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On a frigid December evening, eleven women artists gathered in the lobby of 125 Maiden Lane in downtown Manhattan to view and discuss Langdon Graves's exhibition "Mental Model," produced by Art in Buildings. The group, called Gossip, is a long-running artist crit collective founded in 2009 by Cranbrook Academy of Art graduates including Jessica Stoller and Kelli Miller, originally named "Get Out" before being renamed by member Virginia Wagner after Silvia Federici's writings on gossip. The group now has about 20 members, including Jenna Gribbon, Erin M. Riley, and Julie Curtiss, and meets regularly in studios and galleries for critical feedback and creative exchange.

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Pantone has announced 11-4201 Cloud Dancer, a soft shade of bright white, as its 2026 Color of the Year. This marks the first time the company has chosen a white hue since launching the initiative in 1999, following last year's Mocha Mousse. The decision, announced by Pantone Color Institute vice president Laurie Pressman, is framed as a symbol of calm and a desire for a fresh start in a frenetic society, drawing comparisons to Kazimir Malevich's Suprematist compositions and Robert Ryman's white paintings. The announcement has sparked debate over its cultural and political implications, with critics noting the choice's potential elitism and its resonance amid ongoing racial tensions.

Dolores Huerta Is the GOAT

A new exhibition in Los Angeles celebrates the 96th birthday of labor leader Dolores Huerta, featuring works by over 30 local artists. The show reframes the history of the United Farm Workers movement by centering Huerta and everyday laborers rather than co-founder Cesar Chavez, whose legacy has been complicated by recent abuse allegations.

List of Failed Business Ideas Found Beneath Rembrandt’s “The Night Watch”

A recent conservation analysis of Rembrandt's "The Night Watch" at the Rijksmuseum has revealed a surprising discovery beneath the painting's surface. Using macro X-ray fluorescence, researchers uncovered a handwritten list of alternative business ideas considered by the young Rembrandt, including face-painting at children's parties, an umbrella repair shop, and making luxury combs from fishbones.

What Makes a Good Protest Sign?

The article's main feature is a guide on creating effective protest signs for the upcoming No Kings protest, compiled by comic artist Steven Weinberg with input from artists, writers, and curators including Hyperallergic's Editor-at-Large Hrag Vartanian. It offers practical advice for crafting visually and rhetorically powerful signs that challenge authority.

Art Problems: How Do I Get Gallery Representation?

Art Problems: How Do I Get Gallery Representation?

Paddy Johnson, in a Hyperallergic advice column, demystifies the process for artists seeking gallery representation. She explains that galleries primarily seek artists with proven sales records to mitigate their own high financial risks, such as exorbitant rent and operational costs. Johnson advises artists to build this track record independently by selling work themselves or securing spots in low-pressure group shows, then aggressively promoting those exhibitions to demonstrate market potential to dealers.

Haroutiun Galentz: The Form of Colour

Haroutiun Galentz: The Form of Colour

A new English-language monograph, *Haroutiun Galentz: The Form of Colour*, repositions the Armenian-Lebanese painter as a major cosmopolitan modernist. The book assembles his work from international collections, arguing his career—spanning formative years in Beirut's pre-war art scene and a later period in the Soviet Union—must be understood beyond national art historical frameworks.

Cinga Samson Conjures Mystery and the Sublime in Large-Scale Oil Paintings

South African artist Cinga Samson is currently presenting a series of large-scale oil paintings in a solo exhibition titled "Ukuphuthelwa" at White Cube in New York. The works feature dreamlike, nocturnal tableaux characterized by deep pigments, spectral figures with all-white eyes, and symbolic animals that bridge the earthly and divine. The title, which translates from isiXhosa as "unable to sleep," frames sleeplessness as a state of heightened spiritual alertness rather than a medical condition.

I Saw a Great Show in China That Would Be Censored in the United States

A major exhibition titled "The Great Camouflage" is on view at the Rockbund Art Museum in Shanghai, curated by X Zhu-Nowell and Kandis Williams. The show explores 20th-century Afro-Asian revolutionary alliances and Black feminist thought through contemporary art, featuring works by artists like Pope.L, Tuan Andrew Nguyen, and Onyeka Igwe that process these histories from feminist perspectives.

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Cannupa Hanska Luger revealed on Instagram that he collaborated with the filmmakers of the horror film *Him*, directed by Justin Tipping and produced by Jordan Peele, to create a sports mascot named “Tinsel Larry.” The mascot appears in the film as the symbol of the fictional San Antonio Saviors team. Luger worked with lead costume designer Dominique Dawson to evolve the character from “Conquistador Larry” into a “razzle-dazzle rose gold glitter monster” that incorporates Indigenous references. The film follows a rising football player who joins his idol at an isolated training compound, where violent events explore the relationship between football, violence, and fame for Black athletes.

yale errata exhibition 2751007

Yale University’s Beinecke Rare Book and Manuscript Library is hosting a new exhibition titled "'Beauties of My Style,'" which explores 500 years of printed errors and errata sheets. Curated by Rachel Churner and Geoff Kaplan, the show features approximately 30 artifacts ranging from James Joyce’s error-riddled first edition of Ulysses to the infamous 1631 "Wicked Bible," which accidentally commanded readers to commit adultery. The exhibition highlights how these slips of paper serve as more than just corrections, acting as sites of humor, legal maneuvering, and poetic reinterpretation.

