Sung Tieu on Representing Germany at the 61st Venice Biennale

Sung Tieu, who is co-representing Germany at the 61st Venice Biennale alongside Henrike Naumann, responds to a questionnaire from ArtReview about her plans for the German Pavilion. She describes her inspiration as her mother and childhood home, a site built for foreign contract workers in the GDR that later became a refuge for the diaspora. Tieu states that her work relates to the Biennale theme "In Minor Keys" through the lens of Gehrenseestrasse, a concrete record of collective memory. She also expresses skepticism about the Biennale's importance, noting that the German Pavilion's fascist architecture compels artists to work against it, and that national pavilions reveal how much work remains in undoing nationalism.

San Francisco’s Vaillancourt Fountain Catches Fire During Controversial Removal

San Francisco's Vaillancourt Fountain, a Brutalist concrete structure at Embarcadero Plaza since 1971, caught fire on Wednesday morning as workers used blow torches to disassemble it. The fire ignited rubber tubing and debris inside the sculpture's cantilevered arms, producing smoke that forced the temporary evacuation of nearby paddle board courts. The fountain is being removed to make way for a $32.5 million redevelopment of the plaza and playground into a five-acre park.

The Ukrainian Pavilion’s Deer Seen Around the World

Zhanna Kadyrova's concrete sculpture "The Origami Deer" (2019) is prominently displayed at the entrance to the Giardini during the 61st Venice Biennale, part of her project "Security Guarantees" in the Ukrainian Pavilion. Originally installed in Pokrovsk, eastern Ukraine, the work was removed in 2024 as Russian forces advanced, then traveled through Vienna, Warsaw, Prague, Berlin, and Paris before reaching Venice—a journey mirroring the displacement of millions of Ukrainians. The sculpture, shaped like a deer and evoking folded paper, references the 1994 Budapest Memorandum, in which Russia, the UK, and US guaranteed Ukraine's security in exchange for its nuclear disarmament—guarantees that proved worthless after Russia's invasions.

Nancy Holt: MoonSunStarEarthSkyWater

The first UK presentation of Nancy Holt's work, titled "MoonSunStarEarthSkyWater," opens at the Goodwood Art Foundation in Sussex from 2 May to 1 November 2026. The exhibition includes both a gallery-based show and works in the landscape, featuring key pieces such as the monumental site-responsive installation "Ventilation System" (1985-92) and the earthwork "Hydra's Head" (1974). The show aims to highlight Holt's exploration of perception, language, and light, and includes works from her diverse practice spanning concrete poetry, film, photography, and public sculpture.

Comment | Museums are civic institutions. It’s time we acted like it

Lindsay C. Harris, director of the Oakland Museum of California (OMCA), publishes a commentary calling for museums to act as true civic institutions. She outlines concrete internal commitments OMCA has made, including voluntarily recognizing a staff union, adopting a pay equity philosophy with a minimum wage of $30.88 per hour, implementing transparent financial practices, and shifting investments toward socially responsible funds. Externally, she advocates for centering community voices, building social cohesion through inclusive programming, and measuring institutional impact through visitor surveys.

musems worried trump will end major tax deduction funding

French museums are alarmed that the Trump administration may eliminate a key tax deduction mechanism known as the “equivalency determination,” which allows foreign organizations to receive tax-deductible donations from American patrons. The status is critical for museum-affiliated “American Friends” groups, such as the American Friends of the Musée d’Orsay and the American Friends of the Louvre, the latter of which raised $10 million last year. Lionel Sauvage, president of the Museum of Decorative Arts in Paris, noted that about one-third of his museum’s annual donations—over $2 million—come from American donors. While no concrete action has been taken, Bloomberg reported in April that the administration was considering the move as part of a broader crackdown on tax-exempt nonprofits. Jewish philanthropic organizations have also expressed concern, with the Jewish Funders Network advising compliance amid uncertainty.

