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Valparaiso University in Indiana has finalized the sale of two valuable paintings from the Brauer Museum of Art—Childe Hassam's *The Silver Veil and the Golden Gate* (1914) and Georgia O'Keeffe's *Rust Red Hills* (1930)—and is in the process of selling a third, Frederic Edwin Church's *Mountain Landscape* (c. 1849). The sales, collectively valued at up to $20 million, are intended to fund renovations of freshman dormitories amid budget shortfalls. The decision has sparked vocal protests, a lawsuit, and a vote of no confidence from the faculty senate against university president José Padilla, who announced his retirement. Moody's Ratings downgraded the school's credit rating to junk status, partly due to the controversy.

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The Porter County Superior Court has approved Valparaiso University's plan to sell three valuable paintings from the Brauer Museum of Art—works by Frederic Edwin Church, Childe Hassam, and Georgia O'Keeffe valued at around $20 million—to fund renovations to freshman dormitories. The decision follows a year and a half of controversy, including a lawsuit from the museum's founding director Richard Brauer and condemnation from major museum professional organizations, who argue that deaccessioning art for non-collection purposes violates ethical standards.

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This article from Artnet News compiles a list of notable accidents in museums, where visitors, children, or even curators have inadvertently damaged valuable artworks and artifacts. Incidents include a four-year-old boy shattering a $15,000 Lego sculpture of a Zootopia character, a 12-year-old boy punching a $1.5 million Baroque painting by Paolo Porpora at Huashan 1914 Creative Park in Taipei, a Cy Twombly sculpture knocked over at the Menil Collection in Houston, and a visitor breaking a 4,000-year-old Minoan vase at the Heraklion Archaeological Museum in Crete. The article is framed as a lighthearted yet cautionary look at the fragility of museum objects and the human errors that lead to their damage.

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Kent Monkman, a contemporary artist from the Fisher River Cree Nation, is preparing for his first major U.S. museum exhibition, “Kent Monkman: History is Painted by the Victors,” at the Denver Art Museum. In an interview, Monkman discusses his career-long practice of reimagining Western art history from an Indigenous perspective, using beauty, humor, and theatricality to expose colonial violence and systemic injustices. The exhibition, which began planning in 2018 and was delayed by the pandemic, will later travel to Canada, and Monkman reflects on the rare opportunity to see his dispersed works reunited and the liberating experience of trusting curators with the presentation.

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A group of Egon Schiele scholars and curators recently discovered that the artist had a secret niece, Gertrude "Gerti" Peschka, born to his sister Gertrude and fellow artist Anton Peschka before their marriage. The revelation came from a previously unexamined box of documents in the archives of Rudolf Leopold at the Leopold Museum in Vienna, including letters from Schiele's mother about the pregnancy and a note from Schiele congratulating his sister. Gerti died tragically of starvation in a Nazi-run psychiatric hospital. The discovery was made by Verena Gamper, then head of the Egon Schiele Documentation Center, and has been incorporated into the exhibition "Egon Schiele: Last Years" at the Leopold Museum.

Return of Aparicio painting to Prado exemplifies trajectory of human taste

The Prado Museum in Madrid has launched a new exhibition series called "A Work, a Story," beginning with José Aparicio's 1818 painting "El año del hambre de Madrid" (The Year of the Famine in Madrid). Once the museum's most popular attraction, the propagandistic work celebrating Spanish resistance to Napoleon fell from favor and was removed from display for over 150 years, residing in government buildings and other museums before returning to the Prado.

‘Relentless’: National Gallery of Victoria exhibition celebrates motherhood

The National Gallery of Victoria has launched "Mother," an expansive exhibition featuring over 200 works that explore the complexities of motherhood. Curated by Sophie Gerhard and Katharina Prugger, the show draws from the NGV collection and new acquisitions to move beyond idealized religious icons like the Virgin Mary. The selection spans centuries and cultures, juxtaposing 19th-century sketches by Queen Victoria with contemporary First Nations birthing skirts and raw depictions of domestic labor and maternal exhaustion.

Venice Biennale 2026: How Do You Critique a Posthumous Exhibition?

