The late British sculptor Lynn Chadwick will be the subject of a major retrospective at Houghton Hall in Norfolk, running from May to October. Organized by Pangolin London, the exhibition features 30 works spanning four decades, including his signature kinetic sculptures and iconic "couples" figures, with several pieces coming directly from the artist's estate.
The National Portrait Gallery in London has unveiled a new family portrait of Sir Elton John, his husband David Furnish, and their two sons, captured by the acclaimed American photographer Catherine Opie. Taken at the family's home in Old Windsor, the image depicts the group in their library alongside their pet Labradors. The work is a centerpiece of Opie’s major retrospective, "Catherine Opie: To Be Seen," which opens this week.
Acclaimed Canadian abstract artist Julia Dault is shifting her focus from the international blue-chip art circuit toward community-based engagement. Following a period of personal reflection, Dault established Hot Pizza, a community art studio in Toronto dedicated to the motto "art for everyone," while simultaneously debuting her latest solo exhibition, "Primary Information," at Bradley Ertaskiran in Montreal.
The Monterey Museum of Art is hosting "Landscape ReEnvisioned," a group exhibition featuring six contemporary photographers who move beyond traditional West Coast landscape traditions. Curated by Helaine Glick, the show presents works by Debra Achen, Tony Bellaver, Adrienne Defendi, Charlotte Schmid-Maybach, Brian Taylor, and Vincent James Waring. These artists utilize diverse mediums—including cyanotypes, gum bichromate prints, tapestries, and sculptures—to address the urgent realities of climate change, wildfires, and environmental degradation.
Pittsburgh’s art scene is set for a diverse series of openings this March, ranging from historical sports photography to contemporary textile art. Highlights include Michael Zagaris’s 60-year retrospective of NFL photography at the Western Pennsylvania Sports Museum, the first U.S. solo exhibition for English photographer Ajamu X at Silver Eye Center for Photography, and solo shows by Nicole Renee Ryan and Abby Franzen-Sheehan. The month also features collaborative exhibitions like "What We Carry," which pairs Penny Mateer’s political quilts with Dante Campudoni’s psychological paintings.
This article is a curated guide to ten art exhibitions taking place across Upstate New York in February. It highlights a diverse range of shows, including Kim Tateo's abstract paintings at Context Collective, Barbara Todd's politically charged textile works at Opalka Gallery, Michael Salomon's photographic landscapes, and group shows celebrating creative courage and Hudson Valley artists. Other featured exhibitions include Sita Gómez's paintings of women at Hudson Hall and photography shows by Ocean Vuong and Nona Faustine at the Center for Photography at Woodstock.
A German scholar, Christof Metzger, has published a new catalogue raisonné claiming that a portrait of Albrecht Dürer's father held by London's National Gallery is an authentic work by the master, painted in 1497. This directly challenges the gallery's long-standing position that the painting is a later copy made after a lost original.
The Louisiana Museum of Modern Art in Denmark is opening "Basquiat: Headstrong," the first comprehensive exhibition dedicated to Jean-Michel Basquiat's depictions of the human head, focusing on works from 1981 to 1983. These early drawings on paper, many made with oil sticks and bearing traces of studio debris, were largely hidden in his studio during his lifetime and only reached a wider audience after his death, notably through a 1990 show at Robert Miller Gallery in New York. The exhibition includes a single painting, Untitled (1982), which sold for $110.5 million at Sotheby's in 2017.
Gathie Falk, the acclaimed Canadian artist known for her six-decade practice spanning Surrealist paintings, hand-fashioned ceramics, sculptural installations, and performance, died at her home in Vancouver on 22 December at age 97. Her work transformed everyday objects—glazed ceramic apples, cabbages, shoes, and watermelons—into jewel-like sculptures and installations, with notable series including "Picnics" (1976-77), "Cement With Poppies" (1982), and "55 Oranges" (1969-70). Born in rural Manitoba in 1928 to Mennonite refugees, Falk initially pursued music before turning to art at age 37, studying ceramics with Glenn Lewis and developing a practice rooted in what she called a "veneration of the ordinary."
