filter_list Showing 7731 results for "olo" close Clear
search
dashboard All 7731 museum exhibitions 4337article news 758article local 678trending_up market 501article culture 463person people 292article policy 236rate_review review 198gavel restitution 130candle obituary 123article event 10article museum 2article events 2article museums 1
date_range Range Today This Week This Month All
Subscribe

New York's digital art gallery reboot

Two new galleries specializing in digital art have opened in New York's Lower East Side: Offline, a physical marketplace launched by the NFT platform SuperRare, and Heft Gallery, founded by curator and artist Adam Heft Berninger. Offline debuted in April with the exhibition "Mythologies for a Spiritually Void Time," featuring works by artists like Neal Cashman, while Heft Gallery focuses on artists using AI, code, and algorithms, with works such as Margaret Murphy's AI-generated photograph. Both spaces aim to bridge Web3 and traditional art venues, offering physical experiences for digital art.

We Know You’re Preparing for the Onslaught, so Here’s a List of 15 Solo Gallery Shows Worth Seeing in New York This Month

Cultured magazine has published a curated list of 15 solo gallery shows worth seeing in New York this September, highlighting exhibitions at venues such as Gagosian, Meredith Rosen Gallery, Michael Werner, 56 Henry, and Matthew Marks Gallery. Featured artists include Christopher Kulendran Thomas, whose AI-driven installation "Peace Core" re-edits pre-9/11 television footage alongside paintings of a Sri Lankan massacre; Catharine Czudej, who pairs consumerist paintings with merchandise and a new film; Florian Krewer, whose ominous animalistic paintings explore human emotion; Ohad Meromi, whose works focus on moments of rest and reflection; and Nayland Blake, whose three-part exhibition spans queer sexuality, the AIDS crisis, and new sculptural works.

Washington, D.C., Museums are Showcasing African American Art, Exhibitions Focus on Photography and the Black Arts Movement, Vivian Browne, Adam Pendleton & More

Museums across Washington, D.C., are currently presenting a robust slate of exhibitions focused on African American art, including major retrospectives, solo shows, and thematic group presentations. Notable shows include "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, "We Gather at the Edge: Contemporary Quilts by Black Women Artists" at the Renwick Gallery, solo exhibitions for Vivian Browne and Essex Hemphill at The Phillips Collection, Chakaia Booker's "In the Tower" at the National Gallery, and Adam Pendleton's "Love, Queen" at the Hirshhorn Museum. Additionally, collectors Larry D. and Brenda A. Thompson have pledged 175 works by Black artists to the National Gallery, with over 60 on view in "With Passion and Purpose."

Framing Van Gogh: why the artist did not want to surround his works with gold

London's National Gallery exhibition "Van Gogh: Poets & Lovers" displayed nearly all of its loaned paintings in ornate gilded frames, despite the artist's documented preference for simple, unadorned wooden frames. Van Gogh wrote to his sister Wil questioning the need for gilding, and Paul Gachet Jr., son of the doctor who cared for the artist, called gold frames around Van Gogh's works "an act of moral barbarism." A few exceptions stood out, including six paintings from the Kröller-Müller Museum in Otterlo, which were shown in replica frames based on early 20th-century designs by Jacob van den Bosch, and a Van Gogh from Tokyo's National Museum of Western Art that was reframed in a replica of a frame once owned by Dr. Paul Gachet.

A brush with… Jeffrey Gibson—podcast

This podcast episode features artist Jeffrey Gibson, who discusses his interdisciplinary practice blending Indigenous histories, queer aesthetics, and contemporary visual culture. Gibson talks about his upcoming exhibitions, including his U.S. Pavilion presentation at the 2024 Venice Biennale, a show at Hauser & Wirth in Paris, and major museum commissions at the Metropolitan Museum of Art, MASS MoCA, The Broad, and Kunsthaus Zürich. He reflects on influences from Henri Matisse, Magdalena Abakanowicz, Frank Bowling, and David Hammons, as well as his connection to poet Layli Long Soldier and writer Hélène Cixous.

Alton Yan

Alton Yan has been appointed as the new director of the Asia Society Museum in New York, effective immediately. Yan, previously a curator at the museum, succeeds the outgoing director and brings extensive experience in Asian contemporary art to the role.

