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Artist Helina Metaferia infuses solo exhibit 'Syntropy' with research and activism

Artist Helina Metaferia presents her solo exhibition 'Syntropy' at Praise Shadows Art Gallery in Brookline, Massachusetts, on view through December 20. The show features her mixed media collages, including a self-portrait titled 'Enthroned (I am an institution; I am an altar; I am an artwork in/of/for progress),' which marks her first self-portrait in years. The exhibition is part of her ongoing socially engaged project 'By Way of Revolution,' which explores the history of activism and civil rights through workshops, performance, and archival research. Metaferia, an Ethiopian American interdisciplinary artist, teaches at Brown University and previously exhibited at the Museum of Fine Arts, Boston.

Sophie Rivera's first survey focuses on experimentation

El Museo del Barrio in New York has opened "Sophie Rivera: Double Exposures," the first career survey of the Puerto Rican American photographer (1938-2021). The exhibition reassesses Rivera's practice, highlighting her experimental work beyond her well-known 1978 series "Nuyorican Portraits," which depicted Puerto Rican sitters in Manhattan's Morningside Heights. Curated by Susanna V. Temkin, the show features works across portraiture, photojournalism, and experimental image-making, including the color photograph "Alternators" (1975, printed 1986), which Rivera donated to the museum in the late 1980s.

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British artist Dylan Doe explores the physical manifestations of digital saturation in his solo exhibition, "Muscle Memory," at Mandy Zhang Art in London. The body of work focuses on "bodily glitches"—involuntary physical actions, such as attempting to zoom in on a physical drawing, that stem from repetitive interactions with technology. Through a surrealist lens, Doe’s paintings depict disembodied limbs and futuristic armatures that reflect a synthesis of sentient and non-sentient elements.

France Returns Looted Talking Drum to Côte d’Ivoire

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France has officially returned the Djidji Ayôkwé, a historic "talking drum," to the Republic of Côte d’Ivoire during a ceremony at the Musée du Quai Branly in Paris. The 940-pound artifact, which was used by the Atchan people to communicate across distances and warn of colonial troop movements, was seized by French authorities in 1916 to suppress local resistance. After decades in French collections, the drum is being transferred to the Museum of Civilizations in Abidjan following a specific vote by the French parliament.

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Art Karlsruhe returns for its 23rd edition from February 5–8, 2026, at Messe Karlsruhe in Rheinstetten, Germany. The fair brings together roughly 180 galleries from 18 countries, spanning 120 years of art history with dedicated halls for classical Modernism and contemporary art. New participants include Boston's Chase Young Gallery and Tehran's Maryam Fasihi Harandi Gallery, alongside a strong German contingent. Special sculpture areas feature works by Robert Schad, Martin Hollebecq, Koloman Wagner, and Sonja Edle von Hoeßle.

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The Walker Art Center and the Minneapolis Institute of Art closed on January 20, 2026, in protest of escalating Immigration and Customs Enforcement (ICE) operations in the Twin Cities. The closures follow the fatal shooting of Renee Good, a 37-year-old mother of three, by ICE agent Jonathan Ross, which sparked nationwide outrage. The museums canceled scheduled events, including a performance by Nile Harris, and joined a broader one-day economic blackout called "A Day of Truth and Freedom" organized by Minnesota union leaders and community groups. Other cultural institutions participating include the Bakken Museum, the Minnesota Museum of American Art, the Weisman Art Center, and the Museum of Russian Art.

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A survey exhibition titled "Françoise Sullivan: Le temps du geste" is on view at Galerie Simon Blais in Montreal, showcasing the multidisciplinary career of French Canadian artist Françoise Sullivan. The show spans works from the 1940s to the present, including painting, sculpture, photography, and choreography, and highlights dialogues between different phases of her practice. Sullivan, who signed the Refus Global manifesto in 1948, is the only active member of that group, and the exhibition features pieces such as the watercolor "Sans titre – Turquie, Ruines de Commagène à Nemrut Dağ" (1996) and the geometric abstraction "Les damiers no. 4" (2018). The exhibition runs through June 14, 2025.

