Portland Art Museum announces major gift to endow Museum’s top position from Portland’s “First Family of the Arts”

The Portland Art Museum announced a $13.5 million gift from the late Arlene Schnitzer and the Schnitzer family, the largest individual donation in the museum's 132-year history. The endowment names the museum's director position, currently held by Brian Ferriso, as the Arlene & Harold Schnitzer Director. The Schnitzers, known as Portland's 'First Family of the Arts,' have supported the museum for nearly half a century through acquisitions, exhibitions, capital campaigns, and the creation of the Arlene and Harold Schnitzer Center for Northwest Art and the Schnitzer Sculpture Court. The gift is part of the museum's Connection Campaign, which will culminate in a transformed campus opening November 20.

A first glimpse (and listen) inside Lacma’s $720m new building

The Los Angeles County Museum of Art (Lacma) opened its new $720 million David Geffen Galleries building to 2,000 members and guests for previews on June 27, 2025, before its official opening in April 2026. Designed by Swiss architect Peter Zumthor, the elevated concrete structure spans Wilshire Boulevard with 110,000 square feet of gallery space, floor-to-ceiling windows, and a 300-seat theater. Musician Kamasi Washington organized a "sonic preview" with 100 jazz musicians performing his six-part suite *Harmony of Difference* throughout the empty space. The building sits adjacent to the preserved Japanese Pavilion (designed by Bruce Goff, 1988) and features Tony Smith's sculpture *Smoke* (1967) in a courtyard.

There is a major Paulo Nazareth exhibition to see in Venice (but the artist himself hasn't seen it)

C’è una grande mostra di Paulo Nazareth da vedere a Venezia (ma l’artista stesso non l’ha vista)

A major exhibition of Brazilian artist Paulo Nazareth, titled "Algebra," has opened at Punta della Dogana in Venice, but the artist himself is absent. Nazareth has kept a promise not to set foot in Europe until he has crossed African territories on foot, as they existed before the arbitrary divisions imposed by the 1884 Berlin Conference. He did not participate in the installation or opening, instead staging a simultaneous event in Veneza, a working-class district of Ribeirão das Neves, Brazil—a gesture he also made when invited to the 2013 Venice Biennale. The exhibition centers on structural violence and uses attention and care as strategies for healing, with the word "algebra" referring to the act of recomposing what was broken.

Edward Weston Unveiled: The American Photographer on Display in Turin

Edward Weston senza veli. Il fotografo americano in mostra a Torino

CAMERA – Centro Italiano per la Fotografia in Turin is hosting a major retrospective of the American photographer Edward Weston. The exhibition explores Weston’s mastery of 'straight photography,' showcasing his iconic nudes, still lifes of organic forms like peppers and shells, and sweeping Californian landscapes. Through absolute precision and tonal control, the show highlights how Weston transformed physical matter into timeless, sculptural images that defined a new visual language of the 20th century.

F.E. McWilliam Gallery & Studio presents 100 Years of British and Irish Art – A Fermanagh Collection

The F.E. McWilliam Gallery & Studio in Northern Ireland has opened "100 Years of British and Irish Art: A Fermanagh Collection," a landmark exhibition showcasing the private art collection of the Earl and Countess of Belmore. Curated by William Laffan and Riann Coulter, the show spans five decades of collecting and features works by Irish painters such as Paul Henry, Norah McGuinness, and Basil Blackshaw, alongside British modernists including David Bomberg and Ceri Richards. The collection, rooted in the historic Castle Coole estate, was shaped by the Belmores' friendships with artists, particularly Enniskillen-born T.P. Flanagan. The exhibition runs until January 31, 2026, with free admission.

These are the 5 Kansas City art exhibits you need to explore this summer

This article highlights five must-see art exhibitions in Kansas City for summer 2025, curated by KCUR's Adventure newsletter. Featured shows include the Kansas City Flatfile + Digitalfile at KCAI Artspace, a massive showcase of over 200 emerging 2D artists; "North by Southeast: A Kansas City Double Feature" at Holsum Gallery and Gallery Athanor, a collaborative exhibition of six local emerging artists; and "Iro to Katachi (Colors and Shapes)" at Leedy-Voulkos Art Center, a solo show by Japanese-American sculptor Rie Egawa. Other notable mentions include a two-person exhibition "Threshold III: Ancestral Memory" at the same venue.

