A series of new gallery and community art exhibitions are opening across the Hamptons and Montauk. Highlights include Timothy Tibus's solo painting show "Live Forever" at The Lucore Art in Montauk, the group exhibition "Echoes of Matisse" at The Drawing Room in East Hampton, Ann Pibal's solo show at Halsey McKay Gallery, and a one-week solo exhibition for Marcie Honerkamp at the Springs Community Library.
A visitor recounts a personal gallery crawl through New York City neighborhoods like Tribeca, Chelsea, and the Lower East Side, highlighting specific exhibitions at Andrew Kreps Gallery, James Cohen Gallery, Chapter NY, and Bortolami Gallery. The article details works by artists including Thérèse Oulton, Elias Sime, Sonya Kelliher-Combs, Rosha Yaghmai, Vian Sora, and Sophie Reinhold, emphasizing the diversity of styles and materials on view.
Mendes Wood DM in Brussels presents 'A Serene Look upon the World,' a group exhibition running from 22 April to 30 May 2026. The show features 22 artists including Lucas Arruda, Hiroshi Sugimoto, Lee Ufan, and Daniel Steegmann Mangrané, whose works explore the sublime as a tension between permanence and transformation. The exhibition juxtaposes painting, photography, sculpture, and mixed media to evoke moments of pause before the overwhelming, drawing on philosophical ideas from Longinus and Kant.
Architectural Digest India has published a guide to eight art shows opening in Delhi and Mumbai during April and May 2026. The article highlights exhibitions such as "He Who Permeates" at Tao Art Gallery, featuring NFN Kalyan and Jayesh Sachdev; "The Last Rust" at Chemould, showcasing Archana Hande's sculptural works; and "Tracing Tradition, Shaping Modernity" at Akara Modern, which draws from The Lechner Collection to pair Jamini Roy and Meera Mukherjee. The shows are curated to place different artists side by side, exploring shared themes through contrasting visual styles.
Curator, collector, and entrepreneur Lukas Amacher, in partnership with developer David Simon, has launched CONTXT, an A.I.-powered chatbot platform designed for art exhibitions. The software allows visitors to ask questions about artworks via a chat interface, with answers sourced directly from an institution's curated materials like catalog essays and curator notes, rather than generic internet searches. The platform is currently being tested in a public preview with bitforms gallery.
Gallery Weekend Berlin, one of Europe's most significant contemporary art events, is set to take place from May 1-3, 2026. Over 50 selected galleries across the city will simultaneously open new exhibitions, featuring works by established and emerging international artists, with free admission to most venues. The event transforms Berlin into a decentralized, walkable open-air gallery.
Konferenz: Baselitz, Immendorff, Lüpertz, Penck Group exhibition at the Kunstmuseum Schloss Derneburg
The Kunstmuseum Schloss Derneburg in Holle, Germany, has opened a major group exhibition titled "Konferenz: Baselitz, Immendorff, Lüpertz, Penck." The show features over 50 significant works by the four celebrated post-war German artists, exploring their unique approaches to national identity during a period of political division. It includes pieces from Georg Baselitz's personal collection of his contemporaries' work, supplemented by archival photographs by Edward Quinn from the 1980s.
The 30th edition of the miart art fair in Milan took place from April 17-19 at a new venue, the Allianz MiCo conference hall. The fair introduced a disruptive three-tiered layout across three floors, dividing its offerings into Emergent and Established sections, and featured a mix of early 20th-century modern masters and contemporary works, distinguishing it from Italy's other major fair, Artissima.
Wintour: Met-Gala macht mich immer noch nervös
Anna Wintour, longtime host of the Met Gala, admitted at a press conference that even after nearly 30 years, the star-studded fundraiser still makes her nervous, calling it both her favorite and most terrifying time of year. The annual Costume Institute Benefit, which raises millions for the Metropolitan Museum of Art's Costume Institute, is expected to bring in more donations than ever this year, according to Wintour and museum director Max Hollein. This year's gala opens the exhibition "Costume Art" with the dress code "Fashion is Art," and new gallery spaces for the Costume Institute will debut. Co-chairs include Jeff Bezos and Lauren Sánchez Bezos, while New York Mayor Zohran Mamdani has publicly declined to attend.
