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BGSU Fine Arts Gallery Presents, “Italy In The Artist’s Imagination,” A Student-curated Exhibition

Bowling Green State University's Fine Arts Gallery presented "Italy In The Artist’s Imagination," a student-curated exhibition running from November 21 to December 10, 2025, at the Dorothy Uber Bryan Gallery. The show featured nearly a hundred works from the university's permanent collection alongside student submissions, spanning Renaissance masters like Albrecht Dürer to contemporary artists, all exploring how Italy has inspired artistic creativity over centuries. Curated by students enrolled in Dr. Allie Terry-Fritsch's Professional Practices in Art History course, the exhibition highlighted pieces such as Dürer's woodcut "Christ Taking Leave of His Mother" (1511), Jessica Faber's screen print "Prospecttiva" (2024), and Jules Maidoff's "Lo Studio."

Theaster Gates to create giant frieze for Obama Presidential Center

The Obama Presidential Center has announced a new commission by Chicago-based artist Theaster Gates, who will create a large frieze made of photo-printed aluminum using images from the Johnson Publishing Company archives—the publisher of Ebony and Jet magazines—and the work of photographer Howard Simmons. The installation, set to open in 2026, honors the dignity of Black life and the vibrancy of Black culture throughout the 20th century. Gates has been working with 20,000 photographs from the archive since 2016, and the frieze will be visible from Stony Island Avenue, near his own Stony Island Arts Bank. Other high-profile commissions for the center include works by Julie Mehretu, Maya Lin, Lindsay Adams, Nick Cave, Aliza Nisenbaum, Jenny Holzer, and Idris Khan.

Collection

An exhibition titled "Alphonse Mucha, Master of Art Nouveau Selections from the Dwahan Collection" will run from December 9, 2025, to March 14, 2026. It features 75 works by Alphonse Mucha, including rare original lithographs, proofs, drawings, a pastel, books, posters, portfolios, and ephemera, drawn from the Dhawan Collection in Los Angeles, one of the finest private collections of Mucha's work in the United States. The exhibition is organized by Landau Traveling Exhibitions and offers free admission.

Special art exhibition unites works of late CSUF alumna

Cal State Fullerton's Nicholas and Lee Begovich Gallery has opened "Carole Caroompas: Mystical Unions," a special exhibition celebrating the life and legacy of the late contemporary artist and CSUF alumna Carole Caroompas. Curated by College of the Arts Director Jennifer Frias and Caroompas's longtime friend Mary Anna Pomonis, the show features paintings, mixed-media works, and personal ephemera drawn from the artist's archives at the Getty Research Institute, including journals, letters, and sketches that offer an intimate look at her creative process.

“100 Years of Creative Visions”: Mills College Art Museum celebrates a century of diversity and community

The Mills College Art Museum in Oakland, California, has opened "100 Years of Creative Visions," a centennial exhibition running through April 26 that showcases major works from its permanent collection. The show highlights the museum's long history of supporting diverse artistic communities, featuring pieces such as Hung Liu's "White Rice Bowl" and works by Diego Rivera, Alfredo Ramos Martinez, and members of the f/64 photography group including Imogen Cunningham, Ansel Adams, and Tina Modotti. The exhibition emphasizes creative friendships and the museum's role as a laboratory for risk-taking, with artists like Young Suh and Weston Teruya discussing how the institution encouraged experimental approaches.

We All Know Grandma Moses, Right? But Not Fully, It Seems

A New York Times article reexamines the life and legacy of the beloved American folk artist Grandma Moses (Anna Mary Robertson Moses), suggesting that the public's understanding of her is incomplete. It delves into lesser-known aspects of her biography and artistic practice, challenging the simplistic, sentimental image often associated with her work.

Happy 100th Mirthday, Robert Rauschenberg

The New York Times celebrates the centennial of artist Robert Rauschenberg, born in 1925, reflecting on his groundbreaking career and enduring influence. The article highlights his innovative combines, which blurred the boundaries between painting and sculpture, and his collaborative spirit that reshaped postwar American art.

Art Museum Honors 150 Years of Fine Arts Education in New Exhibition

Syracuse University's College of Fine Arts, the first degree-conferring fine arts program in the United States, opened in 1873, and the Art Students League of New York opened in 1875. To mark 150 years of parallel fine arts education, the University Art Museum presents "Depicting the Everyday: A Legacy of Fine Arts Education at the Art Students League" at the Bernard and Louise Palitz Gallery in Manhattan. The exhibition draws from the museum's collection, featuring works by artists who taught at the League, including Morton Kaish, and explores everyday subject matter from urban scenes to intimate portraits. A reception and gallery talk with League assistant curator Esther Moerdler is scheduled for October 29, 2025.

