The Ellen Noël Art Museum in Odessa, Texas, is hosting its annual Community Art Day, a free public event designed to engage the local population through hands-on creativity. The program features a variety of art-making stations, live demonstrations, and guided tours of current exhibitions, aiming to make the museum's resources accessible to families and individuals of all ages.
The Missoula Art Museum has launched "Buffalo Is Our Good Medicine," a collaborative exhibition by artists Aspen and Cameron Decker. The show features a diverse array of media, including traditional ledger art, sculpture, hide paintings, and multimedia installations that center on the buffalo's vital role within tribal communities. Many of the works utilize hides harvested from the Yellowstone herd, blending historical storytelling with contemporary artistic practices.
An exhibition titled "Celebrate People's History: Latin America and the Art of Protest" has opened at the Chico State Museum of Anthropology in Chico, California. Housed in the Meriam Library Building, the show features protest art from Latin America and Latinx communities in the U.S., addressing topics such as Dolores Huerta, ICE raids, and local issues like the killing of Desmond Phillips. The exhibition includes works from Pedal Press, a Chico-based organization, and offers interactive print materials for K-12 and college students, with free field trips available for school groups.
Two Selves Gallery in Troy, New York, opened a new exhibition titled "Coming Out of Darkness: Landscapes of Presence" by artist Patricia Wood during the April Troy Night Out event. The show, on display through May, is divided into three sections: a series of acrylic paintings on black velvet depicting forest scenes from the Adirondacks, a middle section featuring reference photos, miniatures, encaustic works, and mental health resources, and a front section with oil paintings of Winnie the Pooh characters and Wood's jewelry. Wood describes the exhibition as a personal journey through depression, using light and dark to convey her struggle and recovery.
The Fort Frederik Museum in St. Croix has unveiled "Still We Rise: Art Behind the Walls," an exhibition showcasing original works created by incarcerated individuals at the John A. Bell Correctional Facility. The collection features a variety of media, most notably locally sourced calabash gourds that have been transformed into intricate cultural vessels. Developed through a volunteer-led art and literacy program, the show highlights the personal narratives and creative growth of participants who used the project as a vehicle for self-reflection.
The Williamson Art Gallery and Museum in Birkenhead has announced a major upcoming exhibition titled 'The Garden as Muse,' scheduled to open in May 2026. The show explores the garden as a profound source of artistic inspiration, featuring a mix of prominent loans and rarely seen works from the gallery’s permanent collection. A centerpiece of the exhibition is E. A. Hornel’s 'The Wounded Butterfly,' which exemplifies the artist's signature style of blending naturalism with decorative, textured surfaces.
SUNY New Paltz’s Disability Resource Center (DRC) recently launched its fourth annual art exhibition, titled "Strengths in Every Form," at the McKenna Theatre lobby. The showcase features a diverse range of student-led works including paintings, sculptures, photography, and fiber arts, such as a quilt and zine collection by student Caden Tyler. Coordinated by Emi DiSciullo and supported by the Kressner Autism Support Program, the event highlights the creative output of neurodivergent students and those with disabilities within the campus community.
The Museum of the African Diaspora (MoAD) in San Francisco is celebrating the 10th anniversary of its Emerging Artists Program (EAP) by announcing its 2026-2027 cohort. Selected from hundreds of applicants, Bay Area artists Jasmine Ross, Demetri Broxton, Dorian Reid, and Tahirah Rasheed will each receive a fully supported solo exhibition at the museum. The program, which has supported 30 artists since 2015, provides crucial institutional backing, including curatorial guidance and production resources, to creatives at pivotal career moments.
Adele Aguirre, the founder of SoHo Galleries in Mérida, is hosting a one-night charity auction featuring over 30 artworks from her personal collection. The event, scheduled for April 23, 2026, includes pieces sourced from Mexico, Cuba, France, the United States, and India. Proceeds from the auction will benefit AMANC Yucatán, a nonprofit organization that provides essential support—including lodging, meals, and medication—to children and adolescents undergoing cancer treatment in the region.
Indigenous artist Scott Kwah is set to debut a deeply personal exhibition titled "A.R.E.N.A. babies" at the Salmon Arm Art Gallery, running from April 11 to June 16, 2026. The installation centers on 18 hand-cast concrete figures seated on vintage chairs that emit audio of fragmented, childlike voices questioning their origins and loss of language. The work directly confronts Kwah’s history as a survivor of the Sixties Scoop, specifically referencing the Adoption Resource Exchange of North America (ARENA) program that facilitated the cross-border displacement of Indigenous children.