Welten bauen
Lina Lapelytė has transformed the Hamburger Bahnhof in Berlin into a mutable landscape of wooden blocks for her second Chanel Commission. The installation, titled "Welten bauen" (Building Worlds), invites visitors to actively shape the space, incorporating elements of poetry, song, and community. The work draws inspiration from Paul Hindemith's 1930s children's singspiel "Wir bauen eine Stadt," which was banned by the Nazis and led to Hindemith's emigration.
Sylvie Retailleau explique comment elle a sauvé le Palais de la Découverte
Sylvie Retailleau, a physicist, former president of Paris-Saclay University, and former Minister of Higher Education, has been president of Universcience since January 2026. In an interview, she explains how the Palais de la Découverte, housed within the Grand Palais, nearly disappeared during the Grand Palais renovation. Intense debates over whether to dedicate the renovated space entirely to classical culture threatened the science museum. Retailleau negotiated a compromise: the Palais de la Découverte ceded one gallery (1,200 m²) to the Grand Palais for about €30 million in revenue over ten years and is lending another gallery (350 m²) until June 2030 for Centre Pompidou exhibitions. In return, Universcience gains full control of the programming for the Palais des Enfants. The Palais de la Découverte is set to reopen in March 2027.
The Château de Versailles has inaugurated the restored private bedroom of King Louis XVI, featuring a fully recreated bed that was burned during the French Revolution. The project, which took forty years of research and craftsmanship, involved reconstructing the bed from sparse 18th-century archives, including a sculptor's memorandum by Babel and a fabric sample preserved by the silk manufacturer Tassinari & Chatel. The restoration also includes a commode from the Château de Compiègne, as the original is at Chantilly, and follows principles of harmony in gilding and textile motifs.
Berlin's Pergamon Museum, closed since October 2023, will partially reopen in June 2027, with only the north wing and central section accessible. The renovation and expansion project, launched in 2012, has faced repeated delays and its budget has ballooned to €1.5 billion. The partial reopening coincides with the bicentenary of Berlin's Museum Island and will bring back the Pergamon Altar, unseen for over a decade, along with redesigned permanent exhibitions for the Museum of Islamic Art and the Museum of the Ancient Near East. However, major attractions like the Ishtar Gate and the Market Gate of Miletus will remain closed until the 2030s, with full museum completion now estimated between 2037 and 2043.
Les faussaires, miroirs sans tain du marché de l’art
Anthropologist Monique Jeudy-Ballini has published a new book, "Peintres de l’ombre. Les faussaires à l’œuvre," in which she examines art forgers through an ethnographic lens. Drawing on autobiographical accounts, published interviews, and expert writings—including those of notorious forgers Wolfgang Beltracchi, Eric Hebborn, and Guy Ribes—she explores the motivations and practices of these clandestine figures, arguing that their work involves not only technical skill but also the creation of elaborate narratives and pedigrees for their forgeries. The book is part of the Ethnologiques series edited by Philippe Descola and published by Éditions Mimésis.
Meloni reprend en main les musées italiens
Italy’s culture ministry under Prime Minister Giorgia Meloni has appointed 14 new directors for so-called “second-tier” museums, reinforcing a shift away from the international “super-director” model introduced by the 2014 Franceschini reform. All appointees are Italian except for French director Axel Hémery, who was reappointed at the Pinacoteca di Siena due to his strong performance. The move follows the earlier ousting of foreign directors at top-tier museums, with only two foreign-born directors—Eike Schmidt and Gabriel Zuchtriegel—remaining, both of whom hold Italian citizenship.
Comment l’État soutient la recherche de provenance
The French Ministry of Culture has created two specialized missions to assist museums in researching the provenance of their collections, addressing looted artworks, human remains, colonial acquisitions, and illicit trafficking. The Mission for Research and Restitution of Looted Cultural Property (M2RS), established in 2019, focuses on Nazi-era spoliations (1933-1945) with a budget of €220,000 annually, while the newer Mission "Provenance," launched in 2024 under curator Catherine Chevillot, covers human remains, colonial-era objects, and illicit goods with a €450,000 budget. These missions provide expertise, funding, and coordination with institutions like the Commission for the Restitution of Property and Compensation of Victims of Anti-Semitic Spoliation (CIVS), though most museums still only initiate provenance checks during acquisitions or donations.