Glimpsing the future: William Kentridge opera has its New York premiere in Brooklyn

William Kentridge's award-winning chamber opera *Waiting for the Sibyl* (2019) makes its New York premiere this week at Powerhouse Arts in Brooklyn, as part of the inaugural Powerhouse: International arts festival. The opera, which won an Olivier Award in 2023, features an original score by Nhlanhla Mahlangu and Kyle Shepherd, and incorporates Kentridge's animated ink drawings, collages, text projections, and sculptures. Inspired by the Cumaean Sibyl of ancient legend, the work explores themes of fate and uncertainty, with paper leaves from texts like Dante's *Divine Comedy* symbolically blowing through the action. The production was originally commissioned by the Rome Opera as a companion piece to Alexander Calder's 1968 *Work in Progress*.

Work in progress: Martin Jennings chosen to create statue of Queen Elizabeth II

The UK government has selected sculptor Martin Jennings to create a statue of Queen Elizabeth II for St James’s Park in London, as part of a larger memorial designed by Norman Foster's architecture firm. The memorial will also include a figurative sculpture of the Queen alongside Prince Philip at Birdcage Walk and a Prince Philip gate. Jennings, known for his bust of the Queen Mother and his coin effigy of King Charles III, describes the project as a work in progress, with a provisional construction budget of £23m–£46m. Final design details are expected next year.

The sixth Aichi Triennale seeks to encompass destruction and renewal

The sixth edition of the Aichi Triennale, Japan's largest recurring contemporary art exhibition, opens under the title "A Time Between Ashes and Roses," featuring around 60 artists from 22 countries across venues in Nagoya. Artistic director Hoor Al Qasimi, president of the Sharjah Art Foundation, has curated a program that addresses themes of destruction and renewal, drawing on a poem by Syrian poet Adonis written after the 1967 Six-Day War. The exhibition references both the ongoing conflict in Gaza and the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, with participating artists including John Akomfrah, Simone Leigh, Wangechi Mutu, Michael Rakowitz, and Hiroshi Sugimoto.

Elaine: The Collection of Elaine Wynn

Elaine Wynn's personal art collection, featuring works by Richard Diebenkorn, Lucian Freud, Joan Mitchell, and J.M.W. Turner, will be auctioned at Christie's 20th and 21st Century Art sales in New York this November. The collection, titled 'Elaine: The Collection of Elaine Wynn,' reflects the taste of the legendary Las Vegas figure known as the 'Queen of Las Vegas' for her transformative influence on the city's art, architecture, and style.

Act on It! Artists, Community, and the Brockman Gallery in Los Angeles

The article reports on the exhibition "Act on It! Artists, Community, and the Brockman Gallery in Los Angeles," currently on view at the Lancaster Museum of Art and History through August 31, 2025, before traveling to the Vincent Price Art Museum and CSU Dominguez Hills in 2026. Organized by the Los Angeles County Museum of Art (LACMA), the show revisits the legacy of the Brockman Gallery, founded in 1967 by brothers Alonzo Davis and Dale Brockman Davis in Leimert Park. As one of the first Black-owned commercial galleries on the West Coast, it provided a vital platform for Black artists during the Black Arts Movement, showcasing early works by figures such as Betye Saar, David Hammons, John Outterbridge, Charles White, Noah Purifoy, and Doyle Lane. The gallery also expanded into a nonprofit cultural hub through Brockman Gallery Productions, offering residencies, film festivals, and jazz concerts.

Euan Uglow monograph offers a fresh perspective through memoirs, papers and contributions

Andrew Lambirth's new book, *The Uglow Papers*, takes an unconventional approach to the monograph on British painter Euan Uglow (1932-2000). Instead of a traditional narrative, Lambirth compiles around 30 personal memoirs, papers, and contributions from friends, students, and colleagues—gathered through interviews, phone calls, emails, and letters. These firsthand accounts, paired with a concise introduction and a glossary of names, offer intimate recollections of Uglow's rigorous studio practice, his teaching methods, and his social life, including details about his Sunday night open houses and shared meals. The book also traces Uglow's artistic development from his studies at Camberwell School of Arts and Crafts and the Slade School of Fine Art, through his mentorship under William Coldstream, to his own distinctive geometric and emotionally charged works like *The Diagonal* (1971-77) and *Pyramid* (1993-96).

Review | The Stanley Museum of Art’s new exhibit traces the legacy of Iowa Arts

The Stanley Museum of Art at the University of Iowa has opened a new exhibition titled “In the Studio: Art at Iowa in the 1940s,” running from August 26, 2025 to January 25, 2026. The show features works by influential artists connected to the university’s arts program, including Grant Wood, Mauricio Lasansky, Philip Guston, Elizabeth Catlett, James Dallas Parks, and Hayward Oubre. Highlights include a rarely seen oil painting by Wood of a boy in football apparel, and an unfinished 1944 oil painting by Guston of his wife and daughter, originally displayed at the Iowa Memorial Union. The exhibition also traces the legacy of Lasansky, who founded the Iowa Print Group and elevated the university’s printmaking reputation.

