Spectral Nomenclature. Anastasia Pavlou  by Arnisa Zeqo

Artist Anastasia Pavlou’s practice is explored through her engagement with literature, memory, and the materialization of language. Her large-scale paintings, which draw formal comparisons to Art Informel and Abstract Expressionism, function as conceptual lexicons where titles—often direct citations from writers like Dionne Brand and Virginia Woolf—carry as much weight as the paint itself. Works such as "The Reader Interrogates Narrative, but Poetry Interrogates the Reader" demonstrate her interest in the "spectral" side of nomenclature, where naming serves to summon ghosts of the past while acknowledging the failures of language to capture emotion.

Ubuntu hosts Fellowship for Black Artists exhibition for a third year

Mural Arts Philadelphia, in partnership with Ubuntu Art Gallery, has opened its sixth annual Fellowship for Black Artists exhibition, featuring 30 works by 11 emerging artists from the 2025 cohort. The opening reception drew a crowd of fellows, collaborators, and art lovers to the gallery, where speeches highlighted the program's impact and mission.

Business Buzz: UK's Clarendon Fine Art opening Wellesley gallery; Wellesley Books signs on for 5 more years

UK-based Clarendon Fine Art is opening a new gallery in Wellesley Square, Massachusetts, at 25 Central St., the former location of Laurel Grove. The business, which operates dozens of galleries in the UK and one in Westport, Connecticut, specializes in international, contemporary, and modern art. Clarendon is scheduled to meet with the Wellesley Design Review Board regarding minor construction and a sign review, including making the entrance ADA compliant. Separately, Wellesley Books has renewed its lease at 82 Central St. for another five years, ensuring the independent bookstore remains a community fixture.

Austin's graffiti wall returns: HOPE Outdoor Gallery opens 18-acre site

Austin's iconic graffiti wall has returned with the grand opening of the HOPE Outdoor Gallery's new 18-acre site in Southeast Austin on December 17, 2025. The original wall near Lamar Boulevard was removed six years ago, and the new location near Austin Bergstrom International Airport features a 6,000-square-foot open-air gallery, community art park, murals by local artists, a cafe, rooftop bar, art supply shop, and spaces for programming and vendors. The space is free, open to the public, and all-ages, with a ribbon-cutting attended by District 2 City Council member Vanessa Fuentes.

Where to see art in Singapore this week (Oct 24 to 31)

South-east Asia's largest art book fair, the Singapore Art Book Fair (SGABF), returns from October 31 to November 2, 2025, with over 120 exhibitors—its largest edition yet. The fair moves to a larger venue at New Art Museum Singapore and Whitestone Gallery, with ticket prices unchanged from 2024 ($6 online, $8 on-site). About half the exhibitors are first-timers, including Saigon-based studio WEDOGOOD, Cairo-based Rizo Masr, and local participants like graphic design trio Hause, Con-Temporary Art Editions, and visual artists Chin Lew and Isabell Hansen. The pilot Thing Books Residency Programme presents three new artist books by musician Yuen Chee Wai, filmmaker Seth Cheong, and vocalist Nur Wahidah. Visitors can also register for bookmaking workshops at additional cost.

Casa Sanlorenzo in Venice opens its first exhibition with a focus on ocean pollution

Casa Sanlorenzo, a new cultural space in Venice established by yacht builder Sanlorenzo, has opened its inaugural exhibition titled "Breathtaking." The installation by Italian artist and photographer Fabrizio Ferri addresses ocean plastic and microplastic pollution, featuring large-scale portraits of celebrities including Sting, Helena Christensen, Willem Dafoe, Isabella Rossellini, Susan Sarandon, and Naomi Watts, all depicted covered in plastic and debris. At the center of the installation is a glass coffin filled with seawater, symbolizing the fragility of marine ecosystems. The exhibition was previously shown at the Museo di Storia Naturale in Milan, where it attracted over 40,000 visitors in four days.

Homecoming exhibition for famed Teignmouth artist

Ian Nathan, a British artist from Teignmouth, will hold a homecoming exhibition at Teignmouth Arts Action Group (TAAG) from July 19 to August 1. The show features 35 new paintings spanning wildlife, local scenes, and semi-abstract seascapes, marking his return to the town where he once ran a gallery in the early 2000s.

Is the art world’s big summer break a thing of the past?

