Gustav Klimt's final portrait, 'Dame mit Fächer (Lady With a Fan),' sold for £85.3 million ($108.4 million) at Sotheby's London, setting a new record for the most expensive work of art ever auctioned in Europe. The painting, which was still on Klimt's easel when he died in 1918, surpassed its pre-sale estimate of over £65 million after a ten-minute bidding war.
Artist Judy Chicago recounts her frustrating experiences with public art commissions, focusing on a recent failed collaboration with Google for its Chicago headquarters at the Thompson Center. After being encouraged by her dealer to apply, Chicago was awarded a commission in fall 2025 to create a large terrazzo floor and a 17-story glass elevator shaft using her "Through the Flower" imagery. However, the project fell through after months of effort, mirroring earlier disappointments with the Beverly Hills Sculpture Park, where a city councilor questioned the value of her work, which Chicago attributes to institutionalized sexism.
A previously unknown red-chalk drawing by Michelangelo, a study for the foot of the Libyan Sibyl from the Sistine Chapel ceiling, sold for $27.2 million at Christie’s New York on Thursday, far exceeding its $1.5–$2 million estimate. The work was submitted to Christie’s online estimate portal last March by an anonymous owner who inherited it from their grandmother; it had hung on a wall for years, assumed to be a copy. After months of authentication using infrared reflectography and cross-referencing with drawings at the Metropolitan Museum of Art and the Uffizi Gallery, Christie’s specialists confirmed it as an authentic Michelangelo. The sale set a new auction record for the artist, surpassing the previous $24.3 million record set at Christie’s Paris in 2022.
A new exhibition at Philadelphia's Institute of Contemporary Art, titled “The Shakers: A World in the Making,” brings historic Shaker objects into dialogue with contemporary art, including newly commissioned works. The show, a collaboration with the Vitra Design Museum, Milwaukee Art Museum, and Shaker Museum, coincides with the release of the film *The Testament of Ann Lee* and focuses on Shaker values such as craft, patience, and care rather than their more controversial principles like celibacy and gender segregation. Featured artists include Amie Cunat, who created a contemplative cardboard meetinghouse, and Christien Meindertsma, who uses Shaker basket-making techniques for willow burial vessels.
The House of Electronic Arts (HEK) in Basel and the Tezos Foundation have announced a year-long partnership to integrate blockchain technology into museum experiences. The collaboration includes virtual and physical exhibitions, workshops, and preservation initiatives, featuring six international digital artists. Exhibitions will be hosted on HEK's online platform virtual.hek and outdoors during Art Basel, with artworks released via the Tezos-based marketplace Objkt. The partnership also involves on-site kiosks and educational workshops on NFTs and digital ownership, as well as HEK's participation in the EU COST Action EMBARK training school on NFT preservation at ZKM in Karlsruhe.
Rembrandt van Rijn's drawing *Young Lion Resting* (ca. 1638–42) sold for a record $17.9 million at Sotheby's New York on Wednesday, the highest price ever paid for a drawing by the Dutch master. The work, which toured Paris, Abu Dhabi, Tokyo, and New York before the sale, was offered from the Leiden Collection, the renowned private trove of 17th-century Dutch Golden Age art assembled by Thomas Kaplan and his wife Daphne. All proceeds from the sale will benefit Panthera, the wild cat conservation charity co-founded by Kaplan and Jon Ayers.
The Los Angeles County Museum of Art (LACMA) has announced that its new building, the David Geffen Galleries, will open to members on April 19 and to the public on May 4. Designed by Swiss architect Peter Zumthor, the 900-foot-long structure spans Wilshire Boulevard and offers 110,000 square feet of exhibition space, displaying 2,500 to 3,000 objects from the permanent collection on a single level. The museum also revealed that Willow Bay has been elected co-chair of its board of trustees, succeeding the late Elaine Wynn.
Emails released by the U.S. Department of Justice in January 2026 reveal that convicted sex offender Jeffrey Epstein boasted to associates about securing a private after-hours visit to the Musée d'Orsay in Paris with filmmaker Woody Allen on March 18, 2012. In the correspondence, Epstein wrote to a recipient identified only as 'junkermann' that the French government would open the museum for him and Allen, and later messaged others including former girlfriend Eva Dubin, who responded with a 'King of the castle' quip. Epstein also made crude sexual references in connection with the visit, mentioning Edgar Degas's depictions of nude women.
