Il Padiglione Italia alla Biennale è il più internazionale di sempre

Chiara Camoni presents the Italian Pavilion at the 2026 Venice Biennale with her exhibition "Con Te Con Tutto" in the Arsenale. The show is divided into two sections: the first features monumental yet intimate sculptures, including her signature "sister" figures made from necklaces and terracotta fragments, while the second section continues the installation with a focus on circular production and zero waste. Camoni emphasizes a return to front-facing statuary, avoiding the gigantism of past editions, and works with sustainable, handmade processes.

Are the Visitors' Lions at the Venice Biennale an Opportunity for Art Criticism? Let's Seize It?

I Leoni dei Visitatori alla Biennale di Venezia sono un’opportunità per la critica d’arte. Cerchiamo di coglierla?

The article discusses the newly instituted "Leoni dei Visitatori" (Visitors' Lions) at the Venice Biennale, established after the resignation of the International Jury. The author, Alberto Villa, argues that this change shifts significant influence to art media and critics, as visitors will rely on reviews and recommendations from specialized magazines, websites, and social media to decide which pavilions to prioritize. Villa calls on critics to embrace this responsibility with heightened critical rigor, seeing it as an opportunity to revive the mediating role of art criticism.

A brand-new novel is set in Renaissance Venice and its powerful Arsenal (where the Biennale is held)

Un nuovissimo romanzo è ambientato nella Venezia rinascimentale e nel suo potente Arsenale (quello dove si tiene la Biennale)

Allegra Scattaglia and Luca Josi have co-authored a new novel titled "Venetians – Il segreto dell’Arsenale," published by Sonzogno. Set in Renaissance Venice, the story follows young patrician Marcantonio Bragadin as he becomes entangled in a plot driven by the city's sophisticated and ruthless political system. The narrative highlights the Arsenal, one of the world's first proto-industrial shipbuilding complexes, which also hosts the Venice Biennale. The book weaves together art, technology, diplomacy, and intrigue, featuring historical figures such as Titian, Tintoretto, Albrecht Dürer, Leonardo da Vinci, and Aldus Manutius.

Waiting for the 2026 Venice Biennale, on Sky Arte Artbox tells the story of the Turin festival EXPOSED

Aspettando la Biennale Arte 2026, su Sky Arte Artbox racconta il festival torinese EXPOSED

The 24th episode of Sky Arte's program "Artbox" airs on May 5, 2026, coinciding with the official start of the Venice Biennale Arte 2026. The episode focuses on the third edition of EXPOSED Torino Photo Festival, themed "Mettersi a nudo" (Stripping Bare), inspired by Baudelaire. Artistic director Walter Guadagnini, photographers Toni Thorimbert and Paola Agosti, and curator Giangavino Pazzola discuss the festival's exhibitions, including Paola Agosti's feminist photography at the Museo Nazionale del Risorgimento and Yorgos Lanthimos's photographs at the Cripta di San Michele Arcangelo. The episode also covers a Max Bill retrospective at the m.a.x. museo in Chiasso, Switzerland, and features segments on art and truth, a book on Milan's Central Station, and a project from Milan Design Week 2026 by Spanish artist Pau Aguilò.

C’è un artista che ha deciso di vivere in povertà come un monaco francescano. La storia

Miltos Manetas, a Greek-born artist, has adopted a life of Franciscan poverty as both a personal practice and an artistic project called "Francesco_2026." His work is featured in the exhibition "Vita minore. San Francesco e la santità dell’arte contemporanea" at Palazzo Collicola in Spoleto, curated by Gianni and Giuseppe Garrera. Manetas has also launched the tenth Internet Pavilion at the Venice Biennale, inviting Saint Francis as the artist, using AI conversations and a monastery in the Venetian lagoon to create an informal community of "Fratelli e Sorelle" who follow a shared rule based on poverty, absence of preparation, and divine providence.

