The family of the late pioneering sculptor Ruth Asawa has announced the opening of a dedicated gallery space in San Francisco to coincide with the artist's centennial celebration in 2026. This new venue will serve as a permanent home for her legacy, featuring rotating exhibitions of her signature wire sculptures, drawings, and archival materials that have not been widely seen by the public.
Andrée Putman Studio is set to unveil a series of unseen furniture creations and collectible interior pieces at the Art Paris fair this April. Curated by the late designer’s daughter, Olivia Putman, and CEO Aurélie Laure, the showcase features archival designs reinterpreted in new materials, such as a mirrored version of the 'Mille et Un Carreaux' table and stainless steel 'Trois Carats et Demi' side tables. The presentation coincides with the opening of La Galerie Andrée Putman in Paris, a new space dedicated to the designer's enduring legacy.
Hounslow Council has launched The Hogarth Prize, a new art competition inviting artists of all levels to submit wall-based works for an exhibition at Hogarth’s House. The winner will receive a £3,000 cash prize and a six-week solo exhibition at the historic venue in 2027. A selection panel including artists Robyn Graham, Hero Johnson, and Steven King will shortlist 80 works for an initial group show scheduled for July 2025.
The cathedral of Burgos in Spain is hosting "Picasso: Biblical Roots," the first-ever exhibition of Pablo Picasso’s work to be held within a cathedral setting. Featuring 44 works, the show explores how the artist’s Catholic upbringing and religious iconography influenced his oeuvre, despite his self-proclaimed atheism. The exhibition includes early devotional paintings, Renaissance-inspired depictions of the Crucifixion, and secular adaptations of the Virgin and Child and the Good Shepherd.
Hounslow Council, in partnership with arts agency Parker Harris, has launched the Hogarth Prize, a new national art award based at Hogarth’s House in Chiswick. The competition is open to UK-based artists of all career stages working in any wall-hanging medium, with a judging panel featuring artists Robyn Graham, Hero Johnson, and Steven King. The winner will receive a £3,000 cash prize and a solo exhibition at the historic site in 2027.
A new exhibition at the Museum of Islamic Art (MIA) in Doha, titled *Empire of Light: Visions and Voices from Afghanistan*, highlights Afghanistan’s art and history from pre-Islamic times to the present day. Running until 30 May and timed to Art Basel Qatar week, the show draws primarily from MIA’s collection, with loans from Qatari institutions and international lenders such as the National Museum of Asian Art at the Smithsonian. It includes historical objects like a 13th-century ewer and a 9th-century Qur’an folio, as well as contemporary works such as Khadim Ali’s *Un-Safe Heaven* (2025), a textile piece embroidered by Afghan men and women. No objects come from Afghan museums, but large-scale wooden models and glass vessels were produced in Afghanistan with help from the Aga Khan Trust for Culture.
The Hilliard Art Museum at the University of Louisiana at Lafayette has announced its spring 2026 exhibition season, titled 'Spring Awake.' The season features a major focus on Pop Art and its legacy, with exhibitions including 'Andy Warhol: Plus One,' showcasing Polaroids gifted by The Andy Warhol Foundation, and a new exhibition by contemporary artist Rachel Libeskind. The program also includes 'Gulf Streams,' an exhibit blending field recordings from the Atchafalaya Basin with contemporary art, and continues the immersive installation 'Nervescape XI' by Hrafnhildur Arnardóttir (Shoplifter). The museum will host several public events, including an opening preview, a day-long fête, and an outdoor fundraising picnic.
Amita Shenoy, former curator of the M.F. Husain Museum in Bangalore, has selected six key works by the renowned Indian artist M.F. Husain that are now part of the collection at Lawh Wa Qalam in Doha. The selection includes pieces like 'The Raman Effect series' (1987), 'Arab Astronomy' (2008), and 'Quit India Movement' (1985), which illustrate major themes in Husain's life and artistic practice.