As the art market continues to experience softer demand for a third summer, galleries in the US and the Americas are rethinking the traditional August break. Dealers like Wendi Norris (San Francisco), Omayra Alvarado-Jensen (Instituto de Visión, Bogotá and Manhattan), Pali Kashi (Europa, New York), and Davida Nemeroff (Night Gallery, Los Angeles) describe varied approaches: some remain open to meet traveling collectors, others close for weeks to regroup, and many launch offsite pop-ups to maintain momentum. There is no industry consensus, with decisions shaped by geography, cultural heritage, and collector migration patterns.

Amid uncertainty over Trump’s tariffs, many collectors pause purchases while others ‘hold their noses and pay’

US President Donald Trump's proposed tariff regime for around 60 countries has created uncertainty in the art and antiques markets. Dealers and collectors are grappling with questions about whether art, antiques, and decorative objects are exempt, and how import duties might affect pricing and attendance at US art fairs. Margo Thoma of Tai Modern in Santa Fe reports that a 24% tariff on Japanese goods would likely have prevented two out of four recent sales. Steven J. Chait of Ralph M. Chait Galleries notes that while top-tier collectors may accept higher prices for extraordinary objects, the middle market may balk. Art adviser Todd Levin warns that newer, younger collectors could be most affected, and dealer Eric Zetterquist has canceled his spring buying trip to Asia due to economic uncertainty.

Annalee Davis at the 2026 Venice Art Biennale. Landscape as mourning, archive and resistance in the Barbados Pavilion

Annalee Davis alla Biennale Arte di Venezia 2026. Il paesaggio come lutto, archivio e resistenza nel Padiglione Barbados

Annalee Davis, an artist from Barbados, will represent her country at the 2026 Venice Biennale with an installation titled "Let this be my Cathedral" within the exhibition "In Minor Keys." The work addresses ecological grief, colonial memory, and the possibility of care without erasing conflict, using suspended plants and organic materials to create a threshold where loss, vulnerability, and wonder remain in tension. Davis discusses the influence of curator Koyo Kouoh, whose vision shaped the Biennale, and the importance of research as an integral part of her artistic process.

A Napoli c’è una mostra ispirata a Emily Dickinson dove è la luce a creare le opere

Diego Perrone's exhibition "There's a certain Slant of light" opens at Galleria Umberto Di Marino in Naples, taking its title from an Emily Dickinson poem. The show features new photographic and painted works born from the artist's observation of light passing through domestic glass objects in Naples, where architecture and daily life are shaped by an interplay of light and shadow. Photographs are enclosed in hand-molded glass frames, while large surfaces created with airbrush, charcoal, and chalk present shadow fields on white backgrounds, forming a visual sequence that unfolds like a film in black and white.

“Yellow Letters”: arte e politica, libertà e censura nel nuovo film di İlker Çatak

Ilker Çatak's fifth film, "Yellow Letters," premieres on April 30, 2026, distributed by Lucky Red. The story follows Derya and Aziz, a Turkish artist couple whose lives unravel after Aziz, a professor at Ankara University, receives a "yellow letter" terminating his employment. The film, inspired by post-2016 coup purges in Turkey, shifts to Berlin and Hamburg, where the director deliberately avoids mimicking Turkish locations, instead using explicit captions like "Berlin as Ankara" to create a Brechtian alienation effect. Çatak explores how arbitrary state repression fractures personal relationships and moral boundaries, drawing on interviews with artists who faced unjust dismissals.

Cosmic Province. Between bar and studio, or the punk life of Jacopo Benassi

Provincia Cosmica. Tra bar e studio, ovvero la vita punk di Jacopo Benassi

Italian artist Jacopo Benassi, born in 1970 and shaped by the punk scene, discusses his return to his hometown of La Spezia after years in Milan, where he worked as a photographer for Rolling Stone. He describes his life revolving around his studio and local bars, and reflects on founding the underground club B-Tomic in 2011, which became a hub for his artistic and photographic work blending music and performance. He also mentions an upcoming book of drawings and texts by Renzo Daveti (alias Benzo), a formative figure from the Italian punk scene.

In Milan during these days of Design Week, it is possible to visit the mythical Villa Pestarini by Franco Albini. The images

A Milano in questi giorni di Design Week è possibile visitare la mitica Villa Pestarini di Franco Albini. Le immagini

Villa Pestarini, the only private residence ever designed by the renowned Italian architect and designer Franco Albini, has opened to the public for the first time in 87 years. The opening is an exceptional event timed with the 2026 Milan Design Week, where the villa serves as one of the venues for the itinerant design platform Alcova.