This Contemporary Icons Auction Packs Blue-Chip Firepower

Artnet Auctions has launched "Contemporary Icons: Part II," a summer auction now live for bidding through August 20, 2025. The sale features over 100 lots from a single private collection, including works by blue-chip artists such as Rashid Johnson, Jean-Michel Basquiat, Shara Hughes, Marilyn Minter, Tunji Adeniyi-Jones, and Jean-Baptiste Bernadet. Highlights include Johnson's "Write me In" (est. $120,000–$180,000) and Adeniyi-Jones's "ESHU" (est. $60,000–$80,000). Head of post-war and contemporary art Johannes Vogt noted the rarity of an online auction offering so many lots from one cohesive collection, with most pieces acquired in the last 15 to 20 years.

Revealed: Picasso’s granddaughter owned a Van Gogh—which she sold at Sotheby’s

Marina Picasso, granddaughter of Pablo Picasso, owned a Vincent van Gogh watercolor titled *Woman in a Wood* (September-October 1882), which she sold at Sotheby’s in New York on May 13 for $952,500. The work, which also features a sketch of a fishing boat on its reverse, was purchased by Marina in 1987 through Swiss dealer Jan Krugier from a Tehran-based collector. The sale was not publicly known until just before the auction. The article also notes that a separate Van Gogh oil painting, *In the Dunes* (September 1883), sold at Christie’s the previous day for $4 million from the collection of US businessman Jeffrey P. Draime.

Amy Sherald Withdrew 'American Sublime' Exhibition From Smithsonian National Portrait Gallery, Citing 'Culture of Censorship'

Amy Sherald has withdrawn her exhibition 'American Sublime' from the Smithsonian's National Portrait Gallery, citing a 'culture of censorship' after the museum raised concerns about including her painting 'Trans Forming Liberty' (2024), a portrait of a trans woman posed like the Statue of Liberty. The show, slated to open in September, would have been the first solo exhibition of a Black female artist at the museum since it opened in 1968. Sherald stated that institutional fear shaped by political hostility toward trans lives influenced the museum's request to remove the work, and she decided to cancel the show to preserve the integrity of her vision.

On View: 'Amy Sherald: American Sublime' at Whitney Museum of American Art in New York Charts Artist's Two-Decade Career

The Whitney Museum of American Art in New York has opened "Amy Sherald: American Sublime," the largest exhibition of the artist's work and her first solo museum show in the city. Featuring over 40 paintings created between 2007 and 2024, the exhibition includes iconic portraits of Michelle Obama and Breonna Taylor, as well as works inspired by Alfred Eisenstaedt's famous photograph and filmmaker Wes Anderson. The show is organized chronologically, beginning with the rarely seen "Hangman" (2007), and includes "If You Surrendered to the Air, You Could Ride It" (2020), shown for the first time since its acquisition by the Whitney five years ago.

Van Gogh was not fantasising when he painted mountain landscapes with ‘The Two Holes’

Martin Bailey, a leading Van Gogh specialist, reveals that the distinctive rock formation known as Le Rocher des Deux Trous (The Rock of the Two Holes), which appears in two of Vincent van Gogh's paintings—The Olive Trees (June 1889) and Mountains at Saint-Rémy (July 1889)—is a real geological feature near the asylum in Saint-Rémy-de-Provence, not a figment of the artist's imagination. The two paintings, held by the Museum of Modern Art and the Solomon R. Guggenheim Museum in New York, were recently displayed together at London's National Gallery exhibition Van Gogh: Poets & Lovers (14 September 2024–19 January 2025), offering a rare chance to compare them. Bailey traces the history of the formation, noting that an anonymous 17th-century artist also depicted it, and describes a walking route from the former asylum to the site.

In Light of Innocence Raúl de Nieves

Raúl de Nieves's first solo institutional show in New York City, titled "In Light of Innocence," has opened at Pioneer Works. The exhibition transforms the Main Hall into an immersive, cathedral-like environment featuring 50 faux stained glass panels, a monumental lightbox mural, and works that blend Catholic, Mexican folkloric, and tarot symbolism. The artist uses humble materials like paper, wood, glue, tape, and colored acetate to create kaleidoscopic, light-responsive installations that shift throughout the day.