Beatriz González, the influential Colombian artist, writer, curator, educator, and intellectual known as 'la maestra,' died in Bogotá on January 9 at age 93. Born in 1932 in Bucaramanga, she studied architecture and fine arts before forging a distinctive path in Colombian art, rejecting abstraction and the style of her contemporary Fernando Botero. Her work, including the series 'Suicidas del Sisga' (1965) and 'La Encajera,' reinterpreted Western artworks and local press photographs with flat forms and vibrant colors, often incorporating kitsch and subaltern aesthetics. She was a key figure in the Museo de Arte Moderno de Bogotá (Mambo), envisioned a school for museum guides, served as chief curator of the Museo Nacional de Colombia, and mentored generations of museum professionals.
India's art market experienced a major resurgence in 2025, driven by record auction sales for modernists like M.F. Husain, Tyeb Mehta, and V.S. Gaitonde. Husain's 'Gram Yatra' became the first Indian painting to sell for over USD 10 million, setting a new benchmark. The boom is fueled by India's strong economy, rising private wealth, digital platforms, and increased global recognition. The India Art Fair in Delhi and the launch of India Art Fair Contemporary in Mumbai highlighted strong sales, with galleries selling 90% of their stands on preview day. A reduction in India's goods and services tax on art from 12% to 5% further boosted the market, while independent reports estimate Indian art auctions reached Rs 2,456.7 crore, up over 20% from the previous year.
The Hammer Museum in Los Angeles has opened the seventh edition of its Made in LA biennial, running until March 1, 2026. Curators Essence Harden and Paulina Pobocha selected 28 artists from over 200 studio visits, with no predetermined theme. The exhibition features works that respond to the city's recent challenges, including the January wildfires and ongoing ICE raids, as seen in pieces like Alonzo Davis's 'Eye on ’84' and Patrick Martinez's neon sign reading 'Agua Is Life; NO ICE'.
At the VIP preview of Nada Miami, dealers reported brisk sales of paintings, with galleries like Hawkins Headquarters, Shrine, Burnaway, the Locker Room, and Baker—Hall showing works by artists including Jackson Markovic, Angela China, Alex Hutton, Clare Torina, Eric Diehl, and Thomas Bils. Nightlife themes were prominent, with Markovic's fluorescent nightclub photographs and Raffi Kalenderian's painting of Mac's Club Deuce dive bar. The Pérez Art Museum Miami acquired works by Bils, Sheroanawe Hakihiiwe, and Pallavi Sen through its Nada Acquisition Gift programme.
Miami Art Week is featuring a strong intersection of art and technology, with digital art taking center stage at major fairs. Art Basel Miami Beach (Dec. 5–7) debuts Zero 10, a curated section focused on digital art, showcasing works by Beeple (including robotic dogs resembling billionaires), Lu Yang, and others. CONTEXT Art Miami (Dec. 2–7) hosts Blackdove, a Miami-based digital art company, presenting its first fair exhibit titled "Code and Canvas: The Digital Art Genome." Other tech-forward installations include Emmanuel Van der Auwera's thermal video piece and Holly Herndon & Mat Dryhurst's AI-driven digital canvas.
The fifth edition of 'Forever is Now' has transformed the Giza Plateau in Cairo into an open-air gallery, featuring 10 large-scale contemporary art installations by international artists. Running until December 6, the exhibition is organized by the cultural platform Art D’Egypte and invites artists to explore the theme of immortality, sparking a dialogue between ancient Egyptian heritage and contemporary art. Notable participants include 92-year-old Nobel Peace Prize nominee Michelangelo Pistoletto, Portuguese artist Vhils (Alexandre Farto), US-based Alex Proba, the Russian Recycle Group, Lebanese artist Nadim Karam, Franco-Beninese ceramicist King Houdekpinkou, and Turkish sculptor Mert Ege Köse, among others.
Art Toronto's 2025 edition, running until October 26 at the Metro Toronto Convention Centre, features Indigenous art prominently across more than half of its 121 exhibitors. The fair includes a new Latin American section, Arte Sur, curated by Karen Huber, showcasing artists like Natalia Montoya and Sheroanawe Hakihiiwe. Canadian galleries such as Feheley Fine Arts, Ceremonial Art, Fazakas Gallery, and Patel Brown highlight Indigenous artists, with works ranging from beadwork and performance to mixed-media pieces that challenge stereotypes. Notable presentations include Jordan Bennett's reworked motorcycle and Nadia Myre's ceramic beadwork landscapes.