A New Show Explores the Cutting-Edge Designs of Fashion’s Mad Scientist, Iris van Herpen

Iris van Herpen's mid-career retrospective "Iris van Herpen: Sculpting the Senses" has opened at the Brooklyn Museum, marking the designer's first major museum presentation in the United States. Originally mounted at the Musée des Arts Décoratifs in Paris in 2023, the exhibition features over 140 haute couture looks alongside artworks, design objects, fossils, videos, and natural specimens. The show begins with a water-themed section and includes garments made from materials such as glass bubbles, bioluminescent algae, and 3D-printed polyamide, exploring themes of skeletal structures, primordial fear, and cosmic movements. A centerpiece room, the Atelier, displays swatches, prototypes, and experimental materials, highlighting van Herpen's scientific approach to fashion design.

art cherrie yu young artist

Cultured magazine profiles Cherrie Yu, a 30-year-old artist based in New York who grew up in Xi'an and Wuxi, China. Yu creates videos, performances, and prints that examine the relationship between everyday movement, dance, labor, and play. Notable works include 'Trisha and Homer' (2018), which juxtaposes a 1986 solo by choreographer Trisha Brown with the movements of a mopping maintenance worker, and 'Wrestling Study' (2017), a video reenacting a wrestling match in Chicago traffic. Yu cites mentor Bryan Saner, a woodworker and performer, as a key influence on their understanding of the laboring body as the dancing body.

Comment | The slopification of political art

The article critiques the rise of AI-generated political imagery, such as Donald Trump depicted as Jesus and viral Lego videos of the Iranian Revolutionary Guard Corps, arguing that these shallow, generic visuals fail to provide meaningful or lasting cultural commentary on current conflicts. The author contrasts this with the inventive, humorous resistance seen during the 2013 Gezi Park protests in Istanbul, which later influenced a generation of Turkish artists.

Berlin exhibition focuses in on women photographers of the Bauhaus

The Museum für Fotografie in Berlin is hosting a major exhibition titled "New Woman, New Vision," featuring approximately 300 photographs by 29 women associated with the Bauhaus. The show aims to dismantle the persistent myth that female students at the influential German school were restricted to the weaving workshop. By showcasing works from figures like Lucia Moholy, Ise Gropius, and Marianne Brandt, the exhibition highlights how women were integral to the school’s photographic documentation and its development as a standalone artistic medium.

What Made Marcel Duchamp’s Readymades So Revolutionary?

Marcel Duchamp transformed the trajectory of 20th-century art by introducing the 'Readymade,' a concept where mass-produced, everyday objects are elevated to the status of art through the artist's selection rather than manual craft. Beginning with a bicycle wheel in 1913 and a bottle rack in 1914, Duchamp eventually formalized the term during a 1915 stay in New York, where the city's industrial modernity and lack of rigid class structures inspired him to challenge traditional definitions of creativity.

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Egidio Marzona, the influential German-Italian collector, publisher, and patron, has died at the age of 81 in Berlin. Renowned for his intellectual approach to collecting, Marzona focused on the 20th-century avant-garde, including movements such as Bauhaus, Dada, Fluxus, and Arte Povera. Unlike traditional collectors, he prioritized the preservation of archives, letters, and ephemera alongside physical artworks, viewing the "paper trail of ideas" as essential to understanding artistic history.

Egidio Marzona, Collector Who Built a Monument to the Avant-Garde, Dies at 81

Egidio Marzona, the influential German-Italian collector, publisher, and patron, has died at age 81 in Berlin. His vast collection focused on 20th-century avant-garde movements, from Dada and Bauhaus to Fluxus and Arte Povera, and was distinguished by its deep archival holdings of letters, diagrams, and ephemera that documented the intellectual processes behind the art.

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Artnet Pro's Asia Pivot newsletter consulted feng shui masters and artists versed in Chinese metaphysics to forecast trends for the 2026 Year of the Fire Horse. Predictions include high volatility in financial markets and the art sector, a potential slowdown in traditional Western markets like Europe and North America, and continued growth in emerging regions such as Southeast Asia, South Asia, and the Gulf. A 'big disruption' from the Global South is anticipated in the first half of the year, followed by market growth in the latter half.