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Conceptual artists Nora Ligorano and Marshall Reese created a 3,000-pound ice sculpture spelling out “Democracy” on the National Mall in Washington, D.C. The work, titled *Last Call DemocracyICED*, stood five feet tall and 17 feet wide before melting. It was commissioned by Ben Cohen, co-founder of Ben & Jerry’s and activist behind the Up In Arms campaign, which advocates for reducing Pentagon spending in favor of public health and education. Cohen cited actions by the Trump administration—such as attacks on free speech, secret police arrests, and military use against civilians—as threats to American democracy.

Everything to know about David Geffen Galleries as a new LACMA emerges

The Los Angeles Times reports on the upcoming David Geffen Galleries, a new building that will become the centerpiece of the Los Angeles County Museum of Art (LACMA) as it undergoes a major transformation. Designed by architect Peter Zumthor, the structure is part of a long-delayed, multi-billion-dollar renovation project that aims to modernize the museum's campus and consolidate its collection under one roof. The article details the timeline, design features, and the controversies surrounding the project's cost and scope.

art criticism lynne tillman paying attention book

Lynne Tillman celebrated the publication of her new collection, *Paying Attention: Essays on Art and Culture*, from David Zwirner Books, at an event hosted by Coco’s at Colette. The article features a conversation between Tillman and the author, in which she discusses her origin story as a critic, her background in fiction writing, and her unconventional entry into art criticism through an invitation from Craig Owens at *Art in America*. She recounts writing a Madame Realism story about a Renoir exhibition after eavesdropping on museum tours, a piece that angered some art historians.

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CULTURED magazine and fashion brand MZ Wallace celebrated the 10-year anniversary of their Young Artists List with an event at (SUB)MERCER in SoHo, where they announced Iraqi-born, Los Angeles-based artist Ali Eyal as the winner of the 2025 Young Artist Prize. Eyal received an unrestricted $30,000 grant, selected by a jury of curators from the Met, the Hammer, and MoMA, for his multidisciplinary practice reflecting on violence endured during his upbringing in Baghdad.

Ronny Quevedo Connects Sites of Cosmovisions at Krannert Art Museum

Ronny Quevedo's first institutional solo exhibition in the Midwest, "a l l s t a r s," has opened at the Krannert Art Museum in Champaign-Urbana. The show features works from the Ecuadorian-born, New York-based artist's recent past alongside a new site-driven installation, "a mother's hand" (2025), which incorporates objects from the museum's reinstalled Andean art collection. Using materials like wax, drywall, muslin, carbon paper, and gold-silver leaves, Quevedo creates abstract fields that evoke cartographies, constellations, dressmaking diagrams, and sports playbooks, weaving together autobiographical references to his seamstress mother and soccer-playing father with broader themes of cultural inheritance, duality, and cosmovisions.

Sally Tallant, director of New York’s Queens Museum, to lead London’s Hayward Gallery

Sally Tallant, currently director of the Queens Museum in New York, has been appointed director of the Hayward Gallery and visual arts at the Southbank Centre in London. She will succeed Ralph Rugoff, who steps down in spring after 20 years. Tallant previously worked as an assistant curator at the Hayward in 2001 and later led the Liverpool Biennial from 2011 to 2019. She will begin her new role in July, while Rugoff will oversee a major Anish Kapoor retrospective opening in June.

Turkey Notches Another Successful Restitution After Denver Art Museum Returns 1500-Year-Old Marble Head

The Denver Art Museum has repatriated a 1,500-year-old marble head of a bearded man to Turkey, following a successful restitution claim. The sculpture, which dates back to the fifth century BCE, was originally unearthed in the agora of the ancient city of Smyrna (modern-day Izmir) and was likely trafficked illicitly before entering the museum's collection. The artifact is now on public display at the İzmir Archaeology Museum.

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Archaeologist Mike Pitts has challenged the prevailing narrative surrounding the removal of Hoa Hakananaiʻa, the iconic Easter Island moai held by the British Museum. Drawing on a newly discovered 1869 eyewitness account from the Army and Navy Gazette and a rare historical photograph, Pitts argues that the statue's excavation was a collaborative effort involving hundreds of Indigenous Rapa Nui people rather than a simple act of imperial theft. The evidence suggests the British crew traded tobacco for assistance and were guided to the statue's location by the islanders.