San Francisco's Museum of the African Diaspora (MoAD) has reopened its renovated ground-floor lobby to mark its 20th anniversary, alongside two new exhibitions. The larger show, "Unbound: Art, Blackness & the Universe" (on view until 16 August 2026), explores Blackness and the cosmos through painting, photography, sculpture, and installation. Curated by MoAD's first full-time curator Key Jo Lee, the exhibition features 17 artists including Torkwase Dyson, Barkley L. Hendricks, Lorna Simpson, Oasa DuVerney, and Mikael Owunna, organized under three themes: "Geo-Cartographic," "Religio-Mythic," and "Techno-Cyborgian." The $500,000 renovation also upgraded lighting and HVAC systems.
Actor Sharon Stone, known for her role in *Basic Instinct*, has been nominated for the Women in Art Prize, now in its eighth year. The non-profit award exclusively honors women artists, and Stone began painting intensely during the Covid-19 lockdowns, holding her first solo gallery show at Allouche Gallery in Los Angeles in 2023. Other finalists among the 25 competing for 22 awards include painter Bianca Raffaella, who is registered blind, and Jenny Lewis, whose work addresses menopause. The prize also features the Paula Rego Painting Prize, created with the artist's estate to honor her influence on women in the arts. Winners will be announced at a ceremony at the British Library on 17 September, hosted by historian Amanda Foreman, with an exhibition at York Street Gallery in London from 16-24 September.
Fort Worth's Fall Gallery Night returns on September 6, organized by the Fort Worth Art Dealers Association, featuring concurrent open houses at museums, galleries, and pop-up spaces across Fort Worth and Arlington. Highlights include Alex Da Corte's exhibition 'The Whale' at the Modern Art Museum of Fort Worth, Victoria Gonzales's 'Ethereal Goats, Earthy Pecans' at William Campbell Gallery, and a group show 'Inner Space' at Kinfolk House, along with a Latin-themed car and culture exhibition across three Sundance Square galleries. Rebecca Low Sculpture Gallery will participate in its final Gallery Night before permanently closing in November.
This article, written by Brian Hieggelke, serves as an editorial introduction to a special issue focused on the visual art scene in Wisconsin. It contrasts the state's art world with that of neighboring Illinois, highlighting Wisconsin's unique, friendly quirkiness and its abundance of self-taught artists. The piece recounts a visit to the inaugural Door County Contemporary art fair in Fish Creek, noting the small scale but immense charm, and the multi-hyphenate nature of Wisconsin's art players who are simultaneously artists, gallerists, and writers. The article then provides a table of contents for the issue, covering topics from the Kohler Arts Residency to the Wisconsin Museum of Quilts and Fiber Arts, and introduces several contributors including artists, writers, and educators.
Michelle Fung reflects on the realities of working as an artist in Hong Kong, dispelling the romantic myth of the bohemian artist. She describes the city's high cost of living, lack of affordable studio space, and the need for artists to take on multiple jobs—from teaching to selling secondhand handbags—to survive. Fung notes that while Hong Kong offers a vibrant art scene with over 70 galleries and a dozen museums, most artists cannot rely on gallery sales alone. She also critiques the Hong Kong Arts Development Council's grant system, which covers project expenses but provides minimal artist fees, contrasting it with more generous systems in Canada and the Netherlands.
The article, written by Chenoa Baker, critiques the art world's labeling system that categorizes artists as emerging, mid-career, or established. It argues that these labels are particularly harmful to Black artists, who are often kept in the "emerging" category for years despite significant achievements, collections, and decades of practice. The piece highlights the cases of Cheryl Miller, a self-taught analog photographer whose work is held by major institutions yet who had to "re-emerge" after relocating, and Ifé Franklin, a queer Black artist whose career was sidelined by systemic erasure and who is now being honored as an "elder" artist. The article connects these labels to ageism, lack of access to elite schools and galleries, and the undervaluing of self-taught artists and those working outside traditional art centers.
The Ford Foundation Gallery in New York presents "Body Vessel Clay: Black Women, Ceramics & Contemporary Art," opening September 10, 2025. The exhibition features over fifty works across ceramics, film, photography, and archives, bringing together three generations of Black women artists. It highlights the legacy of Nigerian potter Ladi Dosei Kwali (1925-1984) and traces how Black women artists have transformed ceramics over seventy years. Curated by Dr. Jareh Das, the U.S. debut includes new works by Adebunmi Gbadebo, Simone Leigh, and Anina Major, following critical acclaim at Two Temple Place in London and York Art Gallery in 2022.
