Hoffman Donahue in Los Angeles presents a dual exhibition featuring works by Rhonda Saboff and Parker Pine, curated by Sula Bermúdez-Silverman. Running from April 25 to May 23, 2026, the show brings together two distinct artistic practices, with 48 images documenting the installation on the gallery's Contemporary Art Library page.
Paola Siri Renard presents "Double Star" at nouveaux deuxdeux in Munich, featuring sculptures assembled from fragments of architectural ornaments, equestrian monuments, industrial display systems, and skeletal forms. Her work extracts elements from historical structures—spanning Gothic, Greco-Roman, and Art Nouveau styles—and reconfigures them into unstable, evocative constellations.
The article provides a comprehensive listing of art galleries and events in Oregon's Rogue Valley for the month of May. It highlights recurring monthly art walks in Jacksonville and Phoenix, and details exhibitions at ten local galleries including American Trails, Art & Soul Ashland, Art du Jour Gallery, Art on First, Art Presence Art Center, Ashland Art Works, and Collier Gallery. Featured artists include David Mensing, Kelly Anderson, Corbin Brashear, Nancy Darte, Elizabeth Ellingson, John Weston, and Dave Leibowitz, with a variety of media from painting and sculpture to photography and jewelry.
Ittai Gradel, a Danish classical gems specialist, has died at age 61. His investigations revealed that hundreds of objects had been stolen from the British Museum, leading to the resignation of director Hartwig Fischer in 2023. Gradel first alerted the museum in 2021 after finding proof that precious objects were being sold on eBay, naming senior curator Peter Higgs as the suspected seller. After initial concerns were ignored, Gradel wrote again in 2022, eventually prompting a police investigation. Higgs was dismissed in July 2023, and Fischer resigned the following month. Of the 2,000 items affected, 626 have been recovered, many bought in good faith by Gradel and returned. Earlier this month, Gradel received a special British Museum award from current director Nicholas Cullinan.
Four Sámi artists, representing the Indigenous people of Northern Europe, are being highlighted in Finnish museums as Oulu, the European Capital of Culture, hosts exhibitions showcasing their work. The article introduces these artists and their practices, emphasizing their unique perspectives rooted in Sámi culture and traditions.
Berlin's Pergamon Museum, closed since October 2023, will partially reopen in June 2027, with only the north wing and central section accessible. The renovation and expansion project, launched in 2012, has faced repeated delays and its budget has ballooned to €1.5 billion. The partial reopening coincides with the bicentenary of Berlin's Museum Island and will bring back the Pergamon Altar, unseen for over a decade, along with redesigned permanent exhibitions for the Museum of Islamic Art and the Museum of the Ancient Near East. However, major attractions like the Ishtar Gate and the Market Gate of Miletus will remain closed until the 2030s, with full museum completion now estimated between 2037 and 2043.
A wave of independent, artist-run galleries is emerging across North Texas, operating out of unconventional spaces like houses, lofts, and apartments. Notable examples include PRP (Permanent Research Project) in a little white house in Trinity Groves, Nature of Things in a Deep Ellum loft, and 2 BED 1 BATH in an Oak Cliff apartment. These venues often face precarious funding and zoning issues, yet they persist, with some like 500X operating since 1978 and PRP for a decade. Recent exhibitions have addressed themes such as the treatment of bodies in visual culture and political commentary, including a protest show after the University of North Texas shut down an exhibition critical of Immigration and Customs Enforcement.
The Ashley Gibson Barnett Museum of Art at Florida Southern College has appointed Laura V. Putnam as its new Curator of Exhibitions. Putnam, who has worked at the museum since 2013 and most recently served as Manager of Exhibitions and Adult Programs, steps into the role following the departure of former Executive Director and Chief Curator Dr. Alex Rich. She will lead the conceptualization, development, and execution of all exhibitions, including original research, artwork selection, and collaboration with artists and partner institutions.
