A rare juvenile Ceratosaurus fossil sold for $30.5 million at Sotheby's New York, far exceeding its $6 million presale estimate after a six-minute bidding war. The 154-159 million-year-old specimen, discovered in 1996 at Wyoming's Bone Cabin Quarry, contains 139 original bone elements and stands over 6 feet tall. Sotheby's stated the buyer plans to loan the fossil to an institution.
On Monday, the UK Parliament will debate whether to ban sponsorship and advertising by fossil fuel companies, following a petition with over 100,000 signatures. The petition specifically cites the £50 million partnership between BP and the British Museum, arguing that such deals allow fossil fuel giants to greenwash their reputations. While the government has no current plans to restrict fossil fuel advertising, cultural institutions like the National Portrait Gallery, Tate galleries, and Royal Opera House have already ended sponsorship deals with BP. The British Museum has defended its BP deal, with director Nicolas Cullinan stating the funding helps keep the museum free to the public.
The Smithsonian Institution is facing renewed scrutiny from the Trump administration, this time targeting the National Museum of American History's permanent exhibition "Entertainment Nation." Fox News reported that the White House has raised concerns about wall texts in the display, which opened in 2022 and explores the entertainment industry's impact on American pop culture. One text notes that Mickey Mouse's design has roots in blackface minstrelsy, while another describes pop star Selena Quintanilla-Pérez as sparking conversations about identity and Latinx influence. A 1923 circus poster is accompanied by a placard linking circuses to colonial impulses. White House lawyer Lindsey Halligan criticized the exhibition as framing American culture as "inherently violent, imperialist, or racist." The Smithsonian has stated it is reviewing content to ensure it meets its standards of unbiased scholarship.
A 19th-century condom printed with a bawdy scene depicting a nun and three clergymen is on display at the Rijksmuseum in Amsterdam as part of the exhibition “Safe Sex?” The Catholic foundation Civitas Christiana staged a two-day protest outside the museum and launched a petition with over 1,000 signatures demanding the object's removal, calling it a grotesque insult to God, the Catholic Church, and the Dutch nation. Right-wing publications like De Dagelijkse Standaard have supported the protest, drawing comparisons to restrictions on depictions of Mohammed.
Two Benin Bronzes looted by British troops in 1897 have been returned to Nigeria by a British pensioner, Mark Walker, whose grandfather participated in the raid. The artifacts—a long-beaked bird and a monarch's bell—were handed over during a ceremony in Benin City in June 2014. Following the return, Nigerian officials, including Prince Edun Akenzua, renewed calls for the British Museum to repatriate its collection of some 800 Benin Bronzes, which remain on display in London.
The Vatican Museums have unveiled the final room of the Raphael Rooms in the Apostolic Palace after a decade-long cleaning and restoration. The project revealed that Raphael used a novel mural painting technique, applying oil paint directly to the wall rather than using traditional fresco. Restorers discovered a grid of metal nails embedded in the walls, intended to hold a natural resin surface for the oil paint, confirming earlier reports of this experimental approach. The room, dedicated to the Roman emperor Constantine, was completed by Raphael's students after his death in 1520.
New research challenges the long-held belief that Pharaoh Thutmose III destroyed statues of his predecessor Hatshepsut out of vengeful rage after her death in 1458 B.C.E. Jun Yi Wong, a research fellow at the Metropolitan Museum of Art, examined hundreds of statue fragments from Hatshepsut's mortuary temple at Deir el-Bahri in Luxor. His study, published in Antiquity on June 24, reveals that the statues were broken according to a ritual practice called deactivation—snapped at the neck, waist, and knees—while faces were left intact. Wong found that the fragments were not immediately buried but later reused by everyday Egyptians as building materials, suggesting pragmatic reuse rather than targeted erasure.
Researchers from the University of York have proposed that King Tutankhamun's iconic death mask, discovered in 1925 by Egyptologist Howard Carter, was not originally made for the young pharaoh. The theory, based on the mask's pierced ears—a feature typically found on female rulers and children—suggests it was intended for a regal female burial, possibly Queen Nefertiti. Analysis of the gold used on the face versus the rest of the mask indicates the face was added later, effectively grafted onto a pre-existing mask. This idea, first raised by British Egyptologist Nicholas Reeves in 2015, is supported by evidence that Tutankhamun's death at around age 19 was sudden, leading to a hurried burial with repurposed funerary objects.