Sébastien Allard has been appointed interim head of the Paintings Department at the Musée du Louvre, effective April 14. The 47-year-old specialist in 19th-century art previously served as deputy to Vincent Pomarède, who moved to a new role overseeing museum mediation. Allard's permanent appointment awaits confirmation by Culture Minister Aurélie Filippetti, on the recommendation of Louvre director Jean-Luc Martinez. Meanwhile, the search for a director of the Research and Collections Support division continues, with recruitment expected to be external.
Four Sámi artists, representing the Indigenous people of Northern Europe, are being highlighted in Finnish museums as Oulu, the European Capital of Culture, hosts exhibitions showcasing their work. The article introduces these artists and their practices, emphasizing their unique perspectives rooted in Sámi culture and traditions.
« La controverse soulevée par Timothée Chalamet a eu le mérite de nous faire réfléchir à la fragilité de la culture »
Timothée Chalamet, l'acteur franco-américain, a suscité une controverse en déclarant qu'il ne souhaitait pas travailler dans le ballet ou l'opéra, qualifiant ces disciplines de "trucs où c'est genre : 'Hé, continuez à faire tourner ça, même si plus personne n'en a rien à faire.'" Ses propos, tenus alors qu'il était en lice pour l'Oscar du meilleur acteur, ont provoqué des réactions dans le monde culturel, notamment dans le magazine Art Review, où Will Ferreira Dyke a défendu la pérennité du ballet et de l'opéra, arguant qu'ils survivraient aux attaques des "chalametistes". L'article relie cette polémique à la fragilité de la culture face aux coupes budgétaires, évoquant les demandes de Donald Trump pour augmenter le budget militaire américain au détriment de l'éducation, de la santé et de l'environnement.
Selon une IA, Greco serait en réalité l’unique auteur du « Baptême du Christ » de Tolède, longtemps considéré comme une œuvre d’atelier
A new study published in Science Advances uses an AI tool called Patch to analyze the monumental painting "Le Baptême du Christ" (1608–1614) by El Greco, long believed to be a workshop piece completed by his son Jorge Manuel Theotocópuli. By mapping the 3D microtopography of the brushstrokes and comparing them with El Greco's authenticated "Christ on the Cross" at the Cleveland Museum of Art, the AI found consistent painterly gestures across the entire work, suggesting the master himself painted it despite tremors from neurological disorders in his old age.
Nastaran Mir Sadegh's painting "Untitled" (2025) is listed for sale at US$2,500 through Sahar K. Boluki Gallery in Toronto. The work, an acrylic on canvas measuring 76 × 59 cm, is hand-signed by the artist and includes a certificate of authenticity. Mir Sadegh, an Iranian artist born in 1985 and based in Tehran, holds a bachelor's degree in Fine Art from Art University of Tehran. Her exhibition history includes shows in Toronto, Tehran, Dubai, and at institutions such as the Tehran Museum of Contemporary Art and Saba Cultural Institute. The listing appears on Artsy, with shipping available within Canada and internationally.
Lehman College Art Gallery is presenting the 2026 Thesis Exhibition, running from May 20 to 28. The show features over thirty undergraduate and graduate artists, showcasing a wide range of conceptual approaches and material experimentation.
Mimmo Paladino returns to Milan with a major exhibition after 15 years, opening on May 16 at Palazzo Citterio's underground Sala Stirling. The show features his iconic series "Dormienti" (Sleepers), 32 anthropomorphic terracotta sculptures in fetal positions, arranged in a theatrical, immersive installation. The exhibition also includes a soundscape by Brian Eno and a selection of 15 drawings on paper from 1973, curated by Lorenzo Madaro and organized by Grande Brera and the Archivio Paladino. It runs until July 26, 2026.
The 61st Venice Biennale's international exhibition, titled "In Minor Keys," opened with a somber curatorial press conference, as artistic director Koyo Kouoh, who died in May 2024 at age 57, was not physically present. The exhibition features 110 invited participants across the Arsenale and Giardini, including works by Buhlebezwe Siwani, Johannes Phokela, Wangechi Mutu, Ebony G. Patterson, and Kambui Olujimi. Protests marked the opening, with gatherings at the temporary Israeli pavilion and Pussy Riot's presence at the Russian pavilion, while the exhibition itself asks viewers to look closer at overlooked forms of representation and consider innovative models of measuring the world.
