Milan Design Week is showcasing a significant trend of reviving mid-century furniture classics, featuring prominent reissues such as a 1950s table by Carlo Mollino and a 1960s lamp by Carlo Nason. These historical designs are being reintroduced to contemporary audiences through the annual festival, highlighting a bridge between mid-century aesthetics and modern production.
The K-pop group BTS performed two songs from their new album 'ARIRANG' in the main lobby of the Guggenheim Museum in New York. The private, phone-free event for about 150 invited fans featured the tracks "SWIM" and "2.0," with leader RM performing seated for one song due to an ankle injury.
Sung Tieu, who is co-representing Germany at the 61st Venice Biennale alongside Henrike Naumann, responds to a questionnaire from ArtReview about her plans for the German Pavilion. She describes her inspiration as her mother and childhood home, a site built for foreign contract workers in the GDR that later became a refuge for the diaspora. Tieu states that her work relates to the Biennale theme "In Minor Keys" through the lens of Gehrenseestrasse, a concrete record of collective memory. She also expresses skepticism about the Biennale's importance, noting that the German Pavilion's fascist architecture compels artists to work against it, and that national pavilions reveal how much work remains in undoing nationalism.
Miet Warlop, the artist representing Belgium at the 61st Venice Biennale (2026), discusses her plans for the Belgian Pavilion in the Giardini in an interview with ArtReview. Her installation, inspired by the Belgian motto 'L'union fait la force' ('unity makes strength'), aims to create a space between a workspace, exhibition, and performance that brings people together in introspection. She cites time spent with Venice's artistic communities, including students at the Accademia, as influential, and notes that her work engages with the Biennale's theme 'In Minor Keys' by incorporating minor-key music to evoke nuanced, introspective emotions.
ArtReview published a questionnaire response from Bugarin + Castle, the artist duo representing Scotland at the 61st Venice Biennale (2026). Their exhibition, titled "Shame Parade" and curated by Mount Stuart Trust, explores charivari—medieval public shaming rituals involving sound, costume, and cross-dressing. The work draws on the artists' research into how noise and music have been used as tools of control, with particular attention to the Filipino legal definition of charivari as a punishable public disturbance. The exhibition includes sculpture, print, moving image, and a musical score created with Manila-based band Kalye Teresa, and is housed at the Olivolo, Castello pavilion.
Converge 45, a city-wide triennial based in Portland, Oregon, has announced the title and list of participating artists for its 2026 edition. The 10th edition, titled 'Here, To you, Now,' will take place from August 27–30 across 16 venues. Curated by Lumi Tan, the event draws inspiration from Ursula K. Le Guin's 1985 novel 'Always Coming Home,' emphasizing impermanence and spontaneous dialogue. The exhibition will feature works by 28 artists, including Trisha Baga, Gerald Clarke, and Rose Salane, among others.
Jenna Sutela, representing Finland at the 61st Venice Biennale, will present an exhibition titled *Aeolian Suite* in the Giardini pavilion. The work features sound sculptures that engage with wind as both a physical and political force, using meteorological data, wind machines, recorders, a children's woodwind orchestra, and recordings of winds from Venice, Helsinki, and beyond. Sutela explores noise as a creative medium, drawing on the concept of deep listening inspired by artist Pauline Oliveros, and connects her project to the Biennale's theme, *In Minor Keys*, curated by Koyo Kouoh.
The 11th edition of the Chobi Mela photography festival has opened in Dhaka, Bangladesh, under the curatorial direction of artists Munem Wasif and Sarker Protick. With the theme 'Re,' the festival presents work from 58 artists across nine exhibitions, aiming to explore renewal and tenacity in lens-based storytelling following the disruptions of the COVID-19 pandemic and the July 2024 uprising.
