Artist Shahzia Sikander's new animated film, '3 to 12 Nautical Miles,' is being projected onto the digital façade of the M+ museum in Hong Kong. The work uses the historical expansion of territorial waters from 3 to 12 nautical miles as a framework to explore themes of maritime sovereignty, surveillance, and the legacy of colonial trade.
A new exhibition at MoMu in Antwerp, guest-curated by Geert Bruloot, explores the enduring legacy of the 'Antwerp Six'—a group of visionary designers who graduated from the Royal Academy of Fine Arts in the 1980s. The show features dedicated rooms for members including Walter Van Beirendonck and Dirk Van Saene, showcasing their distinct aesthetics ranging from maximalist rave-wear to surrealist runway recreations. It traces their journey from a self-funded trip to a London trade fair in 1986 to becoming global icons who challenged the dominance of Parisian couture.
A new exhibition titled 'Louise Bourgeois: Echoes of the Morning' has opened at the PoMo museum in Trondheim. The show centers on a series of vibrant, visceral gouaches created by Bourgeois in the last four years of her life, presented in dialogue with major sculptural installations like 'Peaux de lapins, chiffons ferrailles à vendre' (2006) and 'Spider Couple' (2003). The exhibition offers an intimate, focused exploration of the artist's late work.
Des faux Warhol, Haring et Banksy saisis en Italie
Italian authorities have seized 143 counterfeit artworks attributed to Andy Warhol, Keith Haring, and Banksy. The works were on display in the exhibition "Pop to Street Art: Influences" in Reggio Calabria, Italy, and were provided on loan by a Belgian company. The carabinieri, in a transnational investigation extending to Liège, Belgium, identified the operation as part of a larger forgery network known as "Operation Cariatide." Eleven works remain under expert examination.
A Napoli una mostra internazionale per mappare l’instabilità e disattivare i confini
The exhibition "Atlante" at Thomas Dane Gallery in Naples, curated by James Lingwood, brings together works by eight international artists—Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari—to challenge traditional cartographic representations. Through maps, drawings, textiles, and photographs, the show interrogates the ideological and political assumptions embedded in mapping, reframing the Mediterranean not as a border but as a connective space, and exposing the instability and power asymmetries underlying historical worldviews.
Mexico's Ministry of Culture has identified 195 pre-Hispanic archaeological objects listed for sale on eBay by a US-based seller and has formally demanded the platform halt the sales and return the items. The ministry, through Secretary Claudia Curiel de Icaza, argues the sale is illegal as the export of such cultural heritage has been prohibited since 1827, and their presence abroad results from illicit extraction. Legal action has been initiated with Mexican and international authorities, including Interpol and US Homeland Security Investigations, to secure repatriation.
The Art Dealers Association of America (ADAA) has named the Whitney Museum of American Art as the new philanthropic beneficiary of its annual fair at the Park Avenue Armory. This decision follows the ADAA's abrupt termination of a 30-year partnership with the Henry Street Settlement, a social services nonprofit that relied on the fair's preview gala for approximately $1 million in annual unrestricted funding. The new event, rebranded simply as the ADAA Fair, will direct its gala proceeds toward the Whitney’s educational and artistic programming.
The article reviews the exhibition 'Danh Vo: Untitled' at the Pirelli HangarBicocca in Milan, which presents a collection of objects curated and arranged by the artist. The show features a diverse array of items, including a 17th-century Flemish painting, a meteorite, a taxidermied peacock, and personal memorabilia, all displayed without explanatory labels in a large, warehouse-like space.
An exhibition at the Musée du quai Branly–Jacques Chirac in Paris is showcasing the personal art collection of the late Martinican philosopher and poet Édouard Glissant. The show, titled 'Édouard Glissant: Un monde en relation,' features over 150 works he and his wife, Sylvie Glissant, acquired, including pieces by artists like Wifredo Lam, Roberto Matta, and Hervé Télémaque, offering a tangible map of his intellectual and aesthetic affinities.
L’Assemblée vote à l’unanimité la loi sur la restitution des œuvres pillées pendant la colonisation, mais avec des restrictions
The French National Assembly has unanimously passed a landmark law establishing a permanent legal framework for the restitution of cultural property looted during the colonial era. Moving away from the previous requirement for case-by-case legislation, the new law allows the government to return artifacts via decree following consultations with scientific and parliamentary commissions. This shift fulfills a long-standing promise to simplify the return of African heritage currently held in French public collections.
Photographer Isaac Wright, known for his high-altitude urban exploration photography, announced that criminal trespassing charges against him will be dropped after he completed five months of court-ordered therapy. Wright was arrested by NYPD officers during the opening night of his solo exhibition "Coming Home" at Robert Mann Gallery in Chelsea in May, in front of 400 attendees. He had been charged with a class B misdemeanor after police issued a warrant, which Wright believes was triggered by his photograph "Empire State of Mind (2024)" taken from the Empire State Building.