What’s on now at San Francisco museums, July 2025

The article provides a roundup of current and upcoming exhibitions at San Francisco museums and galleries in July 2025. Highlights include 'People Make This Place: SFAI Stories' opening July 26 at SFMOMA, 'Jess Young: Return' at 500 Capp Street, and 'Ferlinghetti for San Francisco' at the Legion of Honor. Shows closing soon include 'Yuan Goang-Ming: Everyday War' at the Asian Art Museum and 'Wayne Thiebaud: Art Comes from Art' at the Legion of Honor. The gallery scene is covered with mentions of Voss Gallery, Incline Gallery, and Hosfelt Gallery, along with ongoing exhibitions like 'Kunié Sugiura: Photopainting' and 'Ruth Asawa: Retrospective' at SFMOMA.

Jenny Saville: The Anatomy of Painting

The National Portrait Gallery in London is hosting a major exhibition of Jenny Saville's work, titled "Jenny Saville: The Anatomy of Painting," running from 20 June to 7 September 2025. The show brings together some of Saville's most monumental paintings, including works like "Hyphen" (1999) and "Reverse" (2002-03), drawn from private collections and courtesy of Gagosian. The article traces Saville's career from her early days as a committed child artist, through her studies at Glasgow School of Art and the University of Cincinnati, to her breakthrough when collector Charles Saatchi purchased her entire degree show in 1992, enabling her to create large-scale works for a solo exhibition.

Art Basel Qatar unveils new fair format and appoints Artistic Director

Art Basel has announced details for its inaugural edition in Qatar, set to take place from February 5 to 7, 2026, at the M7 creative hub in Doha's Design District. Departing from the traditional booth model, the fair will introduce an open-format exhibition centered on the theme 'Becoming,' with solo presentations by galleries responding to a central curatorial framework. Egyptian-born artist Wael Shawky has been appointed Artistic Director for the first edition, working alongside Art Basel's Chief Artistic Officer Vincenzo de Bellis to shape the curatorial vision and guide gallery selection. The fair will span two key venues—M7 and the Doha Design District—as well as public sites in Msheireb, and plans include transforming Qatar Museum's Fire Station into a platform for educational programs.

Remembering Peter Phillips, the pioneering British Pop artist, who has died, aged 86

British Pop artist Peter Phillips has died at age 86. Known for his collage-like, saturated compositions incorporating mechanical parts, comic books, and pin-up imagery, Phillips emerged from Birmingham's industrial landscape and studied at the Royal College of Art alongside peers like David Hockney and R.B. Kitaj. His work, such as *The Entertainment Machine* (1961) and the *Custom Painting* series, reflected his working-class upbringing and fascination with car manufacturing and commercial design.

At Baltimore Museum of Art, a new exhibition asks us to consider the connections between race, colonialism and the climate crisis

The Baltimore Museum of Art has opened "Black Earth Rising," an exhibition organized by British curator and writer Ekow Eshun. The show brings together thirteen African diasporic, Latin American, and Indigenous artists—including Frank Bowling, Jaune Quick-to-See Smith, Yinka Shonibare, Wangechi Mutu, Alejandro Piñeiro Bello, Firelei Baez, and Tyler Mitchell—to explore the connections between race, colonialism, and the climate crisis. Eshun also authored an accompanying book that pivots environmental debates away from a Eurocentric viewpoint, emphasizing that the Global South bears the brunt of climate change despite being least responsible for it. The exhibition critiques the term "Anthropocene" and instead promotes the concept of the "Plantationocene," which traces environmental destruction back to 15th-century European colonization and the plantation system.

Party time: Cate Blanchett, Beth Ditto, Lily Allen and more light up glitzy Serpentine summer bash

The Serpentine in London hosted its annual invitation-only Summer Party, a glitzy fundraising gala that drew a mix of art, fashion, tech, and showbiz figures. For the first time since 2000, a single artist co-hosted the event: Australian actor and humanitarian Cate Blanchett. The evening featured the Lego Group's bright orange Play Pavilion, a reimagined installation by Indian artist Subodh Gupta, and the Serpentine Pavilion designed by Bangladeshi architect Marina Tabassum. Notable attendees included sculptors Thomas J. Price and Antony Gormley, artists Grayson Perry, Es Devlin, and Yinka Shonibare, along with celebrities like Lily Allen, Beth Ditto, will.i.am, and Jessica Gunning. The event also highlighted Giuseppe Penone's exhibition 'Thoughts in the Roots' and was supported by partners including Bloomberg Philanthropies, Ruinart, Gagosian, and Google Arts & Culture.