The article is a personal essay by the author reflecting on the life and art of their father, Samuel Kahn (1927-2007), a self-taught artist and clinical psychologist who struggled with bipolar depression. A posthumous exhibition titled "Samuel Kahn, Ph.D. + Friends" opens on 29 January at the Gordon Art Galleries at Old Dominion University in Norfolk, Virginia, featuring around 50 of his wood-carvings, paintings, and sketches. The author describes how they once believed their father had wasted his life, but now sees his vibrant, untrained works as a source of joy and connection.
Blunk Space gallery in Point Reyes Station, California, is presenting '100 Candleholders', an exhibition running from 17 January to 28 March 2026. The show features 100 artists and designers from around the world—including Max Lamb, Bethan Laura Wood, Ido Yoshimoto, and Jonathan Cross—each invited to create a candleholder inspired by the late sculptor JB Blunk, his work, or his self-built home and studio, Blunk House. This is the second installment in the '100' series, following '100 Hooks' in 2023-24, and takes its cue from Blunk's own 1981 exhibition '100 Plates Plus', which explored the artistic potential of everyday objects.
A new exhibition titled "Harold Keller: Portals" opens at the Alexander Gallery in Fayetteville, Arkansas, showcasing the work of the mid-20th-century artist and educator Harold Keller. Curated by Matthew Bailey, the show features paintings, drawings, and ceramics that blend whimsy, spirituality, and magical realism, drawing from Keller's Jewish upbringing, influences like Paul Klee and Saul Steinberg, and his time teaching in Arkansas and New York. Many works come from the University of Arkansas–Fort Smith collection, and some have never been publicly displayed before.
The 34th Coors Western Art Exhibit & Sale held its Red Carpet Reception on Thursday night, drawing over 1,000 guests to its new venue on the second floor of The Legacy, the recently completed $100 million headquarters of the National Western Stock Show. The 2026 show features 93 participating artists and 354 works, including wildlife, landscape, sculpture, and plastics, with a sales goal exceeding $1 million to benefit the National Western Scholarship Trust. Featured artist Logan Maxwell Hagege of Ojai, California, presents works such as "Springtime in the Rockies" ($85,000) and "Indigo Stripes" ($18,500), while his piece "Hopeless Dreamer" was purchased for the Stock Show's Permanent Collection.
Sotheby’s will hold its second auction in Saudi Arabia next month, featuring works by Pablo Picasso, Andy Warhol, and Safeya Binzagr, the late artist regarded as the spiritual mother of contemporary Saudi art. The auction, scheduled for January, follows Sotheby’s debut in the kingdom in February, which generated $17.28 million from fine art, designer items, and memorabilia. Unlike the first sale, this auction will focus exclusively on art, responding to stronger demand for Saudi works. Binzagr’s painting *Coffee Shop in Madina Road* (1968) will be a highlight.
Christie’s has announced the consignment of billionaire Bill Koch’s American Western art collection, estimated to fetch at least $50 million across two sales on January 20 and 21. The collection, described as the most valuable tranche of the genre ever to appear at auction, features works by Frederic Remington—including his painting *Coming to the Call* (estimated $6–8 million)—and Charles Marion Russell, among others. The sale aims to spotlight a niche but growing sector of the art market.
Bowling Green State University's Fine Arts Gallery presented "Italy In The Artist’s Imagination," a student-curated exhibition running from November 21 to December 10, 2025, at the Dorothy Uber Bryan Gallery. The show featured nearly a hundred works from the university's permanent collection alongside student submissions, spanning Renaissance masters like Albrecht Dürer to contemporary artists, all exploring how Italy has inspired artistic creativity over centuries. Curated by students enrolled in Dr. Allie Terry-Fritsch's Professional Practices in Art History course, the exhibition highlighted pieces such as Dürer's woodcut "Christ Taking Leave of His Mother" (1511), Jessica Faber's screen print "Prospecttiva" (2024), and Jules Maidoff's "Lo Studio."
The Obama Presidential Center has announced a new commission by Chicago-based artist Theaster Gates, who will create a large frieze made of photo-printed aluminum using images from the Johnson Publishing Company archives—the publisher of Ebony and Jet magazines—and the work of photographer Howard Simmons. The installation, set to open in 2026, honors the dignity of Black life and the vibrancy of Black culture throughout the 20th century. Gates has been working with 20,000 photographs from the archive since 2016, and the frieze will be visible from Stony Island Avenue, near his own Stony Island Arts Bank. Other high-profile commissions for the center include works by Julie Mehretu, Maya Lin, Lindsay Adams, Nick Cave, Aliza Nisenbaum, Jenny Holzer, and Idris Khan.
