Artist and curator Kat Knutsen has launched "Curious Figure 3," the third iteration of an exhibition series dedicated to the human form. Now hosted at the Star Store building in New Bedford, the show features 42 artists from across 21 states, including notable works by Joe Vaux and Judith Peck. The exhibition's move to the Star Store follows the displacement of the Co-Creative Center from its original location due to private development.
Istanbul scommette sull’arte contemporanea: durante la fiera CI Bloom annunciato l’arrivo di un nuovo spazio
The fifth edition of CI Bloom, the boutique contemporary art fair organized by Contemporary Istanbul, recently concluded at the Lütfi Kırdar Congress and Exhibition Hall. Featuring 28 galleries and over 300 artists, the fair introduced aggressive financial incentives to support exhibitors, including a 30% reduction in participation fees, fixed exchange rates to mitigate currency risk, and a partnership with Turkish Airlines providing free art transport and customs coverage.
Los Angeles
The Los Angeles art scene is experiencing a significant transformation as major blue-chip galleries like Gagosian and PaceWildenstein expand their presence in the city. This shift is driven by the influx of entertainment industry wealth and a growing interest from Hollywood figures, despite a historically smaller collector base compared to New York. Key institutional developments include Eli Broad's financial interventions to stabilize MOCA and fund new building schemes at LACMA.
Billionaire hedge fund manager and prominent art collector Kenneth C. Griffin has issued a stark warning regarding the global economy, stating that a recession is inevitable if the Strait of Hormuz remains closed through the end of the year. Speaking at the Semafor World Economy summit, Griffin highlighted that the closure of this vital oil passageway has created energy shocks and treacherous conditions for central bankers, potentially forcing further interest rate hikes to combat inflation.
Alserkal Avenue in Dubai is expanding its traditional Art Week into a five-week "Art Month" running from April 18 to May 18. This strategic extension includes 16 gallery exhibitions, over 100 public events, and a new commercially focused group show featuring 12 UAE-based galleries. The initiative aims to provide a more sustainable platform for the local art ecosystem, especially as the Art Dubai fair has been rescheduled to mid-May and adapted in response to regional instability.
Artnet News and the Association of Women in the Arts (AWITA) recently launched "Hardwiring Change," an inaugural survey investigating structural barriers for women in the art industry. The report, unveiled at Deutsche Bank’s London headquarters, reveals significant gender disparities in pay and leadership, particularly within larger organizations. Key industry figures, including gallerist Sadie Coles and Bonhams UK Managing Director India Phillips, discussed the data, which shows that over 93% of respondents feel family planning has impacted their professional decisions.
Sotheby’s recently concluded its spring marquee auctions in Hong Kong, generating a combined total of HK$711.8 million ($91.2 million). The sales were anchored by the success of Joan Mitchell’s 'La Grande Vallée VII,' which sold for $17.6 million, and achieved a nearly 100 percent sell-through rate by value. The performance was bolstered by the auction house's new 'Maison' headquarters, a dual-level retail and exhibition space that attracted over 44,500 visitors in the lead-up to the sales.
Italian artist Maurizio Cattelan has launched a global hotline inviting the public to confess their sins to mark the 21st anniversary of the death of Pope John Paul II. The project, which may coincide with April Fools' Day, culminates in a livestreamed event on April 23 where Cattelan intends to perform a secular act of absolution. Other major developments include a federal judge halting construction on a controversial White House ballroom and the death of British illustrator Glen Baxter at age 82.
Global fine-art auction sales reached $11.7 billion in 2025, marking a 13.3 percent increase over the previous year and the first market growth since 2021. While the first half of the year was hampered by inflation and geopolitical tensions, a surge in the second half—particularly during New York’s November marquee sales—pushed the market upward. This recovery was led by a renewed appetite for "trophy works," highlighted by the record-breaking $236.4 million sale of Gustav Klimt’s Portrait of Elisabeth Lederer at Sotheby’s.
Gold by Serakai Studio has launched its inaugural exhibition, "Certainly," in Hong Kong’s Wong Chuk Hang district. Curated by Tobias Berger, the former head of art at Tai Kwun, the show features 50 works by 11 diverse artists that explore themes of unpredictability and experimentation. The exhibition takes its conceptual cue from La Monte Young’s 1960 Fluxus score, "Draw a straight line and follow it," using the impossibility of that task as a metaphor for navigating global instability.
San Francisco’s museum landscape is undergoing a significant shift this April, anchored by the major reinstallation "Reimagined: The Fisher Collection at 10" at SFMOMA. The exhibition marks a decade of the museum's partnership with the Doris and Donald Fisher Collection, featuring works by Alexander Calder, Sol LeWitt, and Roy Lichtenstein across multiple floors. While the city celebrates these high-profile openings and the announcement of SECA Art Award finalists, the local scene faces challenges as the Mission Cultural Center for Latino Arts has suspended operations due to institutional difficulties.
The Penn Museum at the University of Pennsylvania is courting controversy by consigning a major 1891 painting by Ottoman artist Osman Hamdi Bey, titled "At the Mosque Door," to Bonhams London with an estimate of $2.7–$4 million. Although the museum purchased the work directly from the artist in 1895, it was never formally accessioned into the collection, allowing the institution to bypass strict industry regulations that typically prohibit using art sale proceeds for anything other than new acquisitions or collection care. The museum intends to use the funds to establish a permanent endowment for the long-term maintenance of its vast archaeological holdings.