Miniature Model and Giant Buddha

This Hyperallergic newsletter covers multiple New York art stories: Joe Macken's 50-foot hand-built wood replica of New York City now on long-term view at the Museum of the City of New York, Tuan Andrew Nguyen's towering Buddha sculpture on the High Line referencing the destroyed Bamiyan Buddhas, and the MoMA PS1 survey "Greater New York." It also reports on CONDUCTOR, New York's first art fair committed to the global majority, a new experimental artist-run space called The Gallery in Brooklyn, and reviews of Mark Milroy at JJ Murphy and Kim Gordon at Amant.

The Biggest Week of the Spring?

Hyperallergic's newsletter provides a comprehensive overview of a packed week in New York's art scene. Key events include the reopening of the New Museum after its OMA-designed expansion, the concurrent runs of the Affordable Art Fair and Outsider Art Fair, and the city-wide Asia Art Week. The publication also offers a critical assessment of the 2026 Whitney Biennial and a guide to upcoming spring art fairs.

OSCAR MURILLO: PAINTING AS A WELL OF ACCUMULATION

ÓSCAR MURILLO: LA PINTURA COMO POZO DE ACUMULACIÓN

The article profiles Colombian-born artist Oscar Murillo and his expansive, socially-engaged practice. It details his rise to international prominence in the early 2010s with large-scale paintings that incorporate text, textiles, and studio detritus, and highlights his ongoing, collaborative project 'Frequencies,' which involves students from over thirty countries creating works on canvases attached to school desks. The piece also references his major solo exhibitions, including 'El pozo de agua' at kurimanzutto in Mexico City (2026), 'Masas' at WIELS in Brussels (2024), and 'The flooded garden' at Tate Modern (2024).

5 Must-See Exhibitions During Milan Art Week 2026

Milan Art Week 2026 features a robust program of institutional exhibitions alongside the miart and Paris Internationale Milano fairs. Key highlights include Cao Fei’s multimedia exploration of smart agriculture at Fondazione Prada, Anselm Kiefer’s monumental tribute to forgotten female alchemists at Palazzo Reale, and a major retrospective of Rirkrit Tiravanija’s architectural research at Pirelli HangarBicocca.

Aneta Grzeszykowska Shoots Poetic Portraits in a Mask of Herself at Age 14

Polish artist Aneta Grzeszykowska is presenting two photo series in New York: "Mama" (2018), featuring a life-like doll of herself played with by her young daughter, and "Daughter" (2025), for which she wears a mask of her 14-year-old self and poses with family members. "Mama" is included in the "New Humans" exhibition at the New Museum and previously appeared in the 2022 Venice Biennale's "Milk of Dreams." "Daughter" is on view at Lyles & King gallery on the Lower East Side through May 9, and also in the group show "Adolescence" at the Zachęta National Gallery of Art in Warsaw. The series extend Grzeszykowska's long-standing practice of manipulating family photographs, which began with her 2005 series "Album," where she removed herself from old family pictures.

Alma Allen’s US Pavilion Is One of the Emptiest Shows at the Venice Biennale

Alma Allen represents the United States at the 2026 Venice Biennale with a subdued, apolitical exhibition inside the US Pavilion. The show features roughly 25 sculptures—mostly in bronze, wood, and stone—many titled "Not Yet Titled," and deliberately avoids overt political messaging. This marks a stark departure from the previous two US pavilions, curated by Simone Leigh (2022) and Jeffrey Gibson (2024), which directly confronted colonialism and empire. The Trump administration’s call for proposals explicitly asked for work that "reflects and promotes American values," and Allen’s presentation has been criticized as safe, unremarkable, and lacking the incisive edge of contemporary American art.

Lévy Gorvy Dayan Bets on Urgency With New LGD Hammer Sales Platform

Lévy Gorvy Dayan has launched LGD Hammer, a new sales platform that blends gallery exhibition with auction-style urgency. The first work offered is Willem de Kooning's *Milkmaid* (1984), estimated at $10–$15 million, which will be on view by appointment from May 2 until the sale on May 16. Gallery cofounder Dominique Lévy will serve as auctioneer, drawing on her Christie's experience, while bidding occurs by phone with online observation. Cofounder Brett Gorvy emphasized the platform is not a market overhaul but a response to slowed private sales and cautious collectors who still respond to competitive pressure.

How Will the Venice Biennale Impact Alma Allen’s Market?