Pablo Diaz, director of Sciences Po Rennes, announces that the Institut national supérieur de l'éducation artistique et culturelle (INSEAC) in Guingamp has been transferred from the Conservatoire national des arts et métiers (Cnam) to Sciences Po Rennes as of January 1, 2026. The institute, which opened in 2021 and focuses on training, research, and resources for arts and cultural education, will now operate under public-sector governance with oversight from the French ministries of Culture, Education, and Higher Education. Diaz outlines plans to appoint a dedicated site director in Guingamp and establish a strategic orientation committee chaired by interministerial delegate Emmanuel Ethis, aiming to resolve past management and governance issues.
Une anthologie sur le temps
The publishing house Citadelles & Mazenod has released a new anthology titled "Écrire le temps. De l’Antiquité à nos jours" (Writing Time: From Antiquity to the Present Day). Edited by Pascal Dethurens, the 480-page volume compiles a vast array of literary sources on the concept of time, from ancient thinkers to contemporary writers, and pairs these texts with a wide variety of artistic representations.
Le savant dosage des sites régionaux « Bern 2026 »
The French Heritage Foundation (Fondation du patrimoine) has announced the 2026 list of 18 emblematic regional sites selected for the 'Loto du patrimoine' (Heritage Lottery) funding initiative. The sites, chosen from 650 endangered candidates, include religious buildings like the Chapelle Notre-Dame du Kreisker in Saint-Pol-de-Léon and the Antana-Bé Mosque in Mayotte, forts and castles such as the Royal Castle of Senlis and Fort Boyard, as well as industrial, rural, and residential ensembles like the Beaufonds sugar factory in La Réunion. The selection balances architectural significance, state of decay, project maturity, and potential for revitalization.
À l’INHA, la fermeture estivale de la bibliothèque ravive le sujet
The National Institute for Art History (INHA) in Paris is facing backlash over its decision to implement a permanent two-week summer closure of its library every August. Originally introduced as a temporary measure during the 2024 Olympics and subsequent renovations, the closure is now being formalized by the administration despite a change in leadership. Staff and researchers have launched a petition, arguing that August is a critical period for international scholars and students who rely on the library’s extensive collections.
Amsterdam-based studio Imagination of Things, co-founded by Vitor Freire and Monique Grimord, has launched "Unruly Play," an interactive digital archive featuring 169 artworks, designs, games, and participatory projects. The repository includes notable works such as Rael San Fratello's "Teeter-Totter Wall" and the Wind Phone project, alongside a 12-foot puppet that travels the world. The archive is searchable by theme or through a shuffle feature, aiming to showcase projects that invite surprise, camaraderie, and unexpected encounters with imagination and joy.
London-based artist Dima Rebus creates large-scale watercolor paintings using water samples collected from strangers around the world. In her series "Floaters," she freezes the crowdsourced water with pigments, then lets it melt across paper to form abstract color fields, later adding figures and aquatic landscapes. Each sample arrives with a letter, building an archive of rain, rivers, seas, oceans, and glaciers that serve as both material and human message.
Colossal has reached a significant milestone by funding 100 K-12 classroom projects across the United States through its partnership with the nonprofit DonorsChoose. Supported by a portion of Colossal Membership fees, the initiative has contributed over $13,000 to provide essential art supplies, sketchbooks, and equipment to students. The program places a special emphasis on supporting schools in Chicago, ensuring that young learners have the tools necessary for creative expression and artistic education.
The New Hampshire Art Association (NHAA) is presenting the Sue Werner Thoresen Juried Exhibition at its Robert Lincoln Levy Gallery in Portsmouth, opening May 1, 2026. The show features 73 artists whose works explore the experiences of women, girls, and gender-diverse people, inspired by the New Hampshire Women’s Foundation’s Status of Women in New Hampshire report. Themes include education, healthcare, economic opportunity, caregiving, safety, representation, and societal expectations, with attention to intersections of race, class, ability, sexuality, geography, and access to resources. The exhibition is held in memory of Sue Werner Thoresen (1944–2024), a longtime advocate for community well-being and gender equity, and includes awards in her honor.
Hannah Powell, a University of Pittsburgh alumna, has been appointed as the first official coordinator of the University Art Gallery (UAG) at Pitt. After earning a degree in anthropology and a minor in museum studies from Pitt in 2016, she pursued a master's in museum studies from the University of Glasgow, then worked at the United States Holocaust Memorial Museum in Washington, D.C., and later at Pittsburgh institutions like the Heinz History Center and Carnegie Science Center. Since starting her role at the UAG in 2024, Powell coordinates exhibitions, plans educational programming, and improves accessibility to a collection of over 3,000 pieces, working alongside one other full-time employee.