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Curator and artist Christine “C.” Finley has launched the second edition of the Whitney Houston Biennial, an all-female contemporary art survey titled “Greatest Love of All.” Hosted at a chashama space in Manhattan, the exhibition features 125 women artists in a salon-style presentation. The show serves as a scrappy, inclusive alternative to the Whitney Museum’s official biennial, emphasizing female legacy by requiring each participant to submit a text honoring a woman who paved the way for them.

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London artist Georg Wilson opens "Against Nature," her second solo exhibition with Pilar Corrias, exploring the hidden world of poisonous plants in the English countryside. The show features paintings of henbane, thorn apple, and nightshade, depicting them as rebellious agents that thrive in abandoned, uncultivated land. Wilson's work coincides with her institutional debut at Jupiter Artland in Edinburgh, titled "The Earth Exhales." Her research began by collecting second-hand botanical books, which led her to notice toxic flora growing unnoticed around London, including a towering thorn apple near her studio.

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The Prado Museum in Madrid has launched the third installment of its "The Female Perspective" series, a self-guided thematic route highlighting the collection of Queen Isabella Farnese. The route, running through May 2026, features 45 works from the queen's 1,000-piece collection, including five pieces newly out of storage and a Murillo sketch stolen in 1897 recently recovered from France's Musée de Pau. This is the first edition focused on a single woman, showcasing Farnese's role as the Royal Collection's most significant donor.

“Iter Subterraneum” / Bergen Kunsthall, Bergen by Adele Seip

Bergen Kunsthall has launched "Iter Subterraneum," a group exhibition inspired by Ludvig Holberg’s 1741 satirical novel about a man who falls through a cave in Bergen into a subterranean world. The show features ten international artists, including Robert Gabris, Anicka Yi, and Cecilia Fiona, whose works span video, sculpture, and performance. By pairing historical editions of Holberg’s book with contemporary installations, the exhibition explores themes of displacement, collective existence, and the blurring of lines between human and non-human life.

Chicago: Model City by Mark Acciari

Native Chicagoan architect and artist Mark Acciari reflects on the architectural identity of Chicago from the distance of Mexico City. Using the iconic imagery of a Chicago-style hot dog as a metaphor for the city's construction, he explores how the city's legacy is often reduced to the 'skeleton frame' of early modernism by critics, while ignoring its more playful, symbolic, and postmodernist undercurrents.

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Boston's Midtown Hotel has sparked outrage after decorating its newly renovated space with AI-generated artwork that mimics Andy Warhol's style to depict local celebrities like David Ortiz and Barbara Walters. Guest Alex Steed publicly criticized the hotel on social media, noting the art's uncanny valley quality and the placard proudly stating the works were entirely created by artificial intelligence. The complaint went viral, drawing thousands of views and comments condemning the hotel for choosing AI over hiring local artists in a city known for its art schools and museums.

Thinking Infrastructurally: On Diversity of Aesthetics, Part 2

The article, part of a series on e-flux, presents a theoretical analysis of the 1965 Watts rebellion through the lens of Guy Debord's Situationist thought. It examines how the rioters' destruction and theft of commodities, like refrigerators they couldn't power, acted as a rejection of capitalist integration and exposed the false promise of consumer affluence.

Negative Impressions and Positive Traces of ’20th Century Debris’.

Marc Brandenburg's solo exhibition '20th Century Debris' is on view at the Berlinische Galerie in Berlin until September 14, 2026. The show features approximately 150 works, including early drawings from the 1990s, recent pieces, video, photography, and tattoo editions, all exploring spectral cityscapes and the debris of contemporary life through a process of tonal reversal and inversion.

Parallax(e): Perspectives on the Canada–US Border

The exhibition "Parallax(e): Perspectives on the Canada–US Border" at The Reach Gallery Museum in Abbotsford, British Columbia, brings together archival materials from the Northwest Boundary Survey (1857–62) with new works by five Indigenous artists. The show features photographs, maps, and watercolors from British and American surveyors alongside commissions by Dr. Shawn Brigman, Dr. Michelle Jack, Deb Silver, Xémóntalot Carrielynn Victor, and Dr. T’uy’t’tanat Cease Wyss, who respond to the legacy of the border's creation through canoe culture, transboundary identity, and place-based knowledge.

