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robert longo pace gallery review 1234752550

Artist Robert Longo presents a new exhibition at Pace Gallery, featuring his signature large-scale, hyperrealistic drawings that address themes of brutality, conflict, and protest. The show is a revised version of a 2023 exhibition at the Milwaukee Art Museum, with works based on media images of events such as the war in Ukraine, Black Lives Matter protests, and migrant crises. The article critically examines several pieces, including "Untitled (Ferguson Police, August 13, 2014)" and "Untitled (Refugees at Mediterranean Sea, Sub-Saharan Migrants, July 25, 2017)," arguing that Longo's manipulations of source photographs result in melodramatic and dishonest representations.

independent picks 2642621

The article reviews the Independent art fair, highlighting its curated approach that results in a visually cohesive and easeful experience compared to other fairs. It notes the prevalence of neo-bucolic landscapes and animal paintings by artists like Sameen Agha, Tim Braden, and Lisa Sanditz, as well as delicate abstractions and small ceramic works. Standout pieces include Pope.L's provocative paint-scribbled underwear at Mitchell-Innes and Nash, Rosa Barba's kinetic painting at Vistamare, Ibrahim El-Salahi's silkscreen painting at Vigo Gallery, and works by emerging artists such as Constanza Camila Kramer Garfias and Ada Friedman at Kendra Jayne Patrick Gallery.

25th Biennale of Sydney Review: From the Margins

The 25th Biennale of Sydney, titled "Rememory" and curated by Hoor Al Qasimi, features 143 works by 83 artists and collectives from 37 countries across five venues. The exhibition explores marginalized, fragmented, and repressed histories, drawing on Toni Morrison's concept of 'rememory' as a space between remembering and forgetting. Key works include Tuan Andrew Nguyen's film on Vietnam War trauma, Basel Abbas and Ruanne Abou-Rahme's immersive installation on Palestinian displacement, Khalid Albaih's photographs of Sudan, and Massinissa Selmani's drawings on Algerian socialist building projects.

The Whitney Biennial Is for the Faint-Hearted

A critical review of the 2026 Whitney Biennial argues that the exhibition is timid and fails to directly confront the urgent political crises of the moment, including domestic authoritarianism, state violence, and immigration policies. The reviewer finds the show somber, fearful, and overly focused on mood and introspection, suggesting it represents a retreat from meaningful political engagement.

jack whittens 9 11 01 moma 2634165

Jack Whitten's monumental mosaic-painting "9.11.01" (2006) is the focus of this article, which examines the work on view at the Museum of Modern Art. The painting, created in response to the September 11 attacks, uses abstract forms—a cracked black pyramid with dagger-like spines and bootprints—to evoke the trauma of that day. Whitten, who witnessed the first plane strike from his studio in Manhattan, embedded ash and wreckage fragments into the surface, blending abstraction with historical memory.

The Big Review | Jacques-Louis David at the Musée du Louvre, Paris ★★★★★

The Musée du Louvre in Paris has opened a major retrospective of Jacques-Louis David (1748-1825), the greatest Neoclassical artist, marking his biggest survey in nearly four decades. The exhibition, mounted for the 200th anniversary of his death, comprises just over 100 works, including strategic loans from France and eight other countries, and complements the Louvre's own holdings. The show aims to redefine David beyond the Neoclassical label, presenting him instead as both a "realist" and an "idealist," and is compared to blockbusters like the Rijksmuseum's Vermeer show.

Chobi Mela XI Review: Can We Start Over?

The 11th edition of the Chobi Mela photography festival has opened in Dhaka, Bangladesh, under the curatorial direction of artists Munem Wasif and Sarker Protick. With the theme 'Re,' the festival presents work from 58 artists across nine exhibitions, aiming to explore renewal and tenacity in lens-based storytelling following the disruptions of the COVID-19 pandemic and the July 2024 uprising.

Art for Our Age of Chaos

The article reviews two major New York exhibitions opening in 2026: the Whitney Biennial at the Whitney Museum of American Art, featuring over fifty artists, and "New Humans: Memories of the Future" at the newly expanded New Museum, with over a hundred artists. Both shows are described as enormous and defiant, responding to a distracted public and financial pressures. The reviewer notes that both exhibitions juxtapose large-scale immersive works with tiny, intimate pieces, and finds the Whitney Biennial lacking urgency, while preferring the New Museum's historical narrative about technology and modernity.

In "Dancing the Revolution," Puerto Rico Pushes Back

The article reviews "Dancing the Revolution," a multi-genre collective exhibition at the Museum of Contemporary Art Chicago that explores the music of dancehall and reggaetón, their roots, history, and evolution, and their inextricable link to colonial oppression. The show is inspired by the massive 2019 protests in Puerto Rico against then-Governor Ricardo Rosselló, where music and dance were used as forms of resistance, drawing on centuries of Black Atlantic protest in the Caribbean.

The tiniest event can tear a hole. Sara MacKillop by Margaret Kross

Sara MacKillop's exhibition "The Cutaway View" at Good Weather in Chicago presents sculptures made from humble analog materials like blank wall calendars, empty shopping bags, and gift wrapping. The London-based artist alters these objects with minimal interventions—such as surgically cut holes in shopping bags to accommodate vinyl records—drawing attention to the ephemera and texture of retail culture. Her series "Calendar Houses" (2021–ongoing) uses archive boxes and wall calendars to create miniature modernist dwellings that critique systems of order and self-optimization.

Exhibition Review and Studio Visit Feature: Contemporary Color Field Painter Vanessa Johansson

Contemporary painter Vanessa Johansson recently debuted her solo exhibition at the Sky Garden Penthouse in Gramercy Park, New York. Curated by Jenny Mushkin Goldman of Agency Esta, the show featured Johansson’s large-scale acrylic on canvas works, which utilize fluid, transparent layers to evoke the spiritual and visual language of mid-20th-century Color Field abstraction. Pieces such as the triptych 'Windows' and the diptych 'Flow State' demonstrate her intuitive approach to motion, buoyancy, and orbital forms.

Is Art Good for Your Health?

A new book titled 'Art Cure' by scientist Daisy Fancourt argues that engaging with the arts has significant, measurable benefits for both mental and physical health. The author, a professor of psychobiology and epidemiology, compiles extensive research to claim arts experiences can prevent suicides, help manage epidemics, increase life expectancy, reduce depression, aid trauma recovery, enhance neuroplasticity, and even encourage healthier eating habits.