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On a frigid December evening, eleven women artists gathered in the lobby of 125 Maiden Lane in downtown Manhattan to view and discuss Langdon Graves's exhibition "Mental Model," produced by Art in Buildings. The group, called Gossip, is a long-running artist crit collective founded in 2009 by Cranbrook Academy of Art graduates including Jessica Stoller and Kelli Miller, originally named "Get Out" before being renamed by member Virginia Wagner after Silvia Federici's writings on gossip. The group now has about 20 members, including Jenna Gribbon, Erin M. Riley, and Julie Curtiss, and meets regularly in studios and galleries for critical feedback and creative exchange.

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Daisy Rockwell, granddaughter of Norman Rockwell, stated in an interview with the Bulwark that her grandfather was "antifa," pushing back against recent uses of his paintings by the Department of Homeland Security (DHS). Over the summer, DHS posted cropped and edited versions of Rockwell's works, including "Salute the Flag" (1971) and "Working on the Statue of Liberty" (1946), with captions urging readers to "protect your homeland" and "defend your culture." The Rockwell family had already publicly rebutted these posts in a USA Today op-ed, arguing that Rockwell would have been "devastated" to see his art used to promote persecution of immigrant communities and people of color.

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The article examines Gustav Klimt's iconic painting *The Kiss* (1907–1908) within the turbulent sociopolitical context of Vienna before World War I. It describes the city as a hotbed of ethnic tensions, anti-Semitism, and artistic ferment, where Klimt, alongside figures like Sigmund Freud and Gustav Mahler, explored repressed sexuality and decadence. The painting is presented as a symbol of this era, blending Symbolism, Japanese art, and Art Nouveau, and reflecting Klimt's role as a co-founder of the Vienna Secession, which broke with traditional aesthetics to pioneer modernism.

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Claude Monet’s iconic water lily pond paintings are the subject of a new article exploring the artist’s deep passion for gardening. The piece details how Monet, after moving to Giverny in 1883, spent decades transforming his property into a lush, Japanese-inspired garden, complete with a pond, wisteria bridge, and exotic plants. He hired up to eight gardeners, studied botanical journals, and even faced protests from local farmers when he diverted a river to create the pond. The garden became his sole artistic focus for the last 20 years of his life, producing around 250 paintings of the water lilies.

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The article examines Hieronymus Bosch's masterpiece "The Garden of Earthly Delights" (c. 1490–1510), explaining that while modern viewers often call it surreal, the term is an anachronism; the painting reflects a medieval worldview where damnation and divine order were accepted realities. It describes the triptych's structure, its likely commission by Engelbert II, Count of Nassau, and its narrative flow from grisaille exterior to vivid interior panels depicting Eden and hell. The piece also notes how 20th-century Surrealists like André Breton and Salvador Dalí claimed Bosch as a precursor, with Dalí directly borrowing motifs from the painting.

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Artnet Auctions is offering five works by Venezuelan kinetic and Op art pioneer Jesús Rafael Soto (1923–2005) in its Contemporary Editions sale, open for bidding through May 29, 2025. The lots include *Multiple #4 (from Jai Alai)* (1969, est. $8,000–$12,000), *Permutación (from Serie Sintesis)* (1979, est. $6,000–$8,000), and *Tes Azules y Negras (from Serie Sintesis)* (1979, est. $7,000–$10,000), each exemplifying Soto's signature blend of optical illusion, physical layering, and kinetic elements.

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Cowley Abbott's spring live auction, 'Select Masterworks of Canadian and International Art,' will take place on May 28, 2025, featuring over 90 lots. Highlights include works by Marcelle Ferron (Sans titre, 1964, est. $300,000–$400,000), Andy Warhol (Ladies and Gentlemen (Ivette and Lurdes), 1975, est. $70,000–$90,000), Emily Carr (Fir Trees, ca. 1935, est. $275,000–$375,000), Henri Le Sidaner (L’Escalier, Beauvais, ca. 1900, est. $100,000–$150,000), and Fernand Léger (Composition, 1950, est. $30,000–$50,000). The sale spans Pop art, Canadian Modernism, Post-Impressionism, and abstraction.

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Artist Natalie White was arrested and charged with a misdemeanor for vandalizing federal property after painting “ERA NOW” in red letters on the pavement of the US Capitol building in Washington, DC. The protest followed a 16-day, 250-mile Equal Rights Amendment march from New York to DC. White surrendered to Capitol Police earlier this month and spent 14 hours in jail. Her lawyer, Ronald Kuby, arranged the surrender and noted that because the cleanup cost was under $1,000, the charge remained a misdemeanor. White faces up to a year in prison.