Leoni d’Oro della Biennale votati dal pubblico? 7 motivi per cui non possono funzionare
On April 30, 2026, the International Jury of the Venice Art Biennale resigned en masse. In response, the Biennale Foundation hastily announced a new initiative called the "Visitor Lions" (Leoni dei Visitatori), where paying visitors would vote to award the Golden Lions for best artist and best national participation. The voting system would rely on ticket tracking to verify attendance at the main venues, the Giardini and the Arsenale. However, just a week before the public opening, no further details had been released, raising numerous practical concerns about the mechanism's feasibility.
Veneto: al posto di un caffè liberty di Recoaro Terme apre un centro d’arte contemporanea. Intervista alla curatrice
The historic Palazzo Caffè Nazionale in Recoaro Terme, a small spa town in the Veneto region of Italy, is being transformed into a contemporary art center called Cantiere del Contemporaneo, set to open on May 2, 2026. The project, curated by Elisabetta Bacchin, will focus on artist residencies, with the inaugural group including Romesh Bothalage, Pietro Chiarello, Francesco Pizzocchero, and Virginia Stevenin, who will work for two months in the converted spaces. The initiative is part of a broader regeneration plan funded by the National Plan for Borghi and the European Union's PNRR funds, aiming to revitalize the town's cultural and economic identity through contemporary art.
È nata una nuova certificazione per migliorare gestione e valorizzazione del patrimonio culturale italiano
A new certification standard called SGPI01:2024 has been launched in Italy to improve the management and valorization of cultural heritage. Developed by Certiquality and the Stati Generali del Patrimonio Italiano (SGPI), the standard was presented in Florence at Palazzo Guadagni Strozzi Sacrati, with the patronage of the Tuscany Region. It applies to all public and private entities that own or manage cultural and landscape assets, introducing a comprehensive management system that goes beyond legal compliance, focusing on conservation, economic sustainability, accessibility, and safety through independent third-party audits.
Il processo per assegnare il titolo di Capitale Italiana della Cultura andrebbe ripensato. Ecco perché
An analysis of the selection process for Italy's "Capital of Culture" title reveals a consistent pattern: cities chosen for the prestigious designation are almost exclusively administered by political coalitions aligned with the national government in power at the time of selection. The sole exceptions were Bergamo and Brescia, which were jointly awarded the title via a special parliamentary decree in recognition of their suffering during the pandemic, bypassing the standard procedure. This political alignment has persisted across different legislatures and changes in government.
The article, sourced from Beavercreek News Current, reports that the Fairborn Art Gallery is preparing to open its doors to the public. The specific details of the gallery's location, opening date, and featured exhibitions are not available due to the article being blocked by a security verification page.
University of North Texas (UNT) art students are boycotting on-campus exhibition spaces, prompting off-campus galleries in Dallas and Denton to step in and provide alternative venues for their work. The boycott stems from student grievances over institutional policies and conditions within the university's art program, leading to a grassroots shift in where student art is displayed.
Tara Anne Dalbow explores the emerging trend of 'one-work exhibitions,' where galleries and museums dedicate an entire show to a single masterpiece. This format encourages 'slow looking,' a meditative practice that prioritizes deep engagement and spatial experience over the rapid-fire consumption of images typical of the digital age.
The Vietnam Fine Arts Museum in Hanoi is hosting "Cuộc Chơi Với Lá (A Game with Leaves)," an exhibition showcasing over six decades of work by self-taught Vietnamese artist Tạ Hải. The show features dozens of artworks selected from more than 500 pieces he has created entirely from natural materials, primarily fallen leaves, since his first work in 1965. Hải, who works outside formal artistic traditions, transforms leaves into landscapes depicting rivers, rooftops, and village paths, driven by a philosophy that sees fallen leaves as enduring symbols of life rather than discarded remnants.
The Jersey Artist Registry (JAR) is presenting "Uncharted Territory," an exhibition featuring over 50 works by 31 New Jersey artists at The Oyster Point Hotel in Red Bank. Curated by JAR founder Ellen Martin, the show runs from May 8 through June 29, 2026, and includes a diverse range of styles and media, from surreal photography to geometric abstraction and mystical fractals.
Artist Proof Studio (APS) is celebrating its 35th anniversary with a showcase of works that highlight its long-standing commitment to printmaking and arts education in South Africa. The studio continues to serve as a vital hub for emerging and established artists, fostering a community centered on technical excellence and creative collaboration.
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