Painting LACMA's David Geffen Galleries with Light, Shadow, and Color

LACMA's new David Geffen Galleries, designed by architect Peter Zumthor, feature custom-tinted concrete walls that break from traditional museum aesthetics. The walls are coated with a transparent, nano-scale mineral glaze developed by Zumthor and Swiss craftsman Marius Fontana, manufactured by German company Keim. The palette—dusky red, vibrant blue, and nuanced black—was inspired by ancient Indigenous American pigments prepared by artist Porfirio Gutiérrez for the museum's exhibition "We Live in Painting: The Nature of Color in Mesoamerican Art." Diana Magaloni, LACMA's Senior Deputy Director for Conservation, Curatorial and Exhibitions, led the conceptualization and application of the glazes, which are designed to enhance the building's interplay of light and shadow without obscuring its raw concrete surfaces.

Early visitors share first impressions of LACMA’s sprawling new building

The David Geffen Galleries, the new $724-million building at the Los Angeles County Museum of Art (LACMA), opened to members, drawing thousands of visitors on its first day. The massive concrete structure, which has been a subject of public debate for its cost and design, finally allowed Angelenos and dedicated travelers to experience its spaces and inaugural installations firsthand.

DRIFT celebrates LACMA's gallery opening with a glowing swarm of dancing drones

The artist duo DRIFT launched their 'Franchise Freedom' performance, a swarm of over 1,000 illuminated drones, above the Los Angeles County Museum of Art (LACMA). The event celebrated the public opening of the museum's new Peter Zumthor-designed David Geffen Galleries, creating a dialogue between the dynamic, airborne artwork and the building's horizontal, sand-toned concrete architecture.

Review: “The Things We Carry” at Un Grito Gallery

The exhibition "The Things We Carry" at Un Grito Gallery serves as the centerpiece for the 2026 Contemporary Art Month (CAM) Perennial in San Antonio. Curated by Casie Lomeli and Leslie Moody Castro, the show features eight artists including Matt Rebholz, whose vibrant, alien-like landscapes subvert traditional Western imagery, and Tina Linville, who presents tactile sculptures composed of salvaged materials and concrete. The exhibition is part of a larger city-wide initiative spread across five artist-run spaces.

LACMA’s Soaring New Gallery Was Designed to Give You a Fresh Look at Art History

The Los Angeles County Museum of Art (LACMA) is preparing to open the David Geffen Galleries this spring, marking the culmination of a nearly two-decade campus overhaul led by director Michael Govan. Designed by Pritzker Prize-winning architect Peter Zumthor, the $720 million concrete structure spans 900 feet and is elevated 30 feet above ground to create a public plaza. The new building features 110,000 square feet of gallery space on a single horizontal level, utilizing unconventional materials like gray concrete and floor-to-ceiling windows to integrate natural light.

Conceptual artist Theresa Hak Kyung Cha’s gets expansive tribute in California show

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is presenting *Theresa Hak Kyung Cha: Multiple Offerings*, the first survey of the late conceptual artist’s work in over two decades. Running from January 24 to April 19, the exhibition draws on BAMPFA’s substantial holdings of Cha’s art and archives, showcasing her multidisciplinary practice—including concrete poetry, mail art, textiles, ceramics, performance, and film. Curator Victoria Sung, alongside curatorial associate Tausif Noor, aims to de-emphasize Cha’s best-known work, *Dictée*, and instead highlight the fluidity of her process, revisiting themes across different media from the early 1970s to the early 1980s. The show features a recreation of her 1980 film *Exilée*, documentation of performances such as *Réveillé dans la Brume* (1977), and early ceramics and textiles never before shown publicly.