The Ricci Oddi Gallery in Piacenza has been renovated. Here's how it changed after the work (funded by citizens)

La Galleria Ricci Oddi di Piacenza è stata rinnovata. Ecco com’è cambiata dopo i lavori (finanziati dai cittadini)

La Galleria d'Arte Moderna Ricci Oddi in Piacenza, Italy, has completed a year-long renovation and reinstallation project, reopening to the public on April 28. The work, designed pro bono by Milanese studio Lissoni & Partners and funded by citizens, restored the original architecture by Giulio Ulisse Arata, emphasizing a central panopticon and natural zenithal light. The museum remained partially open during construction, which refreshed all 22 rooms and over 1,000 square meters of space, aiming to reconnect the collection with its purpose-built building.

Kunsthaus Paradiso is Born in Venice: Italian Art Has a Home, Despite the Biennale

Nasce a Venezia la Kunsthaus Paradiso: l’arte italiana ha una casa, malgrado la Biennale

A new project called Kunsthaus Paradiso has opened in Palazzo Molin Querini in Venice, running from May 4 to May 31 in conjunction with the Venice Biennale. Founded by curator Caroline Corbetta, the initiative evolved from her earlier Crepaccio project (2012–2016) in Milan and the Padiglione Crepaccio, which debuted at the 2013 Biennale Arte curated by Massimiliano Gioni. Kunsthaus Paradiso focuses on Italian and Venice-based artists—including Thomas Braida, Fabio De Meo, Caterina Rossato, Ornella Cardillo, Alessandro Miotti, Melania Fusco, Mauro Campagnaro, Marta Spagnoli, Barbara De Vivi, Spazio Punch, Giorgio Andreotta Calò, Mattia Sinigaglia, and the collective Scafandra—offering a platform for emerging and local talent during the Biennale.

The Biomorphic Sculptures of Alma Allen in the U.S. Pavilion at the 2026 Venice Art Biennale (Amid Controversy)

Le sculture biomorfiche di Alma Allen nel Padiglione USA alla Biennale d’Arte di Venezia 2026 (tra le polemiche)

Alma Allen, a self-taught American sculptor, has been selected to represent the United States at the 61st Venice Biennale in 2026 with the exhibition "Call Me the Breeze." The pavilion, curated by Jeffrey Uslip, will feature site-specific biomorphic sculptures that explore the concept of "elevation" through a hybrid creative process combining pre-industrial carving and hand-modeling with advanced robotic sculpting. Works will incorporate local American materials such as walnut burl, Cantera green volcanic rock, and Yule marble from Colorado, and the pavilion is tied to America250, the celebration of the 250th anniversary of the U.S. Declaration of Independence.

Il Padiglione della Gran Bretagna alla Biennale d’Arte di Venezia 2026 spiega cos’è l’appartenenza

The British Council has selected artist Lubaina Himid to represent Great Britain at the 2026 Venice Biennale. Her exhibition, titled "Predicting History: Testing Translation," will transform the British Pavilion into a large-scale installation exploring belonging, displacement, and the recreation of home in new contexts. Created in collaboration with artist Magda Stawarska, the show features multi-panel paintings and a surreal soundscape that engages with the neoclassical architecture of the pavilion. Himid, a Turner Prize winner and pioneer of the Black British Art Movement, focuses on cultural memory and identity, challenging Eurocentric narratives and highlighting overlooked Black figures in Western history.

A Baroque Too Baroque: Reflections on the Colossal Exhibition in Forlì

Un Barocco troppo barocco. Riflessioni sulla colossale mostra di Forlì

A massive exhibition titled "Barocco: il gran teatro delle idee" (Baroque: The Grand Theater of Ideas) is on view at the Museo Civico San Domenico in Forlì, Italy. The show, curated by a committee of six, ambitiously attempts to define the Baroque across the 17th and 18th centuries, extending its scope to include France and Spain, and even suggesting its echoes in the 20th century. It features approximately 300 works, including paintings, sculptures, and decorative arts.

The Kenyan artist who was a revelation at the last Biennale is on show at Masaccio's house in Tuscany

L’artista del Kenya rivelazione all’ultima Biennale è in mostra alla casa di Masaccio in Toscana

Kenyan artist Agnes Waruguru, a breakout star of the most recent Venice Biennale, is presenting her first solo museum exhibition in Italy. Titled 'From What We Are,' the show is curated by Alessandro Romanini and is on view at the Centro per le arti contemporanee Casa Masaccio in San Giovanni Valdarno, Tuscany.

