韓国国立現代美術館 果川館で「Road movie: Art between Korea and Japan since 1945」が開幕

The National Museum of Modern and Contemporary Art (MMCA) in Gwacheon, South Korea, opened "Road movie: Art between Korea and Japan since 1945" on May 14, 2026. This exhibition is a touring version of the collaborative show "Always by Your Side: 80 Years of Art between Japan and Korea," which was held at the Yokohama Museum of Art from December 6, 2025, to March 22, 2026. Marking the 60th anniversary of the normalization of diplomatic relations between Japan and South Korea in 1965, the exhibition traces eight decades of artistic exchange from 1945 to the present. It features around 200 works by 43 artists, including Cho Yang-gyu, Kwak In-sik, Nam Hwa-yeon, Nam June Paik, Lee Ufan, Lee Bul, Takashi Murakami, and others, organized into five sections. The show also incorporates six outdoor sculptures installed at the museum's opening in 1986 and 1987, highlighting how the institution itself fostered cross-border artistic dialogue.

Deux sculptures de la Roldana préemptées par l'Espagne

Spain has preempted two polychrome terracotta sculptures by Luisa Roldán, known as La Roldana, at an Abalarte auction on December 5, 2025. The works, *La Fuite en Égypte* and *L’Éducation de la Vierge*, each sold for €335,500 including fees. *La Fuite en Égypte* has been acquired by the Museo del Prado in Madrid, while *L’Éducation de la Vierge* has gone to the Museo Nacional de Escultura in Valladolid.

Between Ritual and Institution: Andrea Canepa's Interventions in Spain

ENTRE EL RITO Y LA INSTITUCIÓN: LAS INTERVENCIONES DE ANDREA CANEPA EN ESPAÑA

Andrea Canepa, a Peruvian artist born in 1980, has installed "Fardo" at the Palacio de Cristal in Madrid's Parque del Retiro, running from January 13, 2026 to January 1, 2027. The work wraps the building's perimeter in a printed fabric bearing patterns from Paracas funerary textiles, a pre-Columbian culture from southern Peru. Created during the palace's ongoing restoration (which began in 2023), the installation challenges the building's colonial history—it was built for the 1887 Exhibition of the Philippine Islands—by introducing indigenous visual and ritual references. Canepa also presented "Entre lo profundo y lo distante" at the IVAM in Valencia until April 12, 2026, which uses Andean huacas (sacred spaces) to propose a non-linear relationship between time, body, and space. Both works transform passive contemplation into active, bodily participation, using ritual as a means to reorganize the exhibition experience.

Clasutta Explores the Dynamics of Love in Solo Exhibition at Whitestone Gallery Singapore

Indonesian artist Clasutta presents a solo exhibition titled "Roommates?" at Whitestone Gallery Singapore, exploring the emotional dynamics of love and relationships through her playful painting style. The exhibition is part of a larger curatorial narrative called "Through Reverie: Love and Memory," which also features a concurrent presentation by Malaysian artist C.K. Koh titled "Folded Glimpses," drawing from his personal photographic archive. Clasutta's works trace the subtle shifts from lighthearted beginnings to spaces shaped by attachment, expectation, and unspoken negotiation, portraying love as fluid and ever-changing.

Explore the poetry of body and gesture through this evocative solo exhibition in Kolkata

Architect and Interiors India has published an article promoting a solo exhibition in Kolkata that explores the poetry of body and gesture. The exhibition features works that focus on the expressive potential of the human form and movement, presented as a visual meditation on physicality and emotion.

Seattle galleries launch Seattle Art Fair alternative

Two prominent Seattle galleries, Traver Gallery and Greg Kucera Gallery, are launching a new art fair called Assembly to coincide with the 10th edition of the Seattle Art Fair in July. Assembly will take place at West Canal Yards from July 23-26, featuring 10 to 15 invited galleries from the Pacific Northwest and Dallas, with a more intimate, curated approach and significantly lower participation costs ($3,000–$6,500 per gallery versus $25,000+ at SAF). The fair is invitational, uses vacant spaces around a central atrium instead of traditional booths, and plans to redistribute ticket and booth revenue to participating galleries.

Dorchester gallery will host special and rare exhibition with top artist

Kerry Darlington, one of the UK's most collected and influential contemporary artists, will make a rare personal appearance at Halo Fine Art in Dorchester on Saturday, June 13. The gallery is hosting an exclusive, one-afternoon-only event where visitors can meet the artist, view a new collection of original works, and discuss the folklore behind her signature style of hand-poured resin and 3D details. The guest list is strictly limited and RSVP is required.

