Chantana Tiprachart Wins Han Nefkens Foundation’s Southeast Asian Video Art Grant

Thai artist and filmmaker Chantana Tiprachart has been awarded the 2026 Southeast Asian Video Art Production Grant by the Han Nefkens Foundation. The prize provides $15,000 for the production of a new moving-image work over a nine-month period, which will subsequently tour several international institutions including the Rockbund Art Museum in Shanghai and Nottingham Contemporary. The jury selected Tiprachart for her ability to locate social and political narratives within quiet, everyday spaces, praising her commitment to reflection in an era of information overload.

Israeli Pavilion Artist Made Legal Threats Before Venice Biennale Jury Resigned

New reports reveal that Israeli Pavilion artist Belu-Simion Fainaru issued legal threats against the Venice Biennale, alleging antisemitism and discrimination after the awards jury decided to exclude Israel and Russia from consideration due to human rights charges. The jury, which included Elvira Dyangani Ose, Zoe Butt, Marta Kuzma, Giovanna Zapperi, and Solange Farkas, initially stated on April 22 it would not consider nations whose leaders are charged with crimes against humanity by the International Criminal Court. Fainaru filed legal warnings with the Biennale, the Italian Ministry of Culture, and the Prime Minister's office. The jury abruptly resigned eight days later, leading the Biennale to scrap the Golden Lion awards and institute "Visitor Lions" decided by public vote. Reports indicate the Biennale's legal department warned jurors could be personally liable for damages, and Italian Culture Minister Alessandro Giuli promised to promote Fainaru's work.

Venice Biennale Scraps “Golden Lion” Awards as Turmoil Continues

The 61st Venice Biennale has scrapped its traditional Golden Lion awards, replacing them with public-voted “Visitor Lions” after the entire award jury resigned on April 30. The jury had previously announced its intention to exclude countries whose leaders are charged with crimes against humanity by the International Criminal Court, effectively targeting Russia and Israel. The Biennale Foundation, however, stated that all official national pavilions—including Russia and Israel—will be eligible for the new Visitor Lions, citing principles of inclusion and equal treatment. The awards ceremony has been moved from May 9 to November 22, the final day of the Biennale, to allow ticket holders to vote throughout the event.

‘Washwasha’ (Whispers Across Water): Sonic Cartographies of the UAE at the Venice Biennale.

The National Pavilion UAE has announced its upcoming exhibition for the 61st Venice Biennale in 2026, titled ‘Washwasha’ (Whispers Across Water). Curated by Bana Kattan with assistant curator Tala Nassar, the presentation features six artists: Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition moves away from traditional visual spectacle to focus on sound, oral traditions, and 'sonic cartographies' that explore memory, migration, and the fluid identity of the UAE through an architectural environment designed by Büro Koray Duman Architects.

Asia's Biennials Survey: The Asia Pivot

asias biennials survey asia pivot

Asia is experiencing a significant surge in biennial exhibitions, with at least eight major events currently running from Singapore to Riyadh and several more scheduled for later this year. These large-scale exhibitions are increasingly serving as strategic tools for soft power, urban regeneration, and economic promotion, often backed by government funding to elevate a city's global profile.

How the Venice Biennale imploded over Israel

The 61st Venice Biennale, scheduled to open on May 9, has been thrown into turmoil after its International Jury announced that national pavilions and artists representing countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible for prizes. This excludes Israel, represented by sculptor Belu-Simion Fainaru, and Russia from competing for the Golden Lion. The decision follows an open letter signed by hundreds of artists and curators demanding Israel's exclusion over the war in Gaza, and comes amid ongoing geopolitical tensions, including Russia's absence from previous editions after its invasion of Ukraine. The Biennale's theme, 'In Minor Keys,' curated by the late Koyo Kouoh, aimed to focus on dignity and listening to marginalized voices, but the prize ban has sparked accusations that identity politics are overshadowing artistic merit.