Laura V. Putnam has been promoted to Curator of Exhibitions at the Ashley Gibson Barnett Museum of Art (AGB) at Florida Southern College in Lakeland. Putnam, who has worked at the museum since 2013 and previously served as manager of exhibitions and adult programs, stepped into an expanded role following the departure of former Executive Director and Chief Curator Alex Rich. She has curated recent exhibitions including "Darkroom Alchemy: Photographs by Jerry Uelsmann," "Surreal Scenarios: The Art of Susanne Schuenke," and "The Medici Dynasty: Renaissance in Florence."
The Metropolitan Museum of Art's 2026 Costume Institute exhibition, titled "Costume Art," will feature special mannequins with mirrored steel heads created by Toronto-born, Dubai-based artist Samar Hejazi. The mannequins, designed in collaboration with Curator in Charge Andrew Bolton, represent differently sized and abled bodies and replace traditional faces with reflective surfaces to disrupt the conventional presentation of fashion. Hejazi attended the Met Gala wearing a gown by Palestinian designer Zaid Farouki and described the project as a meaningful collaboration aimed at fostering empathy and self-reflection.
The 2026 Met Gala, held at the Metropolitan Museum of Art in New York City, is set for tonight with the theme "Costume Art" and the dress code "Fashion is Art." The event, which takes place annually on the first Monday in May, serves as a high-profile fundraiser for the Costume Institute and a fashion spectacle. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour. The theme is tied to the Met's upcoming exhibition of the same name, which will debut the Costume Institute's first permanent galleries—the Condé M. Nast Galleries—and explore "the centrality of the dressed body" by pairing garments with art spanning 5,000 years.
This article announces the first comprehensive U.S. exhibition on Raphael, titled "Raphael: Sublime Poetry," which offers an immersive look at the artist's meteoric career through drawings, paintings, prints, and tapestries. It traces Raphael's journey from his birth in Urbino in 1483, through his training under his poet-painter father Giovanni Santi and later Pietro Perugino, to his rise as a peer to Leonardo and Michelangelo in Florence and his final decade as the favorite artist of the popes in Rome, where he was celebrated as the "prince of painters."
Jack White, the Grammy-winning musician and frontman of The White Stripes, will open his debut art exhibition titled "These Thoughts May Disappear" at Newport Street Gallery in London on May 29, 2026. The show, running through September 13, features sculptures, interactive works, installations, and furniture design that White calls "Hardware Store Art," blending found objects, tools, epoxy, and assemblage. It includes a remake of his 2015 sculpture "The Red Tree" and marks his first public showing as a visual artist after two decades of private practice.
An exhibition titled 'ART FROM WAR TO WAR: CHASING BUTTERFLIES OVER THE VERGE OF A CLIFF' is on view at Beck & Eggeling International Fine Art in Düsseldorf, Germany, from 28 May to 15 August 2026. Curated by Antonio Geusa and Kay Heymer, the show features selected works from the Valeria Rodnianski collection, spanning artists from Germany and the Soviet/post-Soviet space. It is structured around two historical turning points—the construction of the Berlin Wall in 1961 and Russia's full-scale invasion of Ukraine in 2022—and organized into three thematic sections: Topos, Anthropos, and Logos, exploring place, human experience, and language.
I 10 migliori padiglioni da vedere alla Biennale d’Arte di Venezia 2026. La top ten di Artribune
Artribune presents its top ten must-see national pavilions at the 2026 Venice Biennale, which features a record 100 participating countries. The article highlights standout projects including Greece's escape room by Andreas Angelidakis critiquing nationalist populism, Belgium's participatory dance installation by Miet Warloop, and Canada's greenhouse-like pavilion by Abbas Akhavan exploring colonial botany. The Biennale, curated by Koyo Kouoh under the theme "In Minor Keys," is marked by last-minute jury resignations leading to public voting for the Golden Lions, as well as protests over the participation of Russia and Israel.
Liliana Moro presents a new installation titled “| senza | soluzione di continuità” at Platea | Palazzo Galeano in Lodi. The work is described as a powerful yet subtle artistic gesture that renegotiates the function of the shop window as a public space, emphasizing responsibility and generosity.