ARTIndia and Vadehra Art Collaborate for ‘Next/Now’ Exhibition in Delhi

A group exhibition titled 'Next/Now' will open in New Delhi on 29 May 2026, organized by ARTIndia Magazine and Vadehra Art Gallery. The show features 30 emerging artists selected from ARTIndia's '30 Under 30' list, working across painting, sculpture, installation, photography, and mixed media. The opening coincides with Defence Colony Gallery Night, and partial proceeds will support the ARTIndia Care Fund, which provides medical care for young artists.

traces

RYAN LEE Gallery in New York is presenting "traces," an exhibition featuring embroidery, installation, sculpture, video, and works on paper by artist Tiffany Chung. The show runs from May 14 to June 20, 2026, at the gallery's location on West 26th Street.

Artist Murari Jha sculpts memory and home in his New Delhi exhibition

Artist Murari Jha presents *The Future of Nostalgia*, a solo exhibition at Nature Morte in New Delhi, running through May 17, 2026. The show features abstract sculptures in stone, bronze, wood, brass, aluminum, and synthetic putty that explore themes of home, migration, memory, and belonging. A live durational performance is scheduled for May 16, with Jha describing the gallery as a stage and his sculptures as performative objects. The works are deliberately untitled to invite viewers to become co-creators of meaning.

Tuan Vu | Nhat Binh (2026) | Art & Prints

This article presents the artwork "Nhat Binh" (2026) by Vietnamese Canadian artist Tuan Vu, offered through Kristin Hjellegjerde Gallery. The painting, executed in oil and oil stick on linen, measures 35 2/5 × 29 1/2 inches and is a unique, hand-signed work accompanied by a certificate of authenticity. The listing includes details about the artist's background, his immigration to Canada as a refugee, his shift from engineering to full-time art practice in 2021, and his exhibition history including a solo show at Simard Bilodeau Contemporary in 2023 and subsequent shows in Berlin, London, New York, and across Canada.

Exhibition | 'New Voices in Paris Now: Between Memory and Matter' at Alisan Fine Arts, Alisan Atelier, Hong Kong

Alisan Fine Arts is presenting 'New Voices in Paris Now: Between Memory and Matter' at Alisan Atelier in Hong Kong as part of its 45th anniversary programme. The exhibition features four contemporary Chinese artists—Li Donglu, Qi Zhuo, Shi Qi, and Yao Qingmei—who currently live and work in Paris. Each artist explores themes of memory, cultural identity, and material transformation through diverse media including oil painting, eroded film, paper reliefs, and blown-glass sculptures. The show runs parallel to 'The Chinese Avant-Garde in Paris' at the gallery's Central location, both part of the French May Arts Festival.

An Ancient Ballad at Emami Art Brings Generations of Artists Together in Kolkata

A new group exhibition titled 'An Ancient Ballad' opens at Emami Art in Kolkata on 22 May 2026, bringing together 12 artists across generations. The show examines recurring motifs of nature, the human body, and animal forms in modern and contemporary art through photography, painting, printmaking, textile, ceramics, and sculpture. Historical works by L. M. Sen and K. C. Pyne are displayed alongside contemporary artists including Arunima Choudhury, Ajit Kumar Das, Alakananda Sengupta, Raja Boro, and Rahul Sarkar, creating an intergenerational dialogue on memory, mythology, and lived experience.

Fight in the Museum: Q&A with Sean Carney

Sean Carney, a painter and longtime art teacher at Lawrence High School, discusses his artistic journey and evolving practice in a Q&A with Thomas Kelly. Carney, who works with water-based wood stains on wood panels, recently shifted his subject matter from cityscapes to iconic automobiles in his "Driven by Design" series, inspired by a visit to the Saratoga Automobile Museum. His work has been exhibited at Barsky Gallery in Hoboken and other venues, and he credits influences including professors Ray Statlander and Ben Jones, as well as artist Mel Leipzig.

Katie DeGroot: The Arboreal Life

Katie DeGroot's exhibition "The Arboreal Life" at Kathryn Markel Fine Arts in New York (April 2–May 9) presents tree paintings that anthropomorphize branches into human-like figures. Works such as "Chit Chat" (2026) and "Family Matters" (2025) depict trees leaning, gesturing, and tangling in ways that suggest intimate relationships, arguments, and familial bonds. DeGroot, who moved from New York City to a farm in upstate Fort Edward, began using fallen branches as models after lacking human subjects, developing compositions that emphasize color, texture, and the interplay of fungi and lichen. Her use of opaque and translucent watercolors balances natural observation with poetic interpretation.