Bucharest-based gallery Arsmonitor is presenting the second installment of a four-part curatorial program dedicated to Romanian artist Florin Mitroi (1938–2002). Titled "Florin Mitroi: Ch.II: Autumn," the exhibition is curated by Erwin Kessler and is anchored by the recent rediscovery of over 600 previously unseen works—files, notebooks, drawings, and pieces on wood and metal—that had been forgotten in storage for nearly two decades. The show frames these recovered materials as foundational, expanding the known oeuvre of an artist who exhibited only a small fraction of his production and later regretted even those works. The program, structured around the four seasons, includes chapters titled "Winter," "Autumn," "Summer" (planned for 2027), and "Spring," aligning with the season of Mitroi's death.
Cardamom, the in-house restaurant at the Walker Art Center in Minneapolis, is laying off sixteen front-of-house staff members as it transitions to a QR-code-based ordering system. The restaurant’s operator, DDP Restaurant Group, cited fluctuating museum traffic and rising operational costs as the primary drivers for the shift to a counter-service model. While kitchen staff and bartenders will remain, the move effectively replaces traditional table service with digital automation.
Was macht Liebe politisch, Wynnie Mynerva?
Peruvian artist Wynnie Mynerva discusses her exhibition "Volveré y seré millones" at the Société gallery in Berlin, timed to coincide with Gallery Weekend. The artist explores Andean cosmologies, specifically the concept of 'Ayni' or collective reciprocity, as a counter-narrative to Western, capitalist structures of romantic love and individualism. Her work draws from her personal experience as a migrant in Europe and her observations of Berlin’s queer scene, questioning how care and survival function within modern political frameworks.
Memphis is undergoing a significant transformation of its cultural landscape as the city's major art institutions evolve to meet modern community needs. The Memphis Brooks Museum of Art is preparing for a landmark move to a new riverfront location where it will be renamed the Memphis Art Museum, offering 50 percent more gallery space. This expansion follows decades of growth for the city's "big three" institutions—the Brooks, the Dixon Gallery & Gardens, and the Metal Museum—which have anchored the local scene since the mid-1970s.
The Denver Art Museum and the Center for Colorado Women's History have launched a collaborative initiative to celebrate International Women’s Day and the upcoming exhibition "DIVA." The partnership highlights the intersection of art, fashion, and regional history, specifically focusing on how women like Elizabeth “Baby Doe” Tabor used clothing to assert status and identity. Key displays include Tabor's elaborate silk and lace wedding gown and the museum's current exhibition, "Conversation Pieces: Stories from the Fashion Archives."
The Palm Springs Art Museum Architecture and Design Center has opened a new exhibition titled "Fashioning Architecture," on view through August 9. Curated by executive director Christine Vendredi, the show examines the spatial and hierarchical dynamics of fashion shows—such as the front row, runway, and backstage—treating them as architectural constructs. It features photography, video, and objects including audience T-shirts from Virgil Abloh's Spring/Summer 2019 Louis Vuitton show and a LaQuan Smith dress from New York Fashion Week, alongside historical Palm Springs fashion moments like a 1939 Racquet Club show and Nicolas Ghesquière's 2015 Louis Vuitton cruise show at the Bob Hope House.
Humid Traces, curated by Federico Pérez Villoro, is an exhibition at an unnamed New York venue that examines how bodies of water are weaponized as borders amid climate change and extreme weather. The show features international artists—including Dele Adeyemo, Natalia Lassalle-Morillo, Zishaan A Latif, Caio Reisewitz, Susan Schuppli, Marisa Srijunpleang, Studio Folder, and Leonel Vásquez—whose works in installation, sound, photography, video, and data visualization reveal the violent effects of migration-control technologies and water's material memory.
The National Museum of Women in the Arts in Washington, D.C., has opened a new exhibition titled "Women Artists from Antwerp to Amsterdam, 1600-1750," which showcases works by largely forgotten female masters of the Dutch Golden Age, including Judith Leyster, Maria van Oosterwijck, Clara Peeters, and Rachel Ruysch. The show features over a dozen artists and highlights paintings rich in symbolism, such as van Oosterwijck's "Vanitas Still Life" and Leyster's "The Concert," while also addressing how many of these women were celebrated in their own time but later misattributed or omitted from art history.
Indira Cesarine, the founder of The Untitled Space in Tribeca, reflects on a decade of operating her gallery as a platform for marginalized voices and feminist-driven programming. The gallery grew out of Cesarine’s work as an editor and curator, specifically following the success of her 2009 publication, The Untitled Magazine, and early exhibitions that highlighted the lack of representation for women in the art market.