The article, published by ArtReview, examines the upcoming 61st Venice Biennale (2026), titled *In Minor Keys*, which was conceived by artistic director Koyo Kouoh before her death from cancer in May 2025 at age 57. The exhibition, based on Kouoh's drafted concept and completed by a curatorial team including Rory Tsapayi, Siddhartha Mitter, Marie Hélène Pereira, Gabe Beckhurst Feijoo, and Rasha Salti, adopts a musical metaphor of "minor-ness" and aims to avoid the pitfalls of previous Biennales by focusing on soul frequencies and dissonant harmony rather than direct commentary on world crises. The author, Martin Herbert, questions how critics will respond to a posthumous exhibition of this unprecedented scale, noting that previous artistic directors like Robert Storr, Cecilia Alemani, Christine Macel, and Adriano Pedrosa have faced varied critical receptions.

Closely Watched Curator Raphael Fonseca Joins Lisbon’s Culturgest

Raphael Fonseca, a prominent curator specializing in Latin American art, has been appointed as the new visual arts programmer at Culturgest in Lisbon. He will relocate to Portugal in June, succeeding Bruno Marchand, while maintaining a curator-at-large position with the Denver Art Museum, where he has served since 2021.

LACMA Sets May 4 Opening Date for $724 Million “Curvaceous Concrete Sandwich” as Reviews Pour In

The Los Angeles County Museum of Art (LACMA) has announced that its new David Geffen Galleries will officially open to the public on May 4, 2025. Designed by Pritzker Prize-winning architect Peter Zumthor, the $724 million "curvaceous concrete sandwich" spans Wilshire Boulevard and replaces four previous buildings. The inaugural exhibition, organized by a massive team of forty-five curators, will forgo traditional chronological displays in favor of a thematic framework centered on global oceanic exchange, featuring both permanent collection highlights and new commissions from contemporary artists like Lauren Halsey and Do Ho Suh.

Emerson Bowyer Appointed Chief Curator of Kimbell Art Museum

The Kimbell Art Museum in Fort Worth has appointed Emerson Bowyer as its new chief curator, effective March 5. Bowyer joins from the Art Institute of Chicago, where he served as the Searle Curator and oversaw significant acquisitions, including works by William Holman Hunt and Camille Claudel.

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Cultured magazine has published a guide to gallery and museum exhibitions taking place during Miami Art Week, spanning from December 2025 through early 2026. The roundup highlights solo shows by Studio Lenca at David Castillo Gallery, Aneta Grzeszykowska at Voloshyn Gallery, and Woody De Othello at Pérez Art Museum Miami, alongside a posthumous survey of Richard Hunt at the Institute of Contemporary Art, Miami, and a pop-up exhibition organized by Jeffrey Deitch in the Miami Design District. Other featured presentations include Shayla Marshall's installation at a Walgreens storefront, Lawrence Lek's "NOX Pavilion" at the Bass, and a show by Thomas Houseago.

Mapping the Invisible: Saudi Arabia’s A Necessary Fiction Unfolds in Venice

A new exhibition titled "A Necessary Fiction: Maps, Art, and Models of Our World" has opened in Venice, presented by the Saudi Ministry of Culture in tandem with the 61st International Art Exhibition of La Biennale di Venezia. Held at the Abbazia di San Gregorio from 6 May to 22 November 2026, the show is curated by Sara Almutlaq and Aurora Fonda, with associate curators Zaira Carrer and Amina Diab. It features historical maps and contemporary artworks by artists including Wael Shawky, Nasser Al Salem, Matilde Sambo, Monira Al Qadiri, Shilpa Gupta, Reena Saini Kallat, Manal AlDowayan, Nolan Oswald Dennis, Ibrahim Mahama, Trevor Paglen, Eva & Franco Mattes, Giorgio Andreotta Calò, and Yoko Ono, exploring cartography as an imaginative and ideological act rather than a neutral science.

Paul McCarthy’s Descent into the American Id

Frieze has published a critic's guide highlighting seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The guide, written by Emile Rubino, provides a curated selection of notable shows for visitors to the Brussels art fair.

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Art Basel will launch a new fair, Art Basel Qatar, in Doha in February 2025, featuring around 50 exhibitors. The expansion into West Asia follows the fair's earlier move into Hong Kong in 2013 and reflects the region's growing wealth and cultural development. Vincenzo de Bellis, Art Basel's director of fairs, stated the company aims to attract collectors from the entire Middle East and North Africa (MENA) region as well as South Asia. The announcement has drawn interest from collectors and curators across Asia, including those from the United Arab Emirates, Malaysia, and India, who see the fair as a potential turning point for Doha's art scene.

The Best Booths at Expo Chicago, From a 16th-Century Belgian Manuscript to a Painting of a Mariachi Band

The 13th edition of Expo Chicago has opened at Navy Pier with a streamlined selection of 130 international exhibitors. This year’s fair features a more curated and manageable scale, drawing a significant crowd of museum directors, curators, and collectors to the Windy City. Notable presentations range from contemporary Canadian artist duos to rare historical artifacts, reflecting a high bar for quality across diverse media.

