How I Shop with Michelle Ogundehin: ‘We grownups have enough stuff already’

Michelle Ogundehin, the former editor-in-chief of Elle Decoration and current head judge on BBC’s Interior Design Masters, shares her personal shopping philosophy and favorite sources for design and art supplies. The interview highlights her preference for tactile, high-quality essentials over mass consumerism, citing her love for artist-grade watercolor paper from L. Cornelissen & Son, vintage tapestries from Larusi, and curated items from Japan House London.

paul slocum digital art gallery sustainable interview 1234773539

Paul Slocum, artist and gallerist, celebrated the 20th anniversary of his Dallas-based And/Or gallery, a pioneering space dedicated to new media and digital art. The gallery, founded in 2006, has championed early internet and computer-based artists like Cory Arcangel and Petra Cortright, operating from a DIY ethos largely independent of the traditional art market.

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Artist Sayre Gomez has opened a new solo exhibition titled "Precious Moments" at David Kordansky Gallery in Los Angeles. The show features paintings of gritty urban landscapes alongside sculptures of his own children, modeled after Precious Moments collectible figurines, dressed in the kids' actual clothes and placed in the gallery's rafters.

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The winter collaborations issue of Art in America explores the often unglamorous, slow-paced nature of creative work, challenging the social-media-driven perception of art-making as fast and dramatic. The issue features pieces on Ira Sachs's film *Peter Hujar's Day*, which depicts the artist's mundane daily routine, and an interview with Chicago-based artists Nick Cave and Bob Faust, who discuss their collaborative practice and the perceived lack of drama in their process. Other highlights include features on Talia Chetrit's fashion-art boundary work, Mernet Larsen's multi-perspective paintings, and the role of licensing agreements with artists' estates.

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Nayland Blake, a conceptual artist known for blending cerebral ideas with visceral, queer sensibilities, is the subject of a major solo exhibition at Mathew Marks Gallery in New York, running through October 2025. Concurrently, a new book titled *My Studio Is a Dungeon Is the Studio: Writings and Interviews 1983–2024* is set for release next month, compiling decades of the artist's writings and interviews. The article explores Blake's unique approach to art, which combines psychoanalytic theory, queer aesthetics, and a critical stance toward institutional power, as seen in their analysis of figures like Judge Daniel Paul Schreber and artist Jack Smith.

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Jeff Poe, co-founder of the now-closed Blum & Poe gallery, gave an interview to Artnet News reflecting on his departure from the gallery in 2023 and the challenges of running a gallery. He spoke about the financial risks, travel, and exposure that led him to seek a simpler path, without mentioning his former partner Tim Blum. Separately, Hypebeast published a story titled 'The Slow Death of the Contemporary Art Gallery,' arguing that rising rents and changing expectations are forcing galleries to adapt, with collectors increasingly focusing on 'red-chip' artists driven by viral buzz rather than institutional backing.

chiwoniso kaitano macdowell director newsmakers interview 1234749537

Chiwoniso Kaitano, executive director of MacDowell since 2023, discusses the oldest continuously operating artist residency in the United States in an ARTnews interview. She highlights MacDowell's 118-year history, its seven artistic disciplines, and its mission to provide a sanctuary for artists. Kaitano, who previously led arts education nonprofits Girl Be Heard and Ifetayo Cultural Arts Academy, is working to raise MacDowell's profile and bring artist residencies back to the center of art world discourse.

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Lindsay Jarvis, a London-born dealer who previously worked at Sadie Coles and greengrassi in the UK and spent a decade in New York as an art adviser and auction specialist, has opened a new 2,000-square-foot gallery on the second floor of 96 Bowery in Manhattan. The inaugural exhibition, titled "Ghost," organized with Max Werner, opens Wednesday and runs through October 4, featuring contemporary artists like Francesca Mollett and Daniel Licht alongside 20th-century figures such as Lois Dodd, Richard Mayhew, Joan Snyder, Beverly Buchanan, Peter Saul, and Janet Sobel. Jarvis, known for spotting overlooked value in 20th-century artists, is transitioning from advising collectors to running his own gallery program.