Sotheby’s Has Set a Debut Date for Its Landmark Breuer Building Headquarters

Sotheby's has announced that its new headquarters in the iconic Breuer Building at 945 Madison Avenue will open on November 8. Originally designed by Marcel Breuer for the Whitney Museum of American Art in 1966, the building later housed the Met Breuer and the Frick Collection during its renovation. Sotheby's purchased the Brutalist landmark from the Whitney two years ago and has renovated it with Pritzker Prize-winning architects Herzog & de Meuron and PBDW Architects, adding auction rooms and state-of-the-art gallery spaces while preserving original features like bluestone floors and concrete walls. The opening will coincide with a major modern and contemporary art exhibition, followed by fall marquee sales the week of November 17.

Photos reveal Peter Zumthor's LACMA museum ahead of opening

Photographer Iwan Baan has released images of the completed David Geffen Galleries, the long-awaited Los Angeles County Museum of Art (LACMA) expansion designed by Swiss architect Peter Zumthor. The undulating, glass-and-concrete building stretches along Wilshire Boulevard, elevated 30 feet above street level, and is set to open fully in April 2026. Major construction finished at the end of 2024, with some lower-level spaces already open. The single-level design eliminates traditional hierarchies, placing all artworks on the same plane, and the building aims for LEED Gold certification with low-carbon concrete and natural ventilation.

A first look inside LACMA’s Zumthor-designed David Geffen Galleries as museum hosts preview opening

The Los Angeles County Museum of Art (LACMA) has released new photographs of its David Geffen Galleries, designed by architect Peter Zumthor with SOM as collaborating architect. The building, a long horizontal glass and concrete structure curving along Hancock Park and Wilshire Boulevard, opened temporarily for a three-day preview last week and is scheduled to open to the public in April 2026. The 347,500-square-foot wing includes 110,000 square feet of gallery space, along with street-level pavilions housing a theater, store, bar, and education center. To mark the preview, LACMA hosted three "sonic previews" featuring composer Kamasi Washington leading over 100 musicians in a performance of his work Harmony of Difference. Architectural critic Christopher Hawthorne described the wing as "bold and compromised in nearly equal measure," while Zumthor noted that curators initially critical of the spatial layout have begun to appreciate the space and the beauty of the handmade concrete structure.

A Testimony to Survival and Hope Amid Chaos and Destruction

Vian Sora's first solo museum exhibition in the United States, 'Outerworlds,' is on view at the Santa Barbara Museum of Art (SBMA) through September 7. The exhibition features vibrant, layered abstract paintings that the artist describes as deeply personal, including 'Forest Remains,' a 2023 SBMA acquisition that she considers a self-portrait about migration and assimilation. Sora, born in Baghdad and a survivor of the Iran–Iraq War, Gulf War, and the 2003 invasion, discussed her work in a conversation with SBMA Chief Curator James Glisson, explaining how a 2015 hysterectomy led to a dramatic shift in her style toward bold, colorful compositions. The show will travel to the Speed Art Museum in Louisville and the Asia Society Texas Center after its Santa Barbara run.

Antony Gormley and Brian Eno donate works to auction for Gaza health workers

A coalition called Health Workers 4 Palestine has organized an art auction, Seeds of Solidarity, to support medical professionals in Gaza. Taking place on 1 February at the Savoy hotel in London, the auction features works donated by 21 visual artists including Antony Gormley, Brian Eno, Mona Hatoum, Lisa Brice, Caroline Walker, and Hassan Hajjaj. Proceeds will benefit the Gaza Medics Solidarity Fund, which provides stipends to doctors, supports mobile clinics, and helps reconstruct maternity wards in the enclave. The sale is curated by Zayna Al-Saleh, known for her Voices of Palestine auctions that have raised over $1.4 million.