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The thirteenth edition of Expo Chicago opened its VIP preview at Navy Pier with a streamlined floor plan and a focus on emerging talent. Despite a generally slow global art market, exhibitors reported strong early sales, including Nashville-based artist Annie Brito Hodgin’s debut outside her home state and Wenhui Hao’s near-sell-out presentation with Half Gallery. The fair’s decision to reduce the number of exhibitors from 170 to 130 was widely praised by dealers for improving the quality of presentations and making the event more navigable for collectors.

Artists respond to the continuing toll of colonialism in the Americas

The Chicago art space Wrightwood 659 is hosting a major survey titled "Dispossessions in the Americas: The Extraction of Bodies, Land, and Heritage from La Conquista to the Present." Featuring over 35 contemporary Latin American artists, including Regina José Galindo and the late Ana Mendieta, the exhibition is the culmination of a multi-year research project funded by the Mellon Foundation. The show explores the historical and ongoing impacts of colonial dispossession on Indigenous, Afro-descendant, and LGBTQ+ communities through diverse media ranging from performance art to installation.

Independent 2026 Exhibitor List Announced

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Independent has unveiled the exhibitor list for its 17th edition, scheduled for May 14–17, 2026. The fair is relocating to a new venue at Pier 36 in New York’s Lower East Side and will feature 76 exhibitors showcasing over 100 artists. Notably, more than 70 percent of the booths will be dedicated to solo presentations, including a special solo project by Rei Kawakubo for Comme des Garçons and sculptural installations by Gretchen Bender and Francis Upritchard.

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Uruguay's only art fair, Este Arte, is preparing for its 12th edition from January 4-7 at the Vik Pavilion in José Ignacio. Founded by curator Laura Bardier, the fair features just 14 galleries, including returnees like Galería del Paseo and Xippas Galleries, and newcomers such as Almeida & Dale and Galerie Jocelyn Wolff. Despite its small scale, with works priced from $500 to $400,000 (most under $20,000), the fair has intentionally reduced its exhibitor list since its inaugural edition, focusing on quality over quantity.

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Artist Fulton Leroy Washington, known as Mr. Wash, is establishing the Art By Wash Studio & Community Center, a 13,000-square-foot campus in Compton, California, to serve recently incarcerated individuals and local youth. Released in 2016 after President Barack Obama commuted his life sentence for nonviolent drug offenses, Mr. Wash taught art in prison for 18 years and later gained recognition in the art world, including a breakout appearance at the 2020 Made in L.A. biennial. The center, designed pro bono by Morphosis Architects and The NOW Institute, will offer art-making instruction, studio space, materials, and exhibition opportunities, with the goal of connecting emerging artists to curators and galleries. The project is currently fundraising $100,000 for its first phase, with completion targeted for 2028.

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This article argues that the traditional view of art as a vanguard force predicting cultural change is outdated in the early 21st century. It contends that the rapid acceleration of mainstream culture, driven by social media and news cycles, makes it nearly impossible for traditional fine art media like painting and sculpture to stay ahead of the curve. The author suggests that forward-looking art now emerges from para-artistic digital practices such as AI experiments, Red Chip art, NFTs, memes, and TikTok lore, which often challenge conventional aesthetic and ethical standards. Citing Claire Bishop's 2024 book *Disordered Attention*, the piece notes that contemporary artworks tend to be symptomatic of larger conditions rather than anticipatory, and that artists like Artie Vierkant, Joshua Citarella, and Brad Troemel have pivoted from art-making to art-adjacent content creation.

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Beijing concluded its inaugural "Beijing Art Season" from May 22 to June 1, comprising the long-running Gallery Weekend Beijing and two local art fairs, Beijing Dangdai and Art021 Beijing. The event took place shortly after a diplomatic breakthrough in U.S.–China tariff tensions, but amid China's economic slowdown, the atmosphere was subdued: the Visiting Sector for international galleries and the large-scale group show were scrapped, and satellite events were fewer. Despite this, collectors, curators, and institutional directors from Germany, the UK, Korea, and Japan attended, with some noting China's strategic importance due to its deep collector base. French billionaire Laurent Dassault reported better market sentiment in Beijing than in Europe, while Berlin galleries PSM and Galerie Thomas Schulte made their first appearances at Beijing Dangdai, collaborating with Hua International for a "Berlin Section." The fair grew from 32 galleries in 2018 to 87 this year, reflecting local collectors' appetite for international and experimental contemporary art.