Whistle gallery in Seoul presents "언니 언니(unni)," a group exhibition curated by the collective Secret Asian Man. The show features a diverse roster of contemporary artists including Dongho Kang, Muyeong Kim, Young Joon Kwak, Kang Seung Lee, Grim Park, Isaac Chong Wai, and Carrie Yamaoka. The exhibition is a collaborative effort involving works and support from both Whistle and the Los Angeles-based gallery Commonwealth and Council.
The CART Department has organized an exhibition titled 'Ai Weiwei LEGO Story' at Free Parking in New York, running from April 24 to May 3, 2026. The show presents a focused selection of the artist's brick-based works, including pieces from his Zodiac and After series and his BMW art car, highlighting accumulation and repetition as core methods.
The Minneapolis Institute of Art has opened a major exhibition, 'Modern Art and Politics in Germany 1910-1945: Masterworks from the Neue Nationalgalerie, Berlin.' The show, curated by Tom Rassieur, presents a chronological journey through German art from the Expressionist era through the World Wars, featuring key works by artists like Ernst Ludwig Kirchner, Vassily Kandinsky, and Franz Marc. It highlights groups like Der Blaue Reiter and uses deliberate pairings, such as portraits of Jewish art dealers by Otto Dix and Lovis Corinth, to explore themes of societal tension, propaganda, and identity.
New York City's spring art season is marked by a series of high-profile exhibitions across major institutions, focusing on themes of vulnerability, technological evolution, and personal identity. Notable highlights include the New Museum's exploration of the human body in the digital age and MoMA's deep dive into the tumultuous relationship and individual resilience of Frida Kahlo and Diego Rivera.
Theaster Gates has transformed the Smart Museum of Art into a personal sanctuary for his first major solo institutional exhibition in Chicago, titled "Unto Thee." The immersive installation features vast archives from Gates's personal collections, including African artifacts, funerary objects, and a significant vinyl record collection that provides a continuous sonic backdrop to the space. Key works on display include the monumental "Black Still Life #3" and the ongoing series "Walking Prayer," which consists of black books embossed with golden phrases that explore the complexities of Black identity and collective memory.
Art Sonje Center in Seoul has launched 'Spectrosynthesis Seoul,' a landmark exhibition featuring 74 artists and collectives that explores the history and current state of queer art. The show, organized in collaboration with the Hong Kong-based Sunpride Foundation, features major international figures like Mark Bradford and Shin Wai Kin alongside prominent Korean artists such as Ayoung Kim and Mire Lee. By moving beyond small-scale independent shows into a major institutional space, the exhibition aims to map a comprehensive landscape of LGBTQ+ artistic practices.
The Philadelphia Museum of Art and the Pennsylvania Academy of Fine Arts (PAFA) have launched a massive joint exhibition titled "A Nation of Artists," featuring over 1,000 works spanning from 1700 to 2026. The collaboration utilizes a chronological approach at the Philadelphia Museum of Art and a thematic framework at PAFA, showcasing a diverse array of objects including colonial teapots, a New Mexican "death cart," and works by masters like Georgia O'Keeffe and Horace Pippin. The project also incorporates significant loans from the private collection of Philadelphia Phillies owner John Middleton.
The Harn Museum of Art at the University of Florida is launching a major exhibition titled "Florida in the Frame: A Century of Artists’ Reflections on the Sunshine State." Drawing from the extensive Samuel H. and Roberta T. Vickers Collection, the show features over 65 artists including American masters like Winslow Homer, John Singer Sargent, and Thomas Moran alongside Florida Highwaymen painters. The exhibition is organized into three thematic sections that explore the state's natural landscapes, the development of its urban centers, and its evolution into a global tourism destination between 1850 and 1950.
American art institutions are undergoing a structural shift to accommodate the rapid evolution of technology-based and time-based media. The opening of Canyon, a 40,000-square-foot space in Manhattan’s Lower East Side founded by Robert Rosenkranz, exemplifies this trend. Led by former Mass MoCA director Joe Thompson, the venue aims to provide a permanent, hospitable home for moving-image, sound, and performance works that often struggle to find long-term exhibition space in traditional New York museums.
The Musée de l'Orangerie in Paris has launched a landmark retrospective titled "A Painter’s Ambition," dedicated to the self-taught artist Henri Rousseau. Featuring 50 paintings and personal correspondence, the exhibition highlights Rousseau’s relentless struggle to transcend his "naive" label and gain acceptance from the French art establishment. Key highlights include the rare grouping of his masterpieces—The Sleeping Gypsy, The Snake Charmer, and The Hungry Lion Throws Itself on the Antelope—alongside evidence of his calculated efforts to market himself to government officials.