Exhibition | Erwin Olaf, 'Against Time' at Baró Galeria, Palma, Spain

Baró Galeria presents 'Against Time', an exhibition of Dutch photographer Erwin Olaf's still life photographs at its Next Door space in Palma, Mallorca, Spain. Opening on May 25, 2026, the show is part of the inaugural Mallorca PhotoFest, an international photography festival. The exhibition focuses on Olaf's small-format flower photographs made between 2006 and 2021, exploring themes of time, finitude, and photography as a trace of disappearance. An essay by Esmeralda Gómez Galera accompanies the show.

2026 Future Fair: Everything You Need To Know About the Art Fair Before It Opens Next Month

Future Fair, a contemporary art fair focused on community and emerging talent, will hold its sixth edition at Chelsea Industrial in New York from May 14 to 16, 2026. The fair brings together nearly 70 exhibitors, including brick-and-mortar galleries, artist-run initiatives, and collaborative platforms from nine countries, with nearly half hailing from the New York tri-state area. Highlights include the return of the Pay-It-Forward Fund, which allocates 15% of annual profits as grants to participating galleries and dealers, and a VIP preview day on May 13.

He Who Permeates Exhibition at Tao Art Gallery Explores Myth, Identity and Visual Culture

The exhibition 'He Who Permeates' is currently on view at Tao Art Gallery in Mumbai, curated by Mihir Thakkar. It features contemporary artists Jayesh Sachdev and NFN Kalyan, exploring how imagery and symbols are reinterpreted across cultural contexts in a hyper-visual age. The show runs daily from 11 am to 6:30 pm until May 28, 2026, and marks NFN Kalyan's first presentation in India.

Apenas meus cabelos são brancos... [Only my hair is white...]

Galerie Lelong in New York is presenting "Lucia Laguna: Apenas meus cabelos são brancos... [Only my hair is white...]," the Brazilian artist's first solo exhibition in the United States, organized in collaboration with Fortes D’Aloia & Gabriel. The show features new paintings from her ongoing series "Pequenos formatos" and "Paisagem," which explore the interplay between architecture and nature through vibrant color blocking and geometric forms. Laguna's work reflects her recent move from a suburban home with a garden to an apartment in Rio de Janeiro's Laranjeiras neighborhood, a shift that has prompted compositional changes as her studio space became more condensed and her views of the urban landscape changed.

Suman Dey’s new solo in Kolkata gives form to the abstract notions around us

Artist Suman Dey presents his second solo exhibition, titled *Chance, Remains of Another Time*, at Emami Art in Kolkata. The show features large-scale works on wood and other materials that explore abstract notions of memory, time, and nature through fragmented forms, textures, and narrative. Key pieces include a series of frames capturing everyday surface textures and a work titled *Journey* that uses boat shapes to depict transformation. The exhibition runs until May 9.

Hubert Robert & Fragonard. Le sentiment de la nature

The Musée d'art et d'archéologie in Valence, France, is presenting an exhibition titled "Hubert Robert & Fragonard. Le sentiment de la nature" from March 7 to June 21, 2026. The show traces the artistic friendship between Hubert Robert and Jean-Honoré Fragonard, who met as young French artists sketching in the ruins of Rome under the guidance of Charles-Joseph Natoire. It features works from the museum's renowned collection of sanguine drawings, notably those from the foundational bequest of Julien Victor Veyrenc (1835-1836), and includes new attributions proposed by curator Sarah Catala, a graduate conservator from the Institut National du Patrimoine.

The Politics of In-action: Review of In-action: Viennese Actionism and the Passivities of Performance Art

Caroline Lillian Schopp's new book *In-action: Viennese Actionism and the Passivities of Performance Art* (2025) offers a revisionist history of Viennese Actionism, a movement retroactively named in 1970 by Peter Weibel and Valie Export. Schopp introduces the term "in-action" to describe a politics of artistic action that emphasizes intimacy, hesitation, and vulnerability rather than the violent or liberatory extremes typically associated with the movement. She expands the canon to include women artists such as Anna Brus, Hanel Koeck, and Ingrid Wiener, and reexamines the work of Rudolf Schwarzkogler, whose death was mythologized as a suicide by self-castration but was actually a fall from a window. Through close readings of photographs, Schopp argues that Schwarzkogler's performances were characterized by passivity and "in-sincerity," challenging the dominant narrative of actionism as aggressive or heroic.

Venice Biennale Opens Amid Strikes, Protests and Institutional Rupture.