Shopping Experience: How Has the Way of Experiencing Luxury Changed?

Shopping experience: com’è cambiato il modo di vivere il lusso?

Luxury retail in Milan is undergoing a significant transformation, evolving from simple commercial spaces into 'cultural brandscapes' that blend art, design, and hospitality. Major fashion houses are redesigning their flagship stores to function as urban salons and living galleries, integrating site-specific art installations, historical architecture, and high-end gastronomy to foster community and tangible experiences in an increasingly digital world.

Prada's Cultured Symposium on Fashion and Design Will Take Place This Year at Santa Maria delle Grazie in Milan

Il colto simposio su moda&design di Prada quest’anno si svolgerà nella chiesa di Santa Maria delle Grazie a Milano

The fifth edition of Prada Frames, an annual multidisciplinary symposium curated by the design studio Formafantasma, is set to take place from April 19 to 21, 2026, at the historic Santa Maria delle Grazie in Milan. Hosted within the Renaissance sacristy attributed to Donato Bramante, the event coincides with the Salone del Mobile and features a series of lectures and discussions. This year's theme, "In Sight," explores the evolving power of images, the blurring lines between human and machine-generated content, and the material environmental impact of digital image production.

In Rome, a festival dedicated to contemporary cinema and audiovisual experimentation: The Interview

A Roma c’è un festival dedicato al cinema contemporaneo e alle sperimentazioni audiovisive. L’intervista

The Ru-mòre Cinema and Audiovisual Experimentation Festival is launching in Rome’s San Lorenzo district from April 14 to 18. Evolving from the former Barkov Film Festival, the event features a diverse program of short films, screenwriting competitions, and a dedicated section for virtual reality. The festival utilizes multiple local venues, including Cinema Tibur and the Mercato di San Lorenzo, to host international works and industry panels.

The Milan fair dedicating an entire day to reflecting on the state of Italian art: 8 straight hours of conversations

A Milano la fiera che dedica un’intera giornata per riflettere sullo stato dell’arte italiana: 8 ore filate di conversazioni

The debut edition of Paris Internationale in Milan, scheduled for April 2026 at Palazzo Galbani, will feature a marathon eight-hour symposium titled "Aperto Italia." Organized in collaboration with the Fondazione Nicola Trussardi and curated by Massimiliano Gioni, the event brings together 35 international galleries and a significant roster of Italian artists. The program is designed as a continuous cycle of conversations to address the current state of contemporary art in Italy, paying tribute to the late Flash Art publisher Giancarlo Politi.

Fragility and Resistance of an Iranian Artist on Display in Rome

Fragilità e resistenza di un’artista dell’Iran in mostra a Roma

The Galleria Anna Marra in Rome is hosting "Assemblages," the first Italian solo exhibition of Iranian artist Sepideh Salehi. The show features works that blend collage, Japanese paper, photography, and drawing to depict Iranian women living in the United States who have shared experiences of displacement and political upheaval. Salehi’s figures often avert their gaze or conceal their faces, symbolizing a "calligraphy of refusal" and a quiet resistance against the historical traumas of the 1979 Islamic Revolution and the Iran-Iraq war.

Monuments & Weapons: How Public Space Prepares Us for War Without Us Even Realizing It

Monumenti&armi. Così lo spazio pubblico ci prepara alla guerra senza che neppure ce ne rendiamo conto

Public squares and urban spaces are densely populated with war-related monuments that condition society to accept conflict as a historical inevitability. A study by Philadelphia’s Monument Lab reveals that nearly 60% of U.S. monuments focus on war themes, outnumbering themes of peace thirteen-fold, while Italy maintains over 12,000 memorials dedicated solely to World War I. These structures often prioritize military hierarchy and territorial conquest over themes of care, gender equality, or social diversity.

An important exhibition in Milan tells the story of the lesser-known Man Ray: interview with the curator

Una importante mostra a Milano racconta il Man Ray meno conosciuto: intervista al curatore

The Gió Marconi gallery and Fondazione Marconi in Milan have launched a major retrospective titled "Man Ray: M for Dictionary," marking fifty years since the artist's passing. Curated by Yuval Etgar and Deborah D’Ippolito, the exhibition moves beyond Man Ray’s famous photography to highlight his role as a pioneer of conceptual and multimedia art. The show is organized into five thematic sections that explore his use of visual puns, experimental "Rayographs," and the transformative power of language across painting, drawing, and sculpture.