Sara Flores will represent Peru at the 61st Venice Biennale in 2026 with an immersive exhibition titled 'From Other Worlds.' The presentation, curated with Issela Ccoyllo and Matteo Norzi, will feature large-scale kené paintings, ethereal sculptures, and a video work in the Arsenale, aiming to create portals to Shipibo-Konibo ancestral knowledge and Indigenous futures.
The Complex, a major multi-artform venue in Dublin, was evicted from its warehouse building in January 2026 after its lease expired. A public campaign to save it, supported by politicians and cultural officials, failed due to a lack of legal mechanisms to protect grassroots cultural organizations. This closure follows a pattern of similar artist-led spaces folding in Ireland, most recently Ormond Studios.
The Ventura County arts community is launching a series of local exhibitions and theater productions for the week of April 9, 2026. Highlights include the opening of the political comedy "The Outsider" at the Santa Paula Theater Center and the "Rediscovering" exhibition at Fox Fine Jewelry featuring Lisa Sachs and Thomas Hoerber. Additionally, the Camarillo Art Center is hosting a themed exhibition titled "I dream my paintings, then I paint my dream," alongside various technical workshops in watercolor and gourd art.
Portland, Oregon's Converge 45 triennial has announced the participating artists for its upcoming exhibition titled “Here, To you, Now.” Curated by Lumi Tan, the triennial draws inspiration from Ursula K. Le Guin's 1985 novel Always Coming Home, which explores the impermanence of spoken language. Featured artists include Trisha Baga, Ricky Bearghost, Aaron Cunningham, Jacqueline Kiyomi Gork, and sidony o'neal, among twenty-three others, with seventeen new commissions. Venues include Barn Radio, the Hoffman Gallery at Lewis & Clark College, the Native Arts and Cultures Foundation, Oregon Contemporary, and the Pacific Northwest College of Art.
The jury for the 2026 Venice Biennale announced it will not consider contributions from countries whose leaders are charged with crimes against humanity for the Golden and Silver Lion awards, effectively excluding Israel and Russia. The decision, framed as a commitment to human rights and aligned with curator Koyo Kouoh's vision, comes amid broader controversy over participating pavilions, including American artists declining to represent the US and the EU withdrawing a $2.3 million grant over Russia's involvement.
The European Commission has withdrawn a $2.3 million grant from the Venice Biennale, following through on a threat made last week. The funding cut is a direct response to the Biennale's decision to readmit Russian artists as a government-funded delegation for its 2026 edition, which the EU argues violates sanctions and provides Russia a cultural platform during its war against Ukraine.
The Gwangju Biennale has announced the title and theme for its 2026 edition, which will run from September 5 to November 15. The title, 'You Must Change Your Life,' is taken from a Rainer Maria Rilke poem. Artistic director Ho Tzu Nyen stated the event will focus on 'change' and 'practice,' exploring art's transformative power through a curated selection of works from 45 artists and collectives, the smallest cohort in the event's history.
Andrew Durbin reviews national pavilions at the 2026 Venice Biennale, critiquing the US presentation as vacuous while praising incisive and moving installations from Britain and Germany. The review highlights Seba Calfuqueo's work in the context of colonized bodies, though the article's main focus is on the comparative quality of the pavilions.
At the 2026 Venice Biennale's Arsenale, critic Andrew Durbin reviews national pavilions, finding the US presentation vacuous and lacking meaning, while praising the British and German pavilions for their incisive and moving installations that resist erasure. The review highlights a stark contrast in curatorial ambition and political engagement among the participating nations.
The article, a critic's guide review by Andrew Durbin, contrasts the US national pavilion presentation at an unspecified biennial with those of Britain and Germany. The US presentation is described as vacuous and lacking in meaning, while the British and German installations are praised for being incisive and moving. The review critically examines the thematic and conceptual approaches of each national pavilion, highlighting a disparity in artistic depth and engagement.
This article is a critic's guide reviewing national pavilions during Frieze Week New York. Andrew Durbin contrasts a vacuous US presentation with incisive and moving installations from Britain and Germany, questioning the meaning and depth of the American contribution.