13 modern chair designs that remain utterly timeless

A recent Christie's online auction, 'Modern Collector: Design and Tiffany,' featured a range of iconic 20th-century chair designs that achieved significant sale prices. Highlights included Gaetano Pesce's 'Nobody's Perfect' series chair selling for $6,350, Hans J. Wegner's 'Valet' Chair for $8,255, and a set of four Ludwig Mies van der Rohe MR10 chairs for $5,334.

Joan Miro, Tamara de Lempicka shows headline 31 exhibitions at local museums in December

Southwest Florida museums are hosting 31 exhibitions in December, including three new openings and two closings. Highlights include "Art Deco: The Golden Age of Illustration" at Sarasota Art Museum, featuring 100 rare posters from the Crouse Collection celebrating the Art Deco centennial; "Selina Roman: Abstract Corpulence," a photo-based installation exploring body politics and femininity; and Molly Hatch's site-specific ceramic installation "Amalgam" (2023-24), commissioned for the museum's "Inside Out" program. Other venues from Sarasota to Naples continue ongoing shows from their permanent collections and traveling exhibitions.

Do you remember the last negative review you read?

« Vous souvenez-vous de la dernière critique négative que vous avez lue ? »

The traditional art of negative criticism is vanishing from mainstream media, replaced by a culture of polite consensus or violent but unprincipled social media attacks. Historically, critics like Baudelaire, Zola, and Huysmans used sharp, subjective arguments to defend avant-garde movements and challenge academicism, viewing the attack on certain artists as a necessary byproduct of championing others. Today, limited editorial space and a desire to support the arts have led French journalists to focus almost exclusively on praise, resulting in a loss of discernment and comparative analysis.

Maine: A Force Within American Art (1890-2026) At Farnsworth Art Museum

The Farnsworth Art Museum in Rockland, Maine, has opened a year-long exhibition titled "Maine: A Force Within American Art (1890-2026)" in honor of America's 250th anniversary. The show presents 150 works across media, highlighting the state's artistic legacy from the late 19th century to the present. It features leading modernists such as Marsden Hartley, John Marin, Charles Demuth, and Georgia O'Keeffe, who found inspiration in Maine's landscapes, as well as contemporary artists like Theresa Secord. The exhibition is curated by Jaime DeSimone and Francesca Soriano, in collaboration with multiple institutions including the Ellis-Beauregard Foundation and Skowhegan School of Painting and Sculpture.

Nine Must-See Art Exhibitions to Catch in Philadelphia This Spring

Philadelphia's spring exhibition season features nine must-see shows across the city, including Kelly Kozma's solo exhibition 'Watch Me Backflip' at Paradigm Gallery + Studio, which presents a massive 22-foot installation of 35,000 hand-stitched circles made from repurposed materials. Other highlights include 'Soft/Cover' at The Fabric Workshop and Museum, exploring fabric and screenprinting in relation to the human body; 'Preserving Assyria' at the Penn Museum, focusing on Iraqi archaeologists reclaiming cultural heritage after ISIS destruction; and 'The Battle of the Bathers' at the Barnes Foundation, examining a media kerfuffle involving two Paul Cézanne paintings.

Tony Cokes “SM BNGR2” at FELIX GAUDLITZ, Vienna

Tony Cokes' solo exhibition "SM BNGR2" at FELIX GAUDLITZ in Vienna centers on club culture as a space for celebrating life through love, desire, queerness, music, art, aesthetics, and moving bodies. The show de-marginalizes club culture by examining its significance for subcultures, activist movements, and political resistance through the lens of writers and academics.

Pioneering 19th century women artists inspire new city castle exhibition

A new exhibition titled "Chain of Flowers" opens at Norwich Castle on May 16, featuring works by Cambridge-based artist Miranda Boulton. The exhibition draws inspiration from pioneering 19th-century women artists Emily Stannard and Eloise Stannard, members of the Norwich School of Artists. Boulton retraced Emily Stannard's 1820s journey to the Netherlands to study Jan Van Huysum's paintings at the Rijksmuseum, creating a series of oil paintings that contrast the Dutch Golden Age's detailed style with thick impasto and spray paint.