What’s on now at San Francisco museums, June 2025

This article from Mission Local provides a roundup of current and upcoming exhibitions at San Francisco museums and galleries in June 2025. Highlights include the reopening of 500 Capp Street with "Mildred Howard Collaborating with the Muses Part 2" and a forthcoming show celebrating the 50th anniversary of Ant Farm's "Media Burn." At the de Young Museum, Henri Matisse's "Jazz Unbound" closes July 6, Isaac Julien's first U.S. retrospective runs until July 13, and Paul McCartney's photography exhibition has been extended to October. SFMOMA's "Around Group f.64" closes July 13, and the Asian Art Museum features "Yuan Goang-Ming: Everyday War" through August 4. The piece also notes Ashley Voss's local gallery guide and a Q&A with Isaac Julien.

Post-Minimalist sculptor Joel Shapiro has died, aged 83

Post-Minimalist sculptor Joel Shapiro died on 14 June in Manhattan at age 83 from acute myeloid leukemia. Best known for vibrant, humanoid sculptures built from wooden beams that balance abstraction and figuration, Shapiro completed over 30 public commissions, including *Loss and Regeneration* (1993) at the United States Holocaust Memorial Museum. His career began with fingerprint drawings that caught gallerist Paula Cooper's attention, leading to a 1982 mid-career retrospective at the Whitney Museum of American Art. He later showed at Pace Gallery and other major venues, with his most recent solo exhibition at Pace in New York in September 2024.

On View: 'Jack Whitten: The Messenger' at Museum of Modern Art in New York is First Full Retrospective of Pioneering Artist

The Museum of Modern Art (MoMA) in New York has opened "Jack Whitten: The Messenger," the first full-scale retrospective of the pioneering abstract artist Jack Whitten (1939-2018). The exhibition features over 175 works spanning six decades, including paintings, sculptures, and works on paper, alongside archival materials. Whitten, known for his inventive techniques such as using squeegees, rakes, and Afro combs to manipulate paint, explored themes of race, identity, history, and technology. Key works include "Birmingham 1964," inspired by the 1963 church bombing, and "9.11.01," responding to the September 11 attacks. The show runs from March 23 to August 2, 2025, exclusively at MoMA.

Hot new artist: Jadé Fadojutimi, a colour genius

The article profiles painter Jadé Fadojutimi, highlighted as a "colour genius" by curator and advisor Hervé Mikaeloff in Numéro art's series on hot new artists during the 56th edition of Art Basel. Fadojutimi's large-format, near-abstract compositions feature rich fuchsias, indigos, and yellows with expressionist brushstrokes and oil pastel marks, evoking plant worlds and musical scores. Her work has been shown internationally, including at the Hayward Gallery, Kunstmuseum Bonn, the 59th Venice Biennale, and the National Art Museum in Osaka, and she is represented by Gagosian, Galerie Gisela Capitain, and Taka Ishii. Her first Gagosian solo show in New York in 2024 incorporated a soundtrack, underscoring the role of music, fashion, and animation in her practice.

New venue for video, sound and other durational art forms coming to Manhattan

A new nonprofit venue for durational art, Canyon, will open on Manhattan's Lower East Side in 2026. Founded by philanthropist Robert Rosenkranz through the Rosenkranz Foundation, the 40,000-square-foot adaptive reuse space is overseen by Joe Thompson, founding director of Mass MoCA. Designed by architecture firm New Affiliates, Canyon will feature 18,000 square feet of galleries for video and audio, a 60-foot-tall central plaza, a 300-seat performance hall, bars, a cafe, and a restaurant. Cass Fino-Radin joins as director of art and technology, with Sam Ozer as curator-at-large. Planned programming includes a retrospective of Ryoji Ikeda and a group exhibition curated by Hans Ulrich Obrist titled "Worldbuilding."