creative australia khaled sabsabi grant venice controversy 1234756974

Creative Australia has awarded Khaled Sabsabi, the Lebanese Australian artist controversially dropped and then reinstated as Australia's Venice Biennale representative, a $100,000 grant. Sabsabi is one of 16 recipients under Creative Australia's Visual Arts, Craft and Design Framework. The grant will support a solo exhibition at the Samstag Museum of Art in Adelaide in 2027, which will also feature new work slated to debut at the Biennale's Australia Pavilion next year.

creative australia khaled sabsabi grant venice controversy 1234756974

Creative Australia has awarded Khaled Sabsabi a $100,000 grant under its Visual Arts, Craft and Design Framework, supporting a solo show at the Samstag Museum of Art in Adelaide in 2027. This comes after Sabsabi was controversially dropped as Australia’s Venice Biennale representative in February over past works, including one depicting Hezbollah leader Hassan Nasrallah, and claims that he favored boycotts of Israel. Creative Australia cited an “unacceptable risk to public support,” but widespread backlash led to the departure of senior leaders and, in July, the reinstatement of Sabsabi and his curator Michael Dagostino.

Manet and Morisot: Game On | Susan Tallman

The article recounts an incident in 1870 when Berthe Morisot, a young painter, sought advice from Édouard Manet on a double portrait of her mother and sister for the Paris Salon. Manet, a friend and fellow artist, visited her studio and, after deeming the work "very good" except for the dress, took up brushes and extensively retouched the figure of Morisot's mother from hem to head, leaving Morisot mortified. This moment, described as "mansplainting," is framed as a pivotal point in their artistic relationship, which the exhibition "Manet and Morisot" explores through paintings that dialogue with each other, including Manet's *The Balcony* and Morisot's *The Artist's Sister at a Window*.

Wangechi Mutu Awarded National Gallery Contemporary Fellowship in Landmark UK Collaboration

Kenyan-American artist Wangechi Mutu has been awarded the National Gallery's second Contemporary Fellowship, a two-year initiative developed with Art Fund and delivered in partnership with the Whitworth, The University of Manchester. The fellowship will see Mutu develop a new body of work through close engagement with both institutions' collections, culminating in her first UK institutional exhibition. The project will open at the National Gallery in London in October 2027 before traveling to the Whitworth in Manchester in spring 2028, with plans for an international tour.

Self-Made at the American Folk Art Museum explores a century of artists inventing themselves

The American Folk Art Museum has launched "Self-Made: A Century of Inventing Artists," an exhibition exploring the work of self-taught creators who operated outside traditional institutional frameworks. Featuring a diverse array of drawings, paintings, and sculptures by figures such as Henry Darger, Bill Traylor, and Sister Gertrude Morgan, the show examines how these artists used their practice to construct identities and narratives in environments that often offered little formal recognition.

Met Exhibit Aims to Elevate Lee Krasner as Pollock's Equal

The Metropolitan Museum of Art has announced a major upcoming exhibition, "Krasner and Pollock: Past Continuous," scheduled for October 2026. The show seeks to reframe the legacy of Lee Krasner by presenting her work as equal in significance to that of her husband, Jackson Pollock, challenging the historical narrative that has long positioned her in his shadow.

Scene Calendar: Local theater, live music, dance, PorchFest 2026

The Gainesville region is hosting several significant visual arts events this week, headlined by the Harn Museum of Art’s exhibition "Florida in the Frame." This expansive show features over 65 artists, including American masters Winslow Homer and John Singer Sargent alongside Florida Highwaymen painters, exploring a century of the state’s evolving landscapes and culture. Additionally, the Gainesville Fine Arts Association is presenting "Song," a group exhibition of music-inspired local art, while the ninth annual Santa Fe Springs Plein Air Paintout invites the public to watch artists work live at O’Leno State Park.

The Met Appoints Oluremi C. Onabanjo as Curator of Photographs

The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as Curator in its Department of Photographs following an international search. Onabanjo, who joins from the Museum of Modern Art (MoMA), will oversee exhibitions, acquisitions, and research for 20th-century and contemporary photography, with a specific emphasis on international practices in Africa and Asia. Her role includes the stewardship of the Walther Collection, a massive gift of over 6,500 works, and the preparation of a major exhibition scheduled for 2028.

Cincinnati Goes MAD for Art Museum Exhibit

The Cincinnati Art Museum is hosting "What, Me Worry? The Art and Humor of MAD Magazine," an exhibition exploring the history and artistic impact of the iconic satirical publication. The show, organized by the Norman Rockwell Museum, features original comic covers, notable artwork, and interactive elements like the famous "Fold-Ins," tracing MAD's evolution from its 1952 debut through its cultural commentary on topics from the Cold War to modern celebrities.

Cincinnati Goes MAD for Art Museum Exhibit

The Cincinnati Art Museum is hosting the exhibition 'What, Me Worry? The Art and Humor of MAD Magazine,' which opened in November 2025 and runs through March 2026. The show, organized by the Norman Rockwell Museum, traces the history of the iconic satirical publication through original comic covers, artwork, and interactive displays, highlighting its cultural impact from its 1952 origins to modern parodies.