Liverpool Biennial 2025 digs deep into its city’s foundations with ‘Bedrock’ theme

The 13th edition of the Liverpool Biennial, titled 'Bedrock,' will run from June 7 to September 14, 2025, across 18 venues in the UK's largest city-wide contemporary art festival. Curated by Marie-Anne McQuay, the exhibition brings together 30 international artists and collectives with 22 new commissions, placing works in galleries, libraries, cathedrals, shopfronts, and public squares. The theme explores Liverpool's literal sandstone foundations as a metaphor for its layered histories—colonial empire, industry, civic resilience, and community life. Notable works include Amber Akaunu's film 'Dear Othermother' at Bluecoat, Linda Lamignan's triptych at FACT Liverpool, and Dawit L. Petros's installation at Liverpool Central Library.

Filipa Ramos takes on 2027 Lofoten Festival

Filipa Ramos has been appointed curator of the 19th edition of the Lofoten International Art Festival, set to take place across the Norwegian arctic archipelago in June 2027. Ramos, a curator and writer who teaches at the Institute Art Gender Nature of the Academy of Art and Design FHNW in Basel, is known for ecologically-focused research that reimagines human-animal-environment relationships. She authored *The Artist as Ecologist* (2025) and is currently organizing the LOOP Festival in Barcelona and the symposia series *The Shape of a Circle in the Mind of a Fish*, created with Lucia Pietroiusti.

Iran’s Participation in the Venice Biennale Still Uncertain

Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.

Jobs in Art: Opportunities from Catania Academy of Fine Arts, MADRE Naples, Camera Austria, Teatro Maggio Musicale Fiorentino

Lavoro nell’arte: opportunità da Accademia Belle Arti Catania, MADRE Napoli, Camera Austria, Teatro Maggio Musicale Fiorentino

Several prominent Italian and international cultural institutions have launched open calls for professional roles, residencies, and artistic competitions. Key opportunities include the search for a new director at the MADRE Museum in Naples with a three-year contract, a social media manager position at the Teatro del Maggio Musicale Fiorentino, and various residency programs for photographers and designers at the Academy of Fine Arts in Catania and Camera Austria in Graz.

Equatorial Guinea debuts at the Venice Biennale with Paraguayan artist Ingrid Seall and the theme of undergrowth

Equatorial Guinea makes its debut at the Venice Biennale with a national pavilion at Palazzo Donà dalle Rose, featuring Paraguayan artist Ingrid Seall and her work "Manar." The pavilion, titled "The Forest: The Undergrowth," runs from May 9 to November 22, 2026, and presents an immersive journey inspired by Equatorial Guinea's forests. Seall's piece uses materials like paper, cellulose, iron, and cassava paste to create a vertical, living organism that transforms waste into vital matter. The exhibition includes works by multiple international artists and is curated by Joan Abelló, with Brazilian commissioner Paulo Speller.

With sanctions on Iranian art, buyers are turning to India

The article reports a significant shift in the Islamic art market, where traditional Persianate works from Iran are declining in sales and value, while art from India and historic Arab polities is rising. At Sotheby's April 2025 sale, 14 of 27 Persian works went unsold, continuing a long-term slump. Key factors include U.S. sanctions on Iran that restrict export of Iranian-origin works, aging collectors, maturing museums, and a generational shift away from classical art toward contemporary pieces. In contrast, Mughal art from India is experiencing a steady price increase, reflecting the repositioning of the market away from Persianate mainstays.

Venice Biennale jury excludes Russia and Israel from artist awards as EU threatens funding cut

The Venice Biennale jury has excluded Russia and Israel from eligibility for artist awards, following the EU's threat to cut funding over geopolitical concerns. The decision bars artists from these countries from being considered for official prizes at the prestigious international art exhibition.