An exhibition at a historic villa in Prato brings together the artificial and the natural

In una villa storica a Prato una mostra che fa incontrare artificiale e naturale

Artist Andrea Marini presents "Anomale Intrusioni" (Anomalous Intrusions) at the historic Villa Rospigliosi in Prato, an exhibition organized by Associazione Chorasis. Curated by Riccardo Farinelli, the show features sculptural interventions that blend conceptual minimalism with the villa's centuries-old architecture and natural landscape. Marini’s works function as "programmed interferences," creating a dialogue between the organic and the artificial through metallic structures and zoomorphic forms that react to the surrounding environment and climate.

In Rome, the major company Acea launches its Foundation for art and culture: The interview

A Roma la grande azienda Acea lancia la sua Fondazione per l’arte e la cultura. L’intervista

The Italian multi-utility giant Acea has officially launched the Acea Foundation, signaling a shift from being a mere cultural sponsor to an active producer and curator of cultural projects. Central to this initiative is the Acea Heritage Museum, which showcases the company’s 117-year history through a massive 12km historical archive and a rediscovered art collection valued at two million euros. The foundation aims to integrate art into corporate spaces, including a dedicated contemporary art section in its foyer and a focus on site-specific works by artist Gino Marotta.

What Artists Sign Away

Artist and writer Sarah Hotchkiss recounts two personal experiences where galleries and residency programs used standard contracts to limit artists' rights. In the first, a new gallery refused to shorten a six-month consignment period after an exhibition, leaving her work in "contractual limbo" where she would owe the gallery half of any sale even if she found the buyer herself. In the second, a residency required her to waive moral rights under the Visual Artists Rights Act, protections that allow artists to prevent distortion and control attribution of their work.

Saad Khan Archives the Detritus of Censored Culture

Saad Khan, a New York-based archivist, has developed Khajistan, an expansive digital and physical archive dedicated to preserving censored and overlooked mass media from South Asia to the Maghreb. The collection features a diverse array of ephemera, including homoerotic imagery, working-class street posters, and banned magazines that are often erased from official cultural records. By documenting everything from WhatsApp forwards to vintage film posters, Khan creates a space where the lived experiences of queer, trans, and working-class individuals in these regions are validated and archived.

Peep the Wildest Costumes of This Year’s Easter Bonnet Parade

New York City’s Fifth Avenue was transformed into a vibrant public gallery on April 5, 2026, for the annual Easter Parade and Bonnet Festival. Participants gathered outside St. Patrick’s Cathedral to showcase elaborate, hand-crafted headpieces ranging from Eduardo Escobar’s rotating 'Trip to the Moon' hat to Shayna Strype’s hot-air balloon ensemble. The event featured a diverse array of creators, including climate-conscious artist Cristian Pietrapiana and mixed-media sculptor Gail Trunick, who utilized the street as a stage for avant-garde millinery and performance art.

From Mallorca to St. Moritz, Art Fairs Are Meeting Collectors Where They Vacation

A new wave of high-end art fairs is targeting luxury vacation destinations like St. Moritz, Mallorca, and the Hamptons, moving beyond traditional market hubs. These events, such as the inaugural St. Moritz Art Week and Art on the Island in Mallorca, are strategically timed for the summer and winter holiday seasons to directly engage wealthy collectors during their leisure time.

At Luckygirl Gourmet Gallery, Art Leads and Snacks Follow

Nikki Brovold has opened Luckygirl Gourmet Gallery in Portland's Pearl District, a hybrid space where art takes precedence over food. The gallery's inaugural exhibition, "Who's That Girl," features nine artists including Tom Relth, Eric Rue, Paul Solevad, Michelle Yamamoto, Richard Cutshall, and Paula Bullwinkel, with a focus on abstractive figuration and feminine perspectives. Brovold, who previously worked at a global consulting firm in New York and as a gallerist at the Portland Art Museum, curates the art while also offering a small selection of elevated snacks and drinks, such as Makabi & Sons cookies and Puff Coffee cold brew. The space is co-owned by Brovold's husband, Shawn Przybilla.

Go figure – when Barnaby Barford took over the Wallpaper* fashion pages

Barnaby Barford is marking 20 years of collaboration with David Gill gallery through the exhibition 'We Are Where We Are', featuring 35 ceramic sculptures and large-scale drawings. The show includes a new work titled 'Ascension'. To celebrate, Wallpaper* magazine revisits its November 2007 issue, in which Barford took over the fashion pages, dressing his found porcelain figurines in designer labels such as Missoni, Versace, Gucci, Christian Dior, and Prada, photographed by Theo Cook with fashion styling by Sophie Dean and Sébastien Clivaz.