At the Venice Biennale on May 7, 2026, Cuban artist María Magdalena Campos-Pons led a poetry caravan across seven locations in the Giardini to honor Koyo Kouoh, the late curator of the Biennale's main exhibition "In Minor Keys," who died of cancer at age 57 in 2025. The procession, inspired by a 1999 voyage Kouoh took with nine African poets from Dakar to Timbuktu, featured performances by poets Natalie Diaz, Robin Coste Lewis, Batool Abu Akleen, and Anne Waldman, kora player Saliou Cissokho, and Kouoh's husband, Swiss saxophonist Philippe Mall, who played a composition dedicated to her. The event was organized by a team of Kouoh's assistants and advisers, including Marie Hélène Pereira, who served as stand-in lead of the 2026 Biennale.
The US Pavilion at the 2026 Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," curated by Jeffrey Uslip. The show presents untitled, amorphous sculptures in bronze, wood, and stone, including Colorado Yule marble. The selection process was controversial: after the Trump administration excluded the National Endowment for the Arts, the State Department initially picked artist Robert Lazzarini and curator John Ravenal, but that plan collapsed. The American Arts Conservancy, a new nonprofit led by Jenni Parido (a former pet food store operator with Mar-a-Lago ties), then took over, hiring Uslip, who approached Barbara Chase-Riboud and William Eggleston before settling on Allen. Donors include businessman John Phelan and fashion designer Tommy Hilfiger.
Steven Durland, a longtime editor of *High Performance* magazine and a champion of performance art, died on March 11 at age 75 after a brief illness. His life partner, Linda Frye Burnham, confirmed his death in Saxapahaw, North Carolina. Durland was born in Long Beach, California, raised in South Dakota, and trained as a ceramic artist with a BFA from the University of South Dakota and an MFA from the University of Massachusetts Amherst. He became deeply involved in performance and mail art, and from 1986 to 1994 served as editor of *High Performance*, a magazine founded by Burnham that featured thousands of artists including Nancy Buchanan, Carolee Schneemann, Paul McCarthy, Suzanne Lacy, and Ulysses Jenkins. Durland also maintained his own artistic practice, creating performances such as "Win Defeat/BID FOR POWER" (1978) and "Death and Taxis" (1982), and produced the micro-newspaper *Tacit*.
On May 6, 2026, the first day of previews at the Venice Biennale, hundreds of pro-Palestine activists led by the Art Not Genocide Alliance (ANGA) blocked the entrance to the Israeli pavilion, demanding its immediate closure. Protesters waved Palestine flags and banners reading "No Artwashing Genocide" and "No Genocide Pavilion at Biennale," chanting accusations of genocide against Israel. The demonstration temporarily shut down access to Belu-Simion Fainaru's exhibition "Rose of Nothingness" for about half an hour. The protest followed a letter signed by over 200 artists urging the Biennale to exclude Israel, which instead moved the pavilion to an alternative location in the Arsenale due to renovations. Separately, Pussy Riot and FEMEN rallied outside the Russian pavilion, which will only open during preview days due to sanctions. Venice cultural workers plan a 24-hour strike on May 8 in solidarity with Palestinians, potentially disrupting the Biennale's schedule.
Banksy has installed a new sculpture in Waterloo Place, central London, depicting a suited man with his face covered by a flag walking off a plinth toward his demise. The artist confirmed his authorship via an Instagram video and left his signature on the base. The statue was covertly placed in the early hours of April 29, among existing monuments celebrating the British Empire, including King Edward VII, Florence Nightingale, and the Crimean War Memorial.
Le grandi mostre al LUMA di Arles in Francia: Zaha Hadid, Gerhard Richter e Patti Smith
LUMA Arles in France will launch a new exhibition cycle on May 1, 2026, followed by a second series starting July 4. The program, presented by CEO Mustapha Bouhayati and artistic director Vassilis Oikonomopoulos, includes a major show of Gerhard Richter's "Overpainted Photographs" in the Frank Gehry-designed tower, a Zaha Hadid retrospective titled "I Think There Should Be No End to Experimentation" marking the tenth anniversary of her death, and a centennial celebration of the influential art magazine Cahiers d'Art. The exhibitions aim to bridge visual arts with music, performance, and live events, bringing together voices from diverse geographies and disciplines.