Art critic Andrew Durbin reviews national pavilion presentations at the Venice Biennale, contrasting a vacuous US exhibition with incisive and moving installations from Britain and Germany. The review highlights the disparity in thematic depth and emotional resonance among the three pavilions.
Andrew Durbin reviews national pavilions at the Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review highlights the disparity in thematic depth and emotional resonance among the three pavilions.
Frieze New York opened with a flurry of activity, drawing collectors, curators, and art enthusiasts to the fair's latest edition. The event featured a wide range of contemporary galleries and presentations, with notable early sales and strong attendance signaling a vibrant start to the fair season in New York.
Frieze magazine has published a critic's guide to the 2026 Venice Biennale, highlighting key installations and pavilions to see in the Arsenale and Giardini. Notable entries include fierce pussy’s posters welcoming LGBTQ+ visitors to Venice and Florentina Holzinger’s water-themed Austrian Pavilion. The article is part of Frieze's coverage of the 2026 Venice Biennale, offering curated recommendations for attendees.
Andrew Durbin reviews national pavilions at a major biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the lack of meaningful content in the US pavilion while praising the depth and emotional resonance of the British and German contributions.
Artist-poet Arch Hades has opened a major solo exhibition on the Grand Canal in Venice, running concurrently with the Venice Biennale. The collateral show features monumental paintings and immersive sculptures that delve into themes of loss and vulnerability as part of a broader meditation on the human condition.
Hurricane Melissa has devastated Jamaica and Haiti, causing deadly floods and landslides before moving on to Cuba. The storm forced the closure of major cultural institutions in Kingston, including the National Gallery of Jamaica (closed since October 24) and the Bob Marley Museum, which announced it would remain shut until further notice. The National Gallery offered artists advice on protecting their work, such as removing art from walls, storing it above ground, and anchoring outdoor sculptures. At least 30 deaths have been reported across the region, with Jamaica declared a disaster area.
Art21, in partnership with the CHANEL Culture Fund, launched its new "IRL/url" documentary series with a celebratory event at New York's Roxy Cinema. The series profiles eight contemporary artists—including Neïl Beloufa, Jacky Connolly, and Sara Cwynar—who navigate the blended realms of physical and digital creation. Art21's executive director emphasized the urgency of capturing this moment, as artists grapple with rapid technological advances, particularly in AI.
Art21 + DOC NYC Filmmaker Celebration
Art21 and DOC NYC co-hosted their third annual Filmmaker Celebration on November 18, 2025. The in-person event brought together over 140 independent filmmakers, producers, and other production professionals who have contributed to Art21's films over the past year, providing a social and networking opportunity at the close of a challenging year for the documentary community.
The Lakefront Festival of Art returns to the Milwaukee Art Museum campus from June 12–14, 2026, featuring 145 juried artists from Milwaukee and across the country. Presented by Bank of America, the three-day event includes live music from acts like The Belle Weather, Field Report, and Brett Newski, local food vendors, hands-on artmaking at Kohl's Art Studio, and a Silent Auction Tent with works by participating artists. New this year, extended evening hours until 7 p.m. on Friday and Saturday allow visitors to enjoy after-work outings and sunset views. The festival is organized by Friends of Art, the museum's longest-running volunteer support group, and serves as an annual fundraiser for acquisitions and programs.
Gallery A3 in Amherst, Massachusetts, has announced an open call for its 11th Annual Juried Show, scheduled for August 6–29, 2026. Submissions will be accepted online from May 10 to June 7, 2026, with an entry fee of $38 for three entries. The theme for this year's show is 'Everyday Sublime,' inviting artists to explore how awe and wonder manifest in daily life. The juror is Andrew S. Yang, a professor at the School of the Art Institute Chicago whose work has been exhibited internationally, including at the 14th Istanbul Biennial and the Museum of Contemporary Art Chicago.