The ‘Art of the Sixties’ exhibition opens with reception at Inkfish Gallery on Friday, Sept. 5

Inkfish Gallery in Des Moines, Washington, will open an exhibition titled 'Art of the Sixties' on Friday, September 5, 2025, from 4:30 to 7:30 p.m. The show, curated by George C. Scott of Inkfish Foundation and Fred Andrews of Des Moines Legacy Foundation with funding from 4Culture of King County, features works from the 1960s encompassing Pop Art, Op Art, Minimalism, Conceptual Art, Hot Rod Art, and Psychedelic Art. Artists highlighted include Andy Warhol, Peter Max, Margaret Keane, Ed 'Big Daddy' Roth, Robert Crumb, and Roy Lichtenstein.

New Alden B. Dow Home and Studio exhibition to highlight acclaimed graphic designer Tim Lewis

The Alden B. Dow Home and Studio in Midland, Michigan, will host a new exhibition titled “A New Vision: The Graphic Art of Tim Lewis” from September 4 to December 31, 2025. The show celebrates the life and career of Tim Lewis, a Midland native and acclaimed graphic designer and illustrator who worked from the 1960s through the 1990s, creating commercial illustrations for major U.S. magazines, album covers for artists like Peter, Paul and Mary, Gordon Lightfoot, and Chuck Berry, and posters for Barbra Streisand’s TV specials. The exhibition includes original artwork and prints, many available for purchase, and opens with a public reception on September 4.

Di Rosa Center opens satellite museum in San Francisco with a celebration of Northern California artists.

The di Rosa Center for Contemporary Art has opened a new satellite museum, di Rosa San Francisco, at the Minnesota Street Project. The debut exhibition, 'Far Out: Northern California Art from the di Rosa Collection,' features works by artists including Michele Pred, Enrique Chagoya, Paul Kos, Roy De Forest, Ester Hernandez, and Joan Brown. The show is organized into three sections—Material Worlds; Piracy and Protest; and Tricksters, Scavengers, and Scamps—highlighting how Northern California artists experiment and push against mainstream conventions. The exhibition runs through October 4th.

History, art exhibition honors wartime work of Fort Wayne native Bill Blass and Ghost Army

The Journal Gazette reports on a history and art exhibition in Fort Wayne that honors the wartime work of native son Bill Blass and the Ghost Army. Bill Blass, who would later become a renowned fashion designer, served in the 23rd Headquarters Special Troops, a top-secret U.S. Army unit known as the Ghost Army, during World War II. The exhibition highlights the unit's deceptive tactics—using inflatable tanks, sound effects, and fake radio transmissions—to mislead German forces, and features artifacts, photographs, and artworks related to their missions.

The Sky High Farm Biennial Cultivates Something Special

The Sky High Farm Biennial, curated by former Downtown art star Dan Colen, opened in a cold storage warehouse in Germantown, N.Y., featuring over 160 works by 50 artists across two floors. The exhibition is loosely themed around humanity's relationship with the natural world, with immersive installations by Anne Imhof (a maze of cider crates) and Rudolf Stingel (a mirrored floor requiring paper booties). Highlights include works by Nan Goldin, Thiago Rocha Pitta, Stephen Lichty, Carrol Dunham, Pia Camil, and Ann Craven. The show balances informal and polished elements, offering a breezy summer experience while serving as a thesis on artist community.

Art & Language ‘The Mirror Effect’ at Château de Montsoreau – Museum of Contemporary Art, Loire Valley, France

The Château de Montsoreau – Museum of Contemporary Art in the Loire Valley, France, is presenting ‘The Mirror Effect’, a new exhibition running from 17 July to 3 November 2025. Curated by Lara Pan, the show celebrates 60 years of the pioneering conceptual art collective Art & Language and brings together over 50 international artists to reflect on the group’s legacy. The museum holds the world’s largest collection of Art & Language works, assembled by collector Philippe Méaille.

Works by Stanley Spencer 'never been seen before' to be auctioned this week

A collection of previously unseen artworks and personal memorabilia from the Stanley Spencer family archives will be auctioned this week. The sale, titled 'Kindred Spirits: The Artistic World of Sir Stanley Spencer,' includes drawings, paintings, early sketchbooks, letters, and personal artefacts that have never been published or exhibited. The collection was consigned by the Estate of Sir Stanley Spencer and offered by his grandson John Spencer, the last direct descendant, following the deaths of Spencer's daughters. The auction takes place at Dreweatts' Modern & Contemporary Art sale on July 10, 2025, featuring works by Spencer, his wife Hilda Carline, and his brother Gilbert Spencer.