An exhibition titled "Alphonse Mucha, Master of Art Nouveau Selections from the Dwahan Collection" will run from December 9, 2025, to March 14, 2026. It features 75 works by Alphonse Mucha, including rare original lithographs, proofs, drawings, a pastel, books, posters, portfolios, and ephemera, drawn from the Dhawan Collection in Los Angeles, one of the finest private collections of Mucha's work in the United States. The exhibition is organized by Landau Traveling Exhibitions and offers free admission.
Cal State Fullerton's Nicholas and Lee Begovich Gallery has opened "Carole Caroompas: Mystical Unions," a special exhibition celebrating the life and legacy of the late contemporary artist and CSUF alumna Carole Caroompas. Curated by College of the Arts Director Jennifer Frias and Caroompas's longtime friend Mary Anna Pomonis, the show features paintings, mixed-media works, and personal ephemera drawn from the artist's archives at the Getty Research Institute, including journals, letters, and sketches that offer an intimate look at her creative process.
The Mills College Art Museum in Oakland, California, has opened "100 Years of Creative Visions," a centennial exhibition running through April 26 that showcases major works from its permanent collection. The show highlights the museum's long history of supporting diverse artistic communities, featuring pieces such as Hung Liu's "White Rice Bowl" and works by Diego Rivera, Alfredo Ramos Martinez, and members of the f/64 photography group including Imogen Cunningham, Ansel Adams, and Tina Modotti. The exhibition emphasizes creative friendships and the museum's role as a laboratory for risk-taking, with artists like Young Suh and Weston Teruya discussing how the institution encouraged experimental approaches.
A New York Times article reexamines the life and legacy of the beloved American folk artist Grandma Moses (Anna Mary Robertson Moses), suggesting that the public's understanding of her is incomplete. It delves into lesser-known aspects of her biography and artistic practice, challenging the simplistic, sentimental image often associated with her work.
The New York Times celebrates the centennial of artist Robert Rauschenberg, born in 1925, reflecting on his groundbreaking career and enduring influence. The article highlights his innovative combines, which blurred the boundaries between painting and sculpture, and his collaborative spirit that reshaped postwar American art.
Syracuse University's College of Fine Arts, the first degree-conferring fine arts program in the United States, opened in 1873, and the Art Students League of New York opened in 1875. To mark 150 years of parallel fine arts education, the University Art Museum presents "Depicting the Everyday: A Legacy of Fine Arts Education at the Art Students League" at the Bernard and Louise Palitz Gallery in Manhattan. The exhibition draws from the museum's collection, featuring works by artists who taught at the League, including Morton Kaish, and explores everyday subject matter from urban scenes to intimate portraits. A reception and gallery talk with League assistant curator Esther Moerdler is scheduled for October 29, 2025.
William Kentridge's award-winning chamber opera *Waiting for the Sibyl* (2019) makes its New York premiere this week at Powerhouse Arts in Brooklyn, as part of the inaugural Powerhouse: International arts festival. The opera, which won an Olivier Award in 2023, features an original score by Nhlanhla Mahlangu and Kyle Shepherd, and incorporates Kentridge's animated ink drawings, collages, text projections, and sculptures. Inspired by the Cumaean Sibyl of ancient legend, the work explores themes of fate and uncertainty, with paper leaves from texts like Dante's *Divine Comedy* symbolically blowing through the action. The production was originally commissioned by the Rome Opera as a companion piece to Alexander Calder's 1968 *Work in Progress*.
The UK government has selected sculptor Martin Jennings to create a statue of Queen Elizabeth II for St James’s Park in London, as part of a larger memorial designed by Norman Foster's architecture firm. The memorial will also include a figurative sculpture of the Queen alongside Prince Philip at Birdcage Walk and a Prince Philip gate. Jennings, known for his bust of the Queen Mother and his coin effigy of King Charles III, describes the project as a work in progress, with a provisional construction budget of £23m–£46m. Final design details are expected next year.