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Racquel Chevremont, a curator and collector who recently appeared on the Real Housewives of New York, was brought in by the producers of the Sex and the City reboot And Just Like That… to build the art collection for the character Lisa Todd Wexley. Chevremont selected works by Black artists including Carrie Mae Weems, Deborah Roberts, Barkley Hendricks, Gordon Parks, Mickalene Thomas, Derrick Adams, and Alma Thomas to adorn the Wexley family home, carefully choosing each piece to reflect the character's identity as a successful Black documentarian and mother. In an interview with ARTnews, Chevremont explains how she researched the character's background to curate a collection that feels authentic, and describes the process of licensing images for reproduction on set rather than borrowing original works.

mierle laderman ukeles maintenance artist documentary review 1234746471

A new documentary titled "Maintenance Artist," directed by Toby Perl Freilich, premiered at the Tribeca Film Festival. The film chronicles the career of Mierle Laderman Ukeles, who coined the term "Maintenance Art" in a 1969 manifesto to elevate everyday domestic and civic labor into art. It follows her decades-long collaborations with New York City agencies, including her seminal "Touch Sanitation Performance" (1979–80) with the NYC Department of Sanitation, and her ongoing struggle to realize the installation "Landing: Cantilevered Overlook" (2008) at Freshkills Park. The documentary weaves together archival footage, interviews, and analysis of second-wave feminism, conceptual art, and urban bureaucracy.

The Nearly Sixty-Year Career of Legendary Gallerist Enzo Cannaviello: A Wide-Ranging Interview

I quasi sessant’anni di carriera del leggendario gallerista Enzo Cannaviello. Intervista a tutto campo

Legendary Italian gallerist Enzo Cannaviello reflects on a career spanning nearly sixty years, marked by the opening of his ninth gallery space in Milan. The interview traces his journey from founding his first space in Caserta in 1968 to his influential years in Rome and his ultimate establishment in Milan, which he considers the only true art market in Italy. Cannaviello discusses his unwavering commitment to painting, his pivotal role in promoting the German Neo-Expressionists (Neue Wilde), and the current exhibition dedicated to Mimmo Rotella.

Performance Artist Crackhead Barney Moves From the Streets to the Stage: ‘Art Should Be Going Insane’

Performance artist Crackhead Barney, known for her viral street interventions and ambush interviews at protests and public events, is transitioning her work to the formal stage. Her new play, GOD IS RAPING ME, is having sold-out dates at the Pageant performance space in Brooklyn, marking a significant shift from her guerrilla-style, social media-driven practice to theatrical production.

One of John Lennon’s Final Autographs Hits the Auction Block

A promotional poster for John Lennon and Yoko Ono's album 'Double Fantasy,' signed by Lennon on the morning of his murder on December 8, 1980, is being auctioned by Propstore in London. The lot, estimated between £60,000 and £120,000, includes the RKO Radio archives from Lennon's final interview.

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British artist Michaela Yearwood-Dan has opened her first solo exhibition in China, titled “RECESS,” at the Longlati Foundation in Shanghai. The show features paintings and ceramics that explore themes of play, fluidity, and cultural identity, drawing on influences from Chinese calligraphy and tai chi. In an interview, Yearwood-Dan discusses her childlike approach to making the work and her desire for viewers to feel a personal connection. A concurrent exhibition, “Georgia Gardner Gray: Metal Madonna,” is also on view at the foundation.

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Artist Heidi Hahn discusses her recent exhibition "Not Your Woman" and the emotional journey behind the paintings in an interview with Thalia Stefaniuk. Originally scheduled to open at Mitchell-Innes & Nash's Chelsea gallery, the show was cancelled when the gallery suddenly closed, leaving Hahn feeling discarded and forcing her to rethink the work. The resulting large-scale canvases feature abstract, monumental female bodies rendered in muted oranges, reds, and blues—figures that are faceless, exaggerated, and more like totems or memories than recognizable women. The conversation explores themes of disappointment, failure, and the tension between wanting to be seen and wanting to disappear.