Remembering Sebastião Salgado, world builder, photographer of collective humanity and prophet of possibility

Sebastião Salgado, the legendary Brazilian photographer known for his monumental documentary projects capturing collective humanity and environmental activism, has died. Born in 1944 in Aimorés, Brazil, Salgado studied economics at the University of São Paulo and was exiled to France for political activism before turning to photography in the 1970s. He joined Magnum Photos in 1979 and went on to create epic, multi-year projects such as "Workers" (1986-93), "Migrations" (1993-99), "Genesis" (2005-13), and "Amazônia" (2011-19), which redefined documentary practice through total immersion and scale. His work earned him the Peace Prize of the German Book Trade, a UNICEF Goodwill Ambassador role, and numerous awards including the W. Eugene Smith Grant and the Royal Photographic Society’s Centenary Medal.

Artist and curator Jean-Marc Bustamante to launch foundation in Arles culture hub

French artist and curator Jean-Marc Bustamante will open the Fondation Bustamante in Arles, France, in summer 2026. Housed in a 12th-century church, the foundation will display his works and archive while hosting contemporary exhibitions, masterclasses, and supporting young curators, critics, and historians. The architect Charles Zana will design the three-floor space. Bustamante, who previously directed the École Nationale Supérieure des Beaux-Arts (ENSBA) in Paris, aims to position the foundation among Arles's existing cultural institutions such as LUMA Arles and the Fondation Van Gogh.

Anna-Eva Bergman

The article reports on the life and work of Anna-Eva Bergman, a Norwegian-born painter whose abstract, minimalist works are gaining renewed attention. It highlights her recent exhibitions and the growing recognition of her contributions to post-war European art, particularly her use of metallic pigments and geometric forms inspired by Nordic landscapes.

Christo and Jeanne-Claude, Legendary Artists, Are Back in Spirit

The article revisits Christo and Jeanne-Claude's iconic 1983 "Surrounded Islands" project in Miami's Biscayne Bay, where they wrapped 11 small islands in hot pink plastic. It describes how the spectacle drew global attention and marked a turning point for Miami, which was then struggling with crime and a negative image. The piece also notes that the couple's work is being seen again in Florida, New York, and Germany, with a related exhibition at NSU Art Museum Fort Lauderdale.

A new ‘anti-biography’ rips apart the myth of Leonardo as a solitary genius

Stephen J. Campbell, a professor of art history at Johns Hopkins University, has published a new book titled *Leonardo da Vinci: An Untraceable Life*, which he frames as an "anti-biography." The book aims to dismantle the mythology surrounding Leonardo da Vinci, arguing that the fragmentary archival record has led to speculative and often outlandish theories that portray him as a solitary genius ahead of his time. Campbell repositions Leonardo within the artistic and intellectual context of late 15th- and early 16th-century Europe, critiquing how media, the art market, and popular culture have commercialized his legacy.

Winterthur’s ‘Almost Unknown’ offers immersive look at Black history and art

Winterthur Museum in Delaware has opened a new exhibition titled "Almost Unknown: The Afric-American Picture Gallery," which brings to life a fictional gallery imagined in 1859 by Black writer and schoolteacher William J. Wilson, writing under the pseudonym Ethiop. In a series of columns for the magazine "The Anglo-American," Wilson described an imaginary museum of Black history and art, featuring works like a depiction of a slave ship, a bust of poet Phillis Wheatley, and images of Crispus Attucks and Haitian Revolution heroes. Curator Jonathan Square has transformed Wilson's fantasy into an immersive, haunted-attraction-style exhibition using objects from Winterthur's collection, with dark lighting, sound effects, and false walls that evoke a carnival ride inspired by Jordan Peele films and "The Shining."

Young Artists Take the Spotlight at the Iris Gallery @ SOPAC

The South Orange Performing Arts Center (SOPAC) in New Jersey announced the return of the INSPIRED MINDS: Young Artist Exhibition, showcasing visual art by high school students from Essex County. The exhibition runs from May 15 to August 17, 2025, in the Herb + Milly Iris Gallery, with an opening reception on May 15. Over 1,000 submissions were received, with a jury selecting about 80 pieces. The opening will also feature the third annual Paul Bartick Emerging Artist Award, presented to Obenewaa Frimpomaa, a senior at Millburn High School recognized for her work on identity and empowerment.

Immersed in Pink: Christo’s Legacy Anchored in NSU Museum of Art Fort Lauderdale

The NSU Art Museum Fort Lauderdale has become the permanent home of Christo and Jeanne-Claude's "Surrounded Islands," featuring over 43 original preparatory drawings and collages by Christo, along with large-scale photo murals, photographs, engineering surveys, environmental reports, permits, personal correspondence, scale models, and actual fabric segments from the project. The exhibition is ongoing and includes rare archival materials gifted by the Christo and Jeanne-Claude Foundation.