The sixth edition of the Aichi Triennale, Japan's largest recurring contemporary art exhibition, opens under the title "A Time Between Ashes and Roses," featuring around 60 artists from 22 countries across venues in Nagoya. Artistic director Hoor Al Qasimi, president of the Sharjah Art Foundation, has curated a program that addresses themes of destruction and renewal, drawing on a poem by Syrian poet Adonis written after the 1967 Six-Day War. The exhibition references both the ongoing conflict in Gaza and the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, with participating artists including John Akomfrah, Simone Leigh, Wangechi Mutu, Michael Rakowitz, and Hiroshi Sugimoto.
Elaine Wynn's personal art collection, featuring works by Richard Diebenkorn, Lucian Freud, Joan Mitchell, and J.M.W. Turner, will be auctioned at Christie's 20th and 21st Century Art sales in New York this November. The collection, titled 'Elaine: The Collection of Elaine Wynn,' reflects the taste of the legendary Las Vegas figure known as the 'Queen of Las Vegas' for her transformative influence on the city's art, architecture, and style.
The article reports on the exhibition "Act on It! Artists, Community, and the Brockman Gallery in Los Angeles," currently on view at the Lancaster Museum of Art and History through August 31, 2025, before traveling to the Vincent Price Art Museum and CSU Dominguez Hills in 2026. Organized by the Los Angeles County Museum of Art (LACMA), the show revisits the legacy of the Brockman Gallery, founded in 1967 by brothers Alonzo Davis and Dale Brockman Davis in Leimert Park. As one of the first Black-owned commercial galleries on the West Coast, it provided a vital platform for Black artists during the Black Arts Movement, showcasing early works by figures such as Betye Saar, David Hammons, John Outterbridge, Charles White, Noah Purifoy, and Doyle Lane. The gallery also expanded into a nonprofit cultural hub through Brockman Gallery Productions, offering residencies, film festivals, and jazz concerts.
The Stanley Museum of Art at the University of Iowa has opened a new exhibition titled “In the Studio: Art at Iowa in the 1940s,” running from August 26, 2025 to January 25, 2026. The show features works by influential artists connected to the university’s arts program, including Grant Wood, Mauricio Lasansky, Philip Guston, Elizabeth Catlett, James Dallas Parks, and Hayward Oubre. Highlights include a rarely seen oil painting by Wood of a boy in football apparel, and an unfinished 1944 oil painting by Guston of his wife and daughter, originally displayed at the Iowa Memorial Union. The exhibition also traces the legacy of Lasansky, who founded the Iowa Print Group and elevated the university’s printmaking reputation.
Andrew Lambirth's new book, *The Uglow Papers*, takes an unconventional approach to the monograph on British painter Euan Uglow (1932-2000). Instead of a traditional narrative, Lambirth compiles around 30 personal memoirs, papers, and contributions from friends, students, and colleagues—gathered through interviews, phone calls, emails, and letters. These firsthand accounts, paired with a concise introduction and a glossary of names, offer intimate recollections of Uglow's rigorous studio practice, his teaching methods, and his social life, including details about his Sunday night open houses and shared meals. The book also traces Uglow's artistic development from his studies at Camberwell School of Arts and Crafts and the Slade School of Fine Art, through his mentorship under William Coldstream, to his own distinctive geometric and emotionally charged works like *The Diagonal* (1971-77) and *Pyramid* (1993-96).
Inkfish Gallery in Des Moines, Washington, will open an exhibition titled 'Art of the Sixties' on Friday, September 5, 2025, from 4:30 to 7:30 p.m. The show, curated by George C. Scott of Inkfish Foundation and Fred Andrews of Des Moines Legacy Foundation with funding from 4Culture of King County, features works from the 1960s encompassing Pop Art, Op Art, Minimalism, Conceptual Art, Hot Rod Art, and Psychedelic Art. Artists highlighted include Andy Warhol, Peter Max, Margaret Keane, Ed 'Big Daddy' Roth, Robert Crumb, and Roy Lichtenstein.