Maine Gallery Adds New Artists For 2026 Season

Maine Art Collective's (MAC) Gallery in Portland, Maine, has added five new artists to its roster for the 2026 season: Ann Tracy, Bill Elinoff, Sheri Oliva, donnersmith, and Tracy Hehmeyer. The gallery, which transitioned from a pop-up to a full-time space about a year ago, now features 17 artists total. Founder Susan Vittner, an artist herself, emphasizes the gallery's mission to support emerging artists through a cooperative model where artists retain most of their profits.

Popular Bradford city centre art gallery to shut next month after eight years

Trapezium Gallery, a volunteer-run art space in Bradford city centre, is closing on June 18 after nearly eight years. Its closure is a direct result of the redevelopment of the Kirkgate Shopping Centre, where it has occupied three different shop units since its founding in 2018.

Young artist honours Pekan Nenas’ pineapple farmers

Young Malaysian artist Lee Wei Heng, 22, has opened his first solo exhibition titled "Ananas" at Artas Gallery in Petaling Jaya. The show features 17 oil paintings that document the grueling lives of pineapple farmers in Pekan Nenas, Johor, where his grandparents worked as laborers. Lee, who studied fine arts and worked part-time in the plantations during school holidays, captures the farmers' daily struggles—from cutting thorny fruit under the sun to praying for protection against wild animals. His works, such as the monochromatic "Old Farmer," use motifs like the parang (machete) to symbolize both the farmers' hidden identities and their pain.

‘An entertainment pavilion on bones’: new Russian museum opens in occupied Mariupol

A new museum called Pole Bitvy (Battlefield) has opened in the Russian-occupied Ukrainian city of Mariupol, glorifying Russia's full-scale invasion and linking it to the Soviet Union's victory in World War II. Russian officials, including senator Vladimir Yakushev and project head Sergei Ladochkin, presented the museum as a symbol of liberation from 'neo-Nazis,' while Ukrainian officials condemn it as an 'entertainment pavilion on bones' in a city where tens of thousands died during the 2022 siege.

LOOK HERE Highlights the Work of Progressive Art Studios Nationwide

The Center for Creative Works (CCW) and Haverford College's Cantor Fitzgerald Gallery have partnered to present LOOK HERE, a multisensory exhibition highlighting the work of neurodivergent artists. The show features six CCW artists—Kelly Brown, Cindy Gosselin, Clyde Henry, Tim Quinn, Brandon Spicer-Crawley, and Allen Yu—and is curated by Jennifer Gilbert alongside CCW artists Mary T. Bevlock and Paige Donovan. The exhibition includes accessible design elements such as braille, ASL videos, touch panels, sensory backpacks, and tours led by neurodivergent artists. Two satellite exhibitions, LOOK THERE at Haverford's VCAM gallery and LOOK EVERYWHERE at Philadelphia's Atelier Gallery, run concurrently, along with the sixth annual Creating Community Symposium, which brings together progressive art studios from across the US.

The new chief curator of Uzbekistan’s Centre for Contemporary Art is bringing insights from London to the youth of Tashkent

Sara Raza has been appointed as the first artistic director and chief curator of Uzbekistan’s Centre for Contemporary Art Tashkent (CCA), a restored 1912 tram depot that is currently undergoing expansion by French architecture firm Studio KO. Raza, who was born in London and grew up in New York, is a former curator at the Guggenheim Museum in New York and has curated festivals in Uzbekistan and Azerbaijan. She took up the post in January and has already launched a programme of artist residencies in refurbished traditional Uzbek mahallas, while the CCA’s reopening has been delayed from 2025 to 2026.

Ten artists accuse Arusha Gallery of non-payment of nearly half a million pounds

Ten artists have accused Arusha Gallery, which operates in Edinburgh and London, of failing to pay them nearly half a million pounds for sold works, with some waiting months or years for payment. Artist Charlotte Keates claims she is owed approximately £430,000 from sales dating back to 2023, while gallery owner Bella Arusha Collins King disputes the amount and asserts the gallery is entitled to a 50% cut from a collaboration Keates entered with Hermès. The gallery acknowledges missing payments, citing a downturn in the art market and the unexpected death of co-owner Guy Rowland Maxwell Bargery in January.

Around the World

Einmal um die Welt

The article previews the national pavilions at the Venice Biennale, where 99 countries present exhibitions across the Giardini, Arsenale, and venues throughout the city. It highlights Iceland's pavilion, featuring Ásta Fanney Sigurðardóttir's project "Pocket Universe" at the Docks Cantieri Cucchini, a multimedia work combining performance, sound, moving image, and installation centered on a film about a creature.