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The Financial Times reports that half of non-bank lenders offering loans against artworks experienced defaults in 2024, up from 17% two years earlier, according to the Art and Finance Report 2025 by Deloitte Private and ArtTactic. The art market has shrunk 12% to $57.5 billion since 2022, dragging down collateral values and triggering margin calls. Meanwhile, Australia's social media ban for under-16s raises questions for museums, with the Art Gallery of New South Wales noting minimal impact but the Museum of Contemporary Art Australia more reliant on youth engagement. Other news includes Vanessa Horabuena's speed-painted Jesus sold for $2.75 million at Mar-a-Lago, the cancellation of NFT Paris and RWA Paris 2026, and a critical column calling for the end of the Singapore Biennial.

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Egyptian archaeologist Zahi Hawass has renewed his demand for the return of the ancient bust of Nefertiti from Berlin's State Museums, citing the recent full opening of the Grand Egyptian Museum (GEM) near Giza as proof that Egypt can properly safeguard its artifacts. The bust, dating to ca. 1351–1334 BCE and discovered in 1912 by German Egyptologist Ludwig Borchardt, has been on display at the Neues Museum since 2009. Hawass, who has shifted his position over time—calling the bust not looted in 2010 but “brazenly stolen” in 2024—argues that Western museums can no longer claim Egyptian institutions lack adequate climate control and display standards.

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New York City Mayoral-Elect Zohran Mamdani has signed an open letter supporting roughly 1,000 workers at the Metropolitan Museum of Art who filed a petition with the National Labor Relations Board to form a bargaining unit. The vote is scheduled for January 13 and 15, 2026, and if approved, the Met would become the largest unionized museum in the country. The letter, released December 18 by the United Auto Workers (UAW), was also signed by Comptroller Elect Mark Levine and Manhattan Borough President Elect Brad Hoylman-Sigal, among other officials. The proposed union would cover curators, conservators, educators, and retail staff, citing long-term pay inequities, lack of job protection, and increasing workloads.

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A Los Angeles Times investigation has raised serious concerns about the financial management of the Palm Springs Art Museum, alleging significant accounting issues including improper reporting of endowment spending, inaccurate recording of donated and deaccessioned art values, and faulty admissions revenue tracking. The museum has publicly refuted these claims, asserting that its financial reviews have been thorough and that the Times' reporting relies on selective internal correspondence. The report notes that at least eight trustees have resigned, leaving the board short of its required 20 members, with one former trustee citing legal counsel for his departure and recommending the museum hire a forensic accounting firm.

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The Metropolitan Museum of Art in New York is set to open "Divine Egypt" on October 12, 2025, the museum's first large-scale exhibition of ancient Egyptian art since 2012. The show features 210 objects, including strange and surreal works such as a limestone block with carved ears, a snake with a woman's head, and a giant quartz diorite scarab representing the god Khepri. Curated by Diana Craig Patch with research associate Brendan Hainline, the exhibition focuses on about 25 of the 1,500 gods worshipped in ancient Egypt, presenting them in nonchronological mini-sections that highlight how divine iconographies were remixed and subverted over time. Most works come from the Met's own collection, with none on loan from Egypt.

msn warsaw director joanna mytkowska interview 1234754303

Joanna Mytkowska, director of the Museum of Modern Art in Warsaw (MSN Warsaw) since 2007, discusses the museum's first year in its new building designed by American architect Thomas Phifer. Located in Warsaw's Central Square near the Palace of Culture and Science, the white modernist structure opened last fall with performances and the collection exhibition "The Impermanent." Mytkowska reflects on the museum's controversial reception among local audiences, its role in Poland's political debates—including being mentioned during the recent presidential election campaign—and the institution's long-standing ambivalence toward artistic canons rooted in its close ties to Warsaw's progressive artistic community.

christies auction first calculating machine blaise pascal 1234751200

Christie’s will auction a Pascaline, the first calculating machine in history, developed by Blaise Pascal in 1642, at a sale in Paris on November 19. The estimate for the box decorated with ebony sticks is €2 million to €3 million. This particular model, dedicated to survey calculations, is the only one in private hands among nine surviving originals, and it remains fully functional. The auction also includes 15 volumes of Pascal’s writings, including a first copy of *Pensées* (estimate €200,000–€300,000), and works by Descartes, Newton, and others.