Artist Alma Allen has been selected as America's representative at the Venice Biennale, sparking controversy due to the unusual selection process under President Trump. The pavilion is commissioned by the newly formed American Arts Conservancy, led by Jenni Parido, who previously ran a pet food lifestyle shop and entered Trump's orbit through Mar-a-Lago pet charity events. Following the announcement, Allen's galleries Olney Gleason and Mendes Wood DM dropped him, but he was quickly picked up by high-profile gallery Perrotin. The article examines how the Biennale and its attendant drama might affect Allen's market, noting his longtime collectors include Beth Rudin DeWoody, Peter Morton, Jack Pierson, and others, while his auction prices have remained modest.

Natasha Tontey to Unveil Major New Immersive Installation Exploring Indigenous Resistance During Venice Biennale

Artist Natasha Tontey will unveil a major immersive installation titled "The Phantom Combatants and the Metabolism of Disobedient Organs" during the Venice Biennale at the Ateneo Veneto di Scienze, Lettere ed Arti. Jointly commissioned by Berlin’s LAS Art Foundation and Helsinki’s Amos Rex, the work combines video, sound, light, and sculpture to reimagine the story of Len Karamoy, a combatant in the CIA-supported Permesta movement that fought the Indonesian government from 1957 to 1961 in North Sulawesi. Tontey, a Minahasan Indigenous artist, uses LiDAR, quantum ghost imaging, and other technologies to explore Indigenous identity, ecology, and the blurring of history and myth.

Barbara Chase-Riboud Says She Declined US Pavilion Offer Because It Was ‘Not the Moment’

Sculptor Barbara Chase-Riboud has revealed she declined an offer to represent the United States at the 2025 Venice Biennale, stating that for her, "this was not the moment." The offer was made by the American Arts Conservancy, the nonprofit organization commissioning the US Pavilion. The revelation comes amid ongoing scrutiny of the selection process that ultimately led to artist Alma Allen being chosen, following reports that the Trump administration removed diversity language from application materials.

The Best Booths at Expo Chicago, From a 16th-Century Belgian Manuscript to a Painting of a Mariachi Band

The 13th edition of Expo Chicago has opened at Navy Pier with a streamlined selection of 130 international exhibitors. This year’s fair features a more curated and manageable scale, drawing a significant crowd of museum directors, curators, and collectors to the Windy City. Notable presentations range from contemporary Canadian artist duos to rare historical artifacts, reflecting a high bar for quality across diverse media.

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The thirteenth edition of Expo Chicago opened its VIP preview at Navy Pier with a streamlined floor plan and a focus on emerging talent. Despite a generally slow global art market, exhibitors reported strong early sales, including Nashville-based artist Annie Brito Hodgin’s debut outside her home state and Wenhui Hao’s near-sell-out presentation with Half Gallery. The fair’s decision to reduce the number of exhibitors from 170 to 130 was widely praised by dealers for improving the quality of presentations and making the event more navigable for collectors.

Obama Presidential Center Announces Final Cohort of Commissions Ahead of June Opening, Including María Magdalena Campos-Pons, Jeffrey Gibson, Lorna Simpson

The Obama Presidential Center in Chicago has unveiled its final cohort of artist commissions ahead of its scheduled opening in June. This group includes high-profile contemporary artists such as Njideka Akunyili Crosby, Jeffrey Gibson, and Lorna Simpson, who will contribute site-specific works ranging from a multi-layered portrait of the Obamas to a 34-foot stainless steel sculpture by Martin Puryear honoring the late John Lewis. These eight artists join a previously announced roster, bringing the total number of new commissions for the 19.3-acre South Side campus to 30.

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Ariana Papademetropoulos has debuted a new solo exhibition titled "Glass Slipper" at Thaddaeus Ropac’s gallery in Paris. The show features a diverse range of works, including hyper-realistic paintings of dry-cleaned dresses, surrealist landscapes featuring floating chairs, and a central immersive installation. This centerpiece consists of a mattress and a fish tank filled with 150 kissing fish, accompanied by a commissioned ambient soundtrack by Nicolas Godin of the band Air, designed to evoke a meditative, ritualistic experience.

Patron Gallery Adds Miao Wang to Its Roster, and More: Industry Moves for April 1, 2026

Several galleries announced new artist representations and expansions. Patron Gallery added painter Miao Wang, who will appear at Expo Chicago; Jessica Silverman added Neo-Pop painter Koak; Anat Ebgi added painter Veronica Fernandez; and Sundaram Tagore Gallery opened a new London space. Additionally, Open Restitution Africa launched an AI-powered database to assist with restitution processes.