the buzz in bucharest sammy loren on rad and the refreshing romanian art scene

The article reports on the fourth edition of Romanian Art Dealers (RAD), an art fair in Bucharest that exclusively features Romanian galleries and artists. The author, Sammy Loren, travels from Los Angeles to experience the fair, which is co-founded by dealer Catinca Tabacaru and artist-dealer Daniela Pălimariu. The fair includes 31 booths, a Curatorial Summit with 35 international curators, and a central installation titled "Donate a Word" (2025) by Romanian artist Victoria Zidaru. The author attends events like the 10-year anniversary party for Sandwich Gallery and notes the intimate, family-like atmosphere of the local art scene.

parties ifpda 2026 benefit gala

The 2026 IFPDA Foundation Benefit Gala took place on the Upper East Side, honoring Christophe Cherix, Director of The Museum of Modern Art. Held in the historic Veterans Room at the Park Avenue Armory, the event gathered notable figures including artists Hank Willis Thomas and Yashua Klos, collectors Sharon Coplan, Stewart Gross, and Jordan Schnitzer, dealers Carolina Nitsch, Jill Newhouse, and Joni Moisant Weyl, and curators Nadine Orenstein, Freyda Spira, and Andrew Weislogel. A new print edition by Stanley Whitney, produced with Universal Limited Art Editions, was released to support the IFPDA Foundation’s grantmaking initiatives.

Eddie Kang at Gana Art Los Angeles

The article is a table of contents for the February 2026 issue of Contemporary Art Review LA, listing numerous features, interviews, and reviews. It highlights an interview with artist Eddie Kang at Gana Art Los Angeles, alongside other content covering topics like olfactory art, tarot, video art, and reviews of exhibitions across Los Angeles galleries and museums.

art sculpture shows new york

A year after lamenting the dominance of safe, decorative painting in New York galleries, art critic Andrew Russel observes a decisive shift toward sculpture and installation in 2026. The Whitney Biennial epitomizes this trend, alongside major shows like Carol Bove’s survey at the Guggenheim Museum and Michael Heizer’s largest indoor "Negative Sculpture" at Gagosian 21st Street. Two exhibitions spotlight neglected aspects of Isa Genzken’s work: Galerie Buchholz focuses on her "Projects for Outside," while Zwirner Tribeca presents her "world receivers" concrete sculptures. Russel also highlights Paul Chan’s "breathers" at Greene Naftali and three standout shows—Robert Gober at Matthew Marks, Felix Beaudry at Situations, and a pairing of Hans Haacke and Louise Lawler at Maxwell Graham—as essential viewing alongside the Biennial.

art international artists to watch 2026 biennials

Cultured magazine has published a preview of artists to watch in 2026, focusing on the upcoming biennial season. The article features insights from a dozen industry insiders, including Diya Vij of Powerhouse Arts, who highlights Guadalupe Maravilla's healing-focused practice; Allan Schwartzman, who champions Yoko Ono's underrecognized legacy; Hans Ulrich Obrist, who anticipates Koo Jeong A's multisensory exhibitions; and Victoria M. Rogers, who spotlights Akinsanya Kambon's politically charged ceramics. Major events in 2026 include the 61st Venice Biennale (opening after the death of commissioner Koyo Kouoh), new Art Basel and Frieze fairs in Qatar and Abu Dhabi, and expansions at LACMA and the New Museum.

art bunker artspace queer exhibition

The Bunker Artspace in Palm Beach, Florida, has opened "Beyond the Rainbow," a major exhibition of LGBTQ+ art curated by Laura Dvorkin and Maynard Monrow, along with 19 other artists, curators, gallerists, architects, and writers. The show draws from the collection of patron Beth Rudin DeWoody and features works by Catherine Opie, Andy Warhol, Nicole Eisenman, Lyle Ashton Harris, and others, running from December 7 through May 1, 2026. The exhibition was inspired by a visit to the Centre Pompidou's "Over the Rainbow" show in Paris.

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Artnet News profiles five ultra-contemporary artists working in China today, highlighting their practices amid shifting cultural narratives, economic pressures, and technological change. Featured artists include Xia Yu, known for tempera paintings of everyday life, and Ye Linghan, who creates monumental "data portraits" from smartphone screenshots. The article details their backgrounds, notable exhibitions, market prices, and upcoming projects, emphasizing their growing appeal to collectors and curators.