The Syrian government has announced plans to reopen the ancient city of Palmyra to tourists as early as next summer, following extensive damage inflicted by ISIS. The historic UNESCO World Heritage Site, once attracting 150,000 visitors annually, was occupied twice by the terrorist group, which destroyed iconic structures including the Temple of Bel, the Temple of Baal Shamin, and the Arch of Triumph, and beheaded the city's head of antiquities, Khalid al-As'ad. Restoration efforts are underway with assistance pledged from UNESCO, Russia, Poland, and Italy, focusing on repairing the Old City and restoring artifacts such as the Lion of Al-lāt statue.
Iran and Israel have taken urgent steps to protect their cultural heritage amid escalating military hostilities, including air strikes on Tehran and Tel Aviv. Iran's Cultural Heritage Organization transferred museum artifacts to secure storage and closed all museums and heritage sites, with deputy minister Ali Darabi directing custodians to follow crisis protocols. Israeli institutions, including the Israel Museum in Jerusalem and the Tel Aviv Museum of Art, removed artworks from display to underground facilities and closed indefinitely, following Iran's retaliatory strikes on Tel Aviv.
South Korea President Yoon Suk-yeol has announced a $3.7 billion fund to support film, TV, art, and cultural projects, along with plans to transform the historic presidential residence Cheong Wa Dae (Blue House) into a cultural complex modeled after France's Palace of Versailles. The initiative aims to boost the country's cultural sector ahead of major art events including Frieze Seoul, Kiaf fairs, and the Busan Biennale. President Yoon also directed that state-owned art collections, including 23,000 works from the late Samsung Group chair Lee Kun-hee, be made accessible through nationwide tours, and that government art purchases prioritize works by disabled and emerging artists.
A new documentary titled *Secret Mall Apartment*, directed by Jeremy Workman and produced by Jesse Eisenberg, tells the true story of eight artists who secretly built and lived in a hidden apartment inside the Providence Place mall in Providence, Rhode Island, for four years in the late 1990s and early 2000s. Led by Michael Townsend, the group—including Adriana Valdez Young, Andrew Oesch, Jay Zehngebot, Colin Bliss, James Mercer, Greta Scheing, and Emily Ustach—transformed a forgotten dead zone of the corporate complex into a living space and art collective headquarters, calling the project "Malllife." The film features never-before-identified participants and footage of their discovery by mall authorities.
The National Etruscan Museum in Rome is undertaking a public restoration of the Sarcophagus of the Spouses, a 6th-century B.C.E. Etruscan terracotta tomb that was discovered in Cerveteri in 1881 and reassembled from 400 fragments by the museum's founder, Felice Barnabei. The open restoration will begin with the couple's legs, using digital technologies, and aims to highlight the work of art professionals while creating a long-term conservation plan for the masterpiece.
Archaeologists have discovered the base of the Bromeswell Bucket, a Byzantine-era vessel from Sutton Hoo in Suffolk, U.K., revealing that it was used as a cremation urn. The bucket, first found in fragments in 1986, 2012, and 2023, features a hunting scene and a Greek inscription. Excavations by the TV program Time Team, the National Trust, FAS Heritage, and volunteers uncovered the base, which contained cremated human and animal remains, including a skull and talus, as well as bones from an animal larger than a pig. The remains were likely stored in a bag, confirming the bucket's funerary purpose.
The European Union has sanctioned the “Tauric Chersonese” State Museum-Preserve in Crimea, marking the first time the EU has targeted a Russian museum. The museum and its director, Elena Morozova, were included in the latest round of sanctions for allegedly undermining Ukrainian cultural heritage by promoting pro-Russian narratives and supporting Russia's invasion of Ukraine. The site, a UNESCO World Heritage Site, has been accused of transforming into a historical park under Russian control since Crimea's annexation in 2014.
The Grand Egyptian Museum (GEM) in Giza has received another 163 artifacts from the tomb of King Tutankhamun, transferred from the Egyptian Museum in Cairo's Tahrir Square. This delivery includes the pharaoh's ceremonial chair, gilded footstool, canopic shrine, and jewelry, bringing the museum closer to staging the first-ever complete display of the boy king's treasures. The artifacts were transported with care and underwent condition reports at GEM's conservation labs. The final piece to arrive will be Tutankhamun's funerary mask, ahead of the museum's long-awaited grand opening on July 3.