Anna Maria Maiolino: ‘My body speaks to me and I’ve been listening to it since I was really young’

Anna Maria Maiolino, an 83-year-old Italian-born Brazilian artist, is the subject of a feature interview following her first solo exhibition in France, titled "Estou Aqui (I am here)", at the Musée Picasso in Paris. The exhibition spans her career of over 60 years and includes newly commissioned work. Maiolino, who won the Golden Lion for Lifetime Achievement at the 2024 Venice Biennale, discusses her migration from Italy to Venezuela to Brazil, her time in New York, and her return to São Paulo. She reflects on her artistic practice, which evolved from gestural works on paper and film to clay installations, and her engagement with themes of exile, language, and memory, often using simple materials like paper, cement, and clay.

Introducing CULTURED’s Inaugural Young Dealers List

CULTURED magazine has launched its inaugural Young Dealers List, highlighting 23 galleries under five years old that are reshaping the art world. Selected from over 100 recommendations gathered from more than 40 collectors, advisors, and curators, the list features ambitious new spaces in cities from Accra to Berlin. One featured gallerist, Adora Mba of ADA \ Contemporary Art Gallery in Accra, comes from a family of collectors and opened her gallery after working as a cultural news producer; she has dedicated her 2025 program to women artists and curators.

8 Must-See Solo Gallery Shows in June

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for June, featuring artists from New York to Los Angeles. Highlights include Will Cotton's fantasy paintings of cowboys and mermaids at Templon in New York, Salman Toor's narrative works depicting gay South Asian diaspora life at Luhring Augustine, and Beverly Fishman's hybrid sculptural paintings addressing the pharmaceutical industry at Miles McEnery Gallery.

In Galerie Sardine, a New Idea of What the Art Gallery Can Be

Artist Joe Bradley and his wife Valentina Akerman, neither of whom had run an art gallery before, opened Galerie Sardine in a 1701 farmhouse on Main Street in Amagansett, Long Island. The gallery, named after a small fish to convey modesty and portability, attracted crowds of local and visiting art lovers, including prominent dealer Larry Gagosian. The article profiles the couple's backgrounds—Akerman, an architect and former art director from Colombia, and Bradley, a painter who rose to prominence with a solo show at MoMA PS1 in 2006 and now shows with David Zwirner.

11 Must-See Museum Exhibitions This Summer

This article highlights 11 must-see museum exhibitions for summer 2025, curated by Monica Jae Yeon Moon. Key shows include Melissa Joseph's site-specific installation 'Tender' at the Brooklyn Museum, a comprehensive solo exhibition of 18th-century Dutch still life painter Rachel Ruysch at the Toledo Museum of Art and Museum of Fine Arts Boston, and a queer photography exhibition at the Getty Center. Other notable events include the Venice Architecture Biennale, Berlin Biennale, and Ljubljana Biennial, with a focus on women artists like Emily Kam Kngwarray and Takako Yamaguchi receiving overdue recognition.

Folklore, mythology and tradition: five must-see shows at London Gallery Weekend

London Gallery Weekend features several exhibitions that draw on folklore, mythology, and traditional processes, offering a counterpoint to the AI-dominated art world. The article highlights five female artists whose shows span from Argentina to Australia to South Korea: Anna Perach at Richard Saltoun explores ancient folklore and identity through tufted sculptures; Francis Upritchard at Kate MacGarry presents uncanny sculptures inspired by mythology and science fiction; and Soyoung Hyun at IMT Gallery examines memory and ritual through clay vessels and shadow works. Other shows include indigenous Aboriginal artist Emily Kam Kngwarray and New Zealand-born Upritchard, who borrows from diverse cultural sources.

15 Art Shows to See in Upstate New York This Summer

This guide highlights 15 art exhibitions across Upstate New York for summer, featuring moody paintings by Emily Pettigrew at Fenimore Art Museum, Native artists exploring time and memory at Hudson River Museum, Renée Green’s conceptual word shuffling at Dia Beacon, and Black history in the Hudson Valley at Vassar College's Loeb. Other shows include Arlene Shechet's intimate sculptures at Catskill Art Space and Larry Fink's photography at CPW in Kingston.