In Seine-Saint-Denis, the clever housing for migrants by architect Patrick Rubin

En Seine-Saint-Denis, les logements futés pour les migrants de l’architecte Patrick Rubin

Architect Patrick Rubin of the firm Canal has transformed the former National Road Information Center, known as Bison Futé, in Rosny-sous-Bois (Seine-Saint-Denis) into a housing complex for 169 migrants. The project, commissioned by social landlord Batigere Habitats Solidaires, preserves the original 1986 half-moon building by Ludwik Peretz and Gilbert Delecourt, adding a new floor and a rear half-crown structure. Rubin used 79 prefabricated modules (17–25 m² each), built in workshops near Lyon, each equipped with a bed, kitchenette, bathroom, and window. Inspired by ship cabin manufacturing in Dunkirk and traditions of tiny houses and capsule hotels by Charlotte Perriand, Herman Hertzberger, and Shigeru Ban, the modules were craned into place. The project faced delays due to differing tolerances between concrete and wood construction, pushing delivery from early 2026 to late 2026.

'L.A. has changed me,' says architect of LACMA's divisive David Geffen Galleries

Peter Zumthor, the Pritzker Prize-winning architect, discusses the making of the Los Angeles County Museum of Art's (LACMA) new David Geffen Galleries in an interview. He explains his rejection of overly slick, corporate architecture in favor of a raw, handmade concrete structure, describing the building as a "concrete sculpture." Zumthor details his collaboration with LACMA director Michael Govan, who encouraged him to incorporate "American roughness" into the design, a lesson Zumthor says he has brought back to his European practice.

The great Portuguese artist who reconstructs a Via Crucis for his exhibition in Venice

Il grande artista portoghese che per la sua mostra a Venezia ricostruisce una Via Crucis

Portuguese artist Pedro Cabrita Reis presents "XIV Steps" at the Magazzino del Sale 3 – Accademia di Belle Arti di Venezia during the 61st Venice Biennale. The exhibition features a new cycle of fourteen diptychs inspired by the structure of the Via Crucis (Stations of the Cross), arranged in a linear, processional path that emphasizes rhythm, distance, and repetition. Developed with Luca Berta and Michael Short, the works blend painting, materiality, and spatial construction, using dense layers of violet, dark red, black, and orange punctuated by large black diagonals that evoke architectural elements and tension.

Il grande artista Michelangelo Pistoletto apre un hotel d’arte a Biella

Michelangelo Pistoletto has opened Hotel Cittadellarte in Biella, Italy, within his Cittadellarte Fondazione Pistoletto. The 31-room hotel houses the exhibition "L'ospite inatteso" by Giuseppe Stampone, curated by Ilaria Bernardi, with each room containing a unique artwork designed to be lived with rather than quickly viewed. The exhibition includes Stampone's "Fotocopie intelligenti" and large tapestries from the Brioni manufactory, addressing themes of migration, belonging, memory, and coexistence. The building was sustainably renovated with PNRR funds.

L'excellent rapport de la commission d'enquête sur la sûreté des musées est paru

A French parliamentary commission of inquiry into museum security, initiated by Alexandre Portier (president) and reported by Alexis Corbière, has published its findings. The report, unanimously adopted across party lines, includes forty recommendations and is notably critical of the Louvre's management under director Laurence des Cars, accusing her of neglecting security priorities and causing significant delays in the museum's master plan. The commission validated earlier criticisms by La Tribune de l'Art, describing the Louvre as an "État dans l'État" (state within a state) and estimating that twenty to twenty-seven months were lost due to postponed decisions.

Tonika Lewis Johnson: Segregation and How to Disrupt It

Hyperallergic is hosting an online member event on April 15 featuring a conversation with social justice artist and 2025 MacArthur Fellow Tonika Lewis Johnson. The event will focus on her community-driven projects, including the "Folded Map Project," and will include readings from her 2024 book, *Don’t Go: Stories of Segregation and How to Disrupt It*.

Newly Translated 2,000-Year-Old Graffiti Proves Presence of Indian Visitors to Egypt’s Valley of the Kings

Archaeologists have translated 2,000-year-old graffiti in Old Tamil, Sanskrit, and Kharosti script found on the walls of six tombs in Egypt's Valley of the Kings. The inscriptions, dating from the 1st to 3rd centuries CE, include one individual, Cikai Korran, who wrote his name eight times across five tombs, effectively 'tagging' the ancient site.