In this L’Aquila High School, there is a Contemporary Art Collection Created by Students and Artists

In questo liceo dell’Aquila c’è una collezione d’arte contemporanea realizzata dagli studenti con gli artisti

The Liceo Bafile in L’Aquila has established a permanent collection of contemporary art featuring over 60 site-specific works created through collaborations between professional artists and students. Initiated by artist and professor Licia Galizia following the devastating 2009 earthquake, the project integrates art into the educational environment as a tool for cultural rebirth. In 2026, the collection will expand further with seven new installations created by artists including Elena Bellantoni and Marco Nereo Rotelli in partnership with the Academy of Fine Arts of L’Aquila.

At the Venice Biennale, protests, self-mutilation and rage against Israel and Russia. Is anyone left to talk about the art?

At the 61st Venice Biennale, protests and controversies have overshadowed the art itself. The Art Not Genocide Alliance (ANGA) demonstrated against the inclusion of Israel and Russia, while the Israeli Pavilion became a flashpoint. Artist Belu-Simion Fainaru, presenting his installation "Rose of Nothingness" in a temporary space, complained that he was forced to defend his art's right to exist amid questions about politics rather than his work. The Biennale also saw barricades, strikes, the resignation of the Golden Lion jury, Iran's last-minute withdrawal, and anger directed at the American pavilion over Trump administration policies. The central exhibition, "In Minor Keys," curated by the late Koyo Kouoh, was eclipsed by these events.

‘Africa in the Spotlight’ exhibition in Lisbon

An exhibition titled 'Africa in the Spotlight' has opened at the Lisbon Alliance Française, curated by Tatyana Jolivet. The show features seven contemporary African artists from Burkina Faso, Angola, and São Tomé e Príncipe, including Casimir Bationo (CasziB), SDZabila, Flore Kaboré, and Valdemar Dória. Jolivet, a Russian-born curator based in Lisbon who runs the online Jolie Art Gallery, organized the exhibition to promote cultural diversity and dialogue, highlighting the deep-rooted African presence in Portugal dating back five centuries.

Exhibition | Daniel Crews-Chubb, 'Pareidolia' at MASSIMODECARLO Pièce Unique, Pièce Unique, Paris, France

MASSIMODECARLO Pièce Unique in Paris presents 'Pareidolia,' an exhibition of new paintings by London-based artist Daniel Crews-Chubb. The show explores the psychological phenomenon of pareidolia—the brain's tendency to see faces in random patterns—through heavily layered works created with hands, ink, oil, sand, and collage. Three paintings are featured: 'Immortal XXXVIII' and 'Immortal XXXIX' (2026), large-scale works drawing on cultural memory of ancient sculpture, and 'Mask XXIV' (2026), which tests the minimal cues needed for facial recognition. Crews-Chubb's process involves building up and tearing back surfaces over weeks, with charcoal lines added last to define emergent figures.

Exhibition | Bertrand Lavier, 'Brushstroke n.7' at MASSIMODECARLO Pièce Unique, Pièce Unique, Paris, France

French artist Bertrand Lavier is presenting a solo exhibition titled 'Brushstroke n.7' at MASSIMODECARLO Pièce Unique in Paris. The exhibition centers on a single, sinuous steel sculpture that translates the traditionally flat, expressive painterly gesture into a three-dimensional physical entity. This presentation marks Lavier's sixth solo show with the gallery and continues his decades-long exploration of the boundaries between painting, sculpture, and the readymade.

Museum of Contemporary Art Los Angeles acquires Kara Walker sculpture made from dissected Confederate monument

The Museum of Contemporary Art (MOCA) Los Angeles has acquired "Unmanned Drone" (2023), a significant bronze sculpture by Kara Walker. The work was created by dissecting and reassembling a decommissioned 1921 monument of Confederate General Stonewall Jackson, which was removed from Charlottesville, Virginia, following the 2017 "Unite the Right" rally. The acquisition was announced alongside more than 150 other new additions to the museum's permanent collection, including major works by Cynthia Daignault and Paul Pfeiffer.