Terrence Sanders-Smith, a former gallery owner who recently returned to New Orleans, has opened Smith Contemporary at 440 Julia Street in the city's historic Gallery Row. The gallery is one of the few Black-owned galleries in the area's history. Sanders-Smith plans to sell work by racially diverse artists and is organizing a new national art fair, modeled after Miami Basel, to launch as soon as spring 2026. The article also features commentary from former gallery owner Myesha Francis on the importance of Black-owned spaces for artists and audiences of color.
Fort Point, a Civil War-era fortification beneath the Golden Gate Bridge in San Francisco, opens the exhibition "Black Gold: Stories Untold" today through November 2. The show features works by 16 contemporary artists and one collective, exploring 19th-century African American life in California—from the Gold Rush onward—highlighting little-known entrepreneurs, activists, soldiers, and musicians. Curated by Cheryl Haines of the non-profit For-Site, the exhibition includes recent works by artists such as Carla Edwards, Isaac Julien, Alison Saar, Yinka Shonibare CBE, and Hank Willis Thomas, alongside new commissions by Demetri Broxton, Adrian L. Burrell, Mildred Howard, and others. The project was two years in the making, privately funded, and developed with a nine-person advisory committee of Black historians and curators.
ZYNKA Gallery in Sharpsburg, Pennsylvania, celebrates its fifth anniversary. Founded by Jeff Jarzynka in November 2019, the gallery represents over 50 mostly regional artists. Its current exhibition, “Time Between Echoes,” features Dutch-born artist Hans Neleman and runs through June 8. The gallery faced an early challenge when it had to close just months after opening due to the COVID-19 pandemic, but it reopened in summer 2020 with timed visits. Jarzynka has since expanded his curatorial work, including curating exhibitions for The Portal Art Gallery at Bakery Square in East Liberty since February 2024.
The Art Museum of South Texas is presenting "Home, Love & Loss," the third exhibition from a partnership between the Amon Carter Museum of American Art and the Art Bridges Foundation Cohort Program. The show brings together artworks from five institutional collections, organized into four themes: Home, Family, Honor, and Loss. Featured works include Raymond Bonilla's "Escuchas" (2009), a diptych about Puerto Rican family traditions; Terry Evans's aerial photograph of Fourth of July gatherings; Earlie Hudnall, Jr.'s intimate portrait of Black children; Ave Bonar's stark image of Border Patrol detainees; and Francisco Delgado's serigraph referencing immigration politics. After closing in Corpus Christi, the exhibition will travel to the Amarillo Museum of Art and the Ellen Noël Art Museum in Odessa.
British-Nigerian artist Yinka Shonibare has opened his first major solo exhibition in Africa at Fondation H in Antananarivo, Madagascar. The show, which occupies the foundation's 2,200-square-meter historic building, features installations drawn from his catalog, including his signature use of Ankara print fabrics. The exhibition marks a significant milestone for Shonibare, who had previously attempted to mount a large solo show in Lagos but was thwarted by infrastructure limitations.
Garden State Art Weekend returns from April 24-27, 2025, with over 95 venues across New Jersey opening their doors for a four-day celebration of the state's art scene. Co-directed by artists Christine Romanell and Alison Pirie, the festival offers a digital guide and map for attendees to explore exhibitions, open studios, live demonstrations, and workshops at venues ranging from world-class museums to intimate artist studios. Highlights include the Montclair Art Museum, Newark Museum of Art (free admission all four days), Grounds for Sculpture, Zimmerli Art Museum, and special events like an iron pour for International Sculpture Day at Gardenship Art in Montclair. The festival's headquarters at Manufacturers Village Artists in East Orange hosts a kickoff party and a spring open house featuring over 65 artist studios.
Nova Contemporary, an influential Thai gallery, is expanding with a new 412 sq. m space in Bangkok's Bang Rak neighborhood, opening with the group exhibition 'Affinities' (26 April to 5 July) featuring 28 mostly Thai contemporary artists, organized in cooperation with Bangkok CityCity Gallery. Founder Sutima Sucharitakul notes the Thai art market is gradually expanding, with growth in local collectors and international interest despite broader market caution, and describes a cross-generational pool of collectors becoming more receptive to diverse regional and medium-specific works.