40 year old sculpture demolished battery park city resiliency project

Crews have begun demolishing Ned Smyth's 40-year-old sculpture *Upper Room* in Battery Park City, New York, to make way for the North/West Battery Park City Resiliency (NWBPCR) project. The 20-column concrete colonnade, commissioned in 1986 as the neighborhood's first public art piece, features an elongated table with inlaid chessboards and was appraised at $1.5 million. The demolition is part of a larger plan to install a coastal flood barrier system along the Hudson River waterfront, intended to protect against storms like Hurricane Sandy.

The Backlash Is Here

"Der Backlash ist da"

Kathleen Reinhardt, the curator of the German Pavilion at the Venice Biennale, has announced her concept featuring artists Sung Tieu and Henrike Naumann under the title "Ruin." The exhibition will use East Germany as a prism to explore themes of power, history, and the present. Reinhardt was invited to submit a concrete concept and specific artists for this edition of the pavilion.

An open-air art gallery: Hogan Park at Highlands Creek

Hogan Park at Highlands Creek in Aurora, Colorado, is a 100-acre public park that doubles as an open-air art gallery, featuring around two dozen sculptures and painted installations along a two-mile trail. Curated by Carla Ferreira, CEO of the development, and her father, the park includes works by artists such as Michael Benisty, Hunter Brown, Daniel Popper, and Olivia Steele, with pieces designed to withstand Colorado's extreme weather. Notable installations include the 25-foot steel sculpture "Broken but Together," the viral fiberglass-reinforced concrete figure "Umi" by Daniel Popper, and a bronze bench honoring Dr. Justina Ford, part of the Statues for Equality initiative.

‘We need to rethink’: new exhibition revisits an Israeli conceptual art project, 53 years on

A new exhibition at the Givat Haviva Art Gallery in northern Israel revisits a landmark 1972 conceptual art project called Metzer-Meiser, which took place along the seamline between Kibbutz Metzer and the Arab village Meiser. The original project involved four Israeli artists—Dov Or-Ner, Moshe Gershuni, Avital Geva, and Micha Ullman—who created actions exploring Jewish-Arab coexistence, including burying personal items, parcelling land, scattering books, and exchanging soil between the two communities. The contemporary exhibition, "Metzer-Meiser: Take 2," co-curated by Anat Lidror and Tali Tamir, includes two of the original artists (Geva and Ullman) alongside ten contemporary Jewish and Palestinian artists, responding to the original project's themes of connection, fear, and trust.

Climate report from Getty’s PST Art programme urges cultural organisations to confront exhibitions’ impacts

The Getty has released a comprehensive climate impact assessment of its PST Art initiative, titled Art & Science Collide (2024-25), based on its inaugural Climate Impact Program (CIP). Developed with climate adviser Laura Lupton and artist Debra Scacco, the program provided webinars, guidance, and networking to participating institutions, with over two-thirds completing a climate impact report. Key findings show that air travel and air freight of art are the most carbon-intensive activities, and shifting to sea freight could reduce total emissions by 18%. Many institutions reduced waste through simple, low-cost changes, with some committing to permanent sustainability practices.

California nonprofits keep losing funding in what new study calls ‘the shadow of the pandemic cliff’

A new Otis College Report on the Creative Economy, titled "In the Shadow of the Pandemic Cliff," was presented at the Getty Center in Los Angeles. The report, prepared by Westwood Economics and Planning Associates, analyzes financial data from 2011 to 2023 for nonprofit cultural organizations in Los Angeles County, including museums, art schools, and performing-arts groups. It reveals that while revenues for these nonprofits surged by 47% during the early pandemic years due to special relief funding, that support has since faded. By 2023, 60% of surveyed organizations reported less public funding and 51% saw declines in private donations, a trend the report calls the "Covid cliff."