2026, and includes contributions from American Sign Language interpreters.
Fibre Arts Australia's third International Art Textile Biennale is now touring Australia, featuring 39 textile artists from 10 countries. The exhibition will visit nine galleries across the country through September 2026. At its debut at East Gippsland Art Gallery, three Australian artists received biennale awards: Sue Coppock won the Major Award (AU$2,000) for her embroidered fencing mask 'Are You Wearing a Mask Right Now?', Claudia Mazzotta won the Australian Excellence Award for 'Untouched Terrains', and Nicola Oliver won the Glenys Mann Award for 'Shadows Where Life Once Was'.
Artists Enclave, a Denton arts networking organization based at UNT CoLab, hosted the "Tierra Verde" Juried Exhibition throughout August 2025. The show featured over 60 artworks by Texas artists exploring the intersection of art and activism, with pieces addressing environmental issues, protests, political beliefs, and social stigmas such as menstruation. The exhibition opened on Aug. 1 with a reception attended by over 175 guests, featuring live music by Rachel Yeatts, and awarded prizes to artists including Aileen Khuu, Jose Angel Hernandez, Anadara Braun-Good, Lauren Doorish, and Genie Baranoff.
Harta Space in Penang is hosting 'A Third Eye', an exhibition paying tribute to the late multi-dimensional artist Askandar Unglehrt. Born in Germany, Unglehrt studied at the Sorbonne in Paris during the 1960s, where he was influenced by Dadaism and surrealist poet Jean Hans Arp. He later settled in Malaysia, taught at Universiti Sains Malaysia, and developed a distinctive artistic practice rooted in collage, assemblage, and the concept of a 'third eye' that synthesizes Eastern and Western perspectives. The exhibition explores his humorous, esoteric works and his lifelong questioning of art's seriousness.
The Faizi Rahmeen Art Gallery in Karachi, Pakistan, remains unfinished over 35 years after its inception, despite being initiated during the tenure of former MQM Mayor Dr. Farooq Sattar. Construction of the ground-plus-three-storey structure was completed by 1992 at an estimated cost of Rs80 million, but work stalled after the launch of "Operation Clean-Up" against the MQM and the dissolution of the local government. A brief revival in 2007 only saw installation of glass panels and floor tiling; core civil works are only 70% complete, and key systems like electrical, mechanical, revolving stage, and sound system are still pending. The site, formerly the residence of renowned author Atiya Begum and artist Faizi Rahmeen, was donated to the Karachi Metropolitan Corporation (KMC) in trust with the explicit intention of establishing an art gallery. KMC's Culture, Sports and Recreation office now operates from the property, but the gallery itself remains stalled due to lack of political priority for arts and culture.
Artist Beata May will present her solo exhibition 'Où est Vénus? – Where is Venus' at Espace 22 in Monaco from 9th to 22nd August, organized by Unchained.Art. The two-week pop-up is curated by Christina Hiltscher, with the first week featuring May's solo works, including the piece 'Icon III', and the second week expanding to include six additional international artists responding to May's central question.
Mashonda Tifrere, an art collector, musician, and founder of two art-based nonprofits, has launched two new projects in San Diego. She created a mindfulness audio tour titled "Inscape: Art and Collection at the Stuart Collection" for the Stuart Collection at UC San Diego, guiding listeners through 22 site-specific artworks. She also curated a group exhibition called "Somewhere in Between" at Quint Gallery in La Jolla, featuring works by artists including Taylor Chapin, Megan Gabrielle, and Nathan Wong.
London-based Chinese artist Jacky Tsai painted the exterior of a ZQ-2E Y2 rocket, which launched into space in May from China's Jiuquan Satellite Launch Center. The project, titled "Chang'e Flying to the Moon," was a collaboration with commercial space company LandSpace, reimagining the Chinese moon goddess in a cosmic context. Tsai worked with engineers to apply aerospace-grade paint, avoiding colors like green that could interfere with tracking systems. He had planned to recover separated rocket parts for a sculptural installation or charity auction, but all painted sections were incinerated upon re-entry.
Taiwanese video artist Yuan Goang-Ming has brought his exhibition "Everyday War" to San Francisco's Asian Art Museum, where it will be on view through August 4. The show, which explores the anxiety of daily life under the constant threat of invasion by China, was originally presented at Taiwan's pavilion during the 60th Venice Biennale in 2024. It was curated for the Biennale by Abby Chen, the contemporary curator at the Asian Art Museum, who then arranged for the exhibition to travel to San Francisco. The exhibition features video installations such as "Dwelling," "Everyday War," "Everyday Maneuver," and "Prophecy," all of which capture a sense of dread and unease in domestic and public spaces.
The Loyola University Museum of Art (LUMA) has opened "Freedom in Form: Richard Hunt," an exhibition showcasing the work of the late Chicago sculptor who created over 160 public monuments across the U.S. The show, which runs through Nov. 15, 2025, features sculptures, maquettes, tools, and selections from Hunt's personal library, offering an intimate view of his career. It premiered in 2024 at the Abraham Lincoln Presidential Library in Springfield, where it was organized after First Lady of Illinois M.K. Pritzker recommended Hunt. The exhibition includes early works like "Hero's Head" (1956), inspired by Emmett Till, and later pieces such as "Hero Ascending," planned for installation at the Emmett Till/Mamie Till-Mobley historic landmark home.
The Middlebury College Museum of Art will reassemble Le Petit Salon, an 18th-century French neoclassical paneled room designed by Pierre-Adrien Pâris in 1776 for the duc d’Aumont’s Parisian mansion. Gifted to the college in 1959 by Susan Dwight Bliss, the room had been in storage since the 1990s. The exhibition, running from July 8 to December 6, 2025, traces the room’s journey from Paris to Manhattan—where it decorated the Bliss family’s Gilded Age mansion for fifty years—and finally to Middlebury, where it became part of Le Château, the college’s French language dormitory. The show also features Pâris’s original watercolor elevations and studies from his time in Rome and Naples, with loans from Bowdoin College, the Metropolitan Museum of Art, the Cooper-Hewitt National Design Museum, and the Fine Arts Museum of Besançon.
Dutch photographer Paul Kooiker has opened a new exhibition titled '2025' at Acne Paper Palais Royal in Paris, featuring portraits of 42 students from the Gerrit Rietveld Academie in Amsterdam, where he taught photography for 25 years. Commissioned by Acne Studios' magazine offshoot Acne Paper, the show marks the first exhibition in the brand's new permanent gallery space. Kooiker shot the students spontaneously in corridors and classrooms, capturing them in his signature black-and-white style that blends timelessness with a sense of the unsettling, though this project breaks from his usual anonymity by focusing on faces and a specific moment in time.