BB&M gallery in Seoul presents "When Space Becomes Painting," a solo exhibition of leading Korean architect Byoung Cho, organized in partnership with Jiyoon Lee of SUUM Project. The show traces Cho's 30-year engagement with space across painting, installation, maquettes, and drawing, exploring how his architectural thinking translates onto canvas. Central to the exhibition is Cho's concept of "mahk," inspired by Korean traditional ceramic maksabal, embracing spontaneity and imperfection as a guiding philosophy. The exhibition shifts from viewing artworks to experiencing them, with paintings that function as performative inquiries into existence rather than static images.
Pamela Bryan of Octavia Art Gallery in New Orleans and London-based curator Julia Campbell Carter have organized "Rhythm in the Blues," a contemporary group exhibition at 14 Percy Street, London, running from May 11 to 20. The show features five international artists—Alia Ali, Aigana Gali, Azadeh Ghotbi, Naomie Kremer, and Lucille Lewin—whose works in painting, sculpture, and mixed media explore themes of memory, migration, resilience, and identity, with music serving as an atmospheric and structural influence rather than a literal subject.
This article is a curated calendar of art and culture events in Delhi and Mumbai for May and June 2026. Highlights include a photography exhibition of Satyajit Ray by Nemai Ghosh at DAG, a documentary photography show by Jyoti Bhatt at Gallery Vayu in collaboration with LATITUDE 28, a candlelight concert tribute to A.R. Rahman at Le Méridien, a group exhibition titled 'Slow Rot' at Method Delhi exploring vulnerability and the grotesque, and a dance performance celebrating Rabindranath Tagore at NCPA.
The first UK presentation of Nancy Holt's work, titled "MoonSunStarEarthSkyWater," opens at the Goodwood Art Foundation in Sussex from 2 May to 1 November 2026. The exhibition includes both a gallery-based show and works in the landscape, featuring key pieces such as the monumental site-responsive installation "Ventilation System" (1985-92) and the earthwork "Hydra's Head" (1974). The show aims to highlight Holt's exploration of perception, language, and light, and includes works from her diverse practice spanning concrete poetry, film, photography, and public sculpture.
Adrian Ghenie's exhibition "Roman Campagna" at a Paris gallery presents a series of paintings and charcoal drawings that subvert the romantic cliché of an artist's transformative encounter with Rome. Ghenie populates landscapes inspired by the Appian Way with grotesque, alien-headed figures hunched over smartphones, urinating on monuments, or weeping at sunsets, using brown and grey tones punctuated by bright colors. The works reference Francis Bacon and William S. Burroughs, and include direct allusions to Bacon's reinterpretation of van Gogh's self-portrait, as well as a copy of a Pompeii mosaic. The show also features large charcoal drawings on paper that reveal Ghenie's process of constructing his contemporary, alienated figures.
Conni Freestone's solo exhibition "Proof I Was Here" opens June 1, 2026 at the Ocean County Artists' Guild in Island Heights, New Jersey, running through the end of the month. The show spans three interconnected spaces and explores themes of existence, memory, and identity through photography, featuring images of Bruce Springsteen, Asbury Park cars, Havana's aging vehicles, and Route 66 remnants, alongside self-portraiture. An opening reception on June 7 includes live music by Johnny Kasun and Timmy Basskidd Douglas, and a RiverJAM event on June 16 features additional performances.
The Tornabuoni Arte gallery in Florence is hosting "Mario Ceroli. Myth and Matter," an anthological exhibition featuring forty sculptures and installations by the Roman artist Mario Ceroli. The show traces his career from the 1960s to 2000, including his iconic wooden silhouettes, works inspired by Leonardo da Vinci's Vitruvian Man, and pieces referencing Greek myth and the Riace Bronzes. The exhibition runs until May 29 at the gallery's Lungarno Benvenuto Cellini 3 location.