The Best Booths at Art Basel Hong Kong, From AI Magical Girls to Asia’s Unsung Masters

Art Basel Hong Kong 2026 showcased a vibrant array of talent, with standout presentations across its curated sectors like Discoveries and Insights. Highlights included Vin Gallery's ceramic skeleton shadow puppets by Ako Goto, Lucie Chang Fine Arts' case for the late painter Zhu Xinjian, and gdm's pairing of Kongkee's lightbox sculptures with abstract works by Thai modernist Tang Chang. The fair also featured a monumental, self-sabotaged neon sign by Kongkee reading "Price / Value."

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Stephen Friedman Gallery, a fixture of London’s Mayfair district since 1995, has abruptly entered administration and closed its doors to the public. The gallery confirmed the insolvency process following its last-minute withdrawal from the inaugural Art Basel Qatar. Approximately 25 employees are expected to be laid off, and represented artists have been advised to retrieve their works immediately as the firm undergoes a financial review by FRP Advisory.

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Artist Kara Walker has transformed a decommissioned monument of Confederate General Stonewall Jackson into a new, grotesque sculpture titled "Unmanned Drone" (2023). After curator Hamza Walker secured the bronze statue from Charlottesville, Virginia, the artist reconfigured its parts at a New York foundry to create a 12-foot horse-man hybrid that subverts traditional heroic iconography. The work is currently the centerpiece of the "Monuments" exhibition at the Brick in Los Angeles, co-presented by MOCA LA.

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A painting by David Salle titled "Hatchet" (2025) was removed from his solo exhibition at Sprüth Magers in Los Angeles following allegations of plagiarism. Critics and social media users pointed out that the work's central figure—a woman in a black-and-white dress holding a sledgehammer—bore a striking resemblance to the 2021 painting "Impact" by artist Kelly Reemtsen. While Salle is a pioneer of the Pictures Generation known for appropriation, the gallery stated the work was withdrawn out of respect for both artists and to acknowledge the ongoing dialogue regarding authorship.

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Mnuchin Gallery, a prominent Upper East Side gallery founded by former Goldman Sachs executive Robert Mnuchin, will permanently close at the end of February. The closure follows the death of its founder in December 2025, with the gallery stating its program was an expression of his singular vision.

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A luxury condominium development in Miami's Wynwood neighborhood, branded with Frida Kahlo's name and image, has begun selling units despite construction not yet starting. The project, called the Frida Kahlo Wynwood Residences, features a 14-story tower designed by architect Carlos Ott with a massive portrait of the artist on its facade and plans for 244 furnished units priced from $500,000 to $1.6 million.

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Dealer Gordon VeneKlasen has announced plans to open his own eponymous gallery after separating from Michael Werner Gallery, where he ran the New York space for over 30 years. As part of the agreement, VeneKlasen will take over Werner's New York and London locations, while the short-lived Los Angeles branch of Michael Werner Gallery will close. Two longtime employees, Justine Birbil and Kadee Robbins, have been promoted to partners at VeneKlasen Gallery. The gallery will debut at the inaugural Art Basel Qatar with a solo presentation of works by Issy Wood, followed by exhibitions of Sigmar Polke's paintings in New York and London.

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New York’s Jeffrey Deitch gallery apologized to artist Miles Greenberg after rapper Lexa Gates staged a performance inside a giant wheel at the gallery on January 14 to promote her album. Greenberg noted striking similarities to his own endurance piece Oysterknife, in which he walked on a conveyor belt for nearly a full day, first performed at the Marina Abramović Institute in 2020 and restaged at Jeffrey Deitch in 2021. Gates responded that she had never seen Greenberg’s work, but the gallery later acknowledged an “unauthorized derivative” of Greenberg’s work had taken place without his consent.

veneklasens post werner plans sothebys saudi arabia sale morning links for january 28 2026 1234771198

Dealer Gordon VeneKlasen has announced plans to relaunch his gallery under his own name, VeneKlasen Gallery, after splitting from Michael Werner Gallery. He will take over the New York and London locations, while Werner's Los Angeles outpost will close. Justine Birbil and Kadee Robbins have been promoted to partners. The gallery will debut at Art Basel Qatar with a solo presentation by Issy Wood and will host inaugural exhibitions of works by Sigmar Polke. Separately, a rare 16th-century portrait by Sofonisba Anguissola, "Portrait of a Canon Regular" (1552), has been rediscovered and is on view at the Winter Show at Manhattan's Park Avenue Armory, at the booth of dealer Robert Simon. The work was found in a private collection in Durham, North Carolina, after being thought lost.