Napa County’s di Rosa Preserve listed for sale at $10.9 million – art not included

Napa County's di Rosa Preserve, a 217-acre estate housing the di Rosa Center for Contemporary Art, has been listed for sale at $10.9 million. The sale includes the land, buildings, and event spaces but explicitly excludes the art collection, which is owned by the Rene & Veronica di Rosa Foundation. Executive director Kate Eilertsen stated the move is part of 'thoughtful planning' to ensure the institution's sustainability, as operating costs have outpaced endowment income and charitable giving. The foundation is open to a leaseback arrangement that would allow the center to continue operating on site, and the property remains open to the public during the sale process.

Skylands Museum of Art presents Spotlight on the Artist: Massimo Rao

The Skylands Museum of Art in Lafayette, New Jersey, has opened a new exhibition titled "Spotlight on the Artist: Massimo Rao," featuring eight works by the late Italian artist from the museum's permanent collection. The display includes oil and tempera paintings, lithographs, and drawings, such as "Portrait" and "Shelter Made of Ashes & Recollections," and will run through October 2025 in the museum's Sanctuary Gallery. Rao, known for his classic yet mysterious style blending Renaissance influences with Nordic Mannerism and pre-Raphaelite approaches, often depicted surreal, moonlit figures and was called "the Painter of the Moon." Born in 1950 near Naples, he studied art history and architecture, exhibited internationally, and died in 1996 at age 46; his hometown opened a museum dedicated to him in 2012.

New book explores the complex history of Jewish country houses

A new book titled *Jewish Country Houses*, edited by Juliet Carey and Abigail Green, explores the history of approximately 1,000 country estates built or remodeled by wealthy Jewish families across Great Britain and Continental Europe from the French Revolution until World War II. These houses, such as Waddesdon Manor and Château de Champs-sur-Marne, served as symbols of social arrival and assimilation, blending eclectic architectural styles with art collections from European auction houses. The volume, published by Profile and Brandeis University Press in association with the National Trust, features contributions from an international team of historians and curators, with photographs by Hélène Binet, and includes case studies of a dozen houses now open to the public.

parties compass box whisky wolfsonian fiu bonhams

Compass Box, the independent Scotch whisky maker, partnered with auction house Bonhams and the Wolfsonian-FIU museum to launch "Imaginarium: The Fantastical World of Compass Box and Stranger & Stranger," an exhibition blending whisky and art. The event also unveiled Confluence, a one-of-one blend, as part of a benefit auction supporting the Wolfsonian-FIU museum and research center. Key attendees included dealer Avalon Ashley Bellos, Compass Box Creative Director Angela D’Orazio, Stranger & Stranger Design Director Guy Pratt, and artist Ivan Roque.

An Art-Lover’s Guide to Tunis’ Ground-Up Contemporary Scene

The article profiles Selma Feriani, a Tunisian gallerist who opened a new purpose-built gallery in the industrial El Kram district of Tunis in January 2024. Designed with architect Chacha Atallah, the three-story space features a concrete exterior referencing traditional Tunisian hand-application techniques and a garden of olive, palm, and orange trees. Feriani, who previously ran a gallery in London's Mayfair, returned to Tunisia after the Revolution to contribute to the country's cultural renaissance. The gallery currently hosts simultaneous exhibitions: Nadia Ayari's paintings of menacing plants and Nidhal Chamekh's "Frictions," part of his broader historical project "Et si Carthage…" exploring Mediterranean power dynamics.

Tuan Vu | Nhat Binh (2026) | Art & Prints

This article presents the artwork "Nhat Binh" (2026) by Vietnamese Canadian artist Tuan Vu, offered through Kristin Hjellegjerde Gallery. The painting, executed in oil and oil stick on linen, measures 35 2/5 × 29 1/2 inches and is a unique, hand-signed work accompanied by a certificate of authenticity. The listing includes details about the artist's background, his immigration to Canada as a refugee, his shift from engineering to full-time art practice in 2021, and his exhibition history including a solo show at Simard Bilodeau Contemporary in 2023 and subsequent shows in Berlin, London, New York, and across Canada.