The PinchukArtCentre has opened a new exhibition titled "Still Joy — From Ukraine Into the World" as part of the official parallel program of the 61st Venice Biennale. The show, which opened on May 7 at Palazzo Contarini Polignac and runs through August 1, features works by over 20 international and Ukrainian artists exploring joy as an act of resilience and humanity. Central to the exhibition are testimonies from Hlib Stryzhko, a marine veteran who returned from Russian captivity, which are transformed into sculptural elements. Notable works include a protest performance by Yurii Hruzinov at the Russian pavilion, a video installation of Kyiv rave parties by Malashchuk and Khimei, and installations by Future Generation Art Prize laureates Ashfika Rahman and Zhanna Kadyrova.
Marina Abramović has become the first living woman to be honored with a dedicated exhibition at the Gallerie dell’Accademia di Venezia, titled “Marina Abramović: Transforming Energy.” The show, which coincides with her 80th birthday, features works selected in dialogue with Renaissance masterpieces from the museum’s permanent collection, including pieces such as “The Lovers, Great Wall Walk,” “Balkan Baroque,” and “Pietà (Anima Mundi).” Abramović first visited the Venice Biennale at age 14 and later won the Golden Lion there in 1997; this exhibition marks a full-circle return to the city that inspired her.
The article reports on the UAE Pavilion's presentation at the Biennale Arte 2026 in Venice, titled 'Washwasha'. It also covers several art exhibitions in Dubai, including 'In Abstracto, In Concreto' at Efie Gallery featuring artists like Tunji Adeniyi-Jones and Ludovic Nkoth, the 'White' faculty exhibition at XVA Gallery, and the inaugural exhibition at Tatintisian Gallery's new Dubai space with works by Ron Arad, Peter Saul, and Tony Matelli. Additionally, it mentions a book of the week and a photo of the UAE Pavilion.
Yvon Lambert, the legendary French art dealer and collector, reflects on his lifelong relationship with art and literature in an interview for TLmag41: The Art of Collecting. He recounts buying his first painting at age 14, opening his Paris gallery in the 1960s, and later donating a major portion of his collection to the French State, now housed at the Collection Lambert in Avignon. After closing his gallery in 2014, he shifted focus to an artist's bookshop, now run by his daughter Eve Lambert. The conversation, led by Sibylle Grandchamp, explores Lambert's early influences, his father's passion for literature, and the family's shared love for art books.
Francis Dosoo, a self-taught Scottish artist now based in Vienna, is mounting his first solo show at Dundee Contemporary Arts (DCA) titled "Portrait Of Dorothy Gale." Dosoo began his career in nightlife, running club nights and DJ sets that blended into performance and installation art. His practice spans sound, film, and visual art, with past collaborations including Joanne Dawson, Aniela Piasecka, and Alberta Whittle, and commissions from the Glasgow Film Festival and Edinburgh Art Festival. The DCA exhibition draws on the 1978 film *The Wiz*, reimagining *The Wizard of Oz* with an African-American cast, focusing on star Diana Ross's career and personal life at the time.
Pinta Lima, the 13th edition of the art fair, opened with a vibrant VIP preview and strong attendance of 16,000 visitors. The fair features around 50 booths and special presentations, with a curation-driven approach that includes sections like NEXT (curated by Juan Canela) and RADAR (curated by Ilaria Conti), as well as FORO panel discussions. The fair emphasizes Latin American art, particularly Peruvian contemporary art, and is part of the broader Pinta network that stages fairs and Art Weeks across Latin America and the U.S. Textile, fiber, and ceramic works are notably prominent, recontextualizing indigenous craft traditions.
Two simultaneous exhibitions at Almeida & Dale in São Paulo present contrasting visions: American artist Peter Halley's "The American Connection," curated by Antonio Gonçalves Filho, features his signature geometric abstractions using Roll-A-Tex and Day-Glo colors to critique digital confinement and post-industrial surfaces. Brazilian artist Maxwell Alexandre shows works from his "Clube" series, depicting Black bodies navigating exclusionary leisure spaces. The pairing is deliberate, not for aesthetic dialogue but to juxtapose an established international artist with a rising Brazilian talent, timed to coincide with SP-ARTE.