Large Roman Villa Uncovered in the U.K. During Wind Farm Survey

Archaeologists conducting surveys for an offshore wind farm project in Norfolk, England, have discovered a significant Roman villa dating back to the 1st through 3rd centuries C.E. The expansive estate, which measures over 100 feet in length, featured a bathhouse, a covered porch, and ancillary buildings for crop processing. Excavations also yielded high-status artifacts including an ornate bronze door handle, a lion-headed furniture foot, and imported pottery, alongside evidence of a Roman road and two lost medieval villages.

Dartmouth Students Renew Calls to Remove Leon Black’s Name From Arts Center

Students at Dartmouth College have intensified their campaign to remove billionaire collector Leon Black’s name from the school’s visual arts center. The renewed push follows the release of Department of Justice files detailing Black’s extensive financial ties to the late sex offender Jeffrey Epstein, including $170 million in payments for tax and estate advice. While Black has denied all allegations of misconduct and his legal team maintains he was unaware of Epstein’s criminal activities, student leaders are citing the college's recent decision to strip César Chávez’s name from a fellowship as a precedent for moral accountability.

Lost Parthenon Piece Unearthed From Lord Elgin’s Shipwreck

A small marble fragment from the Parthenon has been recovered from the wreck of the Mentor, a ship owned by Lord Elgin that sank in 1802 while transporting sculptures from the Acropolis to Britain. The fragment, discovered off the Greek island of Kythira by the Greek Ministry of Culture's underwater antiquities unit, is a decorative gutta likely from the temple's entablature or roof edge.

british museum acquires tudor heart pendant 2744141

The British Museum has successfully raised £3.5 million ($4.8 million) to acquire a rare 16th-century gold 'Tudor Heart' pendant, discovered by a metal detectorist in 2019. The pendant, linked to King Henry VIII and Catherine of Aragon, will enter the museum's permanent collection and is expected to tour the UK.

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The White House is pushing for a dedicated display of fan-created portraits of President Donald Trump at the Smithsonian's National Portrait Gallery. Administration officials, following a December tour, suggested installing a selection of artwork sent to the president by supporters, a move that would break with the museum's tradition of reserving multiple depictions for former presidents.

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Over 600 artifacts were stolen from a storage building housing the Bristol Museum’s British Empire and Commonwealth collection in the early hours of September 25. The items included an ivory Buddha, copper medallions from the Emancipation campaign of 1838, a carved elephant ornament, and a copper and brass ship lantern. Local authorities have released descriptions of four suspects and images of stolen objects, appealing to the public for help in recovering the items and identifying the thieves.

right wing group great british pac block parthenon marbles 2666826

Former U.K. Prime Minister Liz Truss and right-wing group Great British Pac have sent a letter to current Prime Minister Keir Starmer, Culture Secretary Lisa Nandy, and British Museum trustees, threatening legal action against an alleged "covert" deal to return the Parthenon Marbles to Greece. The letter, signed by 34 individuals including historian David Starkey, claims the British Museum is engaged in an "accelerating campaign" to remove the sculptures and warns of seeking an injunction to halt negotiations. The British Museum confirmed receipt of the letter but stated that discussions with Greece about a Parthenon partnership are "ongoing and constructive."

cambridge university looted benin bronze 445184

Cambridge University has removed a Benin bronze statue of a cockerel, known as an “okukor,” from display at Jesus College after students campaigned for its removal. The bronze was looted by British colonizers from what is now Nigeria in the 19th century, and students voted for the artwork to be returned to Nigeria. The college is now considering repatriation and has permanently removed the statue from its dining hall, with students proposing that a new commissioned piece replace it.

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Artist Jill Magid has transformed her solo exhibition at Various Small Fires in Los Angeles into a platform for her dealer Esther Kim Varet’s congressional campaign. The show, titled “Heart of a Citizen,” features a replica of the White House Press Briefing Room podium, which Kim Varet uses to deliver stump speeches. Other works include a neon sign quoting a stenographer’s note and concrete casts of Magid’s heart, inspired by the White House Rose Garden. Magid emphasizes the show is not an endorsement but an exploration of power, free speech, and democracy.