A new study by Nicholas Brown, a postdoctoral fellow at Yale University, challenges the long-held interpretation of four clay troughs found in Tutankhamun's tomb. Discovered by Howard Carter in 1922, the troughs were previously dismissed as stands for gilded wooden staffs. Brown argues that the troughs' small bases could not have supported the staffs, and instead proposes they were used in the "Awakening of Osiris" ritual, holding libations of water for purification and rejuvenation in the afterlife. The study draws on material symbolism, including the Nile mud composition and the reed mats they rested on, to support this reinterpretation.
New York's Spring Break Art Show has returned to its namesake season, opening alongside Frieze New York after abruptly canceling its Los Angeles edition due to January's devastating fires. Founded by artist duo Andrew Gori and Ambre Kelly, the fair is now held in a former book printing office on Varick Street, featuring offbeat emerging art and boundary-pushing installations. Roughly a third of the presentations were already planned under the theme "Paradise Lost and Found," but the accelerated timeline led to last-minute additions, with some artists joining just the night before. Standout works include Louis Sarowsky's carved stone food sculptures, Kate Rusek's zero-waste porcelain pieces molded from trash, and Colin J. Radcliffe's ceramic sculptures reimagining queer figures in classical iconography.
An exhibition titled "Hidden Treasures" at Andalusia Farm in Milledgeville, Georgia, is showcasing dozens of previously unseen artworks by celebrated Southern Gothic writer Flannery O’Connor, including childhood drawings, cartoons, paintings on wood, a stuffed doll, and a 1952 self-portrait. The works were recently rediscovered in a storage unit behind a fast-food restaurant and in the attic of a townhouse belonging to O’Connor’s late cousin Louise Florencourt, who had guarded the archive for decades. The exhibition marks the centennial of O’Connor’s birth and is organized by the Andalusia Interpretive Center in partnership with Georgia College & State University.
Two legal challenges advanced on Thursday against the Trump administration's cuts to U.S. cultural agencies. A coalition of academic groups—the American Council of Learned Societies, the American Historical Association, and the Modern Language Association—filed a lawsuit to stop the "illegal dismantling" of the National Endowment for the Humanities, which in April announced a 70–80 percent staff reduction and cancellation of over 1,000 grants. Separately, a federal judge issued an emergency order temporarily blocking similar cuts to the Institute of Museum and Library Services, after the Department of Government Efficiency placed its 75-person staff on leave and the American Libraries Association brought suit.
The inaugural Aral Culture Summit (ACS) took place in Nukus, Uzbekistan, organized by the Uzbekistan Art and Culture Development Foundation (ACDF). The summit brought together around 500 attendees to explore how arts, cultural heritage, and design can support environmental regeneration in the Aral Sea region, which has suffered catastrophic ecological collapse due to Soviet-era river diversions for cotton farming. Speakers included Ivana Živković of the UNDP, Elena Kan of KIVA Center for Agroinnovations, Kazakh biodesigner Dana Molzhigit, and Belgian landscape architect Bas Smets, who discussed afforestation, climate resilience, traditional knowledge, and microclimate design.
A long-lost fragment of the Bayeux Tapestry, the 11th-century embroidered chronicle of the Norman Conquest of England, has been rediscovered in the Schleswig-Holstein State Archives in Schleswig, Germany. The roughly one-inch linen piece belonged to the estate of archaeologist Karl Schlabow, who had been part of a Nazi-affiliated group that re-measured the tapestry in 1941. The fragment will be repatriated to France later this year, but first it will go on public display at the Museum of Archaeology at Gottorf Castle as part of the exhibition “Viking Twilight: Turning Point in the North” from April 16 through November 2.
The Metropolitan Opera has staged Gabriela Lena Frank's first opera, *El Último Sueño de Frida y Diego*, which imagines a supernatural reunion between Frida Kahlo and Diego Rivera on Día de los Muertos. The production, conducted by Yannick Nézet-Séguin and starring Isabel Leonard and Carlos Álvarez, uses magical realism to explore the couple's turbulent relationship, though it largely sidelines their Communist activism and Kahlo's queer affairs in favor of a simplified reconciliation narrative.