Traverse City exhibition highlights indigenous artists around the world (and here, too)

An exhibition titled "The Traveling Gallery of the Intercontinental Biennial of the Native American, Indigenous or Millenarian Art and Culture" is on display at The Alluvion in Traverse City, Michigan, through August 31, 2025. Featuring over 100 works from around the world, the show highlights indigenous artists from South and North America, including local Traverse City artists Paul Sinclair and Janelle Dahlberg, as well as St. Ignace artist Darryl Brown. Highlights include a portrait of Geronimo by Anderson Jahir Colcha Viñan and large oil-on-canvas rainforest paintings by Ana Piaguaje of Ecuador. The exhibition is produced and directed by Jorge Iván Cevallos and was brought to the venue by curator Jessica Kooiman Parker.

During the Venice Biennale there is also the Ibiza Pavilion, inside a takeaway pizzeria

Durante la Biennale di Venezia c’è anche il Padiglione Ibiza, dentro una pizzeria da asporto

During the Venice Art Biennale, an independent project called the Ibiza Pavilion opens from May 7 to 9, 2026, inside Pizza al Volo, a popular takeaway pizzeria in Campo Santa Margherita, Dorsoduro. Conceived and curated by Margherita Chiarva with support from Victoria Genzini and Gabriele Della Maddalena, the three-day initiative features a group exhibition, performances, collective embroidery, tarot readings, and somatic practices by international artists connected to Ibiza through experience or collaboration, including Noemi Manser, Beatrice Dettori, Liz Kueneke, COSIMA, and Maria Giulia Alvigini.

Here's what the much-talked-about Russian Pavilion at the Venice Biennale looks like. Photos and video

Ecco com’è il chiacchieratissimo Padiglione Russia della Biennale di Venezia. Foto e video

The Russian Pavilion at the 2026 Venice Biennale has opened amid intense controversy over its unauthorized participation. The pavilion, housed in a 1914 building recently restored by Italian architects 2050+, features a program of musical improvisations, ensemble performances, techno concerts, and interactive actions, including free used clothing. The space is designed as a fragrant flower shop with a chill-out room featuring a conifer grove and video installations. The exhibition, titled "L’Albero Radicato nel Cielo" (The Tree Rooted in the Sky), is organized by young poets, musicians, and philosophers who prefer to remain anonymous as a collective, coordinated by the Gnessin Russian Academy of Music. However, due to sanctions, the pavilion is only open from May 5 to 8, as organizers cannot obtain the necessary permit to operate beyond the private opening.

Artists’ Strike Closes Pavilions at Venice Biennale, Adding to Upheaval

Several national pavilions at the Venice Biennale were shut down after artists staged a strike, protesting working conditions, funding disparities, and the event's relationship with sponsors linked to geopolitical conflicts. The closures disrupted the opening week of the prestigious international exhibition, with participating artists and curators withdrawing their work or locking pavilion doors in solidarity.

Without Its Expert Jury, Venice Biennale Lets the Public Choose Its Prize Winners

The Venice Biennale has announced that for its 2026 edition, it will eliminate the traditional expert jury and instead allow the general public to vote for the prize winners. This marks a radical departure from the event's century-old practice of relying on a panel of art-world professionals to select the Golden Lion and other awards. The decision aims to democratize the selection process and engage a broader audience beyond the art establishment.

11 Unmissable Exhibition Openings in 2026

Frieze magazine has published a curated list of 11 unmissable exhibition openings scheduled for 2026, highlighting major institutional shows and biennials around the world. The selection spans diverse venues and artists, reflecting the global scope of contemporary art programming for the coming year.

Sharjah Art Foundation launches Studio and Residency Programmes

Sharjah Art Foundation has launched two new programmes: a Studio Programme offering long-term and free workspace for artists, recent graduates, and PhD candidates, and a Residency Programme providing flights, accommodation, and a monthly stipend for visual artists, performers, writers, and other creatives. The programmes will be hosted across multiple venues in Sharjah, including the Collections Building, Bait Obaid Al Shamsi, Bait Al Serkal, Al Hamriyah Studios, and Kalba Ice Factory, each with distinct histories and architectural features.