Venice, Here We Come

Hyperallergic's newsletter previews the upcoming 61st Venice Biennale, noting the charged political climate that may overshadow the art. It highlights the main exhibition "In Minor Keys" conceived by the late Koyo Kouoh, and includes a guide to national pavilions, collateral events, and notable exhibitions in Venice. The edition also features a studio visit with 93-year-old artist Joan Semmel, an interview with Lebanese artist Tania El Khoury about her "revenge art," and news about Barbara Chase-Riboud declining to represent the US at the Biennale, a $116M gift to the National Gallery of Art, and the death of Argentine painter Ides Kihlen at 108.

Woman With Her Back to the Viewer in Gallery Photos Speaks Out

A satirical article features an exclusive interview with the fictional archetype "Woman With Her Back to the Viewer in All Those Gallery Photos." She describes her daily routine of posing ambiguously next to artworks, her artistic influences like Caspar David Friedrich, and the challenges of her unseen labor, including a lack of sales commission and the need for side hustles like making herself blurry in photos.

The Martin Parr Revolution

La révolution Martin Parr

The Jeu de Paume museum in Paris is presenting a major exhibition of the late British photographer Martin Parr, on view until May 24. The show coincides with the release of a documentary film, "I am Martin Parr, le photographe so British," which follows the artist and features interviews with his wife, gallerists, and fellow Magnum Photos members.

Jo Ractliffe at the Jeu de Paume: “I am not a militant photographer, but when you work in South Africa you cannot escape stories of violence”

Jo Ractliffe au Jeu de Paume : « Je ne suis pas une photographe militante, mais quand on travaille en Afrique du Sud on ne peut échapper aux histoires de violence »

South African photographer Jo Ractliffe discusses her upcoming retrospective at the Jeu de Paume, reflecting on her career path that began during the isolation of the apartheid era. Eschewing traditional photojournalism, Ractliffe developed a singular poetic language focused on landscapes and animals to address the heavy histories of violence, ownership, and displacement in Southern Africa.

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Michael Govan, director of the Los Angeles County Museum of Art (LACMA), has broken his silence regarding the museum’s controversial new David Geffen Galleries in an interview with Vanity Fair. The $720 million structure, designed by Pritzker Prize-winning architect Peter Zumthor, is scheduled to open next month following years of heated debate over its unconventional design, the demolition of previous museum buildings, and escalating costs. Govan defended the project’s horizontal, single-floor layout as a necessary evolution for the 21st-century museum, moving away from traditional geographic and chronological hierarchies.

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James Rondeau, director of the Art Institute of Chicago, has given his first detailed interview about a 2023 incident where he removed his clothes on a flight from Chicago to Munich after consuming alcohol and prescription medication. The event led to police involvement and a voluntary six-week leave before the museum's board reinstated him, expressing confidence in his leadership.

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Ian McKellen has signed on to star in a new BBC documentary about cult British painter L.S. Lowry, titled "L.S. Lowry: The Unheard Tapes." The film will focus on previously unheard audio recordings Lowry made in the final four years of his life, which contain what is described as the longest interview the artist ever gave. McKellen will lip-sync to Lowry's own words, bringing the artist back to life through his distinctive Lancastrian voice. The documentary is being produced by the BBC and has the support of Lowry's estate.