The 61st Venice Biennale opened in May 2026 amid strikes, protests, and political unrest, rather than celebration. Coordinated by Italian labor groups and transnational coalitions, demonstrators targeted the Biennale's decision to allow participation by Israel and Russia during the ongoing wars in Gaza and Ukraine. The Art Not Genocide Alliance (ANGA) led protests against Israel's participation, while Pussy Riot and FEMEN activists staged a protest outside the Russian pavilion. The Israeli pavilion's relocation from the Giardini to the Arsenale added symbolic weight, with critics viewing it as institutional endorsement. The late curator Koyo Kouoh's vision for the exhibition, titled "In Minor Keys," emphasized tenderness and complexity, contrasting with the volatile atmosphere.

In Minor Keys: The 61st Biennale di Arte Venezia Opens Under Koyo Kouoh (1967–2025).

The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.

CalArts President Booed During Commencement Speech

California Institute of the Arts (CalArts) President Ravi S. Rajan was loudly booed by students during the school's commencement ceremony on May 15, as they held signs reading “Hold the Admin Accountable” and “Save Our Faculty & Staff.” The protest stemmed from ongoing financial turmoil at the esteemed art school, including a multi-million-dollar budget deficit, significant staff and faculty layoffs, and a decline in enrollment from 1,500 to roughly 1,200. Despite Rajan's attempts to redirect focus to the graduates, the booing persisted, and board chair Charmaine Jefferson unsuccessfully appealed for calm. The incident follows a broader crisis at CalArts, where over 75% of staff sought to unionize in 2024, and faculty held a “Chop from the Top” rally in March against proposed $5 million in cuts.

‘Anger, curiosity and hope’: a planet of protest – in pictures

Matthew Connors' new photo book, *The Axe Will Survive the Master*, compiles 12 years of protest photography from Hong Kong, Cairo, New York, Kyiv, North Korea, and beyond. Published by MACK Books, the work weaves together images from the Occupy movement, the Egyptian revolution, Hong Kong's pro-democracy protests, the war in Ukraine, and other confrontations with authoritarian power, dissolving geographic boundaries into a single sequence drawn from an archive of 200,000 images.

A Persian Garden Blooms on Governors Island

Artist Bahar Behbahani organized a four-hour event called "Damask Rose: A Gathering" on Governors Island, transforming three shallow fountains with handwoven carpets and crocheted canopies. The gathering featured West African musical improvisation, Kurdish poetry, a cyanotype workshop, and communal activities like hair braiding and tea ceremonies, involving over two dozen community groups including the Asia Contemporary Art Forum and Eat Offbeat. The event was part of Governors Island Arts's annual Interventions series, curated with associate curator Juan Pablo Siles.

Art bartering: artists start viral social media trend to fight cost of living crisis

Artists worldwide are using social media platforms like Instagram and TikTok to barter their artwork for goods and services instead of money, in a viral trend responding to the cost of living crisis. Participants trade paintings for items such as handmade clothes, jewelry, tattoos, accommodation, meals, and professional services like video editing or framing, with some simply inviting offers. Artists like Lin Snow, Oli Fowler, and Andrea Mongenie cite economic pressures and anti-capitalist motivations, viewing bartering as a way to build community and bypass financial systems that leave creatives struggling.

A sonic tribute to the act of speech on New York City’s Roosevelt Island

Sound artist Hans Rosenström has launched a site-specific sound installation titled "Out of Silence" at Four Freedoms Park on New York City's Roosevelt Island, running until 21 June. The multi-speaker work features layered voices sung by the Estonian choir Vox Clamantis, arranged across four sections of the park as an homage to Franklin D. Roosevelt's 1941 Four Freedoms speech. Rosenström, a Finnish artist based in Stockholm, developed the project during an International Studio & Curatorial Program residency in New York in 2024, after being approached by Latvian curator Alina Girshovich to mark the 90th birthday of composer Arvo Pärt. The park's memorial to FDR was designed by architect Louis Kahn, who was born in Estonia and benefited from New Deal programs.

Israel’s Artist Reportedly Pressured Venice Biennale Before Jury’s Resignation

Artist Belu-Simion Fainaru, Israel’s representative at the Venice Biennale, reportedly pressured the exhibition’s organizers before the five-person jury abruptly resigned last week. The jury, tasked with selecting Golden Lion winners, had stated it would not consider nations charged with crimes against humanity by the International Criminal Court—applying to Israel and Russia. According to Italian news agency Adnkronos, Fainaru alleged “racial discrimination” and “antisemitism,” threatened to take his claims to the European Court of Human Rights, and the Biennale warned jury members they could be held personally liable for damages. Hyperallergic confirmed the threats of legal action, and a Biennale spokesperson acknowledged the reports were true.