Jongjin Park won the 2026 Loewe Foundation Craft Prize and €50,000 for his work "Strata of Illusion, 2025," which combines glassblowing and bookbinding techniques using porcelain-coated paper layers. The ceremony took place at the National Gallery Singapore, with a jury led by Loewe's new creative directors Jack McCollough and Lazaro Hernandez, alongside architects Minsuk Cho, Frida Escobedo, Wang Shu, and Patricia Urquiola. Special mentions went to Graziano Visintin for his necklace "Collier" and a collaborative piece by Baba Tree Master Weavers and Álvaro Catalán de Ocón. The exhibition of 30 finalists, selected from over 5,100 applicants across 133 countries, runs at the National Gallery Singapore through June 14.
TEFAF New York returns to the Park Avenue Armory from May 15-19, featuring 88 dealers and galleries from 14 countries across four continents. The fair distinguishes itself from competitors like Frieze, NADA, and Independent by offering an unusually broad range of works—from Modernist paintings and contemporary sculpture to ancient artifacts, fine jewelry, and design. Notable exhibitors include Gagosian showing Kathleen Ryan’s bejeweled fruit sculptures, Thaddaeus Ropac presenting newcomer Eva Helene Pade, and Belgian dealer David Lévy pairing Keith Haring with Willem de Kooning. Design is a particular highlight this year, with galleries such as Sarah Myerscough, Gomide&Co, and Modernity Stockholm showcasing everything from Shaker-inspired chairs to Brazilian modernist furniture and Scandinavian classics.
Cultured magazine asked 12 European collectors how they discover new talent, timed to the 61st Venice Biennale. Collectors like Nicole Saikalis Bay, Amélie du Chalard, Belma Gaudio, and Laurent Asscher share their personal approaches—ranging from emotional resonance and dialogue with existing works to long-term obsession with an artist before acquiring a piece. The responses reveal a diversity of methods, from instinct-driven buying to conceptual and technical evaluation.
Carol Bove, the Swiss-born, California-raised sculptor known for transforming steel into malleable, seductive forms, has opened a major career survey at the Guggenheim Museum in New York. The exhibition fills the museum's iconic rotunda, marking the largest stage of her career to date. The article also features a Q&A in which Bove discusses her influences (including filmmaker Stanley Kubrick), her love of driving, and her desire for more 'pointlessness' in the art industry.
On Friday night, Bobbi Salvör Menuez, Whitney Mallett, and quori Theodor hosted a fundraiser vintage sale above Chinatown at lighting design studio Blue Green Works, benefiting the Trans Justice Funding Project. The event featured poetry and literary readings, with designer donations from Lena Waithe, Pedro Pascal, Chloë Sevigny, Julia Fox, Tommy Dorfman, Conner Ives, and Eckhaus Latta, plus archival pieces from co-organizer John Mollet's personal collection including Hermès and a Jean Paul Gaultier ballet costume. Guests included artists, writers, and photographers such as Collier Schorr, K8 Hardy, and Erin Markey.
In 2015, photographer Peter Hujar experienced a mainstream resurgence when his work appeared on the cover of Hanya Yanagihara's novel *A Little Life*, in a campaign for menswear designer Patrik Ervell, and at Christie's, where his 1973 photograph *Candy Darling on Her Deathbed* sold for $50,000. Now, two new publications—*Stay Away From Nothing* and *The Wonderful World That Almost Was*—focus on Hujar's complex relationship with sculptor Paul Thek, who died nine months after Hujar from AIDS complications. Author Andrew Durbin, who wrote *The Wonderful World That Almost Was* and curated the group show "How Beautiful This Living Thing Is" at New York's Ortuzar gallery, discusses their elusive bond, rivalry, and the queer social dynamics that shaped their lives and art.
Fashion designer Gabriela Hearst and visual artist Adam Pendleton have collaborated on a limited edition of 25 Nina bags, reimagining Hearst's classic style with Pendleton's unique silkscreens. The bags are being sold this month at Sotheby's, with net sales proceeds going to preserve singer Nina Simone's childhood home, which Pendleton and other artists purchased in 2017. The collaboration coincides with Pendleton's exhibition "Love, Queen" at the Hirshhorn Museum in Washington, DC, running through January 2027.