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The Gordon Parks Foundation is celebrating its 20th anniversary in 2026, marking two decades since the founding of the organization dedicated to preserving the legacy of photographer and artist Gordon Parks. Executive Director Peter W. Kunhardt, Jr. reflects on the foundation's growth, including exhibitions, museum partnerships, publications, and fellowships that support emerging artists. The foundation was co-founded by Parks and Kunhardt's grandfather, Phil Kunhardt, in 2006. As part of the anniversary, the foundation is publishing a new edition of "Gordon Parks: Diary of a Harlem Family, 1967/1968" and will realize three gallery exhibitions, starting with "We Shall Not Be Moved" at Alison Jacques Gallery in London, curated by Bryan Stevenson.

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Artist Gabrielle Goliath was dropped by her South African representative, Goodman Gallery, before the cancellation of her proposed Venice Biennale pavilion, according to a report by Daily Maverick. Goliath was one of around a dozen artists who exited the gallery between last fall and the present. The gallery clarified that it did not end representation because of her pavilion, citing a structural business review and market contraction. Goliath had been with the gallery for over a decade and will continue to be represented by Galleria Raffaella Cortese. After her representation ended, South African culture minister Gayton McKenzie canceled her pavilion, which was to address killings of women and queer people in South Africa, a genocide in Namibia, and Israel’s war in Gaza. McKenzie denied censorship, claiming interference by an unnamed foreign country, later reported by Ynetnews to be Qatar.

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South Africa's government abruptly canceled its pavilion at the 2025 Venice Biennale, pulling the plug on artist Gabrielle Goliath's video installation "Elegy" just days before the deadline. The work, a ritual of mourning featuring seven women singers sustaining a single B note, was dedicated to victims of femicide and expanded to include references to Namibia and Gaza. Sports, Art, and Culture minister Gayton McKenzie deemed the Gaza section "divisive," prompting Goliath and curator Ingrid Masondo to appeal directly to President Cyril Ramaphosa and the foreign ministry. Meanwhile, the Smithsonian Institution submitted photographs of wall labels and exhibition texts to the Trump Administration in response to a "content review" ultimatum, with Secretary Lonnie G. Bunch III confirming compliance while asserting curatorial authority. Roland Augustine, cofounder of Luhring Augustine, announced he is stepping down to focus on philanthropy, marking a transition for the New York gallery.

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The 12th edition of Uruguay's Este Arte fair took place last week in José Ignacio, featuring 14 exhibitors and attracting 5,000 visitors over four days. Notable works included Vanderlei Lopes's aluminum installation resembling a silver leak, Germán Tagle's liquid landscapes paired with altered New York Times front pages, and Diego Bianchi's chimeric sculptures. The fair favored abstraction, with strong sales reported across galleries such as Almeida & Dale, Aninat Galeria, Galerie Jocelyn Wolff, Piero Atchugarry Gallery, and Black Gallery.

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François-Xavier Lalanne’s copper sculpture-bar 'Hippopotame Bar' sold for $31.4 million at Sotheby’s in New York, more than tripling its $7–10 million estimate after a 26-minute bidding war among seven bidders. The work, commissioned in 1976 by patron Anne Schlumberger and unique in its copper execution, set a new auction record for the artist and became the most expensive work of design ever sold at auction. The sale capped a year of strong performance for Lalanne’s hybrid animal-furniture works, which have consistently outperformed expectations even in a tougher art market.

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Los Angeles-based artist Alex Prager has opened "Mirage Factory," an immersive installation on Miami Beach's Lincoln Road, taking over the historic Beach Theatre. The project features three constructed set pieces that explore Los Angeles history, including a 1:12 scale model of Hollywood Boulevard with landmarks like Grauman's Chinese Theatre and Musso & Frank's, an orange grove with real trees and fake citrus, and a lush garden party set in Griffith Park. The installation is part of an ongoing collaboration between Capital One and the Cultivist, and includes an immersive dining experience by chef Dave Beran, with a performance by Diana Ross. The public can visit on December 4 and 5, 2025.