Martin Puryear's 1978 sculpture *Self* opens a survey of his work at the Museum of Fine Arts, Boston, titled “Martin Puryear: Nexus,” which runs through Sunday before traveling to the Cleveland Museum of Art in April. Curated by Emily Liebert, Reto Thüring, and Ian Alteveer, the exhibition argues that Puryear's abstract, craft-intensive sculptures—like *A Column for Sally Hemings* (2021)—are not merely formalist exercises but carry political and historical meanings that are deliberately withheld, challenging viewers to read beyond elegant surfaces.
An open letter demanding curatorial independence at the Art Gallery of Ontario (AGO) has gathered over 500 signatures after trustee Judy Schulich reportedly blocked the acquisition of Nan Goldin's moving-image work *Stendhal Syndrome* (2024), calling the Jewish American photographer “antisemitic.” The AGO had planned to acquire the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the vote was 11–9 against acquisition. In response, curator John Zeppetelli resigned, two volunteer committee members stepped down, and Goldin herself criticized the decision as censorship driven by donor influence. The AGO has since announced a restructuring of its modern and contemporary curatorial committee, splitting it into two groups for 20th- and 21st-century art, effective in 2026.
Saudi Arabia's Royal Commission for AlUla (RCU) and the Centre Pompidou have revealed new details about the planned AlUla Contemporary Art Museum, designed by architect Lina Ghotmeh. The announcement was made at the opening of the "Arduna" exhibition, a collaborative preview show featuring over 80 works by regional and international artists.
A Rembrandt drawing titled 'Young Lion Resting' (ca. 1638–43) sold for $18 million at Sotheby's New York on February 4, setting a new auction record for a work on paper by the artist. The sale price fell within the pre-sale estimate of $15–20 million and far surpassed the previous record of $3.7 million for a Rembrandt drawing.
The Metropolitan Opera is considering selling its two iconic Marc Chagall murals, 'The Sources of Music' and 'The Triumph of Music,' which have been appraised at $55 million. The institution's general manager, Peter Gelb, has proposed a sale with the condition that the buyer agrees to leave the works in place at Lincoln Center, with a donation plaque.
Performance artist Pat Oleszko, known for her satirical costumes and public interventions, is receiving significant institutional recognition in New York. At 78, she is featured in the 2026 Whitney Biennial and is the subject of a solo exhibition, "Fool Disclosure," at SculptureCenter, her first institutional solo show in the city in over 35 years.
The Flemish government in Belgium has reversed its controversial plan to dismantle Antwerp's Museum of Contemporary Art (M HKA). The original proposal would have stripped the museum of its status and transferred its permanent collection to another institution in Ghent, but following significant opposition, authorities have agreed to preserve M HKA as a museum with its collection intact.
The estate of movie poster artist John Alvin is seeking a single buyer for his entire archive of over 1,000 pieces, including original posters, sketches, and illustrations from the 1970s through the 1990s. The collection, stewarded by his widow Andrea Alvin since his death in 2008, features iconic work for films like E.T., The Lion King, and Blade Runner.
The Norman Lykes House, also known as the Circular Sun House, the final residential design by architect Frank Lloyd Wright, is listed for sale at $8.8 million. Designed in 1959 for clients Norman and Aimee Lykes, the Phoenix, Arizona home was completed posthumously in 1967 and is a rare example of Wright's late-career exploration of curvilinear, organic architecture.
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Seven heirs of the late department store magnate and art collector Max Julius Braunthal have filed a lawsuit in a French court, seeking to nullify the 1941 sale of Camille Pissarro's painting 'Haystacks, Morning, Eragny' (1899). They argue the sale was made under duress during the Nazi occupation of France. The painting is now in the collection of the Metropolitan Museum of Art, which maintains Braunthal received fair market value.
The Hirshhorn Museum and Sculpture Garden has launched a major partnership with the Art Bridges Foundation called '50 for 50'. This initiative will send long-term loans of significant American artworks from the Hirshhorn's collection to smaller museums in all 50 U.S. states and Puerto Rico, with loans lasting three to five years.