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Glenn Lowry, who stepped down last month after 30 years as director of the Museum of Modern Art, has given a wide-ranging interview on the podcast *The Art World: What If…?!* with Charlotte Burns. He discusses the Trump administration’s threats to museums’ tax-exempt status, his upcoming advisory roles for the Islamic Arts Biennale in Jeddah and the Kiran Nadar Museum of Art in Delhi, a prospective leadership campaign for Alice Walton’s Art Bridges Foundation, and a series of talks at the Louvre titled “I Want a Museum. I Need a Museum. I Imagine a Museum.”

nicolas nahab samy ghiyati ng interview 1234744129

Nicolas Nahab and Samy Ghiyati, two seasoned art world professionals, have left their high-profile gallery positions to launch NG, an independent art advisory and exhibitions company. Nahab, formerly a director at Mendes Wood DM and previously at Marian Goodman Gallery and Yvon Lambert, will focus on curating, while Ghiyati, who worked at David Zwirner and Kamel Mennour, will handle advising. Their inaugural show will feature a solo exhibition of new work by New York–based Moroccan artist Meriem Bennani in Essaouira, Morocco, opening in December 2025.

Re-Air: The Young Painter Curators Are Rushing to Work With

Artnet News resurfaces an interview with painter Taína H. Cruz, who is featured in both the Whitney Biennial and MoMA PS1's Greater New York exhibition. Cruz, born in 1998 and a recent MFA graduate from Yale School of Painting, creates moody paintings often depicting Black female figures, drawing on African American and Caribbean folklore, horror, fantasy, and personal imagery. The interview, conducted by Ben Davis, explores her influences and her response to the sudden surge of attention from major institutions.

Hito Steyerl “The Island” Osservatorio Fondazione Prada / Milan by Piermario De Angelis

Hito Steyerl's solo exhibition "The Island" at Osservatorio Fondazione Prada in Milan explores the concept of submersion as both a geological condition and a media regime. The show takes its title from a Neolithic artificial island discovered off the coast of Korčula, Croatia, which remained submerged for approximately seven thousand years. Through video interviews, installations, and critical assemblages, Steyerl connects this submerged structure to contemporary issues of digital image circulation, algorithmic power, and the dispossession of agency, drawing on science fiction, quantum physics, biochemistry, and deep time.

Uncertainty in the Art Market is Currently Extreme

"Im Moment ist die Verunsicherung auf dem Kunstmarkt extrem"

Prominent Cologne gallerist Gisela Capitain is celebrating her 40th anniversary amid a period of significant market volatility. In recent interviews, she reflects on her career—defined by long-term artist relationships like that with Martin Kippenberger—while critiquing the current state of the art world. She notes that buyers have become increasingly hesitant and deliberate, describing the current level of uncertainty in the art market as extreme and calling for reforms to institutions like Art Cologne.

How This Artist Pivoted Into Surreal Sculpture After Decades of Photography [Interview]

Artist Nic Nicosia, known for decades as a photographer and member of the Pictures Generation, has pivoted into surreal sculpture after losing interest in fabricated images. His work was featured in the 1983 Whitney Biennial alongside Cindy Sherman and others, and in major exhibitions like Documenta IX. Now, after years of exploring sculpture in private, he is preparing for his largest museum exhibition since 2000: "Everyday Surrealism" at the Nasher Sculpture Center in Dallas, opening May 16, tracing his career through over 70 works.

A brush with… Martina Droth, director of the Yale Center for British Art

Martina Droth, the recently appointed director of the Yale Center for British Art, shares her personal and professional perspectives on the role of art in society. In this interview, she reflects on her formative experiences traveling in Egypt, her reading habits that range from museum leadership to human behavior, and the daily inspiration she finds working alongside 18th-century landscapes by Richard Wilson.

Interview: Jon Seydl, John G.W. Cowles Director of the Allen Memorial Art Museum

Jon Seydl has been appointed as the new John G.W. Cowles Director of the Allen Memorial Art Museum at Oberlin College. Seydl, who previously served as director of the Krannert Art Museum at the University of Illinois Urbana-Champaign and worked at the Cleveland Museum of Art, brings extensive experience in university museums and a background in early modern Italian art history. In an interview, he discusses his deep appreciation for the Allen's collection, particularly self-portraits by Michael Sweerts and William Hogarth, and his vision for the museum as a sanctuary for mental health and interdisciplinary learning.