The Hammer Museum in Los Angeles has appointed Michael Wellen as its new chief curator and Regan Pro as chief of learning, engagement, and research. Wellen joins from Tate Modern, while Pro was previously at the Lucas Museum of Narrative Art. The appointments fill key leadership roles that had been vacant, with the chief curator position open since 2023.
Frederic Remington's 1905 painting *Coming to the Call* sold for $13.3 million at Christie's in New York, setting a new auction record for the artist. The work was part of the two-part sale "Visions of the West: The William I. Koch Collection," which became the most successful Western art auction ever, realizing $84.1 million.
Jeffrey Deitch's gallery has apologized for hosting a performance by rapper Lexa Gates that was deemed an unauthorized derivative of performance artist Miles Greenberg's work. Gates's 10-hour piece, 'The Wheel,' involved walking inside a spinning wheel at the gallery to promote her new album, closely echoing Greenberg's 24-hour 2020 work 'Oysterknife,' which was previously screened at the same location. The gallery stated it had rented the space to Gates's record company and was unaware of the event's content.
The past year saw major museum events dominated by high-stakes thefts and political interference. The Louvre in Paris suffered a shocking $102 million jewel heist in broad daylight, leading to arrests and an €80 million security overhaul. Other European museums, including the Drents Museum in the Netherlands, were also targeted, raising fears of an organized criminal network.
Newly released documents from the Department of Justice, part of the Jeffrey Epstein case, contain email exchanges from 2013 that reference prominent art collectors Steve Tisch and Jean Pigozzi. The emails show Epstein facilitating introductions between Tisch and multiple women, with discussions about their backgrounds and travel arrangements. Tisch has stated the association was brief and expressed regret.
Mexico City is renowned for its immense concentration of museums, with estimates ranging from 150 to 200 institutions. The city's art scene has been further amplified by the rise of Zona Maco, which has established a major international Art Week each February, drawing collectors and galleries. The article highlights five must-see museums, beginning with the Museo Anahuacalli, a unique museum built by Diego Rivera and architect Juan O'Gorman to house Rivera's vast collection of pre-Hispanic artifacts.
The Rijksmuseum in Amsterdam has secured a major loan of the ancient marble sculpture *Sleeping Hermaphroditus* from the Louvre in Paris. The work will be a centerpiece of the museum's upcoming exhibition "Metamorphoses," which opens on February 6, 2026, and explores themes of transformation drawn from Ovid's epic poem.
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Artist and writer Joseph Grigely has published a new essay collection, 'Otherhow: Essays and Documents on Art and Disability 1985–2024.' The book compiles decades of his work, blending art, autobiography, and advocacy through ephemera like postcards, emails, and legal documents to chronicle his experiences navigating the art world as a deaf man.
Sotheby's is launching its inaugural Old Masters Week at its new Breuer building location in New York with a special exhibition of works heading to auction. The centerpiece is the 'cimasa' (top panel) of Pietro Perugino's 'Decemviri Altarpiece' (1495), on an exceptional loan from Italy's National Gallery of Umbria and traveling outside Italy for the first time. After its display at Sotheby's, the panel will be exhibited at the Morgan Library and Museum alongside Giovanni Bellini's newly restored 'Pietà' (c. 1470), which is also making its U.S. debut.
Hong Kong's M+ museum has selected Pakistani American artist Shahzia Sikander's hand-painted animated film *3 to 12 Nautical Miles* (2026) for its latest M+ Facade commission, a massive LED media screen. Co-commissioned by M+ and Art Basel, the work will screen from March 23 through June 21. The animation explores entangled histories of empire and commerce, linking Imperial Britain, the Indian subcontinent, and Qing China, and chronicles the Mughal Empire's decline, the East India Company's rise, and the First Opium War.
A rediscovered 16th-century portrait by Sofonisba Anguissola, titled *Portrait of a Canon Regular* (1552), is being shown at the Winter Show at the Park Avenue Armory in New York. The painting was found in a private collection in Durham, North Carolina, after being known only through an old black-and-white photo at the Frick Art Reference Library. Old Master dealer Robert Simon is acting as the owners' agent, and the work is priced at $450,000.